Incunable (70 results)

paperback. Condition: New. 1st.

150 pag.21 m. VALENCIA FACSIMILES-POESIA.

Couverture rigide. Condition: Assez bon. In 8° soleil. Reliure de toile bleue, sigle NRF en lettres dorées sur le premier plat, dos orné de filets dorés. Dos passé. Filets dédorés. Plats et dos conservés. Ouvrage tiré à 320 héliona Navarre. Il porte le n° 94. Cet ouvrage ne sera pas repris dans la collection Bonet - Prassinos. J. E. Huret dans sa bibliographie des cartonnages N. R. F. le qualifie de Cartonnage non repris et lui attribue le numéro INR 9 (Huret, page 18).

Condition: New. In.

"Roentgen's Discovery" in the Scientific American, 22 February 1896, p 115, about 800 words plus a portrait of Roentgen. The article appears on pg 115 in the vol 84 no. 8, pp 113-128. Extracted from a larger bound volume. Nice copy. Good condition.

Encuadernación de tapa dura. Condition: Muy bien. Encuadernación editorial en tela ilustrada. Manuscrito e incunable reproducidos. Estudios, Ediciones y Concordancias de Manuel Alvar Tomo I: 476 pp.; Tomo II: 632 pp: Tomo III: 498 pp.

Sin foliar. 8vo., cartoné. Falta portada.

Rústica. XXX p.+ 80 p.aprox.+ 35 p. Edición facsímil del único ejemplar conocido.Prólogo y versiones de Luis Guarner. 19 x 13.5 cm.

No Binding. Condition: Fine. Single folio leaf (403 x 288mm). Ff 144, sig.E iiii. Printed on recto and verso. Latin text in two columns, 81 lines, recto with centre block of two 33 line columns. Verso with centre block of two 59 line columns. Rubricated capitals and significant passages. An attractive large single incunable leaf in a fine and clean condition. Both books are well held in institutional libraries in the USA and Europe. Accoltis, Franciscus de, was born in Arezzo, Italy about 1418, Franciscus spent his life as a wandering scholar of great renown with a high income. He taught law at Bologna (1440-45), Ferrara (1448-54, 1457-61), Siena (1454, 1466-79), and Pisa (1479-84), where he died in 1485/86. He served Francesco Sforza at Milan between 1461 and 1466 and wrote consilia upon various requests, including one against the excommunication of Lorenz de Medici and Florence after the attempt on Lorenzo's life in 1478' - Bio-Bibliographical Guide to Medieval and Early Modern Jurists. (1481) Hain40; (1495) Hain 41.

Condition: Neu. Eine Experimentierphase im frühen Buchdruck. Beiträge der Fachtagung in der Bayerischen Staatsbibliothek München am 16. und 17. Februar 2012. Hrsg. von Bettina Wagner. Elf Tagungsbeiträge widmen sich sowohl der Materialität als auch den Inhalten der xylographischen Drucke, ergänzt durch einen Beitrag zum Einsatz von Infrarot-Technik zur Dokumentation von Wasserzeichen aus Blockbüchern. Im ersten Themenblock werden Fragen in Bezug auf Papier, Druckfarbe und Einbände der Blockbücher behandelt und neue Analysemethoden erläutert. Der zweite Themenblock enthält Studien zu einzelnen Werken, die im 15. Jahrhundert in Form von Holztafeldrucken Verbreitung fanden. Neben Blockbüchern, die biblisches Wissen vermitteln oder der Verwendung in der religiösen Praxis dienten, stehen insbesondere Texte der pragmatischen Schriftlichkeit im Blickpunkt. VI,361 Seiten mit 107 Abb. und 12 Tab., broschiert (Bibliothek und Wissenschaft; Band 46 2013/Harrassowitz Verlag 2013). Früher EUR 99,00. Gewicht: 783 g - Softcover/Taschenbuch.

(4), 601 p., 14,5 cm. Vignettes (gravures sur bois) aux p. 531 et 601. Restauration experte à la p. 601 mais avec perte d'une petite partie de la vignette. Bel exemplaire malgré les marques de bibliohèque ! Rel. pl. cuir (tranches rouges, cote au dos masquée par un anc. propr., cachets (5) sur certaines pages et cachet aux tranches de tête et de queue).

(13), 379, (4) p. 16 cm. Rare incunable et très bon exemplaire malgré les défauts signalés ! Rel. pl. cuir (vilaine trace de cote au dos, cachet sur garde sup., restauration professionnelle de papier -sans perte de texte- aux pp. 12-13 et 60-63).

