Fridolin Stephan (45 results)

Hardcover. Condition: Good. Dust Jacket Condition: No Dust Jacket. First Edition Thus. Volume II (plate volume) only. An ex-library copy of this tall-format volume. The usual ex-libris markings, clean within. A sound reading/reference copy of the volume reproducing the illustrations from this late medieval work. Ex-Library.

Condition: New. pp. 717.

Condition: New. pp. 717.

Hardcover. Condition: vg. Facsimile edition Ex-Library. 1/600. Folio. 4 leaves, 41 (1)pp.; 2 leaves, 93 plates. Original quarter velum over textured blue paper boards with red emblem on covers, gilt lettering on spine. Title pages printed in red and black. Facsimile of the "Schatzbehalter (Keeper of the Treasure)" woodcuts issued in its entirety for the first time since its original publication in 1491. The woodcuts are attributed to Michael Wolgemut and his workshop. The facsimile volume includes all woodcuts in the original order and seize, and was reproduced with planographic printing. This method accomplishes the soft alignment of the original. To the reproductions of the woodcuts in volume two facsimile text pages were added to provide the impression of the original columns and script. The text volume provides the up-to-date status of the research in terms of the origin of the "Schatzbehalter" and should familiarize the reader with the author as well as the structure of his work. It contains notes and bibliography at rear. Text in German. Usual library marking, barcode and sticker on front covers, stickers at tail of spines. Library book plates on inside front covers, pockets and index cards on inside back covers. Library stamps at top and bottom edges. Bindings and interior in overall very good condition.

Condition: Good. Michael Wohlgemuth (illustrator). Decorative wrappers in matching slipcase. 708 pp. Facsimile reprint of 1491 edition. German. Printed Sources of Western Art. Theodore Besterman, editor. One of the masterpieces of the incunabular period, containing 96 full-page woodcuts by Michael Wohlgemuth. (Brunet V, 193). As new.

Condition: New. Der mystische Bayerische Hiasl, die engagierte Frauenrechtlerin Carry Brachvogel, der ueberraschend vielseitig interessierte Jean Paul und die rappende Nina Fiva Sonnenberg sind nur einige Beispiele fuer die vielen historischen und zeitgenoessischen, bekannt.

Condition: Very Good. Facsimile Reprint. Paperback. Slight wear and dust soiling, lightly rubbed at spine and extremeties, otherwise very good in yellow wrappers. Please be aware that this volume is very heavy and therefore extra postage may be requested.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good Slipcase. Michael Wolgemut (illustrator). New Edition / First Edition Thus. ** SCARCE ** TWO FOLIO-SIZE HARDCOVER VOLUMES IN SLIPCASE, 1962 ** ONLY 600 COPIES PRINTED ** TEXT IN GERMAN ** FORMER LIBRARY BOOKS, OTHERWISE BOOKS IN FINE CONDITION ** COMPLETE AND INTACT ** LAVISHLY ILLUSTRATED ** Published in Wiesbaden by Guido Pressler, 1962, limited to 600 copies, with 41 pages of text in the first volume, the second volume contains 91 full-page facsimile woodcuts first published in 1491 (plus additional pages of introductory material), plus 2 full-sized facsimile reproduction pages of original text from 1491, small folio-size volumes, each is 12.25 inches tall, embossed gilt-lettered vellum spines over paper-covered boards. NOTE: EX-LIBRARY BOOKS, please expect library markings and indicia. However also note that if not for the minimal library markings, the condition of the 2 books would be Fine. The slipcase has areas of sun-faded, otherwise it would also be Fine. There are no library markings on the slipcase. The books are clean and stain-free, sound and solid, and aside from the library indicia, are unmarked in any way. They are square and straight, firm and tight in their bindings, no pages are loose, missing, torn, or folded. The hinges are sound and undamaged, the corners are sharp and unbumped. Internally Fine, all pages clean and stain-free, all text and illustrations crisp and sharp. [DBOX 1].

