Herring John Frederick (45 results)

hardcover. Condition: Good. Small octavo (approx. 5 1/2"wide by 7 7/8" tall) brown printed boards. 28 pages. Includes color plates and black and white illustrations in the text. Light dampstain in bottom margin. Spine repaired with black tape. No dust jacket. 061507C Antiques, Chinaware, Hunting. 010608A. Herring, John Frederick (illustrator). …

Hardcover. Brown boards, 28 illustrated pages. Good+ condition book, no DJ. [0404].

Paperback. Condition: Very Good. 1st Paperback Printing. Paperback. Favourite British Sausage Recipes. Tasty Dishes With the Great British Banger. A staple of British cooking for centuries, sausages make quick and easy, as well as tasty meals. From traditional favourites to the more unusual this book brings together over thirty delicious recipes. Illustrated. 48 pp. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions ,and all types of Academic Literature.). John Frederick Herring (illustrator).…

Hardcover. Condition: G-. This book is solid and tight with clean pages. The covers are tight and are worn on edges and corners with some overall scuffing.

Hardcover. Condition: Good. No Jacket. Thin Hardback, no d/j. Parts of the lightly bumped spine are missing a cover, light bumping to corners, and light scuffing along bottom edge. A unique and permanent records of the art of John Frederick Herring and an intereesting account of his life and work.

1 Blatt, verso weiß. Condition: Gut. Bild ca. 15,5 x 11 cm, 21 x 13,2 cm. Brustbild-Portrait im Viereck, darunter Handschrift-Faksimile "faithfully Yours J. F. Herring". Dargestellt ist der englische Maler John Frederick Herring, Sr. (1795 in London - 1865 in Meopham bei Tonbridge). - Minimal stockfleckig. Gering gebräunt. Sonst gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 250.…

Condition: Good. Black and white engraving. 13.5 x 21.5 cm. Tears in lower margin. Published in The Annals of Sporting and Fancy Gazette; a Magazine, entirely appropriated to sporting subjects and fancy pursuits; containing every thing worthy of remark on hunting, shooting, coursing, racing, fishing, cocking, pugilism, wrestling, singlestick, pedestrianism, cricket, billiards, rowing, sailing, &c. &c. Accompanied with striking representations of the various subjects.Schwerdt, Hunting, Hawking, Shooting, Vol. 1, p.33; OCLC Number: 228676520. …

[no date]. (Hardcover) Very good, no dust jacket. 28pp. Black and white and color illustrations. There is chipping along the spine and there is a previous owner's bookplate on the front endpaper, the spine is worn. Art of John Frederick Herring. Identified on cover as: The Hunt; Portrayed by J.F. Herring. (Antiques/Collectibles, Antiques, China--Porcelain, Collectibles, Spode Porcelain). …

Paperback. Condition: Brand New. 50 pages. 9.00x6.00x0.12 inches. This item is printed on demand.

Soft cover. Condition: Fine. Description:An exquisite, high-quality historical aquatint printed in colour with rich, detailed contemporary hand-colouring and traditional gum arabic finishes. Printed on robust watermarked wove paper.This magnificent plate depicts the celebrated racehorse Antonio, winner of the 1819 St. Leger Stakes (Fifty Subscribers). Antonio was owned by Thomas Ferguson, Esq., trained by J. Ferguson, and ridden to victory by jockey John Lonsdale—marking Lonsdale's historic third consecutive winning ride in this prestigious race. The original print carries a respectful dedication from the publishers to Thomas Ferguson, Esq., noting the horse's elite lineage: "By Octavian, dam by Evander, out of Miss Gunpowder."Artist Background:John Frederick Herring, Sr. remains one of history's most celebrated equestrian artists. Having moved to Doncaster in 1814, his passion for racing was ignited by witnessing "William" win the St. Leger. In 1825, The Doncaster Gazette officially commissioned Herring to paint the definitive series of St. Leger winners starting from 1815; this vibrant portrait of Antonio is the fifth entry in that legendary historical series. Condition Report: Unframed, full margins.Dimensions: Image/Sheet measures 39 x 58.5 cm (15 1/4 x 23 inches).Visuals: A exceptionally fine, crisp, and clean example with bright hand-colouring Flaws: Includes a minor, short, closed 1-inch tear at the absolute base margin. This structural flaw is entirely confined to the margin edge and does not touch or impact the text or the central image.Artist Background:John Frederick Herring, Sr. remains one of history's most celebrated equestrian artists. Having moved to Doncaster in 1814, his passion for racing was ignited by witnessing "William" win the St. Leger. In 1825, The Doncaster Gazette officially commissioned Herring to paint the definitive series of St. Leger winners starting from 1815; this vibrant portrait of Antonio is the fifth entry in that legendary historical series. This is a lovely item. Artist/Engraver: Painted by John Frederick Herring, Sr. (1795-1865). (illustrator). …

