Happe Husken (33 results)

Condition: Good. Volume 9. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9789042023031.

Paperback. Condition: Very Good. No jacket. Rodopi, 2012. Paperback, 8vo, 325pp. Covers slightly bumped. A good copy. 9789042034891/0.6ne . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).

Hardcover. Condition: As New. Near to new ND/J as issued SKU BO 35a.

Original publisher's green paper-covered boards, pictorial frontcover, large 8vo: 380pp., 15 contributions with footnotes & references, table of contents. Very fine copy - as new., Volume 9: Ludus. Medieval and Early Renaissance Theatre and Drama.

Condition: Good. Buy with confidence! Comes with our 100% money back guarantee!! Tracking included with every order!!! **** Access codes and supplements are not guaranteed with used items **** All items ship Monday - Friday in a secure bubble mailer . The cover shows normal wear and tear . Some corner dings . The pages are nice and crisp!

Tapa blanda. Condition: New. HAPPE, P. / W. HUESKEN, EDS.: INTERLUDES AND EARLY MODERN SOCIETY. STUDIES IN GENDER, POWER AND THEATRICALITY. AMSTERDAM, 2007, 380 p. , 740 gr. Encuadernacion original. Nuevo. (NB-4-6) 740 gr. Libro.

Hardcover. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: New.

Hardcover. Condition: New. Presents the various aspects of the criticism of the English Interludes. This collection of essays concentrate upon power, particularly in its religious and political aspects, gender and theatricality. It discusses the development of theatrical techniques a.

Hardcover. Condition: New.

Taschenbuch. Condition: Neu. Neuware - This collection of essays in English by scholars of international standing presents new insights into the contexts in which the fifteenth-century French mystères were created. It is centred upon the remarkable outburst of large-scale plays written for urban production and dealing with biblical and hagiological subjects which transformed the art of theatre in France and gave rise to a new and multi-faceted theatrical culture. Among the subjects treated are the means by which surviving texts preserve theatrical practice, and some of the ways in which the work of the principal dramatists Eustache Mercadé, Arnoul Gréban and Jean Michel interact with one another and with the work of others. The nature of some surviving texts is subjected to close scrutiny and this includes detailed work upon some manuscripts and their typology. Attention is also given to the related moralités, the convent drama, and to the large corpus of Catalan plays which deal with similar topics but in different circumstances. Further contexts are addressed through paradramatic aspects including sermons and the chansons de geste, as well as the political environment. One recurring feature is the nature and activities of ubiquitous and powerful evil characters and their theatrical and theological significance.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Against a background which included revolutionary changes in religious belief, extensive enlargement of dramatic styles and the technological innovation of printing, this collection of essays about biblical drama offers innovative approaches to text and performance, while reviewing some well-established critical issues. The Bible in the fifteenth and sixteenth centuries appears in a complex of roles in relation to the drama: as an authority and centre of belief, a place of controversy, an emotional experience and, at times, a weapon. This collection brings into focus the new biblical learning, including the re-editing of biblical texts, as well as classical influences, and it gives a unique view of the relationship between the Bible and the drama at a critical time for both.Contributors are: Stephanie Allen, David Bevington, Philip Butterworth, Sarah Carpenter, Philip Crispin, Clifford Davidson, Elisabeth Dutton, Garrett P. J. Epp, Bob Godfrey, Peter Happé, James McBain, Roberta Mullini, Katie Normington, Margaret Rogerson, Charlotte Steenbrugge, Greg Walker, and Diana Wyatt.

Buch. Condition: Neu. Neuware - The essays in this collection, contributed by an internationally distinguished group of scholars, bring up to date many aspects of the criticism of the English Interludes. The development of these plays was a significant part of the history of the growth of English drama in the sixteenth century to the extent that they may be regarded as its main stream. Arising by means of a felicitous combination of the development of printing and the growth of a professional theatre, plays of this type quickly became a forum for the presentation and exploration of many contemporary themes. They became a useful means of disseminating a wide variety of opinions and public concerns as well as exhibiting at times the intellectual brilliance of the Renaissance.The essays here are concentrated upon power, particularly in its religious and political aspects, gender and theatricality. The political and religious upheavals of the Reformation under the Tudor monarchy form a background as well as a focus at times. In particular the position of women in sixteenth-century society is examined in essays on several plays. There is also discussion of the development of theatrical techniques as playwrights worked closely with small acting companies to reach a wide audience ranging from the royal court to the common streets. This was achieved, as a number of essays make clear, through a variety of entertaining theatrical devices.

