Gomis Prats (25 results)

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Tela con sobrecubierta. Condition: Perfecto estado. 127pp + 240pp.

Hardcover. Condition: Bon. Traces d'usure sur la couverture. Tampon ou marque sur la face intérieure de la couverture. Edition 1959. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Signs of wear on the cover. Stamp or mark on the inside cover page. Edition 1959. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hard Cover. Condition: Very Good. Gomis, Joaquim (photographer); 88 Color & b/w Photographs / Plates (chiefly b/w) (illustrator). Second Edition. 4to - over 9¾" - 12" Tall. In pictorial jacket, 4to, 88pp + index. Illustrated profusely. (light shelfwear to extremities).

Hardcover. Condition: Fine. Dust Jacket Condition: fine. 2nd. Previous owner's name in ink on the front free endpaper. Text is in Spanish, English, French, and German.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Joaquim Gomis; Catala-Roca (illustrator). Very good, clean, tight condition. Spanish. Mylar cover. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Second Edition. Hardcover with dustjacket. Illustrated textured cloth boards, near pristine. Protected dustjacket is ibright and clean, mild shelf wear to edges. Book is firm in binding, crisp interior, b&w color plates throughout, previous owner's inscription on front endpaper. A "Fotoscop" book. Includes fold-out map of the park. 64 pp. Text + photos. Text in English, Spanish, German and French. Free of any markings, not ex-library. ; Square 4to 9" - 11" tall.

Hardcover. photography by Joaquim Gomis (illustrator). 127 p. letterpress: 240 pl. (some in color: 18 of altarpiece), 2 plans in text; 21 cm. (Fotoscop collection) -- Fold-out index. Near fine orig. ivory cloth in illus. English-language dj.

Otros Colaboradores: 240 p.

154 pag. 21x21 cm. Tapa dura tela, Sobrecubierta ARQUITECTURA-ESCULTURA.

unpaginiert, 210x205mm, 95 Fotos, Leinen mit Schutzumschlag und Kunststoffumschlag. Stempel auf Vorsatz. Kunststoffumschlag mit kleinem Einriss, sonst sehr gut erhalten. Text Spanisch / Englisch. Sprache: spa.

Couverture rigide. Condition: Bon état. Dust Jacket Condition: Good. Livre en français, anglais, allemand, espagnol. In-8 cartonnage éditeur format carré. 21 cm sur 20,5. 56 pages. Carte dépliante de la crypte de la Colonie Güell. 80 photographies sur papier glacé. Jaquette en bon état. Bon état d'occasion.

origi.Leinenband mit Schutzusmschlag, kl.4°, 57 Seiten. Schutzumschlag vergilbt, stark bestossen und berieben, Rücken beschädigt, sonst guter Zustand.

