Grissemann Stefan (32 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Revised edition. Softcover. 271 pages. A critical examination of the film work of Robert Frank who is perhaps best known for his canonical body of photographs in "The Americans." A fine copy in wrappers. As new and still in the publisher's shrinkwrap.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9783865218155. …

4to, 272 pp, paperback. Profusely illustrated in color. Still sealed in the publisher's original shrinkwrap. Robert Frank turned to filmmaking towards the end of the 1950s, interrupting his swift rise to fame after The Americans. This volume presents essays by Amy Taubin, Philip Brookman, Stefan Grisseman, Thomas Miessgang, Kent Jones, Michael Barchet, Pia Neuman and Bert Rebhandl, an interview with Allen Ginsberg, and new stills made from videotapes to Frank's specifications.,"I put my Leica in a cupboard. Enough of lying in wait, pursuing, sometimes catching the essence of the black and the white, the knowledge where God is. I make films. Now I speak to the people in my viewfinder." Robert Frank Robert Frank turned to filmmaking at the end of the 1950s. Although he has made 27 films, the work is largely a well kept secret. Frank approaches each film project as a new experience, challenging the medium and its possibilities at every turn. He has amalgamated documentary, fiction, and autobiography, cutting across genres. This book offers a visually unique approach to Frank's films: only new stills taken from videotapes have been used and they add up to a visual essay on Frank's cinema that establishes an engaging dialogue with his photographic work. Each film is introduced with detailed analysis, discussing the history and the aesthetics of Frank's film work. An interview with Allen Ginsberg provides an insider view. Together the texts and images offer an innovative and in-depth approach to the oeuvre of one of the greatest and most restless artists of the 20th century." - From the publisher.…

Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Fine. No Jacket. 1st Edition. Frank Films: The Film and Video Work of Robert Frank. Utzer, Brigitta Burger; Grissemann, Stefan (eds.) Scalo. 2003. 298p. hardcover no dust jacket, boards bumped/scuffed, tight binding, text clean, fine condition--30.00--3908247756 ISBN 13: 9783908247753. …

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. 97, [7]p., color illustrations, wraps. Very Good. Photographs, chiefly portraits, by the Iranian-Austrian photographer. With an essay by Timm Starl in German and English translations.

Hard Cover. Condition: Near Fine Plus. Dust Jacket Condition: No Jacket, as Issued. First Edition. hard cover, illustrated boards., only the slightest signs of use to exterior. no real flaws. clean. no markings, writing, labels. no bumps, tears. tight binding.; parallel german-english text.; 303pp., illustrated throughout in color, b/w., seven essays, interview, articles by various contributors. 43 years of films and videos. Size: 8vo - over 7¾" - 9¾" tall. …

Hardcover. grey & black pictorial boards w/ orange printing. 303 pages : illustrations (some color). A nice, clean copy detailing the work of the Swiss-American artist's video work. Many pgs of video stills & photograhs in b&w & color. In German and English; pgs are dual languages. VG black remainder dot to bottom textblock. covers have scratches. creasing to top of spine. corners lightly rubbed.…

1. Auflage. 204 Seiten/Pages. Mit zahlreichen farbigen und schwarz -weißen Filmsteifen.Illustrated. 170 mm x 240 mm, illustrierter Pappeinband/hard cover. Texte in Deutsch und Englisch.Tadelloses Exemplar Texts in German and English.Catalogue is in a fine condition. Sprache: Deutsch.

Paperback. Condition: New. 1.

Hardcover. Condition: Very Good. Slight wear, bumping to pictorial hard covers -- otherwise as new. Text in German and English.

Hardcover. Condition: As New. Originalverpackt. ,Detour", Umleitung, der Titel eines seiner wichtigsten Filme, steht stellvertretend fur den Weg eines der geheimnisvollsten Regisseure Hollywoods, der zu den grossen Unbekannten des US-Kinos gehort. Edgar Ulmer (1904-1972), geboren in Olmutz, aufgewachsen in Wien und in Schweden, Mitarbeiter von Max Reinhardt und Friedrich Wilhelm Murnau, hat zeitlebens jeden denkbaren Umweg genommen, der sich ihm bot. Bis in die sechziger Jahre drehte Ulmer u. a. mit Boris Karloff, Hedy Lamarr und Jean-Louis Trintignant an die funfzig Spielfilme (darunter ,The Black Cat" und ,Naked Dawn"), um die sich Kinomythen ranken - ebenso wie um das Leben ihres Schopfers. Stefan Grissemanns Biographie schliesst einen blinden Fleck in der Historie des Films und erzahlt ein Stuck mitteleuropaischer Geschichte, und es macht anschaulich, weshalb Scorsese, Tavernier, Truffaut und andere Edgar Ulmer als Lehrmeister betrachten. …