Buch. Condition: Neu. Neuware - Staging History unites essays by nine specialists in the field of late medieval and early Renaissance drama. Their focus is on English, Dutch and Humanist German drama, as well as on a modern Swiss adaptation of Shakespeare's Henry V. Featuring prominently in this book are plays by, among others, John Bale, Jacob Schoepper, Johannes Agricola and Jacob Duym. Special attention is also paid to the Croxton Play of the Sacrament and the Dutch abele spelen. So far this topic has not received wide attention within the world of medieval and early Renaissance studies. This exploration aims at arousing more interest in this field by scholars working on European drama from the late Middle Ages and the early Renaissance.

Hardcover. Condition: New.

Hardback. Condition: New. Against a background which included revolutionary changes in religious belief, extensive enlargement of dramatic styles and the technological innovation of printing, this collection of essays about biblical drama offers innovative approaches to text and performance, while reviewing some well-established critical issues. The Bible in the fifteenth and sixteenth centuries appears in a complex of roles in relation to the drama: as an authority and centre of belief, a place of controversy, an emotional experience and, at times, a weapon. This collection brings into focus the new biblical learning, including the re-editing of biblical texts, as well as classical influences, and it gives a unique view of the relationship between the Bible and the drama at a critical time for both.Contributors are: Stephanie Allen, David Bevington, Philip Butterworth, Sarah Carpenter, Philip Crispin, Clifford Davidson, Elisabeth Dutton, Garrett P. J. Epp, Bob Godfrey, Peter Happé, James McBain, Roberta Mullini, Katie Normington, Margaret Rogerson, Charlotte Steenbrugge, Greg Walker, and Diana Wyatt.

hardcover. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Buch. Condition: Neu. Neuware - Against a background which included revolutionary changes in religious belief, extensive enlargement of dramatic styles and the technological innovation of printing, this collection of essays about biblical drama offers innovative approaches to text and performance, while reviewing some well-established critical issues. The Bible in the fifteenth and sixteenth centuries appears in a complex of roles in relation to the drama: as an authority and centre of belief, a place of controversy, an emotional experience and, at times, a weapon. This collection brings into focus the new biblical learning, including the re-editing of biblical texts, as well as classical influences, and it gives a unique view of the relationship between the Bible and the drama at a critical time for both. Contributors are: Stephanie Allen, David Bevington, Philip Butterworth, Sarah Carpenter, Philip Crispin, Clifford Davidson, Elisabeth Dutton, Garrett P. J. Epp, Bob Godfrey, Peter Happé, James McBain, Roberta Mullini, Katie Normington, Margaret Rogerson, Charlotte Steenbrugge, Greg Walker, and Diana Wyatt.

Paperback. Pb, VG. LUDUS 12.

ISBN-10 : 9042034890 ISBN-13 : 978-9042034891 Paperback, First edition. VG in original glazed covers as issued. Showing overall minor wear, slight signs of reading and minor corner lift. Internally clean and bright with no ink marks or writing. An excellent reference example. 12724.

ISBN-10 : 9004449493 ISBN-13 : 978-9004449497 First edition. Hardback In publisher's glazed boards, slightly bumped, otherwise clean and tight and bright internally. There are no ink marks or writing. An excellent reference example. 12732.

Condition: new. Questo è un articolo print on demand.

Condition: new. Questo è un articolo print on demand.

Condition: new. Questo è un articolo print on demand.

Paperback. Condition: Brand New. 325 pages. French language. 8.50x5.75x1.00 inches. In Stock. This item is printed on demand.

Condition: new. Questo è un articolo print on demand.