Hantai (72 results)

hardcover. Condition: New. Brand New.

Hardcover without dustjacket as issued, 84 pages; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Softcover, 144 pages, in English and French; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Condition: Very Good. Exhibition, October & November 1970. ; 12 pages.

Hardcover without dustjacket as issued, 24 pages, as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Softcover, 90 pages; very good condition, no internal marks, clean and crisp. Errata sheet laid in. Foreign shipping may be extra.

Hardcover. Condition: NEW. 1st. 83 pages, illustrations; 33 cm. Catalogue of an exhibition held at Mnuchin Gallery, New York, April 28 to June 26, 2015. Organized in collaboration with Galerie Jean Fournier in Paris and Paul Kasmin Gallery in New York. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! No priority/international, except by special arrangement. A massive coffee-table book. Richly illustrated with colour plates. Size: Folio. Collectible.…

Hardcover without dustjacket as issued, 112 pages; as new condition; except a few tiny bumps to boards; no internal marks. Foreign shipping may be extra.

Tankobon Hardcover. Condition: Brand New. Japanese language. 8.19x5.75x0.39 inches. In Stock.

Hardcover/Hardback. Condition: Very Good. Simon Hantaï. Centre Pompidou,2013.Hardcover.319pages. Near fine,but for light bumping to back cover top right at spine.Edited by Dominique Fourcade, Isabelle Monod-Fontaine, and Alfred Pacquement.Essays by Daniel Buren, Jean-Michel Meurice, Pierre Buraglio, François Rouan, etc. Published on the occasion of the first Simon Hantaï retrospective, presented at Centre Pompidou, Paris, five years after his death. Considered as one of the greatest painters of the first half of the 20th century, he is mostly known for his prolific, multi-coloured Meuns series. ISBN: 9782844265999. …

Tankobon Softcover. Condition: Brand New. Japanese language. 7.40x5.20x0.79 inches. In Stock.

Couverture souple. Condition: Bon état. Livre en anglais. In-4 broché 33 cm sur 24. 89 pages. Couverture crème avec titre orangé. Nombreuses planches couleurs pleine page. Couverture beige. Bon état d'occasion.

broché. Condition: Bon. Édition originale sur papier d'édition. HANTAÏ. 21décembre 1968 - 16 mars 1969. Saint Paul, Fondation Maeght, 1968. In-8 carré (22,5 x 19,5 cm), broché, couverture illustrée, non paginé, (48 pages). Catalogue d¿exposition. 16 reproductions hors-texte dont 2 en couleurs et 2 photographies de l'artiste. Textes de François Mathey. Dos légèrement frotté. Bon exemplaire malgré le défaut signalé. Très bon état intérieur. HANTAÏ (illustrator).…

Softcover, unpaginated; in English and French, as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Standard cover. Recorded in Chartres, July 1990. 14 x 13 cm. 135 gr. Sólo si el libro supera 1 kg de peso o se trata de un ejemplar de gran formato, el envío puede tener un coste adicional. EXCELLENT CONDITION; CD without scratches.

Soft cover. Condition: Near Fine. This book has not been read; many of the pages are still uncut. Looks new-- clean, bright, tight & unmarked w/no rips or creases-- except for small bump at top of spine. Quick, secure shipping w/free delivery confirmation.

Soft Cover. Condition: Near Fine. First Edition. First Printing in illustrated wraps, no markings, no creases, minor edge/corner wear, else as new; with Chronology, List of Exhibitions, and Bibliography; Texts in French & English; sq 4to; 60pp illus in color.