Softcover. Condition: As New. Leichte Kratzer / Abnutzungen / Druckstellen. Ulrich Seidls Arbeit bietet freie Sicht auf Dinge, die mancher derart unverstellt lieber nicht gesehen hatte. Seidl nimmt sich die Freiheit, das Grauen und die Absurditat der Welt, die er vor sich sieht, anschaulich zu machen, oft sogar: bildschon wiederzugeben. Das stellt seine Betrachter vor ein Problem, das zunachst ins Moralische hzielt, aber schon in zweiter Instanz eben auch ins Asthetische. >>Sundenfall<< portratiert einen umstrittenen Kunstler - und behandelt die vielfaltigen Fragen, die dessen Produktionen aufwerfen: Ethik und Pornografie, Manierismus und Realismus im postdokumentarischen Kino. Das Buch, durchsetzt mit Originalzitaten Ulrich Seidls, kombiniert biografische ASpekte mit detaillierten Analysen samtlicher Produktionen jenes Regisseurs, der mit seiner PARADIES-Trilogie die eigene Film-Weltkarriere 2012/13 noch einmal neu definiert.…

Softcover. Condition: Sehr gut. 1. Auflage. Z : 204 Seiten/pages, 18 x 24 cm, zahlreiche Abbildungen/Numerous filmstills - This book offers a visually unique approach to Frank s films: only new stills taken from videotapes have been used and they add up to a visual essay on Frank s cinema that establishes an engaging dialogue with his photographic work. Each film is introduced with detailed analysis, discussing the history and the aesthetics of Frank s film work. An interview with Allen Ginsberg provides an insider view.…

Encuadernación de tapa blanda. Condition: Nuevo. Dust Jacket Condition: Nuevo. Inglés. 272 pg. Rober Frank siempre se enfrentó a sí mismo. Esto es lo que se ve en sus obras, en las películas incluso más que en las fotografías. Este libro recoge las películas y videos que desarrolló de forma extraordinaria en los años que van desde 1959. Toma la decisión de guardar su Leica en un cajón después de haber llegado a la fama con The Americans. Nunca conforme con dar dos veces el mismo paso, su forma de abordar cada una de sus 27 películas fue diferente por lo que no es fácil catalogarlas, especialmente en la combinación de documentales, ficción y autobiografías. Frank Films reúne ensayos de varios autores, Amy Taubin, Philip Brookman, Stefan Grisseman, Thomas Miessgang, Kent Jones, Michael Barchet, Pia Neuman y Bert Rebhandl, que examinan cada película y video de forma pormenorizada, y una entrevista con Allen Ginsberg.…

Gebundene Ausgabe. Condition: Neu. Neu Neuware; original eingeschweisst; new item, still sealed; -The Film and Video Work of Robert Frank A decision: I put my Leica in a cupboard. Enough of lying in wait, pursuing, sometimes catching the essence of the black and the white, the knowledge where God is. I make films. Now I speak to the people in my viewfinder. Not simple and not especially successful. At the end of the 1950s, photographer Robert Frank decided that he was over with photography and became a filmmaker. Only in the 1970s he would start to occasionally take stills again (first with a Polaroid camera). Until now, Frank has created more than 25 films and videos, some of them classics of the New American Cinema of the 1950s and 1960s. In his films, Frank amalgamated documentary, fiction, and autobiography, cutting across genres, defying each and every law of Hollywood in his relentless search for truth. In a time where the crass commercialism of Mainstream films visual grammar seems to reign supreme, Franks film and video work appears to be his most radical and visionary legacy. frank films fills a long overdue gap by providing a comprehensive overview of Franks films. Essays by Amy Taubin, Philip Brookman, Stefan Griseman, Bert Rebhandl, Thomas Müssiggang, Kent Jones, and Michael Barchet/Pia Neuman discuss the history and the aesthetics of Franks film work. Shorter essays by various authors examine every film and video by Frank in detail. The book offers a visually unique approach to Franks films: at his request only new stills taken from video tapes were used. The numerous video images add up to a visual essay on Franks cinema that enters in an engaging dialogue with his photographic work, in particular his stills created since the 1970s. 303 pp. Deutsch, Englisch.…

Condition: Very Good.

