Hansen Nils (75 results)

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: New.

Condition: New.

Hardcover. Condition: new. Hardcover. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and the fallen woman. Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium. Text in English and Norwegian. The catalogue sheds light on Christian Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium. Text in English and Norwegian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. Multilingual. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and "the fallen woman". Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium.Text in English and Norwegian.

144 S. mit zahlr. Abb. - Pappband gebunden (leicht bestossen, sonst sauber, frisch.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Gut. 319 S.; Ill. Good. Ex-library. Sprache: Englisch Gewicht in Gramm: 880.

OPp., gebundene Ausgabe, SU. Condition: Gut. 80 S., Ill. SU. leicht berieben, ansonsten sehr gut erhalten. ISBN: 3529052124 Sprache: Deutsch Gewicht in Gramm: 910.

144 S. mit Abb., OPBd., 1. Aufl., 8° guter Zustand. Bücher.

Condition: New. 2025. Multilingual. hardcover. . . . . .

Hardback. Condition: New. Multilingual. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and "the fallen woman". Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium.Text in English and Norwegian.

Condition: New.

Buch. Condition: Neu. Neuware -The catalogue sheds light on Christian Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium. Text in English and Norwegian.Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and 'the fallen woman'. Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium. Text in English and Norwegian. 242 pp. Englisch.

Condition: New. 2025. Multilingual. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Condition: Neu. Neuware -The catalogue sheds light on Christian Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium. Text in English and Norwegian.Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and 'the fallen woman'. Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium. Text in English and Norwegian.

Hardcover. Condition: Brand New. 208 pages. 10.83x8.51x10.88 inches. In Stock.

Condition: Sehr gut. 286 S. Mit einigen s/w-Abbildungen. Minimale Lesespuren. Sehr guter Zustand. Sprache: Deutsch Gewicht in Gramm: 510 8° (=18,5-22,5cm), Leinen mit Goldprägung.

Couverture rigide. Condition: Très bon. 12312 Très bon état, envoi rapide et soigné.

Hardcover. Condition: Brand New. 208 pages. 10.83x8.51x10.88 inches. In Stock.

Hardcover. Condition: Brand New. bilingual edition. 111 pages. French language. 12.00x8.50x0.75 inches. In Stock.

hardcover. Condition: Near Fine. near fine blue cloth, attractive copy, appears little used if at all, barcode and printing info on last blank page suggests this was a digital reprint. ROLL-HANSEN, NILS, 1938-; BROBERG, GUNNAR, 1942-2022, ed. . Eugenics and the welfare state: sterilization policy in Denmark, Sweden, Norway, and Finland. East Lansing: Michigan State University Press, 1996, probably a digital reprint with the 1st printing number line starting with 1, ix, 294pp., . Note that a 2005 revised edition included a new preface addressing the controversies raised by the book. - The history of sterilization in the Nordic countries shows the interaction between science, political ideology, and the development of social policy. - CONTENTS: Scandinavia : an introduction / Gunnar Broberg -- Something rotten in the state of Denmark : eugenics and the ascent of the welfare state / Bent Sigurd Hansen -- Eugenics in Sweden : efficient care / Gunnar Broberg and Mattias Tydén -- Norwegian eugenics : sterilization as social reform / Nils Roll-Hansen -- From race hygiene to sterilization : the eugenics movement in Finland / Marjatta Hietala -- Conclusion : Scandinavian eugenics in the international context / Nils Roll-Hansen. 9780870134135 ISBN 0870134132 20.40.

Hardback. Condition: New. Multilingual. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and "the fallen woman". Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium.Text in English and Norwegian.

Condition: Gut. 93 S. : zahlr. ganzseitige Abb. ; 21x20 cm ; Marginal berieben, bestoßen, innen sauber. Gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 330 weißer Org.-Broschur mit Deckelillustr.

Hardcover. Condition: new. Hardcover. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and the fallen woman. Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium. Text in English and Norwegian. The catalogue sheds light on Christian Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium. Text in English and Norwegian. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condition: Neu. Neuware -The catalogue sheds light on Christian Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium. Text in English and Norwegian.Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and 'the fallen woman'. Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium. Text in English and Norwegian.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 242 pp. Englisch.

Kartoniert. 96 Seiten, Mit Abbildungen und Literaturverzeichnis; [Schriften des Freilichtmuseums am Kiekeberg, Band 11]; --- gutes Exemplar Sprache: Deutsch Gewicht in Gramm: 280.