soft cover. Condition: as new. first edition. Petit in-4° broché. Le terme "réexamen" apparaît dans une formulation de Simon Hantaï au sujet de son tableau A Galla Placidia des années 1958-1959 : il écrit exactement "réexamen rétrospectif de 10 ans de travail". En considérant l'ensemble des textes et entretiens de ce recueil, ce mot semble à la fois approprié pour désigner . Le terme "réexamen" apparaît dans une formulation de Simon Hantaï au sujet de son tableau A Galla Placidia des années 1958-1959 : il écrit exactement "réexamen rétrospectif de 10 ans de travail". En considérant l'ensemble des textes et entretiens de ce recueil, ce mot semble à la fois approprié pour désigner ce que ce livre entend offrir au lecteur - l'occasion d'un réexamen de ce qu'un peintre a écrit et dit conjointement à ce qu'il a peint - et adéquat à ce que Simon Hantaï lui-même a incarné au cours de son existence : une résolution à se réexaminer sans trêve et quelles qu'en soient les conséquences. Il s'agit non seulement pour lui de considérer telle réalité - par exemple la peinture - avec une attention toute particulière qui conduit à ne jamais s'en satisfaire mais, en outre, d'être habité par une incertitude qui motive ce réexamen proprement interminable. Les textes et entretiens réunis ci-après, nous permettent de suivre et sans doute de mieux comprendre ce qui se passe avec les peintures que Simon Hantaï met en circulation depuis qu'il s'est exilé à Paris à partir de septembre 1948 et qu'il entre ensuite en contact avec André Breton et les surréalistes. Par comprendre la peinture de Simon Hantaï, il ne faut naturellement pas entendre que les diverses déclarations qui suivent et qui courent sur cinquante années vont rendre les gestes de ce peintre transparents ou évidents. Il ne tenait pas à ce qu'ils le soient pour lui-même. Celui qui va revendiquer le pliage comme "méthode" à compter de 1960 entend rompre avec l'ancienne logique picturale et recommencer une activité apparemment plus simple en pliant des toiles. Hantaï suit sa méthode du pliage pour découvrir du nouveau, plutôt que des variations d'un imaginaire qu'il estime éculé. "Je ne veux pas une réponse qui m'assure quelque chose, je ne veux justement aucune réponse, je veux l'absolu non-réponse, c'est-à-dire l'infini." A la lecture de ces textes et entretiens, on entrera mieux dans une pensée de la peinture ayant permis la mise à jour de la conscience du peintre lui-même, ce qui ne garantit pas pour autant qu'on saura mieux regarder cette peinture.…

28,5x29,5 cm. 368 pp. Richly illustrated. Publisher's hardcover, wrap-around-band. A very good copy. First blank page with card: "With the compliments of Archives Simon Hantaï". Text in English.

Broché sous Jaquette Éditeur I. Condition: Très bon. Ouvrage publié pour l' exposition de peintures et d' aquarelles récentes à la galerie Pierre Matisse, à New York, en octobre et novembre 1975. Présentation de Geneviève Bonnefoi (extraite de son livre "Hantaï") en anglais - English text - traduite par Paul AUSTER. Avec 13 reproductions d' oeuvres en hors-texte dont 9 en couleurs et un portrait photographique de l' artiste dans l' atelier par Edouard BOUBAT au frontispice. La jaquette de l' ouvrage (ses 2 plats et les rabats) est une LITHOGRAPHIE originale. Liste des 22 oeuvres exposées en fin de volume. Non paginé (12 pages).…

Couverture Souple Illustrée. Condition: Très bon. Ouvrage publié pour l' exposition de "Peintures" et de "Pliures" à la Fondation Maeght, à Saint-Paul, de décembre 1968 à mars 1969. Préface de François Mathey suivie de reproductions d'oeuvres en N & B + 2 en couleurs, toutes en hors-texte. Avec deux portraits photographiques de Simon Hantaï par Edouard Boubat. Liste des 35 oeuvres exposées. Non paginé (48 pages). Broché. Format : 19,5 x 22,5 cms.…

