Inankur (36 results)

paperback. Condition: Good. This softcover has a tight black spine with light reading crease. Covers clean. Light bend in front cover. Pages appear bright and unmarked. We ship FAST!

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Very Good. No Jacket. VG+ / -- Colour and b/w illustrations. Pictorial card covers with French flaps. Binding is very firm and tight. No inscriptions. Not ex-library.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Soft cover. Condition: Very Good. 191 pages : illustrations (chiefly colour) ; 28 cm.

Soft cover. Condition: New. No Jacket. First English language edition. First English language edition 1989, first printing, matching dates on title and copyright pages. Translated from Turkish. Published by Turkish Cultural Service Foundation / Turk Kulturune Hizmet Vakfi, Istanbul, Turkey. Large softcover without DJ as issued. Condition as new, square tight and clean book, spine not creased, corners not bumped, no edgewear, no names, no underlinings, no highlights, no bent page corners, not a reminder. 4to, 191 pages, well illustrated.

Soft cover. Condition: New. Paperback. 4to. (30 x 24 cm). In English. 285 p. Color and b/w ills. "This unique collection takes a fresh look at Orientalism by shifting its center from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms. This new lens reveals the essential role of the Ottoman city and its patrons and artists in the dialogues that facilitated production, circulation, and consumption of British Orientalist cultures. In this volume, art works are conceptualized as traveling artifacts produced through localized interactions. World renowned scholars and curators analyze the diverse audiences for such art works and the range of differing contexts for their reception both in the 19th century and more recently. In this way, British art is put into a dynamic relationship with an historicized understanding of cultures of collecting and display during the formation of comparative modernities and also with the contemporary postcolonial creation of new national models of exhibition and education. Featuring stunning visuals, this book puts art history in the context of cultural, visual, and literary studies, challenging the orthodoxies of postcolonial theory with the materiality of multiple imperialisms and modernities to offer a new take on the collection, display, and consumption of Orientalist cultures.".

Condition: New.

Condition: New. pp. 288 120 (Col.) Illus.

Soft cover. Condition: Very Good. In Turkish and English. 256 pp., color ills., 29 x 23 cm.

Paperback. Condition: new. Paperback. This unique collection takes a fresh look at Orientalism by shifting its center from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms. This new lens reveals the essential role of the Ottoman city and its patrons and artists in the dialogues that facilitated production, circulation, and consumption of British Orientalist cultures. In this volume, art works are conceptualized as traveling artifacts produced through localized interactions. World renowned scholars and curators analyze the diverse audiences for such art works and the range of differing contexts for their reception both in the 19th century and more recently. In this way, British art is put into a dynamic relationship with an historicized understanding of cultures of collecting and display during the formation of comparative modernities and also with the contemporary postcolonial creation of new national models of exhibition and education.Featuring stunning visuals, this book puts art history in the context of cultural, visual, and literary studies, challenging the orthodoxies of postcolonial theory with the materiality of multiple imperialisms and modernities to offer a new take on the collection, display, and consumption of Orientalist cultures. Takes a fresh look at Orientalism by shifting its centre from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condition: Near Fine. 4to. 330 pp. Pictorial wraps. Light rubbing and edgewear. Near fine.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: New. Limited Edition. Paperback. Pbo. 4to. (29 x 23 cm). B/w and color ills. 256 p. In Turkish and English. 1000 copies were printed. Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu. TURKISH PAINTING History of arts Exhibition.

Soft cover. Condition: New. Limited Edition. Paperback. Pbo. 4to. (29 x 23 cm). B/w and color ills. 256 p. In Turkish and English. 1000 copies were printed. Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu. TURKISH PAINTING History of arts Exhibition.

Soft cover. Condition: Very Good. 1st Edition. Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects żthe harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.

Condition: Very good.

