Stefan Grissemann (25 results)

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Revised edition. Softcover. 271 pages. A critical examination of the film work of Robert Frank who is perhaps best known for his canonical body of photographs in "The Americans." A fine copy in wrappers. As new and still in the publisher's shrinkwrap.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9783865218155.

Paperback. Condition: Very Good. Factory sealed. A unique approach to Robert Frank's film and video work. This book offers a visually unique approach to Frank's films. At the end of the 1950s, photographer Robert Frank decided that he was done with photography and became a filmmaker. Each film is introduced with detailed analysis, discussing the history and the aesthetics of Frank's film work. An interview with Allen Ginsberg provides an insider view. Illustrated. 272p. Measures 6.75x9.5 inches.

4to, 272 pp, paperback. Profusely illustrated in color. Still sealed in the publisher's original shrinkwrap. Robert Frank turned to filmmaking towards the end of the 1950s, interrupting his swift rise to fame after The Americans. This volume presents essays by Amy Taubin, Philip Brookman, Stefan Grisseman, Thomas Miessgang, Kent Jones, Michael Barchet, Pia Neuman and Bert Rebhandl, an interview with Allen Ginsberg, and new stills made from videotapes to Frank's specifications.,"I put my Leica in a cupboard. Enough of lying in wait, pursuing, sometimes catching the essence of the black and the white, the knowledge where God is. I make films. Now I speak to the people in my viewfinder." Robert Frank Robert Frank turned to filmmaking at the end of the 1950s. Although he has made 27 films, the work is largely a well kept secret. Frank approaches each film project as a new experience, challenging the medium and its possibilities at every turn. He has amalgamated documentary, fiction, and autobiography, cutting across genres. This book offers a visually unique approach to Frank's films: only new stills taken from videotapes have been used and they add up to a visual essay on Frank's cinema that establishes an engaging dialogue with his photographic work. Each film is introduced with detailed analysis, discussing the history and the aesthetics of Frank's film work. An interview with Allen Ginsberg provides an insider view. Together the texts and images offer an innovative and in-depth approach to the oeuvre of one of the greatest and most restless artists of the 20th century." - From the publisher.

Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condition: Fine. No Jacket. 1st Edition. Frank Films: The Film and Video Work of Robert Frank. Utzer, Brigitta Burger; Grissemann, Stefan (eds.) Scalo. 2003. 298p. hardcover no dust jacket, boards bumped/scuffed, tight binding, text clean, fine condition--30.00--3908247756 ISBN 13: 9783908247753.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. 97, [7]p., color illustrations, wraps. Very Good. Photographs, chiefly portraits, by the Iranian-Austrian photographer. With an essay by Timm Starl in German and English translations.

Hard Cover. Condition: Near Fine Plus. First Edition. hard cover, illustrated boards., only the slightest signs of use to exterior. no real flaws. clean. no markings, writing, labels. no bumps, tears. tight binding.; parallel german-english text.; 303pp., illustrated throughout in color, b/w., seven essays, interview, articles by various contributors. 43 years of films and videos. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. grey & black pictorial boards w/ orange printing. 303 pages : illustrations (some color). A nice, clean copy detailing the work of the Swiss-American artist's video work. Many pgs of video stills & photograhs in b&w & color. In German and English; pgs are dual languages. VG black remainder dot to bottom textblock. covers have scratches. creasing to top of spine. corners lightly rubbed.

Paperback. Condition: New.

1. Auflage. 204 Seiten/Pages. Mit zahlreichen farbigen und schwarz -weißen Filmsteifen.Illustrated. 170 mm x 240 mm, illustrierter Pappeinband/hard cover. Texte in Deutsch und Englisch.Tadelloses Exemplar Texts in German and English.Catalogue is in a fine condition. Sprache: Deutsch.

Hardcover. Condition: Very Good. Slight wear, bumping to pictorial hard covers -- otherwise as new. Text in German and English.

