Hendrix Jimi, Signed (13 results)

Treatment script for an unproduced film. Laid in is a signed letter from the screenwriter to the Walter Kohner, dated January 31, 1985. An interpretation, memorialization, dedication and history of Jimi Hendrix, told through art and collages made by the screenwriter, which are in this screenplay, as well as a fantasy meeting between della Sala and Hendrix. Yellow titled wrappers, noted as Treatment on the front wrapper, dated 1984, with credits for screenwriter Fabio della Sala, and translator Jean Gennis. 61 leaves, with last leaf of text numbered 51. Xerographically duplicated. Pages Near Fine, wrapper Near Fine bound with three staples.

Hardcover. Condition: Fine. Dust Jacket Condition: fine. Signed first edition of Jimi Hendrix Live in LVIV by Andrey Kurkov. (illustrator). First Edition, First Impression. Octavo, 414pp. Blue hardcover, title in gilt on spine. Stated "First published in Great Britain in 2023" on copyright page. Full number line listed on copyright page. Solid text block, fine condition. In the publisher's dust jacket, £16.99 retail price on front flap, fine example. Signed by Andrey Kurkov on the title page: "A. Kurkov / London / 20.03.24.". Signed.

Octavo / Quarto etc. More than 4500 pages with photographic records, descriptions and illustrations, framed photographs, signed books. Original Softcover and Hardcover - publications. Very good condition with only minor signs of external wear. The price includes an upgrade to worldwide free shipping of the collection per UPS Express Courier. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day-to-day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Beckett's winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality; 'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing, 'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995); Shadows from the Pale, Portrait of an Irish Town (1996); and An Unweaving of Rainbows, Images of Irish Writers (1996). He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in County Cork. Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984; Centre Georges Pompidou, Paris 1986; the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia) Sprache: english.

Hardcover. Limited Edition, deluxe issue, one of 350 numbered copies (this being No. 117) SIGNED by authors Ross Halfin and Brad Tolinski, and by Aerosmith guitarist Joe Perry. Includes an exclusive print signed by Baron Wolman, the chief photographer of "Rolling Stone" magazine. Comprises nearly 300 of the greatest photographs of Jimi Hendrix ever taken, with 34 of the world's most celebrated rock photographers represented, including Jim Marshall, Gered Mankowitz, Baron Wolman, Jean-Pierre Leloir, and Elliot Landy. Fine and unread, bound in purple quarter leather, with no dust jacket as issued. In the publisher's Fine black leather box with a silkscreen rainbow guitar string pattern on the front of the box. Oversize volume, shipping billed at cost. Signed.

LIMITED EDITION, DELUXE ISSUE no.30 of 350 copies thus; the remainder of the 1400-copy print run are designated 'collector' copies. SIGNED by the author, the photographer and guitarist Joe Perry. Folio (33 x 25cm), pp.292. Quarter-bound in fine-grain purple leather with silk-screened aluminium boards, prismatic silver page edges, endleaves of purple Italian paper, presented in a full black leather box silk-screened with six fluorescent guitar strings. The Deluxe copy includes an exclusive print signed by Rolling Stone magazine's chief photographer Baron Wolman. As new / unopened, in the original card mailer with limitation label affixed. Containing nearly 300 of the greatest photographs of Jimi Hendrix ever taken, drawn from the archives of 34 of the world's most celebrated rock photographers including Jim Marshall, Gered Mankowitz, Baron Wolman, Jean-Pierre Leloir and Elliot Landy. With a foreword by Noel Redding; new text throughout from Mitch Mitchell, Eric Clapton, Ronnie Wood and Aerosmith's Joe Perry; and archival quotes from Jimi Hendrix himself. A superb production from Genesis Publications, pioneers of high quality art-rock publications. Quite simply the most comprehensive visual memoir of Jimi Hendrix ever published. Signed.

