Giuliano Sergio (72 results)

Condition: good. Books may contain some notes and highlighting. Supplements such as Access Codes, Cd's Dust Jackets, etc. are not guaranteed with used book purchases.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condition: Very Good. Pbk. ed. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Caselli, Giovanni; Fornari, Giuliano; Sergio (illustrator).

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Caselli, Giovanni; Fornari, Giuliano; Sergio (illustrator).

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Caselli, Giovanni; Fornari, Giuliano; Sergio (illustrator).

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. Caselli, Giovanni; Fornari, Giuliano; Sergio (illustrator).

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Caselli, Giovanni; Fornari, Giuliano; Sergio (illustrator).

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Caselli, Giovanni; Fornari, Giuliano; Sergio (illustrator). …

Paperback. Condition: New. Book is in excellent condition. 100% Satisfaction Guaranteed. Orders received before 3PM PT typically ship same day. All profits support the non-profit community. Caselli, Giovanni; Fornari, Giuliano; Sergio (illustrator).

Paperback. Condition: As New. Caselli, Giovanni; Fornari, Giuliano; Sergio (illustrator).

Condition: New. Idioma/Language: Español. En la filosofía de Nietzsche, el tema del heroísmo aparece como un término de confrontación continua y central que permite al filósofo diferenciar su propia posición de muchas "morales heroicas" de su época (de Carlyle a Gobineau, de Wagner a Baudelaire). La primera parte de este libro recorre el tema del heroísmo en Nietzsche y sus diversos cambios significativos. La filosofía del espíritu libre disuelve, con las certezas metafísicas, toda propensión hacia una moral heroica que puede llegar hasta el extremo sacrificio ascético de sí mismo. La segunda parte está dedicada a la figura de Sócrates, "héroe" de la decadencia, cuya elección de morir revela el verdadero sentido de su filosofía. La tercera parte analiza la lucha de Nietzsche contra las "sombras de Dios" que ofuscan el horizonte, las diversas figuras y actitudes que el gran acontecimiento de la muerte de Dios produce. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Hardcover. Condition: Very Good. Italian-language large hardcover with excellent, unmarked pages and VG exterior (light handling, light wear, price neatly scratched out on back panel. 64 pages, with color illustrations throughout. [1.8 lbs]. Giuliano Fornari, Sergio (illustrator). Book.

Paperback. Condition: New. Are we all the same when behind a camera lens or is there a feminine gaze? Does it make any sense to address the gender issue with an impersonal and neutral medium like photography?Are we all the same when behind a camera lens or is there a feminine gaze? Does it make any sense to address the gender issue with an impersonal and neutral medium like photography? The works of Julia Margaret Cameron, Florence Henri and Francesca Woodman seem to provide an answer: despite different techniques and formal approaches, their portraits show a common sensitivity that affords the viewer a journey through this representation of femininity.In their photographs, all the women portrayed offer themselves to the viewer with their presence and demand to be acknowledged. Only in this way can photography be the space where self-identity is put to the test, the place where objectification is escaped and where a dimension can be built in which the eye and the body offer a single vision - and any linguistic reference is subservient to a new investigation.Text in English and Italian.…

Brossura. Condition: new. Edited by Sergio G. Translation by Carruthers A. English Text. Milano, 2024; paperback, pp. 208, ill., cm 25x30. (Fotografia). "Vitalità del negativo nell'arte italiana 1960-70" fu la prima mostra organizzata da Incontri Internazionali d'Arte (associazione fondata da Graziella Lonardi Buontempo a Roma) e diede avvio a un'importante attività di promozione dell'arte contemporanea, italiana ed estera. La mostra riunì 33 artisti che sono oggi l'emblema dell'arte italiana degli anni sessanta e settanta: Vincenzo Agnetti, Carlo Alfano, Getulio Alviani, Franco Angeli, Giovanni Anselmo, Alighiero Boetti, Agostino Bonalumi, Davide Boriani, Enrico Castellani, Gianni Colombo, Gabriele De Vecchi, Luciano Fabro, Tano Festa, Giosetta Fioroni, Jannis Kounellis, Francesco Lo Savio, Renato Mambor, Piero Manzoni, Gino Marotta, Manfredo Massironi, Fabio Mauri, Mario Merz, Giulio Paolini, Pino Pascali, Vettor Pisani, Michelangelo Pistoletto, Mimmo Rotella, Piero Sartogo, Paolo Scheggi, Mario Schifano, Cesare Tacchi, Giuseppe Uncini, Gilberto Zorio. A dare testimonianza dell'evento fu chiamato Ugo Mulas, il più attento fotografo della scena artistica internazionale dell'epoca, che eseguì il reportage dell'evento con il suo stile inconfondibile. A distanza di quarant'anni, il volume si incentra proprio su questo reportage, rimasto largamente inedito per la precoce scomparsa del fotografo: le circa 130 immagini offrono un viaggio tra gli artisti, le istallazioni e i visitatori, e una lettura fotografica lucidissima di una mostra cruciale per l'arte contemporanea italiana. Il libro è anche un utile strumento di storia della fotografia che approfondisce la ricerca personale del fotografo e il suo dialogo con gli artisti: durante l'inaugurazione di "Vitalità del negativo" Ugo Mulas realizzò una delle prime immagini della serie "Verifiche" che, per il rigore formale e l'analisi del medium, è considerata tra le opere più importanti della fotografia dell'epoca. Libro.…

Condition: new.

Paperback. Condition: New.

Condition: buono. Dal Novecento ad oggi Russia ed Europa orientale Historical and Political studies Contemporary History Russia and Eastern Europe Argomenti 79 in 16°, bross. edit. ill., volume ancora incellophanato OTTIME CONDIZIONI.