Condition: Good. Color aquatint. 13.5 x 21.5 cm. Tears in lower margin. Published in The Annals of Sporting and Fancy Gazette; a Magazine, entirely appropriated to sporting subjects and fancy pursuits; containing every thing worthy of remark on hunting, shooting, coursing, racing, fishing, cocking, pugilism, wrestling, singlestick, pedestrianism, cricket, billiards, rowing, sailing, &c. &c. Accompanied with striking representations of the various subjects.Schwerdt, Hunting, Hawking, Shooting, Vol. 1, p.33; OCLC Number: 228676520. …

Condition: Good. Color aquatint. 13.5 x 21.5 cm. Published in The Annals of Sporting and Fancy Gazette; a Magazine, entirely appropriated to sporting subjects and fancy pursuits; containing every thing worthy of remark on hunting, shooting, coursing, racing, fishing, cocking, pugilism, wrestling, singlestick, pedestrianism, cricket, billiards, rowing, sailing, &c. &c. Accompanied with striking representations of the various subjects.Schwerdt, Hunting, Hawking, Shooting, Vol. 1, p.33; OCLC Number: 228676520. …

Condition: Good. Color aquatint. 13.5 x 21.5 cm. Tears in lower margin. Published in The Annals of Sporting and Fancy Gazette; a Magazine, entirely appropriated to sporting subjects and fancy pursuits; containing every thing worthy of remark on hunting, shooting, coursing, racing, fishing, cocking, pugilism, wrestling, singlestick, pedestrianism, cricket, billiards, rowing, sailing, &c. &c. Accompanied with striking representations of the various subjects.Schwerdt, Hunting, Hawking, Shooting, Vol. 1, p.33; OCLC Number: 228676520. …

Broché. Condition: Bon. Londres, G.P. Mc Queen, 1873. Aquatinte réhaussée à l'aquarelle et partiellement vernie de Charles D. Hunt (1803-1877), école anglaise d'après le dessin de John Frederick Herring. Représentation du cheval "Doncaster, Winner of the Derby Stakes at Epsom 1873". Format de l'estampe : 50 x 66 cm Quelques rousseurs dans les marges.…

No Binding. Condition: Very Good. Print Sz: 16 1/2"H x 20 1/2"W Frame Sz: 24 1/2"H x 28 1/4"W Published by S & J Fuller Aquatint engraving by Mr. Sutherland Barefoot (1820-1840) was a British Thoroughbred racehorse and sire best known for winning a chaotic and controversial race for the classic St Leger Stakes in 1823. Bred and originally trained in Yorkshire, Barefoot was beaten on his debut but began a seven race winning sequence when successful in a minor race at Pontefract in September 1822. As a three-year-old he was unbeaten in five starts including the Spring St Leger at York and the Great St Leger at Doncaster. In the latter event, he finished second in a race which was declared void after a false start before winning a re-run. Barefoot was later sold to William Vane, 1st Duke of Cleveland and competed for three further seasons with mixed results, his best efforts being wins in the Lancaster Gold Cups of 1825 and 1826. After his retirement from racing he was exported to the United States where he had limited success as a sire of winners before dying as a result of a snake bite in 1840.…

