Honthorst (32 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

No Binding. Condition: Good. Postcard in Good condition, unmailed, with a little writing on reverse. Cards are sent in stiff mailers. Postcard.

No Binding. Condition: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Postcard.

No Binding. Condition: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Postcard.

Kein Einband. Condition: Sehr gut. Gerard van Honthorst.

Condition: As New. Unread book in perfect condition.

Condition: New.

Payne Dresden & Leipzig 1855 [Blatt leicht braunfleckig.].

The Hague, G. Naeff, 1924. 12 pp. 28 b./w. plts. Orig. softcover. 8vo. - Top of spine worn; cover with some staine; ex-libris.

Pas de couverture. Condition: Très bon. GRAVURE ANCIENNE GERARD HONTHORST LES JOUEURS DE CARTE 1886 Gravée par Lalauze, imprimé par Chardon & Sormani (Gravure authentique du XIXe siècle-original print) Dimensions de la feuille : 32,2 x 24,2 cm environ Dimensions de la gravure au coup de planche : 14,1 x 11,3 cm environ Extrait du catalogue de la vente de tableaux de la collection de M.A.C. vendu en 1886 à Drouot Etat : agréable estampe (ref-R2690).

kart. Condition: Befriedigend. reprint of the original 1st ed. 1959. 392 Seiten reprint of the original 1st ed. 1959. Ausgesondertes Bestandsexemplar einer Museumsbibliothek ohne äußerliche Kennzeichnungen. Signatur-Stempel a. Spiegel. Einbandvorderseite und erste drei Seiten mit einem vertikalen Riss, sonst sauber und sehr gut erhalten. 9789401757836 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 518.

Original Kupferstich-Portrait von Gerrit van Honthorst (1592-1656) - von ca. 1700 - Blattmasse: ca. 21 x 27 cm - Platten-Maße: ca. 11 x 16 cm - Außenrand teils leicht fleckig - sonst gut erhalten. | original copper engraved portrait from Gerrit van Honthorst (1592-1656) - from around 1700 - outer margin slightly stained - otherwise in good condition. | // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

VII, (3), 137 pp. + 1 plate. Printed wrappers.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 84. A perfect gift for your loved ones. Reprinted from 1924 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 84.

Condition: Good. Steel engraving. 8 1/2 x 10 3/4 in. (sheet). Good, some sheet toning, and foxing.

Condition: Good. Engraving by an unknown artist after a painting by Honthorst of Lucy Harrington, Countess of Bedford, obit. 1627. Image size: 184 mm x 114 mm. Wove paper. Trimmed within plate marks. Staining in margins.

31 x 24 cm. 416 Seiten und 35 Farbtafeln und 510 Abbildungen. Orig.-Leinenband mit Schutzumschlag. - Mit dem Werkkatalog der Gemälde. - Tadellos erhalten.

Volume: 4+2 23x31 cm., 4 stupende incisioni di scene in musica 2 con protagoniste donne, 2 protagonista uomo, su carta forte e ampi margini, titolo bilingue, buone condizioni. Opere del Museum in Berlin e Pinakothek. Aggiunte 2 bellissime incisioni a colori di ragazze che suonano altri strumenti, formato immagine 9x14 cm.

