Herman Vries, Signed (14 results)

First Edition. 20 x 15 cm unpaginated with interview with the artist by Paul Nesbit. No. 255 of 324 copies signed by the artist and including a unique work: nothofagus obliqua, leaf on paper, letterpress printed text. Wrappers with flaps, fine copy. Spine has artist's name added.

220 S., OPbd. m. OU., sehr gut erhalten EA, vom Künstler signiert, kleines Namensetikett auf Vorsatz Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Soft cover. Condition: Very Good. 1st Edition. Text in dutch and english, 4to, loose pages in a small portfolio containing 6 pages (folded sheet) and an envelope with 10 pieces white cardboard in different shapes. In very good condition, signed by herman de vries. Signed by Author(s).

18,5:14 cm. ca. 480 unpag.S. OLn. Original-Ausgabe. Eins von 300 von Hand nummerierten und signierten Exemplaren. First edition. ?once i published a book: i am what i am - flora incorporata. it contains the names of all the species of plants that i remembered to have taken in me. as food, for healing, for change of mind, for free insights so as peyote, psilocybe, datura. they cleansed my view, cleansed my senses, made me free to see? Edition of 300 copies, all numbered and signed.VERSAND ERFOLGT NUR MIT SENDUNGSNACHWEIS. SHIPMENT ONLY WITH TRACKING NUMBER!

Condition: ottimo. Bross. ed. (20x20) pp. 108 n.n. Riproduzioni b/n Testo in tedesco di Manfred Fath. Dedica autografa di Ewerdt Hilgemann e una pagina firmata da Ad Dekkers. Catalogo della mostra tenutasi alla Burgermeister Ludwig-Reichert Haus 7 febbraio 11 marzo 1973. In ottimo stato salvo la scritta a penna in copertina Shipping cost depends on weight and country. Please ask for a quote before ordering.

Hardcover. Condition: As New. 1st Edition. Pages unnumbered illustrated in 104 full page full color photographs, (22 pages of text in English) - being this joy experience unity - herman de vries - personal structures of art # 8 - de luxe edition with multiple in a box - numbered and SIGNED - this is number # 025 (embossed and SIGNED in pencil 'herman de vries' on second endpaper) DVD with an impression of the Steigerwald in a case, housed together in a cassette. This is the luxe edition with an item (a dried plant) from the Steigerwald. Darker green linen the books in a lighter green cassette, with herman de vries embossed on top and spine - than in a bright kind of moss green box as published. All in an as new state. Hard cover - 250 x 180 x 75 mm Rare item. The curators of this series Karlyn de Jongh and Sarah Gold accompany the Zero artist herman de vries as he usually does in his own forest : naked. Rare item. Book.

22,5x18 cm. 48 S. Mit teils farbigen Abbildungen. Lose Blätter in Kartonhülle und Schuber. Originalausgabe. - Eines von 392 numerierten und signierten Exemplaren. - Vom Künstler gestalteter Katalog zur Ausstellung. - Schuber etwas fleckig. Sprache: französisch.

Condition: very good. Kassel : Zentralinstitut und Museum für Sepulkralkultur, 2021. Paperback. 35 pp. 28 cm. Numbered copy 29/108 in grey cardboard portfolio. With inserted (as pages 7-12) 3 hand-signed originals, a burned wood drawing, an ash rubbing and a white sheet of paper with burned corner. Signed (with initials) 'hdv' on the 2 separate plates with ash rubbing and drawing and a stamp 'teil der publikation "herman de vries - vergehen" / museum für sepulkralkultur kassel 2021' on the reverse monogram. - to accompany the exhibition and on the occasion of his 90th birthday, the artist's book 'vergehen' has been produced. In addition to texts by the artist, the curator Dirk Pörschmann (director of the Museum für Sepulkralkultur) and Ellen Koller, the artist's book contains images of the exhibits shown in the exhibition as well as three hand-signed originals, a burned wood drawing, an ash rubbing and a white sheet of paper with burned corner, are inserted (as pages 7-12) in each book; on the cover handprints by herman de vries (black pigment on paper). (hdv 2020.081.1). Condition : very good copy. Keywords : ART, vries, herman de (1931-) artist books.

Kein Einband. Condition: Sehr gut. This rare original silkscreen by Dutch conceptual artist herman de vries comes from his renowned research XXVI , created in 1978. *** The print is signed and numbered in pencil on the reverse, visible through an integrated viewing window on the back of the frame. *** Published by edition média Neuchâtel, this piece was produced in a very limited edition of just 50 copies, enhancing its rarity and collectability. *** The composition features a rhythmic distribution of black dots in varying sizes across the surface a prime example of de vries unique fusion of scientific method and poetic minimalism. His work often explores the delicate balance between visual order and randomness, using chance as a creative principle. *** Professionally framed, mounted floating in a custom-made, acid-free passe-partout and presented in a deep, handcrafted black wooden frame, made in the Netherlands, with UltraVue® ArtGlass, offering maximum clarity, UV protection, and minimal reflection. Framed size: approx. 40 × 40 cm *** herman de vries (b. 1931) is a leading figure in international concrete and conceptual art. Since the 1960s, his multidisciplinary work has explored the intersection of nature, science, chance, and perception. Known for his plant-based installations, earth rubbings, natural archives, and experimental print series, de vries follows a holistic artistic philosophy expressed in his lifelong motto: "to be all ways to be." *** His work is held in major institutional collections, including the Stedelijk Museum Amsterdam, the Centre Pompidou in Paris, the Kunsthalle Mannheim, and has been exhibited at the Venice Biennale. ****** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.