Decorative Hard Back. Condition: Fair. First Edition. Title page + 22 pages + 23 colour plates. Condition; Original decorative hardback binding including black, red,green & gilt embossed in Fair condition, with rubbing & some dampness staining. Contents Fair condition, a couple of minor pencil/crayon drawings/inscriptions to blank pages, one plate detached with edge damage/nicks not affecting the plate (opposite each plate is a blank page), most text pages with some marks (some from a little bit colour seeping through from rear of plate, most colour plates good, some with minor edge marks. Only able to locate one other copy in the National Library of Wales, but is unhelpful as they do not list number of pages, plates or date. The only item of news is they list the illustrators as J. F Herring (John Frederick), 1795-1865.; Edwin Landseer Sir, 1802-1873. & E. T. Smith. Although only noticed one with E. T. Smith signed within plate, Undated but found it listed for sale in an ad in the Athenaeum in 1883, Warne's Excelsior Playmates series seems to be from the 1860's to 1890's, and as is often with this type of rare undated books, it could have been published and printed in the 1870s and advertised & held in stock by publishers and or bookshops for over 20 years until sold. But as so little on the net about this title, we cannot say if this book is complete or not, even the layout is not exactly the same throughout. So only one copy located in the National Library of Wales (not in BL). So not even sure if complete, not a good copy, this is just a very rare children's title, with only one copy listed on Google (in an institution) and no other copy for sale at time of listing. Size: 19 x 25cm. Aprox. John Frederick Herring, Sir Edwin Landseer, E. T. Smith (illustrator).…

Hardcover. Condition: Very Good. Oblong Elephant folio, (640 x1152 visible plate area, 752 x 1220 mount area), 4 engraved plates, background colour printed, highly finished by hand (plate 2 with long marginal tear through the caption), modern half red morocco, . Magnificent large scale hunting scenes, these plates ar4e numbers 3,4,5 & 6 of The National Sports Series. Siltzer p 151.…

Large folio (60 x 42 cm). Letterpress title with engraved vignette, list of subscribers, winners of the St. Leger 1776-1814, 14 hand-coloured aquatint plates by T. Sutherland and R. G. Reeve after Herring, each with letterpress description of riders and winners of other races and the St Leger stakes for each year. Bound in recent half burgundy morocco with contemporary drab boards with large printed label on upper cover. "Extremely rare" (Tooley). Second edition of Herring's finest work, the outcome of his fascination with horse racing and the St. Leger in particular. "In the writer's estimation, the first series of the St. Leger winners contains the very best of Herring prints [.] they were engraved by Sutherland, a more competent aquatinter and colourist than his successors who handled these race-horses" (Siltzer). Herring spent the first 18 years of his life in London, where his father, an American, was a fringe-maker in Newgate Street. Having married against his father's wishes, he went to Doncaster, where he arrived during the races in September 1814, and saw the Duke of Hamilton's horse, William, win the St. Leger. The sight inspired him to attempt the art of animal-painting, in which he subsequently excelled. He painted Filho da Puta, the winner of the St. Leger in 1815, and for the following thirty-two years painted each winner in succession. "Herring's series of Portraits [.] were painted annually and quickly reproduced in large showy aquatints, the horses made literally glossy by the application of varnish to the paper" (Diana Donald, Picturing Animals in Britain 1750-1850, New Haven, CT [2007], p. 215). This is the second edition of this series of wonderful racehorse portraits. It was first published as a suite of 10 plates in 1824 by Sheardown and Son of Doncaster; S. and J. Fuller of London purchased these in 1827 and continued to publish, periodically, the St. Leger winner series up to 1845. The earlier plates were all re-captioned with Fuller's imprint. Plates watermarked 1825-28; the first plate in the present work, "Filho da Puta", is on paper watermarked 1827. - Very slight offsetting to text. Extremities rubbed; otherwise a superb example of this rare work. - Siltzer 139-146. Mellon Horsemanship, 128.…

Condition: bon état général. Gravure lithographie Gravure de chasse à courre le départ de la chasse au renard de John Frédérick HERRING. Gravure lithographie.

The Poplars, Fulbourne, Cambridge,23 March 1871. "I have altered the Horse & put in a pony." John Frederick Herring (1820-1907), painter. Herring continued painting, in the tradition of his father, the sporting and animal pictures.