[iii, 703p.], many b/w Wolgemut woodcuts, facsimile of the 1491 Koberger printing in Nürnberg, original stiff colored boards, in the original publisher's decorative stiff slipcase, thick quarto format (Printed sources of Western art, 28).

Hardcover. Condition: Good. Dust Jacket Condition: No Dust Jacket. Folio. With 96 full-page woodcuts (5 repeated, 2 old-coloured) by Michael Wolgemut and Wilhelm Pleydenwurff, with a gold-punched initial on polychrome ground and large colored initials. Gotic type in two sizes, two columns, 40-43 lines. Initials executed in read and blue executed. 352 leaves (from 354, without front and last blank leaves). Contemporary blind embossed pigskin with 5 brass buckles and buttons on each boards, rubbed, some small wormholes, joint partly cracked, leather on the front edges expertly repaired, internally some repaired ff., somewhat waterstained. [Hain-Cop. 14507 = Hain 6326; BMC II, 434; Goff S-306] .

Couverture rigide. Condition: Très bon. Normal 0 21 false false false FR X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tableau Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:8.0pt; mso-para-margin-left:0cm; line-height:107%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} First and unique edition of this famous German mystic incunabula relating the life of Christ, printed in 150 copies only, according to the tradition. The text was written by the Sisters of the Order of St. Clare in Nuremberg and edited by the Sisters of Charity in Pirckheim. Hain 14 507; Copinger I. p.431; Panzer D. ann 313; Brunet v. 193; Proctor 2070; Polland II. p.434; Muther 423; Dogson I. pp.240-245; Passavant I. 67; Fairfax-Murray II. 392; BMC II. 434; Stillwell S. 280. One of the most beautiful and most famous illustrated incunabula. This work with Schedel's Chronicle (1493) is one of the "two first important books with original illustrations published at Nuremberg". Dogson I. pp. 241.2. Der Schatzbehalter oder Schrein der wahren Reichtümer des Heils und der ewigen Seligkeit genant [Le Gardien du trésor, dit Écrin des vraies richesses du Salut et du Paradis éternel] was published in 1491, in Nuremberg. The Schatzbehalter preceded by two years the Nuremberg Chronicle. It is due to Franciscan monk Stephan Fridolin (c. 1430-1498), then preacher of the Sisters Poor Clares of the city, died in 1498. Steeped in theology, the work is based on the life of Christ. This is the main book of the author, who took advantage here of his immense erudition, acquired throughout his activities as a preacher and reader in the convents of Bamberg, Mainz and, from 1480, Nuremberg. Printed by Anton Koberger, the work after the Breydenbach of 1486, is almost seen as the first illustrated book in Germany in the 15th century, of which the figures can be attributed with certainty to a famous artist, several plates bearing the signature of Wolgemuth. The absolutely superb iconography is composed of 96 full-page (252 x 176 mm) large woodcuts, especially drawn for the text. Due to Michael Wolgemuth (1434-1519), Durer's Master, they attest of a great mastery of the artist in the composition of the various scenes, the richness of expression of the faces and the details precision especially for the clothes and the daily life. Others are due to Wilhelm Pleydenwurff, to artists from the Wolgemuth's artist studio and perhaps to Durer himself. Michael Wohlgemuth occupied an incredible situation in Nuremberg and seems to have been considered there as the most eminent painter of his time. "Durer who was his pupil admired him so much that he painted his portrait twice, the second time when he was 82 years old." Benezit X 778. This superb suite of different illustrations related to the life of Christ allows Wohlgemuth to interpret in powerful scenes the main episodes of the Bible and the New Testament: Terrestrial Paradise, Moses, Abraham, Nativity, Flight into Egypt, Baptism of Christ, Christ chasing the merchants of the Temple, the Last Supper, the Passion, the Last Judgment? Many outdoor scenes are set in front of landscapes, fortified strongholds or contemporary buildings? In addition to the main protagonists, many other characters move in clearly architectural settings or landscapes, whose role is both ornamental and symbolic. Countless savory details concern the interior architecture, the arming, the ships, the means of transport and the customs of the time, the banquets and the costumes of the 15th century, especially the fashion for women. Wide-margined copy, very pure and from a beautiful issue, preserved in its original binding. Executed in Nuremberg, it is to be compared, by its ornamental vocabulary (bird, griffin, rosace, branch) with a Boethius belonging to the Foundation Schäfer and with the Schatzbehalter from J. R. Ritman's library. The text, adorned with a large illuminated initial, was rubricated in red and blue. The paper has kept all its original qualities. Small defects on the binding. Provenance: ex-libris of the Baron Ferdinand Hoffmann (1540-1607), engraved by Lucas Kilian (1579-1637) after Mr. Göndolach. Ferdinand Hoffmann, lord of Grünbüchel and Strechau, had gathered a collection of books composed of more than ten thousand prints and manuscripts, he had acquired the entire Hieronymus Holzschuher's library, famous doctor from Nuremberg and friend of Durer, who himself had inherited from his father-in-law's library, Hieronymus Münzer, doctor, cartographer and collector of science books; Prinz Ferdinand von Dietrichstein (?) (1628-1698), to whom the heirs of Hoffmann gave the library of their ancestor and who, in 1669, moved it to the Castle of Nikolsburg in Moravia (two sales were organized in November 1933, and June 1934 but none of the catalogs mention the copy); Paul Harth (ex-libris) (sold for 44 673 ? on March 1st 1987, 32 years ago, by Sotheby's); Pierre Bergé; Marc Litzler. Goff S-306; GW 10329; BMC II 434 (fo a copy in contemporary binding; dim. : 333 x 233 mm); Arnim, Katalog der Bibliothek Otto Schäffer, 1,302 ("It is said that the edition was only printed in 150 copies"); Muther, 423 (Ğ The first book produced by the Koburg press with illustrations that were certainly prepared under the supervision of Wolgemuth is the 1491 'Schatzbehalter oder Schrein der wahren Reichtümer des Heils und ewiger Seeligkeit' ğ); Needham, Twelve Centuries of Bookbindings, 400-1600, n° 30, note 9 and n° 92; Schäfer, Europaïsche Einbandkunst Aussechs Jahrhunderten, n° 15; Seaver, Maps, Myths, and M.

