Grayson Sue (26 results)

Paperback. Condition: Good. / Satisfaction 100% guaranteed. Rubi, Mel; McNeil, Carla Speed (illustrator).

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This is a pamphlet. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:0728702347.

Condition: New. In English. Barrows, Laurie (illustrator).

Paperback. Condition: Very Good. Unpaginated, approx 40 pages, 116 black and white illustrations. A Very Good clean bright copy.

Wrappers. Condition: Near Fine. Slim, small volume unpaginated (40 pages) 16 illustrations in color. Some rubbing and wear to the paper cover and edges. Introduction by Helen Lessore. Published on the occasion of the exhibition from the Serpentine Gallery, London 1 December 1981-24 January 1982. Catalogue of the Exhibition. Size: 8½" x 6". Book. …

Paperback. Condition: Fine. Oblong Qto., 42 pages, colour illustrated. Looks as new, a Fine copy.

Paperback. Condition: New. Oblong Qto., 42 pages, colour illustrated. A NEW copy.

paperback. Condition: Very Good. Catalogue for the exhibition of contemporary British sculpture, 13 August - 9 October 1983 Hayward and Serpentine Galleries London, curated by Sue Grayson, and with works selected by Paul de Monchaux, Fenella Crichton, and Kate Baker; b&w and colour illustrations throughout; artists include Ian Hamilton Finlay, Anish Kapoor, Richard Long, Sarah Bradpiece, Judith Cowan, Antony Gormley, Julian Opie, David Nash, and also including the sound-art group Audio Arts (as sound-sculpture) with 7-inch 33 1/3rpm flexi-disc, loose-inserted in the Audio Arts section; mild foxing to text block, mild offset to endpapers, o.w. Very Good. . 148pp. 24 x 19.5cm. Very Good. profusely illustrated (illustrator).…

Paperback. Condition: Near fine in wraps. First Edition. 21 x 30cm 92pp exhibition catalogue including several texts: 'Morality, Darkness and Light: the Metropolis in Pictures', by Ian Jeffrey and 'Photographing Architecture' by Peter Greenaway together with black and white plus some colour reproductions throughout.…

Magazine. Condition: Near Fine. 72pp. Quarto [26.5cm]; saddle-stapled in color printed wraps. Black and white newsprint inside. Illustrated with photographs and artwork. [Misprinted inside on the copyright page [p3] as "Vol. 35 No. 2, Litha - Summer 2015," but this is indeed the Mabon, Fall/Autumn, Sept-Oct 2015 issue.] Just a bit of shelf- and edge-wear. "No Compromise in Defense of Mother Earth!" - Earth First! Earth First! is a group of radical environmentalists that formed in the American Southwest in the spring of 1980, founded by Dave Foreman, Mike Roselle, Howie Wolke, Bart Koehler, and Ron Kezar, among others. Earth First! quickly came to national attention with their "cracking" of Glen Canyon Dam activist stunt, which was performed and filmed in the spring of 1981. Edward Abbey is considered to be the "literary father" of the group, and the monkey wrench is their ever-present emblem and tool. "Earth First! is the beginning of the new, bold environmental movement. And 'Earth First! The Radical Environmental Journal' is its voice" (Dave Foreman, 1980s). The late-1980s and early-1990s were a tumultuous time for Earth First! Law enforcement cracked down on its members, and various internal issues and factions began to form within the group. Earth First! embraced non-hierarchical structures and organic methods of organization and growth, while continuing to focus on direct action in defense of wilderness as its primary focus. Through the 1990's, 2000's, and 2010's, the journal continued to be published in various forms under the direction of a diverse and rotating collective of voices from within the broad Earth First! movement. Regular print publication of the Earth First! Journal under this title seems to have ceased sometime in the early 2020s, though the movement still survives and maintains a presence online and on social media. The front cover of this issue features an image from the Finnish Hyokyaalto Eco Action Group's occupation of Finland's Hanhikivi Cape nuclear power plant and the rear cover shows a Finnish coastal forest that was clear cut by the same nuclear project. The accompanying story "Hyokyaalto Eco Action Group Defends Finland's Coastal Forests From Nuclear Expansion" by Rabbit is printed on pages 19-23 of this issue. Front inner cover shows a striking image captioned "July 30, 2015, thirteen climbers hang from the St. Johns Bridge in Portland, Oregon, to block Shell Oil's icebreaker from heading to the Arctic." The accompanying story "Fighting the Leviathan: Activists in the Northwest Put Their Bodies Between Chell and the Arctic" by Sasha is printed on pages 4-9 of this issue. …

Soft cover. Condition: Very Good. First Edition. 52p Catalogue of the memorial exhibition of this NZ - English teacher and sculptor, with many illustrations from the works assembled.

Taschenbuch. Condition: Neu. Neuware. Barrows, Laurie (illustrator).

Card Covers. Condition: Very Good Plus. N/a. First Edition. 56pp. This book was printed to coincide with an exhibition held at the Serpentine Gallery & the Museum of Modern Art in 1983. There are b/w & colour photographs of Raymond Mason's sculptures, bronzes & drawings. Slight shelf wear to the card covers. A lovely, well preserved copy.…

Square super octavo, cream stapled light card wrappers, 52pp, illus/photos, VG+ (light tanning to cover & page edges, light chafing & soiling).

SOFTCOVER. Condition: New. 1st Edition. Published to accompany the touring exhibition 'Peter Randall-Page - new sculpture and works on paper' (starting at at the Peninsula Arts and Plymouth City Art Gallery, March 2014). Large landscape 4to. in colour printed stiff card covers, 42pp on thick art paper, colour plates of drawings, etc. PLUS cover letter from Peninsula Arts and two large 10 x 8 inch colour press photos of two of Randall-Page's large sculptures which were exhibited at the same time . [CONDITION: NEW unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Condition: As New. 1st Edition. Extra Large 4to. in photo illustrated stiff card covers, 92pp, plates in colour and b/w, etc . [CONDITION: Neat ink name on fly-leaf else an extremely well preserved AS NEW unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Paperback. Condition: Fair. ex library -tape to spine.

Condition: New. Print on Demand. Barrows, Laurie (illustrator).

Condition: Very Good. 4to. pp 92. Clean VG copy. Very good. First Edition. Wraps.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Barrows, Laurie (illustrator).

Paperback. Condition: Very Good. 196 p. Contains: Illustrations. Audience: General/trade. 0.0.

SOFTCOVER. Condition: Fine. 1st Edition. Landscape 4to in colour printed stiff glossy card covers, unpaginated, approx. 84pp, numerous illustrations in text, etc . [CONDITION: A well preserved FINE clean and tight unmarked copy (few spots of slight shelf rub to cover edges, hint of tanning to covers) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Barrows, Laurie (illustrator).

Brossura. Condition: come nuovo. Dust Jacket Condition: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.…

Soft cover. Condition: Very Good. 8° (29,5x21) - unpaginated - Color illustrations. "New Labour" introduces a predominantly British group of young artists who incorporate the idea of fabrication through all media in their work. A new wave of artists using traditional, hands-on skills in progressive new ways. Text in English language. In very good condition.…

Paperback. Condition: Good. Ex-library book, usual markings. Hardback rebound by library with the original cover intergrated on the rebind. Clean copy, sound binding. Quick dispatch from UK seller.