First edition. 11.5 x 9.5 inches. 320 pages. Profusely illustrated in color. Original pictorial boards. "Born in Hungary in 1922, Simon Hantaï moved to Paris at the age of 26, and fell in with André Breton's postwar Surrealist circle, where he was quickly acclaimed by Breton himself. But it was not until the early 1960s that Hantaï developed the "pliage" or "folding method" that has made him an influential figure on both sides of the Atlantic. Hantaï began applying paint to folded canvasses, which--once the canvasses were unfolded and stretched--resulted in irregular patterns of bold color punctuated by strips of unprimed ground. Throughout the rest of his career, Hantaï devoted himself to developing new techniques that slowed down or automated the painterly gesture--a concept that stemmed in part from the early influences of Surrealist automatism, Pollock's Abstract Expressionism and Matisse's cut-outs. Hantaï was featured in the Wexner's seminal As Painting exhibition of 2001, and his work is housed in major collections worldwide, including The Museum of Modern Art, New York. This elegant and comprehensive volume is published for the Centre Pompidou's acclaimed Hantaï retrospective, held five years after his death in 2008, and constitutes the first major publication in English on his work" (the publisher). Corners lightly bumped; internally a clean copy.…

Paperback. Condition: Fine. First Paperback Edition. 4to. Large format paperback. Copiously illustrated in colour throughout. Catalogue of an exhibition held at the Paul Kasmin Gallery, New York, October 22-December 5, 2015. Essays by Marcelin Pleynet, Molly Warnock, and Alex Bacon. ISBN: 0988661381 Pages: 79 Fine.…

Softcover, 44 pages; in French; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: As new. Quarto. Hardcover. Matte illustrated boards. No jacket, as issued. 319 pages : illlustrations (some color) ; 29 cm. "This catalogue offers the opportunity to discover the complete oeuvre of one of the most important artists of the second half of the 20th century: Simon Hantaï. From the first paintings after Hantaï's arrival in Paris in 1948 to the pliage paintings, this publication, which covers sixty years of the painter's life and accompanies the first retrospective of Hantaï's work since 1876, reveals the complexity and extreme diversity of his creation: from the Surrealist paintings to the writing-paintings, from the Mariales (the first series of works created using the pliage or folding method) to the Laissées. Hantaï's approach is analyzed at each stage of its development. Essays, accounts by those closest to the artist, and a detailed chronology, as well as numerous hitherto unpublished illustrations, complement this first major reference work on the artist."--Page 4 of cover. Published on the occasion of an exhibition held at the Centre Georges Pompidou, Paris, May 22-September 9, 2013./ Includes bibliographical references (pages 312-316).…

Softcover. Condition: Fine. Fine softcover (80 pages) & folded poster in hardcover slipcase ( Case: 13 × 18 inches (33 × 46 cm), Softcover: 12 1/2 × 17 3/4 inches (32 × 45 cm). This book was published on the occasion of Simon Hantaï: Azzurro at Gagosian, Rome. Curated by Anne Baldassari, the exhibition focused on the significance of blue in the artist's practice, illuminating his affinity with Italy and the influence on his work of its classical painting tradition. Azzurro featured work from throughout Hantaï's career and included many paintings produced using his characteristic pliage (folding) technique, in which a canvas is crumpled and knotted, painted over, and then unfolded to reveal a pattern of alternations between pigment and ground. Housed in a custom-made hardcover case, the publication includes a large-format, saddle-stitched book featuring "Azzurro Blue," an essay by Baldassari, as well as color reproductions of the works in the exhibition and archival photographs of Hantaï in his studio and at home. The case also contains a double-sided folded poster with Tabula (1976)one of several large-scale gridded works in blue that dominated the Rome gallery's ovoid main roomon one side and color illustrations documenting twenty-seven works from the exhibition on the reverse.…

Soft cover. Condition: Good. A sheet measuring 62 x 49 cms, folded into 4 pages, one side being the text, the other being the illustrations. A clean tidy copy.

Hardcover without dustjacket as issued, 320 pages, in English; very good condition, light rubbing to covers; tiny crimps to lower right corner tips of covers; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Fine. In-12. Très bel ouvrage orné de nombreuses illustrations en couleurs. Bel exemplaire.

Softcover. Square quarto. Softcover. Blue and white illustrated wraps in glassine jacket43, [27] pages : illustrations (some color) ; 28 cm. French text. VG. Glassine has some small dingsm light toning along the spine and wrap is split from the tail about two inches up, but does not affect binding.