Gualteruzzi (34 results)

Condition: New. In.

Condition: New.

Hardcover. Condition: Fair. No Jacket. 2 volumes in 1. Small 4to. viii + 71pp; 95pp. Half vellum (original pink printed front wrapper bound in). First printings of unpublished letters by great Renaissance Italians such as the philologist Carlo Gualteruzzi da Fano (1500-77), the Florentine writer on etiquette, Giovanni de la Casa (1503-56),the counter-reformer Cardinal Roberto Bellarmino (1542-1621)and the great poet Torquato Tasso (1544-95). Edited from the original manuscripts by Dr Anicio Bonucci for the bibliophile series Delizie degli eruditi bibliofili italiani de MSS. dissepolte. This is No 181 of an edition limited to 254 copies. 2 stamps and a signature on titles.

In-8vo (cm. 24) di pp. XX, 150, (2). Cart. coevo, tit. ms. al dso (lievi difetti). Qualche fior. e nota ms. coeva, ottimo es. Invio autog. alla sguardia del conte Gaetano Melzi al letterato Salvatore Betti. Bella edizione del Novellino a cura dell'ab. Michele Colombo. Raro esemplare in carta grande. Gamba, 691. Razzolini-Bacchi della Lega, pag. 247.ID: CW_16788.

Condition: molto buono. in-4, (186x130 mm), ff.( 6), 40, (1 con Errata, manca l'ultimo f. bianco), impressi in elegante carattere tondo; buona legatura del XVII secolo in pergamena, capitelli passanti, titolo su tassello granata al dorso. Rara editio princeps del Novellino, raccolta di cento novelle antiche in volgare toscano raccolte da Carlo Gualteruzzi, che firma la dedica a Gregorio (Goro) Gheri, vescovo di Fano fino al 1524, poi governatore di Bologna. Gualteruzzi era assai stimato dai suoi contemporanei e il suo giudizio in materia letteraria tenuto in gran considerazione, come testimonia il suo ricco epistolario con figure di spicco dell'ambiente culturale cinquecentesco, tra cui  Vittoria Colonna, Giovanni Della Casa e Bietro Bembo ? del quale fu grande amico, procuratore ed esecutore testamentario con l'incarico di occuparsi dell'edizione dei suoi scritti. Partecipò in numerose imprese editoriali, tra cui il Galateo di Giovanni Della Casa e l'Historia vinitiana di Pietro Bembo (l'esemplare di tipografia custodito nella Biblioteca Ambrosiana reca numerose correzioni autografe del Gualteruzzi); fu sua, ad esempio, l'idea di una stampa congiunta delle Rime e degli Asolani (lettera del Bembo a Quirini, 11 nov. 1541). Il titolo "Novellino" è usato in via confidenziale proprio da Giovanni Della Casa in una lettera al Gualteruzzi del 27 luglio 1525, e l'edizione fu affidata a Gualteruzzi dal Bembo, che aveva pensato di curarla egli stesso. Le ciento novelle antike, che secondo Dionisotti rappresenta la prima edizione critica di un testo antico di prosa toscana, uscì lo stesso anno delle Prose della volgar lingua e non per caso: la lettera di dedica a Goro Gheri fu in realtà stilata dal Bembo a nome del Gualteruzzi (Cfr. Dionisotti, 1981, p. 285) e mette in luce una speciale attenzione per i fatti di lingua.  L'opera fu riedita con il titolo Libro di novelle e di bel parlar gentile nel quale si contengono cento novelle. nel 1572, inclusa la dedica a Goro Ghori (che era morto nel 1528), ma mantenendo invariate 81 delle 100 Novelle, con qualche minima correzione formale, 19 sono invece diverse e presenti solo in questa prima edizione. Curioso come si attesero quasi 50 anni per ripubblicare una raccolta di genere così popolare al tempo come le novelle in lingua volgare. Ottimo esemplare, fresco e marginoso di opera fondamentale per la letteratura volgare. Varie e notabili sono le provenienze: al contropiatto ex libris di Giovanni Bizzarro, Museo Huthiano, Serato.  Zambrini, Opere volgari a stampa, col 612-14: "Rarissimo". Sorbelli, Storia della Stampa in Bologna, p.83: "Celebre la edizione delle Ciento novelle antike, ossia l'editio princeps del Novellino del 1525". Brunet I, 1736: ''rare''. Goldschmidt Catalogue 59. STC 470. Gamba 684-685: "E' uno dei più antichi libri scritti in favella italiana quantunque gli Accademici giudicato abbiano questo rarissimo libro in qualche luogo scorretto, tuttavia vuolsi da Carlo Gualteruzzi pubblicato soll'assistenza od a persuasione almeno del Card. Bembo" . D'Ancona, Le fonti del "Novellino" (Bologna 1880 ). Book.

