Grootenboer H (4 results)

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  • Published by Dordrecht : Johan de Witt Gymnasium, 1978

    • Softcover

    Seller: Klondyke, Almere, NetherlandsKlondyke

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    Condition: Good. Paperback, stofomslag, veel illustraties (voornamelijk foto's) in z/w, 4to.

  • Language: English

    Published by Princeton University Press, 2021

    0691215766 / 9780691215761

    • Hardcover

    Seller: PEMBERLEY NATURAL HISTORY BOOKS BA, ABA, Iver, United KingdomPEMBERLEY NATURAL HISTORY BOOKS BA, ABA

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    Condition: NEW. 224, 85 col illus. 254x191mm. HB. NEW. . A captivating historical look at the cultural and artistic significance of shells in early modern Europe. Among nature's most artful creations, shells have long inspired the curiosity and passion of artisans, artists, collectors, and thinkers. Conchophilia delves into the intimate relationship between shells and people, offering an unprecedented account of the early modern era, when the influx of exotic shells to Europe fueled their study and representation as never before. From elaborate nautilus cups and shell-encrusted grottoes to delicate miniatures, this richly illustrated book reveals how the love of shells intersected not only with the rise of natural history and global trade but also with philosophical inquiry, issues of race and gender, and the ascent of art-historical connoisseurship. Shells circulated at the nexus of commerce and intellectual pursuit, suggesting new ways of thinking about relationships between Europe and the rest of the world. The authors focus on northern Europe, where the interest and trade in shells had its greatest impact on the visual arts. They consider how shells were perceived as exotic objects, the role of shells in courtly collections, their place in still-life tableaus, and the connections between their forms and those of the human body. They examine how artists gilded, carved, etched, and inked shells to evoke the permeable boundary between art and nature. These interactions with shells shaped the ways that early modern individuals perceived their relation to the natural world, and their endeavors in art and the acquisition of knowledge. Spanning painting and print to architecture and the decorative arts, Conchophilia uncovers the fascinating ways that shells were circulated, depicted, collected, and valued during a time of remarkable global change. [9780691215761]. …

  • Published by 1st. Ed. Pub. Bodleian Library. 2013, 2013

    • Hardcover

    Seller: C. Arden (Bookseller) ABA, Hay-on-Wye, United KingdomC. Arden (Bookseller) ABA

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    Hardcover. pp.120 with col. illus. throughout. 4to. Fine hardback. These charming, vibrant, watercolour paintings of orchard fruits on the branch, popularly known as Tradescants' Orchard, is a precious and fragile relic of this era of broadening horticultural horizons. This manuscript, traditionally associated with the renowned plantsmen, the John Tradescants, was among the eclectic collections of Elias Ashmole (1617-1692), which came to form the basis of the Ashmolean Museum in Oxford. All sixty-six of the original illustrations are reproduced here in facsimile for the first time, following a general introduction which maps out the mystery of why and how these beguiling watercolours came to be commissioned and made.…

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    A captivating historical look at the cultural and artistic significance of shells in early modern Europe. Among nature's most artful creations, shells have long inspired the curiosity and passion of artisans, artists, collectors, and thinkers. Conchophilia delves into the intimate relationship between shells and people, offering an unprecedented account of the early modern era, when the influx of exotic shells to Europe fueled their study and representation as never before. From elaborate nautilus cups and shell-encrusted grottoes to delicate miniatures, this richly illustrated book reveals how the love of shells intersected not only with the rise of natural history and global trade but also with philosophical inquiry, issues of race and gender, and the ascent of art-historical connoisseurship. Shells circulated at the nexus of commerce and intellectual pursuit, suggesting new ways of thinking about relationships between Europe and the rest of the world. The authors focus on northern Europe, where the interest and trade in shells had its greatest impact on the visual arts. They consider how shells were perceived as exotic objects, the role of shells in courtly collections, their place in still-life tableaus, and the connections between their forms and those of the human body. They examine how artists gilded, carved, etched, and inked shells to evoke the permeable boundary between art and nature. These interactions with shells shaped the ways that early modern individuals perceived their relation to the natural world, and their endeavors in art and the acquisition of knowledge. Spanning painting and print to architecture and the decorative arts, Conchophilia uncovers the fascinating ways that shells were circulated, depicted, collected, and valued during a time of remarkable global change. Princeton & Oxford. Princeton University Press. 214 pp., num. color figs, hardcover gr. 8[19.8 x 26.6 cm].…