(8), (1)-345, (8) p., 13,5 cm. Gagnon dit: « L'on doit ce Recueil, dont il y a eu onze ou douze éditions différentes, à M. l'abbé J. B. Boucher-Belleville, curé de La Prairie. Quelques-uns des cantiques qui figurent dans ce recueil ont été composés par lui-même, . ». La première édition est de 1785. Rel. demi-cuir (début XXe ?, plats marbrés, un cachet sur p. titre).

Ten works in one volume, 4to; occasional light staining, a few small spots; nonetheless very good copies; binding retaining panels of contemporary (German or Flemish?) blind-stamped sheep, laid down on a later calf binding, boards blind-tooled to a panel design, central panel diapered with fleur-de-lys tool, outer panels with two alternating floral tools, edges stained purple; somewhat rubbed, with a few superficial cracks, tailcap chipped; early signature 'Gentonis' in a French hand at foot of annotation on final leaf verso, early sixteenth-century annotations to a further c.27pp. in the same hand, nineteenth-century French list of contents loosely inserted.A sammelband of ten Roman incunables, nine of which printed by Stephan Plannck, covering subjects from astronomy to usury, holy water to marriage, and ending with St Antoninus's manual for confessors; with annotations showing the early ownership of a scholar/practitioner of canon law or a confessor, and partially preserving its original binding. Stephan Plannck, of Passau (c.14571501), began his printing career probably as an apprentice in the workshop of Ulrich Han in Rome (active from 1467), which he then took over in 14789. He became the most prolific printer in Rome in the fifteenth century, in particular producing works for the Curia, a practical business decision as the papal bureaucracy then formed the primary market for books in Rome. The first item of the present sammelband, the Lunarium of Bernat de Granollachs (14211485), contains lunar tables for the years 14901550, indicating the phases of the moon, the dates of moveable feasts, and details of eclipses visible from Barcelona. These tables were first issued in around 1484 and reprinted in various languages (including Catalan) and in various locations in Spain and Italy, as well as Lyons, up to the 1520s. This is a reprint of the 1487 Plannck edition, which was most likely the first Latin printing, though without the (then-redundant) years of 14889. The other works in the volume, by authors including Aquinas, Seneca, Antoninus Florentinus, and Johannes de Turrecremata, are of practical use to canon lawyers and confessors, dealing with the Penitential Canons, the cardinal virtues and moral theology, and the sacraments. These were for the most part printed in Rome regularly in the 1470s and 1480s, indicating their utility for the workings of the Curia. This volume, a rare survival preserving fragments of its original binding, indicates subjects of interest to the original owner. The annotations, spanning the entire volume in a single early hand, attest to an engagement with a wide variety of subject matter: for the most part they pick out phrases from the text or expand upon them, from usury to consanguinity to exorcism, with a note (to the first work) on the page with an almanack for 1535, about the death of Andreas Terbolan(?) on the penultimate day of December. Comprising:i. GRANOLLACHS, Bernardus de. Lunarium ab anno 1490 ad annum 1550. [Rome, Stephan Plannck, 1490.] Ff.[33] (of 34, without initial blank), last leaf blank, gothic letter, numerous small woodcut diagrams of the moon, early marginalia to 1p. ISTC ig00339000 (listing six copies: Dillingen, Munich, Västerås, Basel, Harvard, and the Vatican); Sander 3224. ii. ROSELLIS, Antonius de. De ieiuniis. Rome, Stephan Plannck, 21 January 1486. Ff.[6], gothic letter. ISTC ir00324000. iii. ESCOBAR, Andreas de. Canones poenitentiales. [Rome, Eucharius Silber, c.1491.] Ff.[8], gothic letter. ISTC ia00658000. iv. ROSELLIS, Antonius de. De usuris. [Rome, Stephan Plannck, c.1488.] Ff.[6]; gothic letter. Small loss to lower margin of [a]5, not affecting text. ISTC ir00332000. v. ANDREAE, Johannes. Summa de sponsalibus et matrimoniis. [Rome, Stephan Plannck, c.1490.] Ff.[8]; gothic letter; marginal paper-flaw to f.[2]. ISTC ia00643000. vi. 'SENECA, Lucius Annaeus' [but Martinus DUMIENSIS, Archbishop of Braga]. De quattuor virtutibus cardinalibus, sive de formula honestae vitae. [Rome, Stephan Plannck, 1490.] Ff.[4]; gothic letter. ISTC is00413000. vii. TURRECREMATA, Johannes de. De efficacia aquae benedictae. [Rome, Stephan Plannck, c.14811487.] Ff.[10]; gothic letter. ISTC it00511000. viii. THOMAS AQUINAS. De articulis fidei et ecclesiae sacramentis. [Rome, Stephan Plannck, c.1488.] Ff.[12], gothic letter. ISTC it00279000. ix. DEFECTUS IN MISSA OCCURRENTES. [Rome, Stephan Plannck, c.1490]. Ff.[6]; slight loss to lower corner of final leaf, some staining to first leaf not affecting legibility. ISTC id00130000. x. ANTONINUS FLORENTINUS. Confessionale: Defecerunt scrutantes scrutinio. Titulus de restitutionibus. Rome, Stephan Plannck, 19 November 1490. Ff.143 (of 144, without final blank), gothic letter, some deckle edges; closed tear to f.xxxix, staining to f.xvii. ISTC ia00824000. Language: Latin.