Condition: molto buono. 2 vol. in-8, pp. XXXII, 287; VI, 301, impresa xilografica dell'Accademia della Crusca sui frontespizi, testatine ed iniziali sempre in xilografia. Legatura coeva m. pergamena ed angoli, titolo ms. ai dorsi. Rara ed elegante ristampa dell'edizione dei Giunti del 1572 delle "Cento Novelle Antiche", più note col titolo di "Novellino"; la presente è stata curata da Domenico Maria Manni (cfr. Melzi) cui si devono l'ampia prefazione (pp. 1-23), le note in fine ad ogni novella e le due dediche ad Ignazio Paternò Castello, "principe di Biscari". Ottimo esemplare, su carta forte e a pieni margini con barbe, ex-libris Landau ad entrambi i contropiatti anteriori, timbro della biblioteca Galletti al frontespizio del primo volume.  Gamba 689: ''E' oggi assai difficile a ritrovarsi.''. Passano I, pp. 463-4. Papanti II, pp. 16-17. Gamba, Novelle ital., pp. 6-7. Zambrini, col. 615. Melzi, 1, p. 130. Book.

Rilegato. Condition: ottimo. Legatura in pieno marocchino beige firmata Bedford; tripli filetti dorati ai piatti. Dorso a nervi con titolo ed informazioni tipografiche impresse in oro, decorato da impressioni ornamentali elaborate e filetti oro. Dentelle elaborate a fregio in oro, sguardie a motivo policromo. Tagli dorati. Ex libris \"WAC\". 27 pagine non numerate, 165 numerate (per errore numerate 153, in quanto la numerazione da 88 ritorna a 79), (3). Ultima carta con registro, colophon e marca dello stampatore. 4 carte bianche. Revisione del Borghini dellersquo;edizione di Gualteruzzi delle Cento Novelle Antiche: una famosa raccolta di storie del XIII secolo, che descrive la vita di gente comune al tempo. Ottimo esemplare.

Condition: molto buono. in-4 (215x145 mm), pp. 28 nn. (le ultime 2 bb.), 165 num. (per errore num. 153: ripetute le p. 79-88 e 117-118), (3). Legatura 800esca d'amatore in p. marocchino verde scuro, dorso a nervi con titolo oro, dentelle interna, tagli dorati. Impresa tipografica al frontespizio, altra grande in fine, grandi iniziali istoriate e ornate e fregi in xilogr., car. corsivo nelle pag. preliminari, romano per il testo.  Dedica di Filippo e Iacopo Giunta "Alli studiosi della Lingua Toscana". Dedica dell'autore al vescovo di Fano e Bologna Goro Gherio. Ottima edizione delle ''Cento Novelle Antiche'', più note col titolo di ''Novellino'', la cui editio princeps (Bologna 1525) è rarissima; la presente segue la lezione ''tratta da Vinc. Borghini da alcuni codici recanti l'aureo testo del sec. XIII.e per tutto il Settecento e l'Ottocento gli è stata preferita'' (Camerini).  Il confronto con il Novellino del 1525 ha evidenziato che in realtà 81 Novelle su 100 sono le medesime, con qualche minima correzione formale, 19 sono invece diverse e presenti solo in questa edizione. Vi sono poi le quattro novelle aggiunte in fine da  Borghini: le prime tre furono aggiunte al Decamerone che il Giunta stampò nel 1516, la quarta è di Lionardo d'Arezzo.  Ottimo esemplare, ex-libris Mexborough alla controsguardia anteriore, note ms. al lapis all'occhietto (frontespizio un po' polveroso). Manca al BMC. Decia-Delfiol-Camerini II, 16. Gamba n. 687. Gamba, Novelle, p. 5-6. Papanti II, p. 16. Bacchi della Lega, Bibl. Boccaccesca, pp. 34-5. Adams G-1358. Book.