Condition: Gut. Zweispaltiger Druck, 41-zeilig mit Überschrift, mehrfach rot rubriziert, 3 Große Initiale. Überschrift mit Unterstreichung in Rot. - Originalblatt aus einem der schönsten und bedeutendsten Werke der Inkunabelzeit, in dem 100 Betrachtungsweisen des Leidens Christi abgehandelt werden. Stephan Fridolin (um 1430 1498) war Prediger, Lektor und Franziskanermönch in Bamberg, Mainz, Basel und Nürnberg, wo er als geistlicher Betreuer des Klarissenklosters wirkte. Neben einem Buch von den Kaiserangesichten, das Kaiserbildnissen auf antiken römischen Münzen gewidmet ist, einigen Predigtsammlungen und allegorischen Werken veröffentlichte er im Jahre 1491 sein wichtigstes Werk, den Schatzbehalter der wahren Reichtümer des Heils. Die auff frag un[d] bitt etlicher andechtiger person" verfasste Erbauungsschrift war dezidiert an Laien gerichtet. Die im Hauptteil des Werkes dargebotenen 100 Gedanken über das Leiden und Sterben Christi fordern dazu auf, die Werke und Martern des Gottessohnes mit scha[m], mit mitleiden und danckberkeit" zu betrachten und als Genugtuung für alle Sünde und Erlösung der Gläubigen zu begreifen. Die Passion und das Kreuzesgeschehen gelten so als Schrein oder Schatzbehalter des menschlichen Heils. Der Schatzbehalter ist das einzige Werk Fridolins, das bereits zu seinen Lebzeiten in gedruckter Form veröffentlicht wurde. gilt als Höhepunkt in der Geschichte der Nürnberger Druckerei. (Von dem seltenen Werke sind) heute weltweit knapp 140 Exemplare nachweisbar. - Etwas gebräunt, teils braunfleckig, kleine Wurmlöchlein, etwas wasserrandig Scht.B . Bei Bestellungen auf Rechnung bleibt Vorkasse vorbehalten. Bestellungen erfolgen ohne Gewähr und gelten erst nach Bestätigung der Verfügbarkeit. Payment in advance is reserved for orders on account. Orders are made without guarantee and are only valid after availability has been confirmed. The shipping costs to non-EU countries may vary depending on the weight. We also offer cheaper shipping options for books up to 1000g. Sprache: Deutsch Gewicht in Gramm: 2000 31,8 x 22 cm (Blattgröße), 24,6 x 15,6 (Druckspiegel).

