Hunter Gill (34 results)
- Softcover
Seller: BookHolders, Towson, MD, U.S.A.BookHolders
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Condition: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Hunter Pub Inc Pub Date: 3/1/1995 Binding: Paperback Pages: 223 Reprint edition.
- Hardcover
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hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
- Hardcover
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hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
- Hardcover
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hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
Hanging Loose 71
Hershon, Robert; Lourie, Dick; Pawlak, Mark; Shreiber, Ron; Jarrett, Emmett; Alexie, Sherman; Bass, Emily; Brook, donna; Charara, Hayan; Chen, Lisa; Cohen, Marc; Contoski, Victor; Fuhrman, Joanna; Gill, John; Hunter, Michael Wayne; Louriem Dick; Moldaw, Carol; Nauen, Elinor; Nurkse, D.; Overton, Ron; Owen, Maureen; Pawlak, Mark; Perchik, Simon; Robbins, tim; Seiler, Barry; Stiles, dennis ward; Taylor, Keith; Violi, Paul; Wiegner, Kathleen; Antoniades, Katina Z.; Buklman, Jessica; Haines-Stiles, Sasha; Hoover, Erin; Lawrence, Nora; Lerner, Ben; Storm, shayna; et al
Language: English
Published by Hanging Loose Press, Brooklyn, New York, 1997
- Softcover
- First Edition
Seller: Village Works, New York, NY, U.S.A.Village Works
Contact seller4-star sellerSoft cover. Condition: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.
- Softcover
Seller: Wonder Book, Frederick, MD, U.S.A.Wonder Book
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Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Hanging Loose 74
Hershon, Robert; Lourie, Dick; Pawlak, Mark; Shreiber, Ron; Jarrett, Emmett; Alexie, Sherman; Bass, Emily; Brook, donna; Charara, Hayan; Chen, Lisa; Cohen, Marc; Contoski, Victor; Fuhrman, Joanna; Gill, John; Hunter, Michael Wayne; Louriem Dick; Moldaw, Carol; Nauen, Elinor; Nurkse, D.; Overton, Ron; Owen, Maureen; Pawlak, Mark; Perchik, Simon; Robbins, tim; Seiler, Barry; Stiles, dennis ward; Taylor, Keith; Violi, Paul; Wiegner, Kathleen; Antoniades, Katina Z.; Buklman, Jessica; Haines-Stiles, Sasha; Hoover, Erin; Lawrence, Nora; Lerner, Ben; Storm, shayna; et al
Language: English
Published by Hanging Loose Press, Brooklyn, New York, 1999
- Softcover
- First Edition
Seller: Village Works, New York, NY, U.S.A.Village Works
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Add to basketSoft cover. Condition: Near Fine. 1st Edition. Miles Davis photograph by Nancy Miller Elliot on the cover. ISSN # 0440-2316. From the collection of Robert Hershon.
Hanging Loose 71
Hershon, Robert; Lourie, Dick; Pawlak, Mark; Shreiber, Ron; Jarrett, Emmett; Alexie, Sherman; Bass, Emily; Brook, donna; Charara, Hayan; Chen, Lisa; Cohen, Marc; Contoski, Victor; Fuhrman, Joanna; Gill, John; Hunter, Michael Wayne; Louriem Dick; Moldaw, Carol; Nauen, Elinor; Nurkse, D.; Overton, Ron; Owen, Maureen; Pawlak, Mark; Perchik, Simon; Robbins, tim; Seiler, Barry; Stiles, dennis ward; Taylor, Keith; Violi, Paul; Wiegner, Kathleen; Antoniades, Katina Z.; Buklman, Jessica; Haines-Stiles, Sasha; Hoover, Erin; Lawrence, Nora; Lerner, Ben; Storm, shayna; et al
Language: English
Published by Hanging Loose Press, Brooklyn, New York, 1997
- Softcover
- First Edition
Seller: Village Works, New York, NY, U.S.A.Village Works
Contact seller4-star sellerSoft cover. Condition: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.
- Hardcover
Seller: Lakeside Books, Benton Harbor, MI, U.S.A.Lakeside Books
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Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.