Pappband. 1963-2006. vereinzelt mit leichten Altersspuren, teils etwas gebräunt, insgesamt gute bis sehr Exemplare. Herman de Vries (Hrsg.): Revue Integration. No. 7/8 februari 1967. Exemplar no. 334/350. (Arnheim, 1967. Mit zahlr. schw.-w. Abb. 328 S. Quart, Broschur). Herman de Vries. Werken 1954-1980. Groninger Museum, Groningen, 7. 9.-13.10.1980. (Groningen: Groninger Museum, 1980. Mit zahlr. schw.-w. Abb., 210 S., Quart, Broschur mit Schutzumschlag). Herman de Vries: - on language -. Logical sentences, sentences, semantic structure fields, open semantic fields, semantic perspectives, semantic sign, argumentstellen, semiotic structure fields, samples, tautologies, e.o. (Subvers 8). (Eschenau, 1972. Mit zahlr. schw.-w. Abb., 23 S., Quart, Broschur). Herman de Vries: Random Shapes. v 72-64, A-J. Herman de Vries, Stedelijk Museum Amsterdam, 7 februari - 6 april 1975. Catalogus nr.: 578. (Amsterdam, 1975. Quart, Pergamintüte mit diversen Kartonformen und 3 Bll. Text in Wickelfalzung in Pappmappe). . Herman de Vries: "16 dm2 - an essay". "Het effekt van de hagelstorm van einde juli op onze appelboom". De Vleeshal Middelburg, 18 juli - 6 augustus 1979. (Middelburg: De Vleeshal, 1979. Mit zahlr. schw.-w. Abb., Unpag., Oktav, Broschur). Herman de Vries: Arbeiten von 1974 bis 1984. Edition & Galerie Hoffmann. 1984. Ausstellungsplakat. 42 x 59,5 cm. Mehrfach gefaltet. Herman de Vries: Ich bin was ich bin. Flora incorporata (natural relations II). (Ottenhausen Verlag, 1988. Unpag., Oktav, Leinen im Schuber, Nummeriert 29/300 und signiert, ISBN 3922760252). Herman de Vries: Kunstinformatie 36. Jaargang 8 no. 1, maart 1982. Herman de Vries, "from here". (Eschenau nr. 8). (Gorinchem: Kunstcentrum Badhuis, 1982, Mit zahlr. schw.-w. Abb. Unpag., 10,3 cm x 15 cm, Broschur. Mit 2 beiliegenden Postkarten "mi poesia" und "Gomera"). Herman de Vries: Meine Poesie ist die Welt. Aus der Heimat von den Pflanzen. Städtische Sammlungen Schweinfurt, Städtische Galerie Würzburg, Galerie d + c mueller roth stuttgart. (Schweinfurt: Städtische Sammlungen; Würzburg: Städtische Galerie; Stuttgart: Galerie D + C Mueller Roth, 1993. Mit zahlr. farb. und schw.-w. Abb., 82 S., Quart, Pappband). Herman de Vries: natural-relations I -die marokkanische sammlung. 1984. Werbeplakat. 42 x 29,5 cm. 2fach gefaltet. Herman de Vries: O. Exemplar no. 149/150. (The Eschenau Summer Press Publications 5). (The Eschenau Summer Press & temporary travelling press publications Herman de Vries, 1976. 21 cm x 15 cm, Loses Blatt im Umschlag). Herman de Vries: Objekten. Metz & Co Amsterdam, 5 oktober - 15 november. (Amsterdam: Metz & Co, ca. 1963/64. Unpag., Quart, Broschur mit Klammerheftung). Herman de Vries: Random objectivations. Collana autori numero I. (Villanuova sul Clisi: Edizioni Amadulo, 1972. Mit zahlr. farb. und schw.-w. Abb., Unpag., 24 cm x 27 cm, Broschur). Herman de Vries: random shapes. Galerie Swart. 1973. Ausstellungseinladungspostkarte. Handschriftlich adressiert an Dick Higgins, West-Glover, USA. Herman de Vries: Random structured semiotic fields. Work number v 71-194 S. Exemplar no. 29/150. (Mahe: Mally Crafts, 1971. Mit zahlr. schw.-w. Abb., Unpag., Oktav, Broschur mit Klammmerheftung, Signiert). Herman de Vries: Rational Structures. Panel 13 information. Copenhagen, 1969. 2 Bll. Herman de Vries: rational structures. The royal academy of fine arts, Kopenhagen, 3-8 t/m 17-10-1969. Ausstellungsplakat. 99,5 x 69,5 cm. Mehrfach und unterschiedlich schräg gefaltet. Herman de Vries: Rationele Strukturen. 8 februari tot en met 23 februari 1969, Gemeentelijke van Reekum Galerij Apeldoorn. (Katalogus no. 52). (Apeldoorn: Gemeentelijke van Reekum Galerij, 1969. Mit zahlr. schw.-w. Abb., Unpag., Oktav, Broschur). Herman de Vries: Rosa damascena. Exemplar no. 06/100. (The Eschenau Summer Press 25). (Eschenau: The Eschenau Summer Press & temporary travelling press publications Herman de Vries, 1984. Lose . Signatur des Verfassers.