Condition: Gut. Zweispaltiger Druck, 41-zeilig mit Überschrift. Überschrift mit Unterstreichung in Rot. - Originalblatt aus einem der schönsten und bedeutendsten Werke der Inkunabelzeit, in dem 100 Betrachtungsweisen des Leidens Christi abgehandelt werden. Stephan Fridolin (um 1430 1498) war Prediger, Lektor und Franziskanermönch in Bamberg, Mainz, Basel und Nürnberg, wo er als geistlicher Betreuer des Klarissenklosters wirkte. Neben einem Buch von den Kaiserangesichten, das Kaiserbildnissen auf antiken römischen Münzen gewidmet ist, einigen Predigtsammlungen und allegorischen Werken veröffentlichte er im Jahre 1491 sein wichtigstes Werk, den Schatzbehalter der wahren Reichtümer des Heils. Die auff frag un[d] bitt etlicher andechtiger person" verfasste Erbauungsschrift war dezidiert an Laien gerichtet. Die im Hauptteil des Werkes dargebotenen 100 Gedanken über das Leiden und Sterben Christi fordern dazu auf, die Werke und Martern des Gottessohnes mit scha[m], mit mitleiden und danckberkeit" zu betrachten und als Genugtuung für alle Sünde und Erlösung der Gläubigen zu begreifen. Die Passion und das Kreuzesgeschehen gelten so als Schrein oder Schatzbehalter des menschlichen Heils. Der Schatzbehalter ist das einzige Werk Fridolins, das bereits zu seinen Lebzeiten in gedruckter Form veröffentlicht wurde. gilt als Höhepunkt in der Geschichte der Nürnberger Druckerei. (Von dem seltenen Werke sind) heute weltweit knapp 140 Exemplare nachweisbar. - Etwas gebräunt, teils braunfleckig, Unterrand mit Knickspuren und 2 Einrissen. wasserrandig Sch.B. . Bei Bestellungen auf Rechnung bleibt Vorkasse vorbehalten. Bestellungen erfolgen ohne Gewähr und gelten erst nach Bestätigung der Verfügbarkeit. Payment in advance is reserved for orders on account. Orders are made without guarantee and are only valid after availability has been confirmed. The shipping costs to non-EU countries may vary depending on the weight. We also offer cheaper shipping options for books up to 1000g. Sprache: Deutsch Gewicht in Gramm: 2000 31,8 x 22 cm (Blattgröße), 24,6 x 15,6 (Druckspiegel).