Rilegato. Condition: molto buono. terza edizione. In Fiorenza, nella stamperia dei Giunti, 1572. In-4° (20,9 cm x 14,4 cm). Pp. (26), 1 c.b., 165 (numerate per errore 153), (3). Ripetute nella numerazione le p. 79-88 e 117-118. Segnatura: [*]-[**]4, [***]6, A-X4. Bianca la c. [***]6. Colophon alla c. X4(R). Bella e solida legatura inglese del XIX sec. in pieno marocchino avana, autore e titolo su doppio tassello in marocchino rosso sul dorso. Grandi capilettera abitati, testatine e finalini xilografici. Carattere corsivo e romano. Marca tipografica dei Giunti, con giglio fiorentino entro cornice figurata, al front. (Z653); al verso dell' ultima carta di colophon, in ovale: un giglio fiorentino sorretto da due putti che poggia su un basamento ed in basso l' iniziale F. con il motto: "Nil candidius" (Z650), vi è anche una nota di possesso manoscritta da mano seicentesca. Ex-libris nobiliare al contropiatto ant. probabilmente inglese. Lievissimo ed insignificante foxing al margine esterno di poche carte e qualche debole alone al margine esterno bianco di alcune delle ultime pp., peraltro esemplare genuino in stato di conservazione generale molto buono. Ottima e stimata edizione del Novellino, curata da Vincenzo Maria Borghini con l' aggiunta di 4 novelle alle 100 della 1° ed., la più celebre fra le raccolte di novelle della letteratura italiana, punto di arrivo della letteratura del Duecento e partenza per la successiva evoluzione trecentesca. Fu anche fonte d' ispirazione per il Boccaccio che, quando compose il Decamerone, ne adattò ben otto alla sua opera. La traduzione testuale ci ha consegnato un testo misterioso di cui non si conoscono con precisione gli autori, la data, il luogo di composizione e la struttura originaria del libro. Il termine Novellino era comparso per la prima volta in una lettera di Giovanni della Casa diretta a Carlo Gualteruzzi che fu il curatore della prima edizione a stampa della raccolta (1° ed. Bologna, 1525) introvabile e di mitica rarità. Derivante da molte fonti, alcune classiche e medievali, ma principalmente francesi e in misura minore provenzali e italiane in questa edizione l' autore ne ha aggiornato l' ortografia. Di notevole interesse filologico è anche da notare che alcune di queste novelle hanno però un forte background inglese, una riguarda il re Giovanni e un' altra, la LXXXI Sir Lancillotto del lago "Qui conta come la Damigella di Scalot morì per Amore di Lancialotto de Lac". Bibliografia: Adams, G-1358; Bacchi della Lega, pp. 34-5; Borromeo, Notizia de Novellieri, pp. 30-1; Brunet, I, 1737; NUC, vol. 424, p. 176; Camerini, II, 16; EDIT16 Online, 47120; Gamba, 687; Gamba, Novelle, pp. 5-6; NUC, VOPapanti, II, p. 16. USTC, 805025.

Rilegato. Condition: ottimo. quinta edizione o successive. Legatura in pieno marocchino beige firmata Bedford; tripli filetti dorati ai piatti. Dorso a nervi con titolo ed informazioni tipografiche impresse in oro, decorato da impressioni ornamentali elaborate e filetti oro. Dentelle elaborate a fregio in oro, sguardie a motivo policromo. Tagli dorati. Ex libris "WAC". 27 pagine non numerate, 165 numerate (per errore numerate 153, in quanto la numerazione da 88 ritorna a 79), (3). Ultima carta con registro, colophon e marca dello stampatore. 4 carte bianche. Revisione del Borghini dell'edizione di Gualteruzzi delle Cento Novelle Antiche: una famosa raccolta di storie del XIII secolo, che descrive la vita di gente comune al tempo. Ottimo esemplare. Full morocco binding, signed Bedford; three gilded fillets on covers. Ribbed spine with gilt title and typographical information, decorated by elaborate ornamental impressions and fillets. Elaborate gilded frize-like dentelle, guards with polychrome motif. 27 unnumbered pages, 165 numbered pages (wrongly numbered 153, as the numbers from 88 go back to 79), (3), 4 bl. Borghini's revision of Gualteruzzi's edition of the "Antiche Novelle" (One Hundred Ancient Novels): a famous collection of short stories from the XIII century, describing the life of normal people at the time. Excellent condition. Provenance: Ex-libris "WAC".