Gerard van Honthorst (illustrator). 'PATRIÆQVE PATRIQVE / FREDERICVS HENRICVS A NASSAV PRINCEPS ARAVSIONVM ETC.'Portrait of Frederik Hendrik, Prince of Orange, in an oval medallion with an inscription around it. Below the portrait, his name is engraved along with a dedication on the verso of the print.Made by Jacob van Meurs after Gerard van Honthorst.Medium: Engraving, Letterpress printing on hand laid (verge) paper.Sheet size: 18.4 x 29.8 cm (7.24 x 11.73 inch). Image size: 18.4 x 29.8 cm. (7.24 x 11.73 inch).FREDERIK HENDRIK, PRINCE OF ORANGE, PORTRAIT, JACOB VAN MEURS, GERARD VAN HONTHORST, ENGRAVING, 17TH CENTURY | PCO-A22-11BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: FMP 176, Collectie Rijksmuseum-2(2), Beschrijvende catalogus van 7000 portretten van Nederlanders, p. 8, cat.nr. 176.Biography engraver: Jacob van Meurs (1619-1680), a Dutch engraver and publisher, worked primarily in Amsterdam, creating numerous portraits and historical scenes.Biography artist: Gerard van Honthorst (1592-1656), Dutch painter of the Golden Age, known for his portraits and genre scenes, active in the court of Frederik Hendrik. Condition: good, given age. Rear text. Slight paper loss at bottom left and right. Small tear at right middle margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Doornspijk, Davaco Publishers, 1999. 426 pp. 500 plts & ills (incl. 39 col. plts). Hardcover, d./j. (Aetas Aurea. Monographs on Dutch & Flemisch Painting, Vol. XIV). - - New copy !!This publication discusses the life and work of Gerrit van Honthorst (1592-1656) who was a major innovator for Dutch art during the first half of the seventeenth century. His work consists of two distinct categories; on the one hand his religious, mythological and genre subjects, and on the other, his numerous portraits. This long awaited study discusses the entire career and work of the artist. It includes a complete catalogue raisonné of Honthorst's extensive oeuvre. His accepted works are illustrated in black and white, some in color as well. - - Text in English.

Single sheet (image size 17 x 11 4/8 inches laid down onto; sheet size 21 x 13 inches). Fine engraved and etched portrait of Portrait of William II, Prince of Orange; half-length turned to right, wearing armour and a lace collar; within oval medallion frame: "Natus XXVII Maii MDCXXVI", by Crispijn van Queborn after Honthorst, all with exceptionally fine original hand-colour in full, expertly and delicately heightened in gold. THE CENTRAL FIGURE OF A CRITICAL STRUGGLE FOR POWER IN THE DUTCH REPUBLIC An elegant portrait of the young King William, and a pair to Queborn's engraved portrait of his wife Mary Stuart after Anthony van Dyck (Hollstein 55). Beneath the portrait are some verses by the celebrated Caspar Barlaeus (1584-1648), who in 1647 published "Rerum per octennium in Brasilia et alibi gestarum, sub praefectura illustrissimi comitis I. Mauritii, Nassauiae, &c. comitis, Nunc Vesaliae Gubernatoris & Equitatus Foederatorum Belgii Ordd. Sub vriaco Ductoris, Historia", an account of the eight years that Prince Mauritz of Nassau (half brother of William II's father) spent in command of Brazil. William of Nassau, the Prince of Orange (1626-1650) was the son of Frederick Henry, the Stadtholder of the United Provinces. At the age of fifteen (the age he appears in this portrait), he was married to Mary Stuart (1631-1660), the eldest daughter of Charles I of England, Scotland and Ireland, and Princess Royal. The "prince led a restless and dissolute life until his accession to the stadholderate in 1647 gave him an outlet for his great abilities, masterful will and keen ambition. His plans for an aggressive policy against Spain were ended by his early death from smallpox. A few days after he died, his wife gave birth to the son who would become William III of England" (National Portrait Gallery online). After an original portrait by Gerard van Honthorst, who was born in Utrecht, and from an artistic family "Gerard, also known as Gerrit, was its most successful member. Following a stay in Italy in the 1610s, he returned to Utrecht in 1620. He was a prominent representative of a group of painters that have become known as the Utrecht Caravaggists, Dutch followers of the Italian artist Caravaggio. The latter was especially known for his nocturnal scenes of candlelit figures. In the 1630s, Van Honthorst acquired a name in court circles as a portrait painter, which led him to move to The Hague in 1637. In 1649, Van Honthorst was commissioned to paint part of the decoration of the Orange hall at the stadholder's palace of Huis ten Bosch. In 1652, he returned to Utrecht, where he died four years later" (Rijksmuseum online). Catalogued by Kate Hunter.