Condition: Gut. Zweispaltiger Druck, 41-zeilig mit Überschrift, mehrfach rot rubriziert, 4 Große Initiale. Überschrift mit Unterstreichung in Rot. - Originalblatt aus einem der schönsten und bedeutendsten Werke der Inkunabelzeit, in dem 100 Betrachtungsweisen des Leidens Christi abgehandelt werden. Stephan Fridolin (um 1430 1498) war Prediger, Lektor und Franziskanermönch in Bamberg, Mainz, Basel und Nürnberg, wo er als geistlicher Betreuer des Klarissenklosters wirkte. Neben einem Buch von den Kaiserangesichten, das Kaiserbildnissen auf antiken römischen Münzen gewidmet ist, einigen Predigtsammlungen und allegorischen Werken veröffentlichte er im Jahre 1491 sein wichtigstes Werk, den Schatzbehalter der wahren Reichtümer des Heils. Die auff frag un[d] bitt etlicher andechtiger person" verfasste Erbauungsschrift war dezidiert an Laien gerichtet. Die im Hauptteil des Werkes dargebotenen 100 Gedanken über das Leiden und Sterben Christi fordern dazu auf, die Werke und Martern des Gottessohnes mit scha[m], mit mitleiden und danckberkeit" zu betrachten und als Genugtuung für alle Sünde und Erlösung der Gläubigen zu begreifen. Die Passion und das Kreuzesgeschehen gelten so als Schrein oder Schatzbehalter des menschlichen Heils. Der Schatzbehalter ist das einzige Werk Fridolins, das bereits zu seinen Lebzeiten in gedruckter Form veröffentlicht wurde. gilt als Höhepunkt in der Geschichte der Nürnberger Druckerei. (Von dem seltenen Werke sind) heute weltweit knapp 140 Exemplare nachweisbar. - Etwas gebräunt. Sch.B. . Bei Bestellungen auf Rechnung bleibt Vorkasse vorbehalten. Bestellungen erfolgen ohne Gewähr und gelten erst nach Bestätigung der Verfügbarkeit. Payment in advance is reserved for orders on account. Orders are made without guarantee and are only valid after availability has been confirmed. The shipping costs to non-EU countries may vary depending on the weight. We also offer cheaper shipping options for books up to 1000g. Sprache: Deutsch Gewicht in Gramm: 2000 31,8 x 22 cm (Blattgröße), 24,6 x 15,6 (Druckspiegel).

Condition: Gut. Zweispaltiger Druck, 41-zeilig mit Überschrift, mehrfach rot rubriziert, 3 Große Initiale. Überschrift mit Unterstreichung in Rot. Marginalie. - Originalblatt aus einem der schönsten und bedeutendsten Werke der Inkunabelzeit, in dem 100 Betrachtungsweisen des Leidens Christi abgehandelt werden. Stephan Fridolin (um 1430 1498) war Prediger, Lektor und Franziskanermönch in Bamberg, Mainz, Basel und Nürnberg, wo er als geistlicher Betreuer des Klarissenklosters wirkte. Neben einem Buch von den Kaiserangesichten, das Kaiserbildnissen auf antiken römischen Münzen gewidmet ist, einigen Predigtsammlungen und allegorischen Werken veröffentlichte er im Jahre 1491 sein wichtigstes Werk, den Schatzbehalter der wahren Reichtümer des Heils. Die auff frag un[d] bitt etlicher andechtiger person" verfasste Erbauungsschrift war dezidiert an Laien gerichtet. Die im Hauptteil des Werkes dargebotenen 100 Gedanken über das Leiden und Sterben Christi fordern dazu auf, die Werke und Martern des Gottessohnes mit scha[m], mit mitleiden und danckberkeit" zu betrachten und als Genugtuung für alle Sünde und Erlösung der Gläubigen zu begreifen. Die Passion und das Kreuzesgeschehen gelten so als Schrein oder Schatzbehalter des menschlichen Heils. Der Schatzbehalter ist das einzige Werk Fridolins, das bereits zu seinen Lebzeiten in gedruckter Form veröffentlicht wurde. gilt als Höhepunkt in der Geschichte der Nürnberger Druckerei. (Von dem seltenen Werke sind) heute weltweit knapp 140 Exemplare nachweisbar. - Etwas gebräunt, leicht braunfleckig. Sch.B. . Bei Bestellungen auf Rechnung bleibt Vorkasse vorbehalten. Bestellungen erfolgen ohne Gewähr und gelten erst nach Bestätigung der Verfügbarkeit. Payment in advance is reserved for orders on account. Orders are made without guarantee and are only valid after availability has been confirmed. The shipping costs to non-EU countries may vary depending on the weight. We also offer cheaper shipping options for books up to 1000g. Sprache: Deutsch Gewicht in Gramm: 2000 31,8 x 22 cm (Blattgröße), 24,6 x 15,6 (Druckspiegel).