4to (215 x 160 mm). (26), (2 blank), "153" (= 165), (3) pp. With the Giunta's woodcut fleur-de-lis device in a decorative cartouche on the title-page and a different one in an oval on the last page, a woodcut factotum at the head of the title-page, another woodcut decoration, about 120 woodcut decorated initials (about 7 series) including some repeats, decorations built up from arabesque typographic ornaments, and a vine-leaf ornament (Vervliet 90). With the main text set in roman type but the extensive preliminaries in italic. Contemporary limp sheepskin parchment, straight-sewn on 3 tanned calf supports cut flush with the bookblock, the spine reinforced with printed waste. Third edition (usually called the second), in the original Italian, of the first collection of native Italian stories, best known under the titles Il novellino and Le cento novelle antiche, written up as a collection (at least in some cases probably copied or adapted from various sources) between 1281 and 1300. Boccaccio borrowed and adapted eight of them when he wrote his Decameron between 1348 and 1353. Seven manuscripts survive from the early 1300s to 1523, but most contain fewer than 50 stories and only the last, commissioned by Pietro Bembo, contains 100. The stories are among the first to present ordinary people as protagonists in stories of everyday life. They are as bawdy as Boccaccio's but more conservative in their presentation of relations between the sexes, with women often though not always depicted as foolish and stupid (and once described as smelling like rotten fish), but women occasionally appear in a better light and are even allowed to be risqué, at least in private among themselves. - But while some stories from the Decameron were printed already in 1470 and it remained a celebrated literary standard work to our day, the present stories appear not to have been printed until 1525, when Carlo Gualteruzzi prepared an edition directly or indirectly from the 1523 manuscript: Le ciento novelle antike, Bologna, Girolamo Benedetti, 1525 (USTC 800597). An undated edition (USTC 802199 & 994562) reports no publisher or place of publication, but probably appeared in Italy soon after the 1525 edition. Both were simple productions of popular literature that were soon largely forgotten and survive in only a handful of copies. Entries in the surviving Diario of the printing office of the monastery of San Jacopo di Ripoli in Florence record their production of "il cento novelle" from 20 April 1482 to 13 May 1483, but this is now identified as a surviving edition of the Decameron rather than a lost edition of Le cento novelle antiche. - So when the Benedictine monk Vincenzo Borghini (1515-1580), advisor to the Medici in Florence, prepared the present 1572 edition, these stories had already become almost unattainable. It is a much fancier production than the earlier editions, beautifully printed on good paper in some of the best French types of the day (notably romans by Pierre Haultin and italics by Robert Granjon) with a wide variety of decorated initial letters, other woodcut decorations and arabesque typographic ornaments. It quickly became the standard text and all editions followed it until 1825, when scholars returned to the text of the first edition. So the present edition shows the stories as they were known for nearly 250 years. - But in the heat of the Counter-Reformation, with the Catholic Church fiercely guarding its reputation against accusations of corruption and immorality, these stories could not be printed as they stood. The Church was mainly concerned about stories that might show the Church or its representatives in a negative light, so Borghini's censorship centred on religious elements, but there were also limits to his toleration of erotic scenes. He removed 17 stories entirely (6, 7, 12, 16-18, 36-37, 39, 54, 57, 62, 75, 86-87, 91 and 93), replacing them with 18 stories whose sources still need to be investigated. One of the added stories appears before story 1 as "Proemio", so the others are still numbered I-C. Finally Borghini added an appendix with four additional stories, numbered as a separate series, I-IIII. While modern scholars understandably lament Borghini's censorship, it has unfortunately led them to ignore the 22 stories he added, while a recent study of his work on the Decameron published a year later shows that besides censoring it he gave it much scholarly care and consulted early manuscripts. A proper understanding of this important series of stories (and their reception) requires a thorough study of the manuscripts and both the 1525 and the present 1572 editions. - With a 17th-century(?) armorial library stamp on the title-page ("ex. bibliot: come . cardelli. kom"?). After an attempt to remove an inscription from the foot of the title-page (leaving a stain on the facing flyleaf) an owner cut off 1 cm of its foot margin, not approaching the text. With a tear in the blank leaf 3*6 and in the blank foot of the final leaf V8, and minor foxing, but still in good condition. The cover has pulled loose from the bookblock at the inside front hinge. The most beautiful and most influential edition of an important series of 13th-century stories, with 17 stories from the first edition omitted and others censored, but with 22 stories added. - Adams G 1358. Joseph Consoli, ed., The Novellino or One hundred ancient tales: an edition and translation, 1997. Edit 16, 47120. ESTC 805025.