Cloth with dustjacket. Condition: Gut. 2th edit. 64 p. + numerous photos, partly colored, Ggood condition. Viersprachig: span., engl., frz., dt. -- Hasta qué punto, una loma pelada (Muntanya Pelada) podía, gracias al arte de construir y modelar, convertirse en un perfecto y acabado complejo arquitectónico, lo demostró rotundamente Gaudí con su Park Güell (1900-1914). Siempre respetando los accidentes del terreno y la escasa vegetación que lo cubría, Gaudí, arquitecto, urbanista, escultor y pintor, logró crear una unidad multiforme, obra de arte total", una de las más fogosas ambiciones del Modernismo. -- El proyecto primitivo, realizado bajo los auspicios del industrial Eusebio Güell, consistía en la creación de una zona residencial en las afueras de la ciudad, donde arquitectura y paisaje se fundieran entrañablemente. Pero la idea de crear una zona residencial no prosperó, a pesar de que en Gaudí había ya arraigado muy hondo: soñaba él con hacer posible la vida diaria en estrecho contacto con la naturaleza y en su plan entraba la construcción de un conjunto de centros comerciales, salas de fiestas e incluso un gran teatro al aire libre. En 1906, trasladó su residencia a aquella zona y en ella vivió con su familia, dirigiendo las obras de cerca y aportando sus más originales concepciones, hasta 1914. Con el tiempo, aquel primitivo proyecto de zona residencial, acabó por convertirse en el Park Güell, en un parque municipal de avenidas de trazado libre, espléndidas terrazas y un grandioso mirador, convertido luego en parque infantil. Gaudí al modelar la montaña, supo alternar espacios cubiertos con los abiertos y dar al conjunto enorme variedad. Sinuosos caminos, escaleras que enlazan los distintos niveles, muros de contención inclinados, galerías, túneles, viaductos de pilares arborescentes o a modo de estalactitas que causan la impresión de una columnata transparente, todo, refleja un sistema de construcción que, por encima de lo funcional, alcanza una expresión plástica tal, que se diría que el conjunto en todas y cada una de sus partes, crece y fluctúa como la materia viva. La mano creadora del artista aparece por doquier, domeñando elementos plásticos, superficies estructuradas y coloridas composiciones. Place jugar, simultáneamente, los elementos más diversos, desde la piedra en bruto y el mate cemento armado hasta la más deslumbradora vitrificación del ladrillo, de la cerámica, del cristal y de la porcelana en color, para acabar revistiendo todo ese volumen fantástico con incrustaciones en relieve o con una membrana luminosa. Integradas en el ritmo arquitectural, en muros, balaustradas y fuentes, aparecen cariátides de piedra tosca, representando animales o máscaras aisladas. Casi a la entrada del parque, en el eje de la escalinata que se abre entre dos muros vidriados, viene al encuentro del visitante, la masa orgánica de una gigantesca salamandra, que se desliza, boca abajo, sinuosa, en contraste con la rigidez rectangular del estanque. En cada sector, logró crear Gaudí un conjunto articulado con sello propio pero integrado maravillosamente en el todo arquitectónico. (del prólogo) Sprache: Spanisch Gewicht in Gramm: 550.

Hardcover. Condition: Book fine, Dust jacket fine. Dust Jacket Condition: dj. 1st. Previous owner's name in ink on the front free endpaper. Text is in Spanish, English, French, and German.

Ledereinband. Condition: Gut. 55 + 18 Seiten grauer Leinenband mit Schutzumschlag; letzterer etwas gebrauchsspurig; Buch selber sehr gut erhaltenes Exemplar mit zahlreichen Abbildungen Sprache: Deutsch Gewicht in Gramm: 1.

Condition: leido. tela con sobrecubierta. Condición: Good. 1ª ed. 20x20. 127`pp. de texto; 240 fotografías en láminas. Tela con sobrecubierta. BUEN ESTADO.

8° Gebundene Ausgabe. Condition: Sehr gut. ca. 100 Seiten Altersgemäß angedunkelt B05-02-02C Sprache: Französisch Gewicht in Gramm: 1901.

Cloth. Condition: Very Good +. Dust Jacket Condition: Very Good +. Gomis-Prats (photographs) (illustrator). First Edition. A tight, clean copy, [4 leaves]. Text in Spanish, English, French & German. 30 double-sided plates (some colour). Introduction by Le Corbusier, and 57 b/w and colour reproductions of photographs by Joaguin Gomis, selected by J.Prats Vallés. Original cloth, with original dust jacket. Placzek, III 171-181; Sharp, 48. First edition. Multilingual index to the illustrations.

