Glazer Lee (117 results)

Perfect Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Lee Glazer (illustrator).

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. Red hard covers. Color illustration on dj. Int. good. Black and white illustrations. 47 pages. Minor shelf wear to dj. Small scratch on dj. Margot Apple (illustrator).

Condition: As New. Unread book in perfect condition.

Unknown. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Spiral-bound. Condition: Acceptable. dog-eared pages; smudges; stains; discoloration; wear and tear.some highlighting Satisfaction 100% guaranteed.

Condition: New.

Paperback. Condition: new. Paperback. You're invited to the Peacock Room, a stunning Victorian London dining room turned immersive work of art at the Smithsonian's National Museum of Asian ArtYou're invited to the Peacock Room, a stunning Victorian London dining room turned immersive work of art at the Smithsonian's National Museum of Asian ArtThe Peacock Room Comes to America details the unique history of a dining room so masterfully decorated, it crossed oceans to become an art collector's piece. The room is a study in opulence, offering a 360-degree showstopping view. This book features splendid illustrations and close-up shots of the room's most intricate details, from its gilded walnut latticework to the Tudor-style ceiling painted with a lush pattern of peacock feathers. The paneled room is painted in rich blue-green colors with white-over glazing and metallic gold leaf and distinctive incorporations of the peacock motif. While renowned for its beauty, the room is also famous for the story of its making, marked by betrayal and feuding, embodied by a mural of fighting peacocks painted in secret by artist James McNeill Whistler after he'd been fired from the project.The room is considered one of the best surviving aesthetic interiors of the Anglo-Japanese style and displays more than 250 stunning ceramics from across Asia ranging from prehistoric times to the early twentieth century. The Peacock Room Comes to America introduces readers to these distinctive pottery pieces with historical and artistic context.The book includes:60 color images20 archival images of the room's conservation and transformationsShort profiles on Raqqa ware, Jun ware, Korean celadons, Chinese funeral jars, and the room's focal painting The Princess from the Land of Porcelain by James McNeill WhistlerChronology of the room and the acquisition of its individual art piecesThis book explores the Peacock Room's long and fascinating journey from London to Detroit to Washington, DC. The Peacock Room Comes to America captures the harmony and whimsy of a room that is not merely a gallery, but an artwork of its own. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread copy in mint condition.

Condition: new.

Paperback. Condition: New. You're invited to the Peacock Room, a stunning Victorian London dining room turned immersive work of art at the Smithsonian's National Museum of Asian ArtThe Peacock Room Comes to America details the unique history of a dining room so masterfully decorated, it crossed oceans to become an art collector's piece. The room is a study in opulence, offering a 360-degree showstopping view. This book features splendid illustrations and close-up shots of the room's most intricate details, from its gilded walnut latticework to the Tudor-style ceiling painted with a lush pattern of peacock feathers. The paneled room is painted in rich blue-green colors with white-over glazing and metallic gold leaf and distinctive incorporations of the peacock motif. While renowned for its beauty, the room is also famous for the story of its making, marked by betrayal and feuding, embodied by a mural of fighting peacocks painted in secret by artist James McNeill Whistler after he'd been fired from the project.The room is considered one of the best surviving aesthetic interiors of the Anglo-Japanese style and displays more than 250 stunning ceramics from across Asia ranging from prehistoric times to the early twentieth century. The Peacock Room Comes to America introduces readers to these distinctive pottery pieces with historical and artistic context.The book includes:60 color images20 archival images of the room's conservation and transformations Short profiles on Raqqa ware, Jun ware, Korean celadons, Chinese funeral jars, and the room's focal painting The Princess from the Land of Porcelain by James McNeill WhistlerChronology of the room and the acquisition of its individual art pieces This book explores the Peacock Room's long and fascinating journey from London to Detroit to Washington, DC. The Peacock Room Comes to America captures the harmony and whimsy of a room that is not merely a gallery, but an artwork of its own.…

Condition: New.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. No markings. Historic Oklahoma Bookstore on Route 66. Packages shipped daily, Mon-Friday.

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Condition: New.

Condition: New. New.

Hardcover. Condition: Very Good. No Jacket. Hardbound, no dust jacket.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Paperback. Condition: New.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: Good. Softocover, Freer Gallery of Art, Smithsonian Institution 2012 edition. Softcover, light shelfwear to covers with nick to spine. Small price sticker on rear cover. Contents clean and tight. 61+ pages, color and b&w photos.

Soft cover. Condition: Fine. 1st. The catalogue of an exhibition at the High Museum of Art, Atlanta, Georgia, November 22, 2003 - February 8, 2004 and the Detroit Institute of Arts, Detroit, Michigan, March 13 - June 6, 2004. 68 works are described and illustrated in color; 99 figures accompany the text. 272pp 3.45lb 12.0x9.7x0.8in.…

Soft cover. Condition: Near Fine. 1st Edition. 152pp. ISSN-0033-3557 Contributions: Douglas Stalker & Clark Glymour, "The Malignant Object: Thoughts on Public Sculpture" (with four glossy black and white photo-illustrations of examples of Public Art), pp. 3-21; Wolf Von Eckardt, John Beardsley, Ronald Lee Fleming, Edward Levine, "Dissent from 'The Malignant Object'", pp. 22-34, with a Reply by Stalker & Glymour, pp. 34-36; Mark Lilla, "Art and Anxiety: The Writing on the Wall", pp. 37-54; Blanche Bernstein, "Shouldn't Low-Income Fathers Support Their Children?", pp. 55-71; John C. Pittenger & Peter Kuriloff, "Educating the Handicapped: Reforming a Radical Law", pp. 72-96; Edgar O. Olsen, "Housing programs and the forgotten taxpayer", pp. 97-109; Irving Welfeld, "Improving Housing Allowances", pp. 110-118; Robert J. Shapiro, "Politics and the Federal Reserve", pp. 119-139; James Coleman, "Summer Learning and School Achievement", pp. 140-144; "Current Reading," pp. 145-149; "Back Issues Available @ $4.00" : No. 55 (Spring, 1979)-No. 65 (Spring, 1981), an index of authors and article titles in the issues, pp. 150-152. Only flaw is light blue cover sun ned to taupe, wrapping around across spine and onto rear cover for a trapezoidal strip down right rear cover (3/4" at bottom by 1 1/4" at top), remainder of rear cover (most of it) a slightly toned light blue. No previous owner names. Clean text. Tight binding, sharp corners, no rubbing wear. Unread. …