Henry D Patton (26 results)

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

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hardcover. Condition: As New. Never read, no marks or highlighting in the book. Our copy is hardback with a dust jacket, showing light shelf-wear. Heavier book requiring additional postage for shipments outside US.

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Hardback. Condition: New. What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term "iconography" to describe such work?The seven essays collected here argue that we should. Their authors set out to evaluate the continuing relevance of iconographic studies to current art-historical scholarship by exploring the fluidity of iconography itself over broad spans of time, place, and culture. These wide-ranging case studies take a diverse set of approaches as they track the transformation of medieval images and their meanings along their respective paths, exploring how medieval iconographies remained stable or changed; how images were reconceived in response to new contexts, ideas, or viewerships; and how modern thinking about medieval images-including the application or rejection of traditional methodologies-has shaped our understanding of what they signify. These essays demonstrate that iconographic work still holds a critical place within the rapidly evolving discipline of art history as well as within the many other disciplines that increasingly prioritize the study of images.This inaugural volume in the series Signa: Papers of the Index of Medieval Art at Princeton University demonstrates the importance of keeping matters of image and meaning-regardless of whether we use the word "iconography"-at the center of modern inquiry into medieval visual culture.In addition to the editors, the contributors to this volume are Kirk Ambrose, Charles Barber, Catherine Fernandez, Elina Gertsman, Jacqueline E. Jung, Dale Kinney, and D. Fairchild Ruggles.

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Hardcover. Condition: new. Hardcover. What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term iconography to describe such work?The seven essays collected here argue that we should. Their authors set out to evaluate the continuing relevance of iconographic studies to current art-historical scholarship by exploring the fluidity of iconography itself over broad spans of time, place, and culture. These wide-ranging case studies take a diverse set of approaches as they track the transformation of medieval images and their meanings along their respective paths, exploring how medieval iconographies remained stable or changed; how images were reconceived in response to new contexts, ideas, or viewerships; and how modern thinking about medieval imagesincluding the application or rejection of traditional methodologieshas shaped our understanding of what they signify. These essays demonstrate that iconographic work still holds a critical place within the rapidly evolving discipline of art history as well as within the many other disciplines that increasingly prioritize the study of images.This inaugural volume in the series Signa: Papers of the Index of Medieval Art at Princeton University demonstrates the importance of keeping matters of image and meaningregardless of whether we use the word iconographyat the center of modern inquiry into medieval visual culture.In addition to the editors, the contributors to this volume are Kirk Ambrose, Charles Barber, Catherine Fernandez, Elina Gertsman, Jacqueline E. Jung, Dale Kinney, and D. Fairchild Ruggles. A collection of essays that evaluate the continued relevance of iconographic studies within current art-historical scholarship by exploring the fluidity of iconography itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condition: New. 2020. Hardcover. . . . . .

Condition: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. sew edition. 232 pages. 10.00x8.00x0.89 inches. In Stock.

Condition: Near Fine. Dust Jacket Condition: Near Fine. University Park, PA: The Pennsylania State University Press, 2021. First Edition. Small quarto. 208 pp. Color and b&w illustrations and photographs. Illustrated dust jacket. Orange cloth boards stamped in gilt. Edges of dust jacket gently rubbed. Boards show light shelfwear. Binding is sound and pages unmarked.

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Gebunden. Condition: New. A collection of essays that evaluate the continued relevance of iconographic studies within current art-historical scholarship by exploring the fluidity of iconography itself.&Uumlber den Autor Pamela A. Patton i.

Hardcover. Condition: new. Hardcover. What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term iconography to describe such work?The seven essays collected here argue that we should. Their authors set out to evaluate the continuing relevance of iconographic studies to current art-historical scholarship by exploring the fluidity of iconography itself over broad spans of time, place, and culture. These wide-ranging case studies take a diverse set of approaches as they track the transformation of medieval images and their meanings along their respective paths, exploring how medieval iconographies remained stable or changed; how images were reconceived in response to new contexts, ideas, or viewerships; and how modern thinking about medieval imagesincluding the application or rejection of traditional methodologieshas shaped our understanding of what they signify. These essays demonstrate that iconographic work still holds a critical place within the rapidly evolving discipline of art history as well as within the many other disciplines that increasingly prioritize the study of images.This inaugural volume in the series Signa: Papers of the Index of Medieval Art at Princeton University demonstrates the importance of keeping matters of image and meaningregardless of whether we use the word iconographyat the center of modern inquiry into medieval visual culture.In addition to the editors, the contributors to this volume are Kirk Ambrose, Charles Barber, Catherine Fernandez, Elina Gertsman, Jacqueline E. Jung, Dale Kinney, and D. Fairchild Ruggles. A collection of essays that evaluate the continued relevance of iconographic studies within current art-historical scholarship by exploring the fluidity of iconography itself. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condition: New. What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term "iconography" to describe such work?The seven essays collected here argue that we should. Their authors set out to evaluate the continuing relevance of iconographic studies to current art-historical scholarship by exploring the fluidity of iconography itself over broad spans of time, place, and culture. These wide-ranging case studies take a diverse set of approaches as they track the transformation of medieval images and their meanings along their respective paths, exploring how medieval iconographies remained stable or changed; how images were reconceived in response to new contexts, ideas, or viewerships; and how modern thinking about medieval images-including the application or rejection of traditional methodologies-has shaped our understanding of what they signify. These essays demonstrate that iconographic work still holds a critical place within the rapidly evolving discipline of art history as well as within the many other disciplines that increasingly prioritize the study of images.This inaugural volume in the series Signa: Papers of the Index of Medieval Art at Princeton University demonstrates the importance of keeping matters of image and meaning-regardless of whether we use the word "iconography"-at the center of modern inquiry into medieval visual culture.In addition to the editors, the contributors to this volume are Kirk Ambrose, Charles Barber, Catherine Fernandez, Elina Gertsman, Jacqueline E. Jung, Dale Kinney, and D. Fairchild Ruggles.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 430 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Buch. Condition: Neu. Neuware - A collection of essays that evaluate the continued relevance of iconographic studies within current art-historical scholarship by exploring the fluidity of iconography itself.

Hardcover. Condition: Fine. 1st Edition. Hardcover-Blue Linen boards with titles in black and red on front cover. From the library of George Digby Scott with his library stamp on the inside cover. A near fine copy of a scarce publication. Excerpt: .1515 the Pope (Leo X) issued a Bull against the admission of Irishmen to any office in connexion with St. Patrick's Cathedral, Dublin. This scandalous enactment was only one of many similar measures of which I have told you; but fortunately for England and Ireland the days were soon to dawn when the Papal bulls would be no longer dreaded. Collector's Item.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 136. A perfect gift for your loved ones. Reprinted from 1907 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 136.

Hardcover. Condition: Very Good. First edition. 174 pp. 19.5 cm. Illustrated with a frontispiece and plates of printed photographs. Publishers' dark red cloth, gilt spine titles, without dustwrapper. Very good with moderate scattered spotting. Signed by J. Godfrey Day on the front free endpaper, verso (dated 1934), and Inscribed by (his son?) Pat Day to the great boxing champion Gene Tunney: "To Gene, from Pat Day, 1940." The Most Rev John Godfrey Fitzmaurice Day was an Anglican Archbishop. He became Vicar of St. Ann's Church, Dublin, in 1909, and Bishop of Ossory, Ferns and Leighlin, in 1920, holding the post for 18 years. In 1938 he was elected Archbishop of Armagh.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1907. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 136, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 136 136.