Softcover. Condition: Fine. Pergola, 15 Giugno-3 Novembre 2002; 4to 11" - 13" tall; 173 pages.

Softcover. Condition: Gut. Auflage aus dem Buch nicht ersichtlich. 78 Seiten Das Buch befindet sich in einem gebrauchten, fast sehr guten Zustand. Es ist gebraucht, und besitzt leichte, keinesfalls übermäßige Gebrauchsspuren, wie Einband am Rand gering berieben, Seiten und Schnittkanten auf Grund Alter und Sonnenlicht leicht verfärbt, alles nicht übermäßig. Im Buch, bis auf alte Preisangaben oder Namenseintrag, keine Einträge. Nichtraucherbuch. Weitere Qualitätsmerkmale / Einschränkungen: Rik011361 Sprache: Italienisch Gewicht in Gramm: 200.…

Condition: NEW.

Condition: Buono. Fotografia Fine arts Photography Napoli, Villa Pignatelli Casa della fotografia 20 dicembre 2014 - 8 febbraio 2015 - bross. edit. ill., lievi tracce d'uso in cop. - prima edizione - riccamente illustrato in b.n. e a colori nel testo BUONE CONDIZIONI.

Condition: NEW.

Paperback. Condition: Near fine in wraps. First Edition. 20 x 26cm 144pp an exhibition catalogue with Italian/English text plus numerous black and white reproductions.

dj. First Edition. First edition and first printing. Hardcover. 264 pages. Exhibition catalog for a show that ran December 13, 2011 through March 11, 2012. Features a foreword by Donald Druick, edited and with an essay by Matthew S. Witkovsky and with additional essays by Mark Godfrey, Robin Kelsey, Anne Rorimer, Allen Ruppersberg, Giuliano Sergio, and Joshua Shannon. Includes some color and numerous black and white images, selected bibliography, and a checklist. A clean and tight near fine copy with some slight bumping to the bottom right corners and in a near fine dust jacket with some very minor wear. A very pleasing copy of this terrific and informative catalog. …

hardcover. Condition: Fine. Illustrato Cartonato 143 p. 30x22 cm Ottimo (Fine) .

Brossura. Condition: fine. Pergola, Museo dei Bronzi Dorati e della città di Pergola, 15 giugno - 3 novembre 2002.A cura di Baldelli G., De Marinis G. e Rinaldi Tufi S.Modena, 2002; br., pp. 175, ill. b/n e col., cm 21x30. Idea di fondo è cercare di inquadrare - seppure a grandi linee - il complesso statuario dei Bronzi Dorati nella cultura artistica romana della nostra regione. Il gruppo equestre è così stato affiancato da oltre 30 opere, tutte di grande rilievo, rinvenute nella provincia pesarese. Una serie di capolavori, datati fra il I sec. a.C. e il II d.C., provenienti da collezioni e musei di Marche, Toscana, Emilia Romagna, Umbria e Città del Vaticano. Fra le opere in bronzo da ricordare il celebre Idolino di Pesaro (una finissima statua di adolescente, probabile arredo di una dimora signorile di età romana, rinvenuta a Pesaro nel XVI secolo ed universalmente conosciuta tra gli storici dell'arte classica come l'Idolino per antonomasia) entrato a far parte nel 1630 nelle Collezioni Medicee di Firenze che, dopo quasi 400 anni, torna per la prima volta nelle Marche. Dallo stesso luogo di ritrovamento (Casa Barignani), proviene un altro reperto bronzeo, sicuramente meno conosciuto ma altrettanto interessante, ossia l'Heros-Hypnos probabilmente risalente alla metà del II sec. d.C.Fra i marmi citiamo la Dea Fortuna di Fano, eponima della città, databile alla prima età imperiale, il ritratto di Marco Antonio, rinvenuto nella vicina Fossombrone e conservato nel Museo Archeologico di Bologna, un busto femminile e una statua maschile togata provenienti dai Musei Vaticani, collocati in modo da permettere un raffronto ravvicinato con le statue dei "Bronzi Dorati". L'evento rappresenta inoltre l'occasione per esporre al pubblico il fregio architettonico del I-II secolo d.C., raffigurante una scena mitologica di caccia, forse proveniente dall'antica Pisaurum o da territori limitrofi, recentemente acquistato dall'Amministrazione Provinciale di Pesaro e Urbino. Libro.…

Hardcover. Condition: Like New. Dust Jacket Condition: Very Good. First Edition. Text in Italian and English. With photos of works throughout. Signed "Sergio Benvenuti" on front endpaper (with address). Signed copies rarely offered. Benvenuti was born in Lucca. In his hometown he studied under Mario Moschi and attended Accademia di Belle Arti of Florence, of which he is member. In the same city he also taught sculpture at the Lyceum. When Benvenuti arrived in Florence, Antonio Berti, an official sculptor to the Vatican and to the Royal Family, gave him a formidable training. A sculptor was supposed to be like an athlete ? he had to prove himself to be strong and capable. In 1956,Benvenuti was asked by Berti to be his assistant in making a bronze dedicated to Alcide De Gasperi. Alongside sculpture, he has worked a great deal for the stage, designing numerous setting for Florence?s Teatro Comunale and Milan?s Scala. This passion of his for the theatre can clearly be seen in his ballerinas which have contributed to spread his fame all the way to Japan, where an important department store acquired and exhibited them in Tokyo and Kyoto stores.His best-known works in the US are the Two Oceans Fountain in San Diego and the equestrian monument for the new Broncos Stadium at Denver, Colorado. Signed by Author.…