Gebundene Ausgabe. Condition: Neu. Neu Neuware; original eingeschweisst; new item, still sealed; -The Film and Video Work of Robert Frank A decision: I put my Leica in a cupboard. Enough of lying in wait, pursuing, sometimes catching the essence of the black and the white, the knowledge where God is. I make films. Now I speak to the people in my viewfinder. Not simple and not especially successful. At the end of the 1950s, photographer Robert Frank decided that he was over with photography and became a filmmaker. Only in the 1970s he would start to occasionally take stills again (first with a Polaroid camera). Until now, Frank has created more than 25 films and videos, some of them classics of the New American Cinema of the 1950s and 1960s. In his films, Frank amalgamated documentary, fiction, and autobiography, cutting across genres, defying each and every law of Hollywood in his relentless search for truth. In a time where the crass commercialism of Mainstream films visual grammar seems to reign supreme, Franks film and video work appears to be his most radical and visionary legacy. frank films fills a long overdue gap by providing a comprehensive overview of Franks films. Essays by Amy Taubin, Philip Brookman, Stefan Griseman, Bert Rebhandl, Thomas Müssiggang, Kent Jones, and Michael Barchet/Pia Neuman discuss the history and the aesthetics of Franks film work. Shorter essays by various authors examine every film and video by Frank in detail. The book offers a visually unique approach to Franks films: at his request only new stills taken from video tapes were used. The numerous video images add up to a visual essay on Franks cinema that enters in an engaging dialogue with his photographic work, in particular his stills created since the 1970s. 303 pp. Deutsch, Englisch.…

First edition.. zahlreiche Werkabb., 271 Seiten, Sprache: Englisch; Zustand: erstklassiges, neuwertiges Exemplar. Noch in Original-Verlagsfolie eingeschweißt! Sprache: Englisch Gewicht in Gramm: 850 24,0 x 17,0 cm, gebundene Ausgabe, Softcover/Paperback.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Paperback. Condition: New. 1.

Condition: gut. Frank Films. The Film and Video Work of Robert Frank In deutscher Sprache. pages.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 320 Seiten, 252 Abb., Flexi-Cover - Maler aller Zeiten verhalfen Prominenten erst zu ihrem Nimbus, dabei waren Malerfürsten wie Rembrandt oder Tizian selbst schon »Stars«. Doch erst das 20. Jahrhundert mit seinen medialen Möglichkeiten erlaubt den Künstlern, aus dem Vollen zu schöpfen: Sie können jedwede Berühmtheit zum Objekt ihrer künstlerischen Bearbeitung machen oder sich selbst zu überlebensgroßen Figuren stilisieren. Der Band präsentiert eine faszinierende Fülle von Arbeiten, die sich an der Aura von Stars aus Film, Musik und Mode berauschen oder sie kritisch hinterfragen, und zeigt, durch welche Strategien der Imagebildung der Künstler selbst zum Markenzeichen wird. Im Spiegel der Kunst werden sie zu Zeugen einer Epoche, die keine politischen, ökonomischen und ästhetischen Grenzen mehr kennt. Die vorgestellten Künstler (Auswahl): Matthew Barney, Joseph Beuys, Slater Bradley, Maurizio Cattelan, Marcel Duchamp, Tracey Emin, Sylvie Fleury, Douglas Gordon, Rodney Graham, Andreas Gursky, Jeff Koons, Louise Lawler, Paul McCarthy, Dennis Oppenheim, Pablo Picasso, Richard Prince, Cindy Sherman, Elaine Sturtevant, Wolfgang Tillmans, Andy Warhol.…

8°. 394 S., sw-Abbildungen, Anmerkungen, Bibliographie, Filmographie, Register, gebunden (sehr gut erhalten) "Detour", Umleitung, der Titel eines seiner wichtigsten Filme, steht stellvertretend für den Weg eines der geheimnisvollsten Regisseure Hollywoods, der zu den großen Unbekannten des US-Kinos gehört. Edgar Ulmer (1904 - 1972), geboren in Olmütz, aufgewachsen in Wien und in Schweden, Mitarbeiter von Max Reinhardt und Friedrich Wilhelm Murnau, hat zeitlebens jeden denkbaren Umweg genommen, der sich ihm bot. Stefan Grissemanns Biographie schließt einen blinden Fleck in der Historie des Films und erzählt ein Stück mitteleuropäischer Geschichte, und es macht anschaulich, weshalb Scorsese, Tavernier, Truffaut und andere Edgar Ulmer als Lehrmeister betrachten.…

Hardcover/Hardback. Condition: Fine. First Edition. Exhibition catalogue. Twenty-five illustrated essays working through all of the photographer's film and video work, from Pull My Daisy (1959) to Paper Route (2002); biography, bibliography, list of illustrations and stills. Parallel German and English texts througout. Pictorial boards. Fine as issued without dustwrapper. book.…

gebundene Ausgabe. 394 S. mit Schutzumschlag, Buchschnitt minimal fleckig // Ulmer, Edgar George , Biographie, Theater, Tanz, Film NG05 9783552052277 *.* Sprache: Deutsch Gewicht in Gramm: 750.