Third edition (usually called the second), in the original Italian, of the first collection of native Italian stories, best known under the titles Il novellino and Le cento novelle antiche, written up as a collection between 1281 and 1300. Boccaccio borrowed and adapted eight of them when he wrote his Decameron between 1348 and 1353. The stories are among the first to present ordinary people as protagonists in stories of everyday life. They are as bawdy as Boccaccio's but more conservative in their presentation of relations between the sexes. But while some stories from the Decameron were printed already in 1470 and it remained a celebrated literary standard work to our day, the present stories appear not to have been printed until 1525. An undated edition appeared soon after. Both were soon largely forgotten and survive in only a handful of copies. The present 1572 edition is a much fancier production than the earlier editions. It quickly became the standard text and all editions followed it until 1825.But in the heat of the Counter-Reformation, with the Catholic Church fiercely guarding its reputation against accusations of corruption and immorality, these stories could not be printed as they stood. Borghini's censorship centred on religious elements. With a 17th-century(?) armorial library stamp on the title-page. After an attempt to remove an inscription from the foot of the title-page (leaving a stain on the facing flyleaf) an owner cut off 1 cm of its foot margin, not approaching the text. With a tear in the blank leaf 3*6 and in the blank foot of the final leaf V8, and minor foxing, but still in good condition. The cover has pulled loose from the bookblock at the inside front hinge.l Adams G1358; Joseph Consoli, ed., The Novellino or One hundred ancient tales: an edition and translation, 1997; EDIT 16, 47120; ESTC 805025. Contemporary limp sheepskin parchment, straight-sewn on 3 tanned calf supports cut flush with the bookblock, the spine reinforced with printed waste. With the Giunta's woodcut fleur-de-lis device in a decorative cartouche on the title-page and a different one in an oval on the last page, a woodcut factotum at the head of the title-page, another woodcut decoration, about 120 woodcut decorated initials (about 7 series) including some repeats, decorations built up from arabesque typographic ornaments, and a vine-leaf ornament (Vervliet 90). With the main text set in roman type but the extensive preliminaries in italic. Pages: [26], [2 blank], "153" [= 165], [3] pp.

Hardcover. Condition: Near Fine. 1st Edition. 1572 1st ed Novellino Carlo Gualteruzzi Italian Tales Sexuality VULGAR Proverbs "There once was a doctor named Giordano, who had a disciple. The son of a king fell ill. This teacher went to him and realized that he could cure him. The disciple, in order to steal all the prestige from his master, said to the father, "I can see that your son will surely die." And, disagreeing with his teacher, and acting as one of great learning, he opened the sick man's mouth and, using his little finger, deposited some poison on the man's tongue. The man died. The teacher went away and lost all of his prestige, which was gained by his disciple. From that moment on the teacher swore that he would only attend to.dumb animals" (Gualteruzzi, Novella XI) The 'Princeps' or 'Novellino' by Carlo Gualteruzzi is a 16th-century collection of ancient tales. Joseph Consoli, a Gualteruzzi expert, says "The principal innovative aspect of 'The Novellino' is its inclusion of everyday people in the ranks of its protagonists." This collection is important in that before this work, "representatives from the non-privileged classes were invisible to the literary world." (Consoli, xix) This setting of poems and stories includes tales of human emotions, particularly of love and sexuality, deceitfulness, and selfishness. Gualteruzzi depicts women 'as silly and stupid creatures' in a number of his tales. According to Consoli, "The representation of women in "The Novellino" cannot be considered constructivethis attitude towards women reaches its outrageous zenith with the raucous, rude hysterics of a group of knights at the hatefully vulgar description of the scent of a woman." (Consoli, xx) Item number: #948 Price: $ 1500 GUALTERUZZI, Carlo Libro di novelle, et di bel parlar gentile Nel qual si contengono cento nouelle altrauolta mandate fuori da Carlo Gualteruzzi da Fano : Con aggiunta di quattro altre nel fine et con una dichiaratione d'alcune delle vocipiu antiche. Fiorenza : Nella Stamperia de i Giunti, 1572. First edition. Details: Collation complete with all pages: (xxviii) + 165 o Signatures: **4, ***6, A-X4 Binding: Vellum; tight & secure References: Adams G 1358; BMC 606; Gamba 689 o Gamba says "it's hard to find today" very rare Language: Italian Size: ~8.75in X 6in (22.5cm x 15cm) Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation! 948 Photos available upon request.