Condition: Gut. Format (Platte): 240 x 170 mm. Blattgröße: 375 x 235 mm. *Blatt aus der berühmten "Iconographia" oder Iconographie, einer Sammelausgabe von ca. 100 der gemalten Bildnisse des Anthonis van Dyck (1599-1641) in Kupferstich. - Wibiral 72, VII. - Honthorst war ein niederländischer Maler. Er zählte zu den Anhängern Caravaggios und wird als einer der Utrechter Caravaggisten bezeichnet. 1637 trat er in die Malergilde des Haag ein, wo er bis 1652 tätig war. Die Prinzen von Oranien, Friedrich Heinrich und Wilhelm II., ernannten ihn zum Hofmaler und gaben ihm zahlreiche Aufträge. Wegen der vielen Arbeit eröffnete er ein zweites Studio in Den Haag. - Ränder leicht gebräunt, insgesamt gut erhalten. la Gewicht in Gramm: 100.

Condition: Gut. Format (Platte): 240 x 170 mm. Blattgröße: 380 x 270 mm. *Blatt aus der berühmten "Icones principum virorum doctorum" einer Sammelausgabe von über 100 der berühmten Gemälde des van Dyck in Radierung und Kupferstich. Vorliegend ein Blatt aus einer frühen Ausgabe um 1660 in einem prägnanten und gratigen Abzug. - Wibiral 72. - Honthorst war ein niederländischer Maler. Er zählte zu den Anhängern Caravaggios und wird als einer der Utrechter Caravaggisten bezeichnet. 1637 trat er in die Malergilde des Haag ein, wo er bis 1652 tätig war. Die Prinzen von Oranien, Friedrich Heinrich und Wilhelm II., ernannten ihn zum Hofmaler und gaben ihm zahlreiche Aufträge. Wegen der vielen Arbeit eröffnete er ein zweites Studio in Den Haag. - Sauber und sehr gut erhalten. la Gewicht in Gramm: 100.

36 x 23 cm. Condition: Gut. Kupferstich. Honthorst - Tanje, P. Wilhelm II. von Oranien geb. 27. Mai 1626 , gest. 6. November 1650, war der Sohn von Friedrich Heinrich von Oranien und von Prinzessin Amalie zu Solms-Braunfels. Halbporträt nach rechts im Oval mit Friedentaube. Im unteren Bildteil " Pax Optima Rerum " Personengruppe um Tisch. Schönes dekoratives Blatt. deu S 7|1148BG Sprache: Deutsch Gewicht in Gramm: 444.