Ein Andachts- und Erbauungsbuch aus dem Jahre 1491. Mit 91 Holzschnitten Textseiten in Faksimile. Nach der Ausgabe Koberger, Nürnberg. Text von Richard Bellm. Text- und Tafelband. Wiesbaden, Pressler 1962. 41 S., (Textband), OHalbpergaminband. 4to. Auflage 600 Exemplare. Gutes Exemplar. !!!BITTE BEACHTEN. WIR SIND BIS 17.5. IN URLAUB. PLEASE NOTE! WE'RE ON VACATION UNTIL 17. MAY.

176 Seiten mit zahlreichen, meist farbigen und ganzseitigen Abbildungen der 96 kolorierten Holzschnitte und 1 CD-ROM in einer Hülle an der Innenseite des hinteren Einbanddeckels. Gutes Exemplar mit nur leichten Gebrauchsspuren. Textsauber und aus einem Nichtraucherhaushalt. Die Hülle der CD-ROM ist noch ungeöffnet. "Der Schatzbehalter oder Schrein der wahren Reichtümer des Heils und ewiger Seligkeit" aus der Feder des Franziskanerpaters Stephan Fridolin ist eine frühneuhochdeutsche Inkunabel von 1491. Mit ihrer umfangreichen Holzschnittausstattung aus der Werkstatt von Wilhelm Pleydenwurff und Michael Wolgemut, dem Lehrer von Albrecht Dürer, zählt sie zu den Hauptwerken der frühen Nürnberger Drucke. Das religiöse Werk aus der Gattung der Erbauungsliteratur nimmt mit Inhalt, Struktur und Anliegen auch eine bedeutende Stellung im frühhumanistischen Umfeld der Freien Reichsstadt ein. Der größte Teil der ca. 200 erhaltenen Exemplare ist unkoloriert, das Mainzer Exemplar aus der Martinus-Bibliothek gehört zu der kleinen Gruppe von Prachtexemplaren. Die 7 im Mainzer Exemplar fehlenden Holzschnitte wurden aus dem Schatzbehalter der Universitäts- und Landesbibliothek Darmstadt ergänzt. Letzterer ist außerdem in vollem Umfang, also zusätzlich mit allen Textseiten, auf der beiliegenden CD-ROM wiedergegeben, so dass man die beiden in unterschiedlicher Qualität kolorierten Exemplare miteinander vergleichen kann. Die Einführung und die Kommentare zu den einzelnen Holzschnitten bieten die Grundlage zum Verständnis des Werkes. Sprache: Deutsch Großformat, Original-Leinenband in einem Pappschuber.

Single leaf. Condition: Very Good with no dust jacket. 8.5 x 12"; 2 pages; Black face type. 2 columns. If this has been properly identified it was a heavily illustrated book which greatly infuenced Durer's works. This leaf is not illustrated. Light loss at inner margin where page was be removed [well away from type]. "The True riches of salvation".