No Binding. Condition: Very Good. Image is 31.5 cm x 41 cm . 38,5 cm x 52 cm within indent. 45 cm x 53 cm is the sheet size. Aquatint is loose and not stuck down. Beautifully hand coloured with exquisite detail in horse and jockey. Very slight wear to background in sky, hardly noticeable and not affecting the central image. Print is clean and without foxing, marks, or tears. In a solid wooden frame with brass corners. I cannot send this print in the glass and sending out of frame will be much cheaper. This magnificent portrait of St. Patrick, Sir E. Smith's celebrated racehorse who won the Great St. Leger Stakes in 1820, is considered one of Herring's most accomplished sporting portraits. Herring is an outstanding and imaginative artist who at an early age showed an aptitude for handling both riding whip and pencil. At a young age, fate took Herring to the Doncaster races where he saw the Duke of Hamilton's horse, William, win the St. Leger. The sight inspired him to attempt the art of animal-painting, in which he subsequently excelled. In addition to being a successful horse painter, Herring made his livelihood as a coachman, and for some time drove the Highflyer coach between London and York. When eventually he retired as a coachman he immediately obtained numerous commissions and was able to devote himself entirely to his art. Herring had no education in art until he definitely set up as an artist, when he worked for a short time in the studio of Abraham Cooper, R.A. He painted an immense number of racing, coaching, and other sporting subjects, many of which were published by the sporting printsellers and the sporting magazines. He was a frequent exhibitor at the Royal Academy and the Society of British Artists; he was elected a member of the latter society in 1841. While in later life he painted a number of subject-pictures, it was as a portrait-painter of racehorses that Herring earned his fame, and no great breeder or owner of racehorses is without some treasured production of Herring's brush. In 1825 The Doncaster Gazette commissioned Herring to paint a series of portraits of the winners of the St. Leger Stakes between 1815 and 1824. Aquatinted by the renowned engraver Thomas Sutherland, the series is considered to be Herring's most accomplished work.…

Condition: Fine. HERRING (John Frederick), d?après ? FORES, éditeur Gravé par J. Harris et W. Summers. Thorough Bred Mare and Foal. Londres, 1855. Gravure anglaise en couleurs (aquatinte rehaussée à la main) représentant une jument pur-sang et son poulain dans la campagne. D?après une composition de John Frederick Herring Sr., peintre anglais renommé pour ses scènes hippiques et animalières. Bon état, sans rousseurs et grandes marges. Dimensions au coup de planche : 38 x 34 cm. Dimension du feuillet: 43 x 54 cm.…

Print. Condition: Very good condition. First printing. An aquatint print of the famous British track horse, "Chorister", who won the Doncaster race as a 3 year old. Engraved from the original painting by John Frederick Herring Snr. With original color and full margins around the impression line. 19.5 x 15.5" on 22 x 16.5". …

Bildgrösse: 25x30,3 cm. Unter Passepartout, in Rahmen (44,3x48 cm). Schwach fleckig. Aus der Serier "Fores's Series of the Mothers".

Technic: Lithography, colorit: original colored, condition: Light border, top edge, restored on the outside, size (in cm): 45 x 61,5 cm, Three different illustrations of a hunt on horseback with a pack of hounds. Herring's Fox Hunting Scenes - Full Cry. - The Meet. - The Death. After Sr. John Frederick Herring, later and somewhat smaller edition published by Gustav W. Seitz, Hamburg.".…

"Extremely rare" (Tooley) 1828 edition of Herring's finest work, the outcome of his fascination with horse racing in general and the St. Leger Stake in particular. "In the writer's estimation, the first series of the St. Leger winners contains the very best of Herring prints . . . they were engraved by Sutherland, a more competent aquatinter and colourist than his successors who handled these race-horses" (Siltzer). This is the second edition of this series of wonderful racehorse portraits. Very slight offsetting to text. Boards darkened and worn at the edges, internally in fine condition and untrimmed. A rare work with beautiful horse plates and detailed information.l Cf. Podeschi 128 (1824 ed. with different title, with 10 plates plus extra plate for 1825); Siltzer 139-146 (various eds.). Contemporary plain boards with publisher's printed label wrapper-title on front board (with same wording and vignette as title-page, but partly reset and with a border of cast fleurons). Rebacked with burgundy half morocco and matching corners. With engraved vignette on the letterpress title-page, 14 hand-coloured aquatint plates by T. Sutherland and R. G. Reeve after Herring, each with information on a separate letterpress leaf. Pages: [17] ll. plus plates.…

