Gerli (480 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Near Fine. No Dust Jacket. Near Fine Condition. No dust jacket. Pp. 297. Boards have a protective cover. No marks on the text block. No marks of previous ownership or inscriptions. ; Height: 9.75 Inches, Length: 6.5 Inches, Weight: 1 Pounds, Width: 1 Inches; 297 pages.

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condition: as new. Wie neu/Like new. Gerli, Maddalena (illustrator).

Hardcover. Condition: Very Good with no dust jacket. Book is in medieval Spanish language, with explanatory notes and vocabulary also in Spanish. Sound binding and hinges. Clean, off-white pages. Paper oveer boards is clean with bright gilt lettering on front and spine. Religious poetry by Castilian Spanish Gonzalo de Berceo (ca.1197-1264). Letras Hispanicas; 7.00" tall; 262 pages.…

Condition: New.

Condition: as new. Wie neu/Like new. Maddalena Gerli (illustrator).

Hardcover. Condition: Fair. This book is a reference or reading copy only. The book has some shelfwear, edge wear; light warping to top edge from a spot of water damage. Inside pages have no writing. ; Art Of Diablo, 1; 9.6 X 1.1 X 13 inches; 250 pages.

Condition: As New. Unread book in perfect condition.

Cloth. Condition: Very Good +. No Jacket. First Edition. But for the library markings the book is in very good + condition.

Condition: New.

Hardcover. Dust Jacket Condition: Near Fine. First Edition. First edition (first printing). Near fine in a near fine dust jacket. In this wide-ranging study E. Michael Gerli shows how Cervantes and his contemporaries ceaselessly imitated one another--glossing works, dismembering and reconstructing them, writing for and against one another--while playing sophisticated games of literary one-upmanship. The result was that literature in late Renaissance Spain was often more than a simple matter of source and imitation. It must be understood as a far more subtle, palimpsest-like process of forging endless series of texts from other texts, thus linking closely the practices of reading, writing, and rewriting. Like all major writers of the age, Cervantes was responding not just to specific literary traditions but to a broad range of texts and discourses. He expected his well-read audience to recognize his sources and to appreciate their transformations. The notion of writing as reading and reading as writing is thus central to an understanding of Cervantes' literary invention. As he created his works, he constantly questioned and reconfigured the authority of other texts, appropriating, combining, naturalizing, and effacing them, displacing them with his own themes, images, styles, and beliefs. Modern literary theory has confirmed what Cervantes and his contemporaries intuitively knew--that reading and writing are closely linked dimensions of the literary enterprise. Reading Cervantes and his contemporaries in this way enables us to cojnprehend the craft, wit, irony, and subtle conceit that he at the heart of seventeenth-century Spanish literature.…

Condition: New.

Paperback or Softback. Condition: New. Poetry at Court in Trastamaran Spain: From the Cancionero de Baena to the Cancionero General. Book.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Couverture souple. Condition: Comme neuf. Mouck collection , 2015. 1 volume broché(s) format In-8 comme neuf. Gerli Maddalena (illustrator).

Hardcover. Condition: Fine. No Jacket. 1st Edition. Festschrift in dull black boards with gold lettering has minor shelf-wear, tight, bright, and unmarked. Twenty-one (!) essays and the honoree's bibliography. A nice copy.

Condition: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Très bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Traces d'humidité sur les premières et dernières pages. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Slight signs of wear on the cover. Traces of humidity on the first and last pages. Ammareal gives back up to 15% of this item's net price to charity organizations. GERLI, Maddalena (illustrator).…

Hardcover. Condition: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. GERLI, Maddalena (illustrator).…

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2015. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2015. Ammareal gives back up to 15% of this item's net price to charity organizations. Gerli Maddalena (illustrator). …

Hardcover. Condition: Fine. First Edition. Fine-looking, structurally sound hardcover exemplar of a second festschrift for Samuel G. Armistead. Little discernible wear to the gray cloth over boards, gilt lettering to spine and front cover, university logo stamped to front cover. Bright interior, unmarked. This festschrift edited by E. Michael Gerli features contributions by him and by Harvey L. Sharrer, Samuel G. Armistead, Manuel Alvar, Juan Bautista Avalie-Arce, Paul Benichou, Dorothy Clotelle Clarke, Manuel da Costa Fontes, Alan Deyermond, Giuseppe di Stefano, Alvaro Galmes de Fuentes, Milagros de Nuestrat Senora and E. Michael Gerli, Harriet Goldberg, Jaco M. Hassan, Israel E. Katz, John E. Keller, Paul M. Lloyd, Yakov Malkiel, Francisco Marquez Villanueva, Elena Romero, Antonio Sanchez Romeralo, Harvey L. Sharrer, Joseph Silverman and Colin Smith. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. Frontis matter, 2-301 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condition: Very Good. xxv, 130 pages. Publisher's cloth-covered binding sturdy, corners sharp, gold-stamped lettering bright; a few marks in pencil to the introduction, else contents unmarked and attractive. 400 grams.

Hardcover. Condition: Very Good. Dust Jacket Condition: Issued without a dust jacket. Like new. Pages clean; binding tight; very minor wear to covers; issued without a dustjacket. Twelve essays, by various authors, examining early Spanish love poetry. 297 pages. MRTS 181. Size: 6 1/2" x 9 1/2".

Hardcover. Condition: Very Good. Dust Jacket Condition: Issued without a dust jacket. Like new. Pages clean; binding tight; very minor wear to covers; issued without a dustjacket. Twelve essays, by various authors, examining early Spanish love poetry. 297 pages. MRTS 181. Size: 6 1/2" x 9 1/2".

Condition: New. 1st edition. Cloth, F. xxii+297pp, index, a fine copy. MRTS vol 181. A collection of 12 essays dealing with late Medieval Castilian poetry. 725 grams.