Encuadernación de tapa blanda. Condition: Nuevo. Dust Jacket Condition: Nuevo. Inglés. 272 pg. Rober Frank siempre se enfrentó a sí mismo. Esto es lo que se ve en sus obras, en las películas incluso más que en las fotografías. Este libro recoge las películas y videos que desarrolló de forma extraordinaria en los años que van desde 1959. Toma la decisión de guardar su Leica en un cajón después de haber llegado a la fama con The Americans. Nunca conforme con dar dos veces el mismo paso, su forma de abordar cada una de sus 27 películas fue diferente por lo que no es fácil catalogarlas, especialmente en la combinación de documentales, ficción y autobiografías. Frank Films reúne ensayos de varios autores, Amy Taubin, Philip Brookman, Stefan Grisseman, Thomas Miessgang, Kent Jones, Michael Barchet, Pia Neuman y Bert Rebhandl, que examinan cada película y video de forma pormenorizada, y una entrevista con Allen Ginsberg.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 204 Seiten/pages, 18 x 24 cm, zahlreiche Abbildungen/Numerous filmstills - This book offers a visually unique approach to Frank s films: only new stills taken from videotapes have been used and they add up to a visual essay on Frank s cinema that establishes an engaging dialogue with his photographic work. Each film is introduced with detailed analysis, discussing the history and the aesthetics of Frank s film work. An interview with Allen Ginsberg provides an insider view.

Condition: Very good.

Softcover. Condition: Very Good +. Dust Jacket Condition: No Dust Jacket. Revised Edition. Steidl, 2009. A Very Good copy, a few very light markings to covers, contents are in pristine condition. This book offers a visually unique approach to Franks films: only new stills taken from videotapes have been used and they add up to a visual essay on Franks cinema that establishes an engaging dialogue with his photographic work. Each film is introduced with detailed analysis, discussing the history and the aesthetics of Franks film work. An interview with Allen Ginsberg provides an insider view. Together the texts and images offer an innovative and in-depth approach to the oeuvre of one of the greatest and most restless artists of the 20th century. 304 pages. Quantity Available: 1. Shipped Weight: Under 750 grams. Category: Film, Radio & Television; ISBN/EAN: 9783865218155. Pictures of this item not already displayed here available upon request. Inventory No: dscf5089.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Paperback. Condition: New.

Softcover. Condition: Sehr gut. Z : 320 Seiten, 252 Abb., Flexi-Cover - Maler aller Zeiten verhalfen Prominenten erst zu ihrem Nimbus, dabei waren Malerfürsten wie Rembrandt oder Tizian selbst schon »Stars«. Doch erst das 20. Jahrhundert mit seinen medialen Möglichkeiten erlaubt den Künstlern, aus dem Vollen zu schöpfen: Sie können jedwede Berühmtheit zum Objekt ihrer künstlerischen Bearbeitung machen oder sich selbst zu überlebensgroßen Figuren stilisieren. Der Band präsentiert eine faszinierende Fülle von Arbeiten, die sich an der Aura von Stars aus Film, Musik und Mode berauschen oder sie kritisch hinterfragen, und zeigt, durch welche Strategien der Imagebildung der Künstler selbst zum Markenzeichen wird. Im Spiegel der Kunst werden sie zu Zeugen einer Epoche, die keine politischen, ökonomischen und ästhetischen Grenzen mehr kennt. Die vorgestellten Künstler (Auswahl): Matthew Barney, Joseph Beuys, Slater Bradley, Maurizio Cattelan, Marcel Duchamp, Tracey Emin, Sylvie Fleury, Douglas Gordon, Rodney Graham, Andreas Gursky, Jeff Koons, Louise Lawler, Paul McCarthy, Dennis Oppenheim, Pablo Picasso, Richard Prince, Cindy Sherman, Elaine Sturtevant, Wolfgang Tillmans, Andy Warhol.

Hardcover/Hardback. Condition: Fine. First Edition. Exhibition catalogue. Twenty-five illustrated essays working through all of the photographer's film and video work, from Pull My Daisy (1959) to Paper Route (2002); biography, bibliography, list of illustrations and stills. Parallel German and English texts througout. Pictorial boards. Fine as issued without dustwrapper. book.

gebundene Ausgabe. 394 S. mit Schutzumschlag, Buchschnitt minimal fleckig // Ulmer, Edgar George , Biographie, Theater, Tanz, Film NG05 9783552052277 *.* Sprache: Deutsch Gewicht in Gramm: 750.

Synema Wien 2010 - ISBN 978-3901644368 250 (6) Seiten ORIGINAL EINBAND - ORIGINAL PUBLISHERS WRAPPERS *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

First edition, first impression of this introduction to Frank's film work. Signed by Frank on the half title. Published on the occasion of the Diagonal Special "Robert Frank - Retrospektive der Filme und Videos", which was shown between 11 and 21 September 2003 as part of Graz Cultural Capital 2003. Quarto. Illustrated throughout with colour and black and white photographs. Text in German and English. Original pictorial boards, titles to spine and front board in brown, black endpapers. Corners very lightly bumped. An excellent copy.