Full Morocco. Condition: Very Good. 1st Edition. A complete set with all thirteen volumes and 78 issues of this iconic sporting publication with artwork by some of the most famous book illustrators and sporting artists of the day. Included, in other words, is the often missing June 1828, final issue of the magazine, and we also have the fairly scarce errata leaf in the second volume which lists corrections for the first two volumes Also all half-titles present. 8vo. 22 by 14 cm. 155 illustrated plates, including 50 hand-colored plates by Henry Alken, Robert Cruikshank, Michael Egerton, John Frederick Herring, Edwin Landseer most notably and others. Many additional woodcut illustrations -- over 200, throughout text. Volumes 5 through 13 also contain Turf Herald bound in at rear of the volumes. The June 1828 issue, or the 13th volume, usually lacking and considered by Tooley to be "extremely rare". Tooley 64. Full title of magazine gives idea of range of topics covered, or "A Magazine, entirely appropriated to sporting subjects and fancy pursuits; containing every thing worthy of remark on hunting, shooting, coursing, racing, fishing, cocking, pugilism, wrestling, singlestick, pedestrianism, cricket, billiards, rowing, sailing, etc. etc. Accompanied with striking representations of the various subjects" All edges gilt. Bound by Zaehnesdorf in full red crushed morocco, with gilt decoration -- ruled borders, turn-ins, raised bands, etc. The binding was a quintessential Edwardian period style, elegant and well-executed, hasn't lost all of its beauty, but it is the loci of issues presented by this particular set. All the spines are darkened and somewhat dry, while the boards have kept their original freshness and lustre. Joints generally are rubbed, and volumes 1 has a detached front board, with some fragility to the boards of the second and third volume, and perhaps with one or two other boards, although in none of these boards is their an actual tear or space between spine and board -- rather, the wear is somewhat even along the joints but there is a thinness to the surviving leather along the joint line. Within the volumes, there is a moderate amount of foxing and other soiling, sometimes on the heavier side, and more prevalent in the earlier volumes. That said, most pages are on the clean side. All text blocks remain solid. Overall, this is an attractive set, even with its undeniable imperfections. Alken, Henry, Samuel Alken, Michael Egerton, John Frederick Herring, Edwin Landseer, Robert Cruikshank, etc. (illustrator).…

Condition: Good. Color aquatint. Framed by Vandevoorde, Paris. 407 x 505mm. sheet size. 311x 400 mm. image size wtihout text.From the series: Portraits of the Winning Horses of the Great St. Leger Stakes at Doncaster.,John Frederick Herring Sr. was an English sporting and equestrian painter. It is said that before becoming an artist, he drove a stagecoach. Whether or not this is true, it is evident from his paintings that he was deeply familiar with horses, their posture and personalities, and the specific details of their surroundings. He specialized in painting English thoroughbred racehorses and farmyard scenes such as these, and they were frequently made into prints. His son, J.F. Herring, Jr., continued the family tradition, painting similar horse and sporting scenes.Charles Hunt was a British engraver of horse and sporting subjects active during the 19th century. He came from a family of engravers and was noted for his fine engravings after Pollard, Alken, Herring and other painters working in the genre.Tooley, 261; Lane, British Racing Prints p.121; Mellon British Sporting and Animal Prints p.94; Siltzer pp. 145-147.…

Condition: Good. Color aquatint. Framed by Vandevoorde, Paris. 407 x 505mm. sheet size. 311x 400 mm. image size wtihout text.From the series: Portraits of the Winning Horses of the Great St. Leger Stakes at Doncaster.,John Frederick Herring Sr. was an English sporting and equestrian painter. It is said that before becoming an artist, he drove a stagecoach. Whether or not this is true, it is evident from his paintings that he was deeply familiar with horses, their posture and personalities, and the specific details of their surroundings. He specialized in painting English thoroughbred racehorses and farmyard scenes such as these, and they were frequently made into prints. His son, J.F. Herring, Jr., continued the family tradition, painting similar horse and sporting scenes.Charles Hunt was a British engraver of horse and sporting subjects active during the 19th century. He came from a family of engravers and was noted for his fine engravings after Pollard, Alken, Herring and other painters working in the genre.Tooley, 261; Lane, British Racing Prints p.121; Mellon British Sporting and Animal Prints p.94; Siltzer pp. 145-147.…