Rayon : Art Editeur : Editorial RM Date de parution : 1959 Description : In-8, 112 pages, relié entoilé avec jaquette et Rhodoïd parfaits, occasion, très bon état. IMPORTANT : Pour les envois internationaux, merci de vous renseigner avant de passer commande. Les envois se font uniquement en point relais MONDIAL RELAY ou INPOST pour les pays suivants : Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile pour assurer le suivi du colis. ATTENTION : Les expéditions nationales de plus de 2 kilos et les expéditions internationales de plus de 1 kilo se voient appliquer un supplément de port. Envois quotidiens du mardi au samedi. Les livres sont envoyés sous enveloppe bulles. Les frais de ports comprennent les frais d'affranchissements et d'emballage. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: X16533.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Joaquim Gomis (Photographer) (illustrator). 56 pages, LXXX. Maps. Illustrations (some in color) Folding map at the back. Some DJ wear and soiling. The text is in Spanish, English, French and German. Laid in is a handwritten note on an Embassy of Spain card dated 2-3-01 which states guerido Frank: Uni vernamil gruaial por tu inestimisle coleborccion y daruelus parc el felix resultedo del viaje de le Reine Con i afecto in luerte abrezo Javier [Google translates this as Dear Frank: Thank you very much for your invaluable collaboration and thank you for the happy result of the Queen's journey. With my affection in a heartfelt hug Javier] Also laid in is a ticket for the Real Monasterio de el escorial celebrating its fourth centennial 1563-1963. Antoni Gaudí i Cornet (25 June 1852 - 10 June 1926) was a Catalan architect and designer, known as the greatest exponent of Catalan Modernism. Most are located in Barcelona, including his main work, the Sagrada Família church. Gaudí's work was influenced by his passions in life: architecture, nature, and religion. He considered every detail of his creations. His work combined crafts such as ceramics, stained glass, wrought ironwork forging, and carpentry. He introduced new techniques in the treatment of materials, such as trencadís. Under the influence of neo-Gothic art and Oriental techniques, Gaudí became part of the Modernista movement which peaked in the late 19th and early 20th centuries. His work transcended mainstream Modernisme, culminating in a style inspired by natural forms. Gaudí preferred to create three-dimensional scale models and moulding the details as he conceived them. Josep Lluís Sert i López (1 July 1902 - 15 March 1983) was a Catalan architect and city planner established in the USA after 1939. This church is part of an ambitious industrial complex, in the town of Santa Coloma de Cervello (Barcelona). A large textile factory that Eusebi Güell, the great patron of Gaudí, launched in 1890. Mr. Güell s goal with Colonia Güell was he wanted to be away from the city, where trade union movement was growing and build workers' houses beside the factory and integrate them into the same property, resulting in a village with its own personality that join social and economic life. As a distinctive feature of this colony, Güell wanted to give it cultural and sports facilities and, although initially not regarding building a church, a small existing chapel was used. When this chapel became too small for the growing population of the colony, Güell decided to instruct Gaudí to build a new church that could accommodate all the inhabitants. However, little did Güell imagine that Gaudí would make a proposal as sober, stern and radical. The architecture was based on the task of making Güell a place of worship, that harmonized with the unconventional architecture of the workers homes in Güell s Colony, and with the nearby forest and the slope of the hill where it would be projected. Although it is commonly called "Crypt Güell" actually there is none of the church that goes underground, since all the windows are facing the street. It is therefore the lower nave of the church, which remained unfinished, as reflected in the side porch stairs, that although currently do not lead anywhere, if the project had been completed, they would allow access to the upper part of the church. In 1909, ten years after the project began and the first stone of the church was put in place, they continued to build despite constant interruptions. Until various economic problems stalked Mr. Güell and the construction of the Güell s Crypt was paralyzed. In 1915, when the tempo was consecrated, they had only built the "crypt" or lower part of the church and the porch. The lower church, the starry polygonal floor, features a large central dome and it is supported by four hewn basalt columns. The ambulatory, where the altar is located, has the Catalan vaults on columns of brick and stone, from a quarry owned by Güell in the region near Garraf. A very rustic and.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Small square quarto. 8.25 x 8.25 in. Full beige cloth boards. Upper with brown pictorial design. Spine with black lettering. Text in Catalan, English, French, and German. No dust jacket. Profusely illustrated in colour with most full and some double-page plates. Including folding indexes of illustrations, translated. Wittenborn Art Books (New York) label on inside of lower cover. Very good example. Some toning, handling.

Hardcover. Condition: As New.

Barcelona, Ediciones Polígrafa, Colecc. Fotoscop, 1970. 22x21 cm. 127 p. + CCXL láms. fotografías b/n. y color + Indices. Tela, sobrecubierta. Buen estado. Primera edición. (Ref. PS. 720-E).

Condition: MUY BUEN EJEMPLAR. Primera edición. Castellano/Ingles/Fr Pág: 96+ 20x20 Profusion de ilustraciones b/n y color. Arte/Vanguardia Ant-v-cocina-1-3 Izq Tela editorial ilustrada por Miró. Tambien las sobrecubiertas a todo color por Miró.