Collana "Delizie degli eruditi bibliofili ital., VII"In-8° (cm. 19,5x13,4) , pp. 95 (1), con riproduz. di 5 antichi frontespizi xilografici n.t., capilettera ornati, fregi, stemma del Bonucci in cop., al front. e al verso dell'ultima carta. Elegante cartone primo '900 decorato a col., tit. oro su tass. in pelle al dorso. Conservati all'interno i piatti della bross. orig. Lettere INEDITE di Carlo, di Lelio e di Ugolino Gualteruzzi da FANO, di Giovanni Della Casa per nome del Card. Caraffa, di Marc'Antonio Colonna al Duca d'Alva, di Donato Giannotti (segr. della Rep. Fiorentina) sulla morte di Alessandro de' Medici. Elegante ediz. orig. a cura di Anicio Bonucci. "Fatte stampare dal bibliofilo Anicio Bonucci nelle case di Costantino Cacciamani". Carta di pregio nelle sue barbe. Tiratura di 254 es. progressivamente numerati in Torchio all'atto di stampa e queso [sic] è il n° 101.

Softcover. Condition: VG. Pages uncut. Octavo. Softcover. Plain grey paper wraps with black titles. xxxvii, 612 pages ; 23 cm. Italian text.

In Firenze, s.n.t., 1724, in-8, bella legatura della fine del '700 in piena pergamena, dorso riccamente decorato in oro a piccoli ferri, titolo e data in oro su doppi tasselli in pelle bicolore, pp. [16], 166, [2], l'ultima carta bianca. Con una bella vignetta incisa in rame al frontespizio, capilettera, una testatina incisa. Precedono il testo una dedica firmata Fidalgo Partenio ("S'è l'editore nascosto sott'il nome di Fidalgo Partenio", Gamba 688) e una nota agli studiosi della lingua Toscana di Filippo e Jacopo Giunti. Edizione filologicamente pregevole condotta sull'ediz. Giuntina del 1572. Nonostante un restauro marginale al frontespizio esemplare molto bello e ad ampi margini.

In 8? (20,5x14,5) leg. coeva in piena pergamena con titolo calligrafico al dorso, tracce d'uso. Antica firma ("Andrea Buono") all'antiporta, frontespizio a due colori con grande impresa editoriale, pp. 166, 2; capilettera, testatina incisa, interni freschi; nota Agli studiosi della lingua Toscana di Filippo e Jacopo Giunti. "S'? l'editore nascosto sott'il nome di Fidalgo Partenio" (Gamba 688), edizione filologicamente pregevole condotta sull'ediz. Giuntina del 1572; "un giudizio favorevole se ne pronunzi? nel Giornale de' letterati d'Italia" (Passano, Novellieri italiani, p. 432). Buon Esemplare.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1834 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 142 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 142 Language: Italian.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1804 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 323 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 323 Volume 1 Language: Italian.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1804 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 384 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 384 Volume 2 Language: Italian.

Condition: New. Print on Demand pp. 380.

Leather Bound. Condition: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1834. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages:- 139, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 139 139.

Leather Bound. Condition: New. Language: Italian. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2019, utilizing the invaluable guidance of the original edition published many years ago in 1825. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages:- 177, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 177.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1747 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 694 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 694 Language: Italian.

Leather Bound. Condition: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1804. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Vol:- Volume 1, Pages:- 323, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 1 323 323.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Leather Bound. Condition: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1804. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Vol:- Volume 2, Pages:- 384, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 2 384 384.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. Print on Demand.