Soft cover. Condition: Very Good. 285 pages : illustrations (chiefly color) ; 28 cm. Contents: AcknowledgmentsPreface / Suna, Inan and Ipek KiracIntroduction: Disruptive Geographies / Mary Roberts, Reina Lewis and Zeynep Inankur Part I: Institutions, Collections, Exhibitions I. Staging The Lure of the East: Exhibition Making and Orientalism / Christine RidingII. Cultural Exchange and the Politics of Pleasure / Reina Lewis III. Bringing It Home? Orientalist Painting and the Art Market / Nicholas Tromans IV. The Searight Collection / Sarah SearightV. Cultural Consignment and Cultural (Ex)Change / Donald Preziosi VI. Orientalism and Photography / Nancy MicklewrightPart II: Constructing History and the Politics of Place VII. Between the Sublime and the Picturesque: Mourning Modernization and the Production of Orientalist Landscape in Thomas Allom and Reverend Robert Walsh's Constantinople and the Scenery of the Seven Churches of Asia Minor (c. 1839) / Wendy M. K. ShawVIII. Genealogies of Display: Cross-Cultural Networks at the 1880s Istanbul Exhibitions / Mary Roberts IX. Osman Hamdi Bey and the Historiophile Mood: Orientalist Vision and the Romantic Sense of the Past in Late Ottoman Culture / Ahmet Ersoy X. Traveling East: Veiling, Race, and Nations / Teresa Heffernan XI. "Solitary Eagle"?: The Public and Private Personas of John Frederick Lewis (1804-1876) / Briony LlewellynXII. An Ottoman Traveler to the Orient: Osman Hamdi Bey / Edhem EldemPart III. Cultural Mediators, Boundaries, Exchanges XIII. Mary Adelaide Walker / Zeynep InankurXIV. The Dragoman Who Commissioned His Own Portrait / Aykut Gurcaglar XV. European Artists at the Ottoman Court: Propogating a New Dynastic Image in the Nineteenth Century / Gunsel Renda XVI. The Interpretation of Pictorial Space in Nineteenth-Century Ottoman Landscape Painting / Semra Germaner XVII. Orientalism and Aestheticism / Tim BarringerXVIII. The Reception of John Frederick Lewis at the Exposition Universelle in 1855 / Peter Benson Miller Notes on Contributors Index.

Soft cover. Condition: New. 1st Edition. Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects żthe harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.

Condition: Used - Good. Good paperback. English Edition. Owner's name on half-title page; otherwise internally bright and clean. Light handling wear and creased spine.

Soft cover. Condition: New. GERMANER, SEMRA - ZEYNEP INANKUR Orientalism and Turkey. Istanbul: Turk Kulturune Hizmet Vakfi, 1989. 4to., 191 p., color and b/w ills. Paperback. New ISBN: 9757522015 CATALOG: Painting & Sculpture KEYWORDS: Orientalism History of art Painting Travel memories Levantine.

Soft cover. Condition: New. INANKUR, ZEYNEP - REINA LEWIS - MARY ROBERTS (Edited by) Mekanin poetikasi, mekanin politikasi. Osmanli Istanbulu ve Britanya oryantalizmi. Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2011. 4to., 287 p., color and b/w ills. Paperback. New ISBN: 9789759123871 CATALOG: Istanbul / Constantinople KEYWORDS: History of art Istanbul - Constantinople Orientalism Turkish English relations Travel memories Painting Mekanin Poetikasi, Mekanin Politikasi: Osmanli Istanbulu ve Britanya Oryantalizmi kitabi, Pera Muzesi'nde duzenlenen Dogu'nun Cazibesi: Britanya Oryantalist Resmi sergisi paralelinde gerceklestirilen "Osmanli Istanbulu ve Britanya Oryantalizmi" baslikli uluslararasi sempozyumun bildirilerinden olusuyor. 19. yuzyil Britanya Oryantalist gorsel kulturu ile gec donem Osmanli gorsel kultur tarihlerini, cogu kez ayristirilmis alanlarin uzmanlarinin farkli perspektiflerini bir araya getiren kitap Mimar Sinan Guzel Sanatlar Universitesi'nden Prof. Zeynep Inankur, London College of Fashion, University of the Arts London'dan Prof. Reina Lewis ve University of Sydney'den Prof. Mary Roberts editorlugunde hazirlandi. Hem sanat tarihi degerlendirmelerini, hem kuratorluk uygulamasini ilgilendiren konulari iceriyor, cogunlukla cagdas kultur politikalari uzerine tartismalari da kapsiyor.