Original hand-coloured woodcut (25.5 x 18 cm) from the 'Schatzbehalter der wahren Reichtümer des Heils' to the neatline and mounted. With attractive old colour characteristic of Koberger's workshop. Some light browning and toning, generally very good. The Schatzbehalter was written by Stephan Fridolin, spiritual guide and confessor to the Poor Clares at Nuremberg, almost certainly at the behest of the nuns and their abbess, Caritas Pirckheimer, sister to Willibald. The text is based on Scripture and tells the story of the life and passion of Christ in 100 events; the accompanying illustrations were intended to impress the story more firmly on the mind of the audience, specifically those unable to read, as Fridolin states in the preface. It thus joins other late medieval works popularizing Scripture in text and image, such as the blockbook Biblia Pauperum. In his discussion of each woodcut, Fridolin explicates the literal and metaphysical meaning of the image, thus giving the modern reader an invaluable insight into medieval interpretation of imagery.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1555 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 295 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 295.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1533 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 263 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 263.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1581 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 429 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 429.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1550 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 391 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 391.

No Binding. Condition: Good. An original leaf from Schatzbehalter der wahren Reichtümer des Heils [Treasure Chest of the True Riches of Salvation] by Stephan Fridolin, a late medieval work popularizing Scripture in text and image. Printed in Nuremberg by Anton Koberger on 8 November 1491, thus a true incunabulum. One of 354 leaves. Leaf size: 29.25 x 21 cm. Each leaf side contains, underneath a heading, 41 printed lines in 2 columns. Col. width: 7.3 cm. The recto heading is, cristi uber sich genummenhaben, likely a continuation of the heading of the previous page. The verso heading is, wie alle wirdigkeit cristi beschemetist worden, [How Christ's dignity was humiliated]. Both headings in lower case. Printed at the foot of the second column recto is signature "a c"; without foliation or catchword. As to the recto page, in the margin at the base of the first column is a handwritten notation in light black ink. In the upper right margin is a notation that appears to read 1Ag. As to the verso page, in the left margin is a handwritten notation in black ink. Also with a light crescent-shaped stain along the top half of the inner margin as to both sides and a much smaller light stain below that, else clean. No worm holes or wrinkling observed. Rated a Good Plus to Very Good Minus leaf. Although most incunabula were printed in Latin, best estimates are that 10.8 percent were printed in German, using the Latin alphabet. Northern Bavarian (Nordbairisch) was a dialect spoken in the Nuremberg area in the Middle High German era, 1050-1350, but overlapped with East Franconian (Ostfränkisch). These were regional forms of German gradually losing status during 1350-1650, the Early New High German (Frühneuhochdeutsch) era. Since the ENHG printers had a commercial interest in making their texts acceptable to a wide readership, they often strove to avoid purely local forms of language. This gave rise to so-called Druckersprachen ("printers' languages"), which are not necessarily identical to the spoken dialect of the town where the press was located. Most MHG and ENHG words survive into modern German in some form or other: this leaf contains one word (jehen 'say') which has since disappeared from the language. But many words have changed their meaning substantially. Typeface closely resembles that used by Anton Koberger of Nuremberg in his 1483 German Bible and 1488 German translation of the Golden Legend, but not that of his 1484 Reformation der Stadt Nurnberg. Cf. the facsimile ed. published as Schatzbehalter, v. 28 in the series The Printed Sources of Western Art, ed. T. Besterman (Portland, Or.: Collegium Graphicum, 1972).

LeatheBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 184. A perfect gift for your loved ones. Reprinted from 9999 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: German Pages: 184.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 192. A perfect gift for your loved ones. Reprinted from 1913 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: German Pages: 192.

LeatherBound. Condition: NEW. LeatherBound edition. Condition: New. Reprinted from [ca. 1555] edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 296.

LeatherBound. Condition: NEW. LeatherBound edition. Condition: New. Reprinted from 1533 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 276.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1491 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 718 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 718 Fridolin, Stephan, approximately 1430-1498,Wolgemut, Michael, 1434-1519, illustrator,Pleydenwurff, Wilhelm, -1494, illustrator,Koberger, Anton, approximately 1440-1513, printer.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1849 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 519 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 519.