71 x 71 cm. 5 Blatt Seriegrafien und 1 Deckblatt in Kartonhülle. Catalogue raisonné des livres et des paublications p. 139. - Nr. 4 von 60 Exemplaren. Jedes Blatt rückseitig in Bleistift signiert, nummeriert und mit dem Künstlerstempel versehen. - Schöne konstruktive Arbeit. Sprache: n.

Condition: as new. [s.l.] : nrc-handelsblad & herman de vries, 2015. This edition contains, in a box, the four posters in a special print, each with a real gold-leaf point, together with the four complete nrc-handelsblad journals. Nr. 143, numbered and signed by herman de vries. The box is unopened & shrinkwrapped. - Publisghed on the occasion of 'venezia arte 2015' in an edition of 216 + XXXVI. The four posters with latin texts were repeatedly placed in the city of venice during the biennial presentation of herman de vries 'to be all ways to be' in the dutch pavilion (may 6 - november 22, 2015). around the opening of the biennial the four posters were published as artist's interventions in four consecutive editions of nrc-handelsblad. Condition : as new copy. Keywords : ART, vries, herman de (1931-).

Kein Einband. Condition: Wie neu. This rare original silkscreen by Dutch conceptual artist herman de vries comes from his renowned research XXVI , created in 1978. *** The print is signed and numbered in pencil on the reverse, visible through an integrated viewing window on the back of the frame. *** Published by edition média Neuchâtel, this piece was produced in a very limited edition of just 50 copies, enhancing its rarity and collectability. *** The composition features a rhythmic distribution of colored dots in across the surface a prime example of de vries unique fusion of scientific method and poetic minimalism. His work often explores the delicate balance between visual order and randomness, using chance as a creative principle. *** Professionally framed, mounted floating in a custom-made, acid-free passe-partout and presented in a deep, handcrafted black wooden frame, made in the Netherlands, with UltraVue® ArtGlass, offering maximum clarity, UV protection, and minimal reflection. Framed size: approx. 40 × 40 cm *** herman de vries (b. 1931) is a leading figure in international concrete and conceptual art. Since the 1960s, his multidisciplinary work has explored the intersection of nature, science, chance, and perception. Known for his plant-based installations, earth rubbings, natural archives, and experimental print series, de vries follows a holistic artistic philosophy expressed in his lifelong motto: "to be all ways to be." *** His work is held in major institutional collections, including the Stedelijk Museum Amsterdam, the Centre Pompidou in Paris, the Kunsthalle Mannheim, and has been exhibited at the Venice Biennale. ****** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. This original artwork by Herman de Vries, exemplifies his exploration of chance and structure in art. Created in 1968, it features colored ink (red and black) on blue graph paper, a signature material in his early works. The composition consists of randomly placed black and red lines, seemingly floating within the structured grid background, titled 'a.r. [= at random]', Signed, and inscribed with the date and work number 'V68-211' in graphite on the reverse, (Visible through plexi back) this piece reflects de Vries ongoing engagement with randomness as a creative principle. *** Professionally framed, floated in a custom-cut, thick double acid-free passe-partout, in a high-quality, handcrafted white wooden frame with PLEXIGLAS Optical HC, scratch-resistant and UV-protected. Size framed 54 x 54 cm *** Herman de Vries (born 1931) is a Dutch artist whose work operates at the intersection of conceptual art, nature, and chance. He was an early member of the ZERO movement, known for its focus on minimalism and objectivity. Over time, his artistic approach evolved toward exploring the relationship between art and nature, incorporating organic materials, natural processes, and philosophical inquiries. The title 'a.r.' (at random) underscores his fascination with chance as a compositional method, a recurring theme in his artistic practice. *** This artwork is a significant example of Herman de Vries early conceptual work, in which he utilized randomness as an artistic strategy within a structured format. His works are held in prestigious collections and museums worldwide, including the Stedelijk Museum Amsterdam and the Centre Pompidou in Paris. ## SHIPPING : Worldwide shipping available ## # CONDITION : in very good condition ##. Signatur des Verfassers.