Dust jacket. Condition: New. Dust Jacket Condition: New. 1st Edition. Original bdg. Dust wrapper. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects żthe harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.

Condition: New. 2010. Paperback. . . . . .

Soft cover. Condition: New. INANKUR, ZEYNEP - REINA LEWIS - MARY ROBERTS (Edited by) The poetics and politics of place. Ottoman Istanbul and British orientalism. Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2011. 4to., 285 p., color ills. Paperback. New ISBN: 9780295991108 CATALOG: Istanbul / Constantinople KEYWORDS: History of art Istanbul - Constantinople Orientalism Turkish English relations Travel memories Painting History of art "This unique collection takes a fresh look at Orientalism by shifting its center from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms. This new lens reveals the essential role of the Ottoman city and its patrons and artists in the dialogues that facilitated production, circulation, and consumption of British Orientalist cultures. In this volume, art works are conceptualized as traveling artifacts produced through localized interactions. World renowned scholars and curators analyze the diverse audiences for such art works and the range of differing contexts for their reception both in the 19th century and more recently. In this way, British art is put into a dynamic relationship with an historicized understanding of cultures of collecting and display during the formation of comparative modernities and also with the contemporary postcolonial creation of new national models of exhibition and education. Featuring stunning visuals, this book puts art history in the context of cultural, visual, and literary studies, challenging the orthodoxies of postcolonial theory with the materiality of multiple imperialisms and modernities to offer a new take on the collection, display, and consumption of Orientalist cultures.".