- Softcover
Seller: California Books, Miami, FL, U.S.A.California Books
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- Hardcover
Seller: California Books, Miami, FL, U.S.A.California Books
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- Hardcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Hardback. Condition: New. In Tearing Down the Lost Cause: The Removal of New Orleans's Confederate Statues James Gill and Howard Hunter examine New Orleans's complicated relationship with the history of the Confederacy pre- and post-Civil War. The authors open and close their manuscript with the dramatic removal of the city's Co…nfederate statues.On the eve of the Civil War, New Orleans was far more cosmopolitan than Southern, with its sizable population of immigrants, Northern-born businessmen, and white and Black Creoles. Ambivalent about secession and war, the city bore divided loyalties between the Confederacy and the Union. However, by 1880 New Orleans rivaled Richmond as a bastion of the Lost Cause. After Appomattox, a significant number of Confederate veterans moved into the city giving elites the backing to form a Confederate civic culture.While it's fair to say that the three Confederate monuments and the white supremacist Liberty Monument all came out of this dangerous nostalgia, the authors argue that each monument embodies its own story and mirrors the city and the times. The Lee monument expressed the bereavement of veterans and a desire to reconcile with the North, though strictly on their own terms. The Davis monument articulated the will of the Ladies Confederate Memorial Association to solidify the Lost Cause and Southern patriotism. The Beauregard Monument honored a local hero, but also symbolized the waning of French New Orleans and rising Americanization. The Liberty Monument, throughout its history, represented white supremacy and the cruel hypocrisy of celebrating a past that never existed.While the book is a narrative of the rise and fall of the four monuments, it is also about a city engaging history. Gill and Hunter contextualize these statues rather than polarize, interviewing people who are on both sides including citizens, academics, public intellectuals, and former mayor Mitch Landrieu. Using the statues as a lens, the authors construct a compelling narrative that provides a larger cultural history of the city.
- Softcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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- Hardcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Hardback. Condition: New. In Tearing Down the Lost Cause: The Removal of New Orleans's Confederate Statues James Gill and Howard Hunter examine New Orleans's complicated relationship with the history of the Confederacy pre- and post-Civil War. The authors open and close their manuscript with the dramatic removal of the city's Co…nfederate statues.On the eve of the Civil War, New Orleans was far more cosmopolitan than Southern, with its sizable population of immigrants, Northern-born businessmen, and white and Black Creoles. Ambivalent about secession and war, the city bore divided loyalties between the Confederacy and the Union. However, by 1880 New Orleans rivaled Richmond as a bastion of the Lost Cause. After Appomattox, a significant number of Confederate veterans moved into the city giving elites the backing to form a Confederate civic culture.While it's fair to say that the three Confederate monuments and the white supremacist Liberty Monument all came out of this dangerous nostalgia, the authors argue that each monument embodies its own story and mirrors the city and the times. The Lee monument expressed the bereavement of veterans and a desire to reconcile with the North, though strictly on their own terms. The Davis monument articulated the will of the Ladies Confederate Memorial Association to solidify the Lost Cause and Southern patriotism. The Beauregard Monument honored a local hero, but also symbolized the waning of French New Orleans and rising Americanization. The Liberty Monument, throughout its history, represented white supremacy and the cruel hypocrisy of celebrating a past that never existed.While the book is a narrative of the rise and fall of the four monuments, it is also about a city engaging history. Gill and Hunter contextualize these statues rather than polarize, interviewing people who are on both sides including citizens, academics, public intellectuals, and former mayor Mitch Landrieu. Using the statues as a lens, the authors construct a compelling narrative that provides a larger cultural history of the city.
- Hardcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
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- Hardcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
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- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Hardcover. Condition: Brand New. 176 pages. 9.00x6.00x1.10 inches. In Stock.
- Hardcover
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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Condition: New.
- Hardcover
- First Edition
- Signed
Seller: Limestone Books, Austin, TX, U.S.A.Limestone Books
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. NF/NF. First edition, first printing. Signed and dated by both authors on title page. 225 pp. Signed by Author(s).
- Hardcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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Hardcover. Condition: New.
- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Condition: New. In.
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- Hardcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Hardback. Condition: New. In Tearing Down the Lost Cause: The Removal of New Orleans's Confederate Statues James Gill and Howard Hunter examine New Orleans's complicated relationship with the history of the Confederacy pre- and post-Civil War. The authors open and close their manuscript with the dramatic removal of the city's Co…nfederate statues.On the eve of the Civil War, New Orleans was far more cosmopolitan than Southern, with its sizable population of immigrants, Northern-born businessmen, and white and Black Creoles. Ambivalent about secession and war, the city bore divided loyalties between the Confederacy and the Union. However, by 1880 New Orleans rivaled Richmond as a bastion of the Lost Cause. After Appomattox, a significant number of Confederate veterans moved into the city giving elites the backing to form a Confederate civic culture.While it's fair to say that the three Confederate monuments and the white supremacist Liberty Monument all came out of this dangerous nostalgia, the authors argue that each monument embodies its own story and mirrors the city and the times. The Lee monument expressed the bereavement of veterans and a desire to reconcile with the North, though strictly on their own terms. The Davis monument articulated the will of the Ladies Confederate Memorial Association to solidify the Lost Cause and Southern patriotism. The Beauregard Monument honored a local hero, but also symbolized the waning of French New Orleans and rising Americanization. The Liberty Monument, throughout its history, represented white supremacy and the cruel hypocrisy of celebrating a past that never existed.While the book is a narrative of the rise and fall of the four monuments, it is also about a city engaging history. Gill and Hunter contextualize these statues rather than polarize, interviewing people who are on both sides including citizens, academics, public intellectuals, and former mayor Mitch Landrieu. Using the statues as a lens, the authors construct a compelling narrative that provides a larger cultural history of the city.