Vintage c. 1968 'Electric Last Minute' poster of Jimi Hendrix from Eye Magazine, boldly signed and inscribed, "Stay Groovy, Jimi Hendrix," "Cheers, Noel Redding," and "Mitch." Matted and framed. The poster measure 18.5 inches by 23.5 inches. The entire piece measures 24 inches by 28.5 inches. In very good to fine condition, with folding and tape along the intersecting folds. With a letter of provenance statement from the original recipient, noting that the autographs were acquired at the Col Ballroom in Davenport, Iowa, on August 11, 1968. The Jimi Hendrix Experience appeared at the historic Col Ballroom in Iowa on August 11, 1968, featuring a six-song, 45-minute set that included 'Are You Experienced?,' 'Lover Man,' 'Tax Free,' 'Foxey Lady,' 'Red House,' 'I Don't Live Today,' and 'Fire,' before an audience of about 1,500. Hendrix's innovative guitar work, combined with the raw power of Mitch Mitchell on drums and Noel Redding on bass, created a sonic experience unlike anything the venue had seen. As Hendrix's only Iowa show, the concert became legendary among local fans and marked one of the last times the band played such an intimate setting before rising to even greater fame. A bootleg recording of the concert is widely available online.

First edition, first printing. Deluxe Issue. Signed by the author. Quarto. Publisher's quarter purple leather with aluminium boards silkscreened in orange and pink fluorescent inks, orange lettering to the spine. All edges in prismatic silver. Housed in a full black leather box silkscreened with six flourescent guitar strings. Illustrated with over 300 photographs in colour and black and white throughout. Multi-coloured silk ribbons. A fine copy, the binding square and tight, clean and bright, inside and out. Complete with the black leather box, pocket inside the lid containing a photographic print, signed by Rolling Stone Magazine photographer Baron Wolman in an orange sleeve (only present in this deluxe edition). This is number 333 of 350 copies of the deluxe edition, signed by Ross Halfin, Brad Tolinski and Aerosmith lead guitarist Joe Perry. There was also a simultaneous issue of 1400 'collectors' copies without the signed print or the signature of Joe Perry. A typically beautiful and weighty Genesis production which, with commentary from Noel Redding, Mitch Mitchell, Eric Clapton, Ronnie Wood, Aerosmith's Joe Perry and Jimi himself, claims to be the most comprehensive visual memoir of Hendrix ever published. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Signed by Author(s).

94 : 132 mm. Color vintage 3.75 x 5.25 clipped magazine photo of Hendrix decked out in a wild paisley pattern, signed in blue ballpoint, "Stay Groovy, Jimi Hendrix." In fine condition, with trimmed edges, and a light central horizontal fold. Consignor notes that the autograph was obtained in person at the Halle Munsterland in Germany on January 14, 1969.

145 : 116 mm. Vintage matte-finish 5.75 x 4.5 photo collage of the Jimi Hendrix Experience made of magazine clippings affixed to a pink-colored card, signed in blue ballpoint by Jimi Hendrix, Mitch Mitchell, and Noel Redding. In fine condition, with light rippling from mounting. Consignor notes that the autographs were obtained in person at the Halle Munsterland in Germany on January 14, 1969.

Vintage portrait photograph of Jimi Hendrix, taken during his 1969 US tour with The Experience. Annotation in manuscript ink in photographer Alan Pappe's hand on the bottom margin of the recto, noting "'Jimi' / Beverly Hills, CA / Alan Pappe / 1968." With Pappe's signature and stamp on the verso. Pappe worked as a film still and press photographer for 30 years, photographing a who's who of film and music stars, as well as the cover for the "Grease" soundtrack album, and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Liza Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. 8 x 10 inches, image measuring 4.5 x 6.75 inches. Fine. Signed.

Frühe Fotoportraitpostkarte (Roulette Records, rs. Klebstoffspuren, aus Album entfernt) mit eigenhändiger Widmung, Unterschrift signiert (dito : Albumblatt (kl. 8 to) mit eigenhändiger Widmung für Walter, Empfehlung, Unterschrift signiert Euro 40,-).

97 : 137 mm. Interesting German newspaper clipping featuring an image of Hendrix playing his guitar on his back, 3.75 x 5.25, neatly signed in blue ballpoint, "Jimi Hendrix." Covering Hendrix's show in Berlin, the article is headlined: "Jimi ist keine Schönheit, aber Die Show ist sehenswert [Jimi is no beauty, but the show is worth seeing]." In very fine condition.

Recent print. Size 42 x 30 cm. Mounted on 5 mm foam board. Signed by the photographer in lower right corner. * A concentrated Jimi letting it loose during a concert in Copenhagen 1970.