Condition: New. 2010. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: New. INANKUR, ZEYNEP (Text by) Oryantalizm (= Orientalism). [Exhibition catalogue]. Istanbul: Antik A. S. Kultur Yayinlari, 2016. 4to., 237, [3] p., color ills. In Turkish and English. Original binding. New ISBN: 9789757843238 CATALOG: Painting & Sculpture KEYWORDS: Orientalism History of art Painting Oryantalizm, 19. yuzyilda gelisen ve Dogu insanlarinin dinlerinin, dillerinin ve tarihlerinin incelenmesi anlamina gelen bir bilim dalidir. Bu terim, 19. yuzyilin ortasinda Dogu dunyasini konu alan bir resim turu icin de kullanilmaya baslanmistir. O zamandan beri Oryantalizm, bugunku Turkiye, Yunanistan, Yakin Dogu ve Kuzey Afrika topraklarini kapsayan ve Batililarin Islam Dunyasi karsisindaki tavirlarini tanimlayan genel bir terim olarak benimsenmistir. Dogu'ya duyulan ilgi, 19. yuzyildan cok once baslamistir. Daha Romalilar doneminde Misir ve Iran kulturlerinin Italya'ya girisi, Bati'nin Dogu'ya olan ilgisini ortaya koymustur. Ortacagda, Haclilar Yakindogu'yu Avrupa'ya bir olcude tanitmislardir. Hiristiyan dininin Yakindogu'da ortaya cikmis olmasi Batililarin bu ulkelerle ilgilenmelerinin baslica nedenlerinden biridir. Ancak bu caglarin resim sanati ornekleri, Dogu'nun gercek bir goruntusunu yansitmaktan uzaktir. Oryantalist resimlerde sik rastlanan dogulu figurler ve aksesuarlar Ronesans doneminde artmistir. Bunlar cogunlukla Avrupa manzaralari onune yerlestirilmis sarikli, dogu kilikli figurlerin basmakalip resimleriydi. Burada baslica amac, egzotik bir etki yaratmak oldugundan, dogulu tipleri dogru olarak gosterme yonunde ressamlarin herhangi bir cabasi olmamistir. Turklerin, Iranlilarin, Tatarlarin ve Memluklarin kiyafetlerinden motifler aliniyor ve bunlar rastgele bir bicimde birlestiriliyordu. Bu tur derlemeler Gentile Bellini, Vittore Carpaccio, Fra Angelico, Filippino Lippi, Bernardino Pinturrichio, Tiepolo gibi sanatcilarin resimlerinde goruluyordu. Ronesans sonrasinda kisa surede tum Avrupa'ya yayilan dogu modasi; giyim kusami, mimarligi ve sanat yapitlarini etkilemistir. Bunun resim alanindaki en onemli temsilcisi Rembrandt'dir. Kutsal Kitap oykulerini ele aldigi resimlerine tarihsel bir yerellik katmak icin oryantal ogelerden yararlanan sanatci, Mogol minyaturlerini kopya ediyor, Turk silahlari ve Iran kumaslari topluyordu. 18. yuzyilda Avrupa'da Ortadogu ve Uzakdogu'ya karsi yeni bir ilgi baslamistir. Diplomatik, kulturel, askeri ve ticari iliskiler bir yandan cagin Bati kulturunu bu ulkelere tanitirken, ote yandan Dogu'ya ait kulturel ogeler yuzyilin sonlarina dogru Avrupalilar tarafindan benimsenmis, Chinoiserie ve Turquerie basliklari altinda tanimlanan bir dogu egzotizmine yol acmistir. 19. yuzyila gelindiginde dogu konulu resimlerin niteligi buyuk olcude degisir. Bunun cesitli nedenleri vardir. Napolyon'un Misir Seferi'nden baslayarak Yunan Bagimsizlik Savasi, Cezayir'in Fransizlar tarafindan alinmasi, Kirim Savasi gibi siyasi olaylar, Suveys Kanali'nin acilmasi, Oryantal arastirma okullarinin kurulmasi, seyahat kosullarinin duzelmesi, cesitli uluslararasi sergilerde Islam Kulturu'nun tanitilmasi Dogu'ya karsi bilim, tarih ve sanat alanina duyulan ilgiyi artirmistir. Sonuc olarak, dogruluga pek onem vermeyen ve dogu uslûplarinin bir derlemesi olmaktan pek de oteye gitmeyen egzotizm, 19. yuzyilda yerini daha gercekci ve ciddi bir anlayisin egemen oldugu Oryantalizm'e birakmistir. 1798'de Napolyon'un Misir Seferi'yle baslayan ve 1914'de I. Dunya Savasi'yla son bulan Oryantalist resim akimi, belirli bir okul ya da uslup degildir. Oryantalist resimlerin ortak yani, isledikleri konulardir. Nitekim biri Neoklasik, digeri Romantik akimin en onemli temsilcilerinden olan Jean-Auguste Dominique Ingres ve Eugene Delacroix ayni derecede basarili Oryantalist tablolar yapmislardir. Ote yandan, Oryantalist ressamlarin buyuk bir bolumu sadece Dogu ile ilgili konularda degil, baska konularda da resim yapmislardir. Oryantalist resimlerin Dogu'nun atmosferinden kaynaklanan bir ortak yani vardir: isik daima sicak.

Condition: New. Takes a fresh look at Orientalism by shifting its centre from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms&Uumlber den AutorZeynep Inankur is a professor.

Condition: New. Editors: Germaner, Semra; Inankur, Zeynep; Öndin, Nilüfer; Pelvanoglu, Burcu Translator: 256 pages.

Paperback. Condition: new. Paperback. This unique collection takes a fresh look at Orientalism by shifting its center from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms. This new lens reveals the essential role of the Ottoman city and its patrons and artists in the dialogues that facilitated production, circulation, and consumption of British Orientalist cultures. In this volume, art works are conceptualized as traveling artifacts produced through localized interactions. World renowned scholars and curators analyze the diverse audiences for such art works and the range of differing contexts for their reception both in the 19th century and more recently. In this way, British art is put into a dynamic relationship with an historicized understanding of cultures of collecting and display during the formation of comparative modernities and also with the contemporary postcolonial creation of new national models of exhibition and education.Featuring stunning visuals, this book puts art history in the context of cultural, visual, and literary studies, challenging the orthodoxies of postcolonial theory with the materiality of multiple imperialisms and modernities to offer a new take on the collection, display, and consumption of Orientalist cultures. Takes a fresh look at Orientalism by shifting its centre from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.