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- Hardcover
Seller: Book Express (NZ), Shannon, New ZealandBook Express (NZ)
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Hardcover. Condition: Very Good. 338 pages. William White (1825-1900) was one of the leading architects in Victorian Engl and. His originality, sensitivity and vibrant use of colour put him at the foref ront of the Gothic Revival from the late 1840s. Referred to in his time as 'inve.
- Hardcover
Seller: G. & J. CHESTERS, TAMWORTH, United KingdomG. & J. CHESTERS
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Hardcover. Condition: Fine. Dust Jacket Included. 338 pages, portrait frontispiece and many colour and b/w illustrations, 10.4"x 8", hardback, a FINE copy in a fine dust-jacket [9781904965268].
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- Hardcover
Seller: moluna, Greven, Germanymoluna
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Condition: New. Examines New Orleans s complicated relationship with the history of the Confederacy pre- and post-Civil War. The book opens and closes with the dramatic removal of the city s Confederate statues. While the book is a narrative of the rise and fall of the fou.
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Language: English
Published by Spire, Reading, 2010
- Hardcover
Seller: Matthew Butler Books PBFA, Badminton, United KingdomMatthew Butler Books PBFA
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Condition: Used - As new
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Add to basketHardcover. Condition: As New. Dust Jacket Condition: Near Fine. Quarto, cloth covers in d/j, pp.338. Colour and b/w photographs, reproductions, plans. With gazetteer of White's work.
Published by RAMSGATE: THE PUGIN SOCIETY, 2000
- Softcover
Seller: Haddington Rare Books, North Berwick, United KingdomHaddington Rare Books
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Add to basketSoft cover. Condition: Near Fine. 8vo, pp, ii, 58, well illustrated of which some are in colour, pictorial art card covers.
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- Hardcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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Hardback. Condition: New. In Tearing Down the Lost Cause: The Removal of New Orleans's Confederate Statues James Gill and Howard Hunter examine New Orleans's complicated relationship with the history of the Confederacy pre- and post-Civil War. The authors open and close their manuscript with the dramatic removal of the city's Co…nfederate statues.On the eve of the Civil War, New Orleans was far more cosmopolitan than Southern, with its sizable population of immigrants, Northern-born businessmen, and white and Black Creoles. Ambivalent about secession and war, the city bore divided loyalties between the Confederacy and the Union. However, by 1880 New Orleans rivaled Richmond as a bastion of the Lost Cause. After Appomattox, a significant number of Confederate veterans moved into the city giving elites the backing to form a Confederate civic culture.While it's fair to say that the three Confederate monuments and the white supremacist Liberty Monument all came out of this dangerous nostalgia, the authors argue that each monument embodies its own story and mirrors the city and the times. The Lee monument expressed the bereavement of veterans and a desire to reconcile with the North, though strictly on their own terms. The Davis monument articulated the will of the Ladies Confederate Memorial Association to solidify the Lost Cause and Southern patriotism. The Beauregard Monument honored a local hero, but also symbolized the waning of French New Orleans and rising Americanization. The Liberty Monument, throughout its history, represented white supremacy and the cruel hypocrisy of celebrating a past that never existed.While the book is a narrative of the rise and fall of the four monuments, it is also about a city engaging history. Gill and Hunter contextualize these statues rather than polarize, interviewing people who are on both sides including citizens, academics, public intellectuals, and former mayor Mitch Landrieu. Using the statues as a lens, the authors construct a compelling narrative that provides a larger cultural history of the city.
- Softcover
Seller: BookstoYou, Hay-on-Wye, HEREF, United KingdomBookstoYou
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paperback. Condition: Very Good. Secondhand. Clean pages. Very good book.
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A Flint Seaside Church | St Augustine's Abbey Church, Ramsgate, Kent
Horner, Libby and Gill Hunter [Augustus Welby Northmore Pugin (1 March 1812 - 14 September 1852) was an English architect, designer, artist and critic with French and Swiss origins].
Published by Published by The Pugin Society, Ramsgate, Kent First Edition . 2000., 2000
- First Edition
Seller: Little Stour Books PBFA Member, Canterbury, United KingdomLittle Stour Books PBFA Member
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Condition: Used - Fine
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Add to basketCondition: Fine. First edition in publisher's original colour illustrated card wrap covers (soft back). 8vo. 8½'' x 6¼''. Pugin is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, and its…clock tower, the Elizabeth Tower, which houses the bell known as Big Ben. Contains 58 pp + covers with monochrome and colour illustrations and photographs throughout. In Fine condition, no dust wrapper as issued. Member of the P.B.F.A. ARCHITECTURE.