Hendrik Pothoven (after Gerard van Honthorst) (illustrator). 'AMELIA, GRAVIN VAN SOLMS, GEMALIN VAN FREDERIK HENDRIK, PRINS VAN ORANJE." - 'H. POTHOVEN DELIN." - 'J. HOUBRAKEN SCULPS. 1753" - 'JBS HAFFMAN EN P. MEYER EXCUDIT."'Oval portrait of Amalia van Solms, spouse of Fredrik Hendrik, within a decorative cartouche. She is shown half-length, wearing pearls and an elegant gown. Around the frame allegorical attributes including a globe, lyre, books and drapery symbolize culture and virtue. Rich ornamental Baroque framing.Made by Jacobus Houbraken after Hendrik Pothoven (after Gerard van Honthorst).Medium: Etching and engraving, printed in black ink on hand laid (verge) paper.Sheet size: 24.7 x 38.6 cm (9.72 x 15.2 inch). Image size: 21.5 x 35.1 cm. (8.46 x 13.82 inch).AMALIA VAN SOLMS, COUNTESS OF SOLMS, PRINCESS OF ORANGE, FREDERIK HENDRIK, JACOB HOUBRAKEN, HENDRIK POTHOVEN, GERARD VAN HONTHORST, 1753 ENGRAVING, DUTCH ROYAL PORTRAIT | PCO-E15-2-39BACKGROUND INFORMATIONPublished by Jacobus Haffman and Pieter Meyer, Amsterdam, 1753.Reference: Rijksmuseum, Amsterdam, RP-P-OB-104.301; FMP 196-i.Biography engraver: Jacobus Houbraken (1698-1780) was a Dutch engraver and one of the most important portrait printmakers of the 18th century. Son of Arnold Houbraken, he worked in Amsterdam and became renowned for his refined burin technique and elegant portrait engravings after Dutch masters.Biography artist: Hendrik Pothoven (1725-1807) was a Dutch painter and draughtsman who provided designs for engraved portraits. The composition ultimately derives from a painted portrait by Gerard van Honthorst (1592-1656), a leading Dutch Caravaggist painter known for court portraits and historical scenes. Condition: good, given age. Light foxing, creasing, and soiling. Trimmed to thhe image. Loosely attched to a carrier. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Gerard van Honthorst (illustrator). Portrait of William II, Prince of Orange, dressed in armour. In the middle of the portrait a dove of peace and below it a representation of the Peace of Münster. On the ground are sword, commander's staff, laurel wreath and a cornucopia.Made by Pieter Tanje after Gerard van Honthorst.Medium: Engraving on hand laid (verge) paper.Sheet size: 31 x 44.3 cm (12.2 x 17.44 inch). Image size: 23.9 x 37.1 cm. (9.41 x 14.61 inch).PORTRAIT-WILLIAM II-PRINCE OF ORANGE | PORTRAIS - MISCBACKGROUND INFORMATIONPublisher: Societ. Bibliopol. Rotterod.Biography engraver: Pieter Tanje (1706-1761) was an 18th-century engraver from the Northern Netherlands.Biography artist: Gerard van Honthorst (1592-1656) was a Dutch Golden Age painter who became known for his depiction of artificially lit scenes, eventually receiving the nickname Gherardo delle Notti ("Gerard of the Nights"). Early in his career he visited Rome, where he had great success painting in a style influenced by Caravaggio. Following his return to the Netherlands he became a leading portrait painter. Van Honthorst's contemporaries included Utrecht painters Hendrick Ter Brugghen and Dirck van Baburen. Condition: good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Portrait of William II, Prince of Orange; bust turned to the right, wearing an armor. On the lower part a representation of the Peace of Münster and just under the portrait of William is a dove with an olive branch in its beak.An oval medallion frame with inscription: 'WILLEM DE II. PRINS VAN ORANJE, enz. enz. enz.' Below, in the middle: 'Honthotst Pinxit'; on bottom left: 'P. Tanjé del. et sculp. 1749' Lettered in the lower margin: 'Societ. Bibliopol. Roterod. Excud.'On verso annotations in pen and brown ink concerning the regent's dates of birth and death. Collector's mark on the top right, on verso: 'Dom. Fam. V.Z. / d.d. 1.1.1984'. Engraving and etching on paper; platemark: 367 x 241 mm; total: 497 x 324 mm; in passepartout; a small ink stain on the nose of William II, some light rubbing on the external margins, otherwise in good condition. Wurzbach 60, Muller 201b. Tachtigjarige oorlog- Staatsgreep 1650 - pokken - Eerste stadhouderloze tijdperk.

Beautiful portrait of Amalia van Solms (1602-1675) in an oval. On the bottom some elements representing her interests: a book, a globe and some embroidery work. A large lyre at the bottom of the frame. Inscribed on the oval: 'AMELIA Gravinne van Solms.'. Signed: 'G.v. Honthorst Pinx. / J. Houbraken sculps. 1753'. On verso pen and ink inscription, likely from the 19th century. This bust portrait is drawn from a larger composition at the Rijksmuseum (SK-A-874). The Dutch Crown Princess Amalia van Oranje is named after Amalia van Solms. Etching and engraving on paper, with broad margins; plate mark: 358 x 228 mm, total: 432 x 296 mm, in passepartout. Some smudges and staining along the margins; Muller 196.

Gerrit van Honthorst (* 4. November 1592 in Utrecht; 27. April 1656 ebenda) war ein niederländischer Maler. Er zählte zu den Anhängern Caravaggios und wird als einer der Utrechter Caravaggisten bezeichnet. Gerrit van Honthorst hat mehrere Alternativnamen: Gherardo della Notte, Gerard van Honthorst, Gherardo Fiammingo oder Gerardo van Hermansz. Sprache: Deutsch Gewicht in Gramm: 900.