Quentell's second quarto edition of the well-known manual on the art of dying, in the original Latin, matching his ca. 1493 quarto edition almost line for line and using the same woodcut, quite different from any used with this text before that date. Quentell's quarto editions contain the original long version of the text, known as Speculum artis bene moriendi, often attributed to Matthaeus de Cracovia or Albertus Magnus (editions in Italian are often attributed to Dominicus de Capranica, Cardinal of Fermo). The Ars moriendi was one of the earliest incunabula printed and consists of two related Latin texts written around 1415 and 1450, offering guidance on how to have a good death according to Christian beliefs of the late Middle Ages. The texts were written in response to the Black Death and social upheavals of the 15th century, with the earliest versions likely composed in southern Germany. The highly popular Ars moriendi was translated into many West European languages, and was the first in a tradition of guides to death and dying. The first edition in the original Latin appeared ca. 1474, but was preceded by a German edition in 1473 and perhaps by an edition in Italian described as ca. 1471/75. Quentell published the Latin text together with other works in a folio edition described as ca. 1484/89, but he published four quarto editions of the Ars moriendi alone, described as ca. 1493, the present ca. 1495, ca. 1498 and another probably after 1500. He published no Ars moriendi editions in vernacular languages. His first three quarto editions have the same collation, but the present edition matches the ca. 1493 edition almost line for line and uses the same woodcut, while the ca. 1498 edition differs considerably and uses a different woodcut.Heinrich Quentell, one of the greatest early Cologne printer-publishers, issued many theological and philosophical texts for university use, but also liturgical texts, working both alone and with Johann Helman, who may have also jointly employed contract printers and dispatched servants to sell books. Quentell was one of the first printers to consistently provide his books with title-pages, with approximately 91% of his over 380 publications including one.Quentell used the present "Magister cum discipulis"-woodcut in several other editions, including the Heymericus de Campo, Promptuarium argumentorum (1492, GW 12406) and Jacobus van Gruitrode, Speculum aureum animae peccatricis (1493, GW M10728). Wynkyn de Worde used a copy in his Parabolarum Alani cum commento (1508, STC 254.3), and other printers copied it as well.All Quentell's Ars moriendi editions are undated and the present one used his types 7 and 10 and initials e, which all apeared in his books in the period 1488 to 1500. The present edition is probably dated ca. 1495 in the literature because it appears to fall between the two quarto editions thought to date from ca. 1493 and ca. 1498.The bookbinder Jean-Luc Honegger, still active today, is best known for his bindings for the Bibliothèque Nationale de France in Paris and the Bodmer Foundation near Geneva. With the bookplate of the Bibliotheca Philosophia Hermetica (Joost Ritman) in Amsterdam and probably bound for them. Slightly browned, water stains at the foot of a few leaves (not approaching the text), some smudges in the margins and on the blank final page. The binding slightly worn at the extremities and with a few unobtrusive scratches on the back board. Otherwise in very good condition and only slightly trimmed (about 5 mm at the head and probably no more at the fore-edge and foot), giving generous margins (about 2, 3 and 4 cm at the head, fore-edge and foot respectively) and some leaves with tranchefiles at the foot.l Bibliothèque Nationale, Catalogue des incunables A598; BMC I, p. 294; Bod-Inc A449; Bohonos Szandorowska, Incunabula quae in bibliothecis Poloniae asservantur 562; BSB-Ink A766; Buffévent VIII 45; Goff A1098; Günther, Wiegendrucke der Leipziger Sammlungen 781; GW 02610; HC 14911; ISTC ia01098000; Madsen, Kongelige Biblioteks inkunabler 352; Ohly-Sack 274; ÖNB-Ink A483; Pell 1339; Polain 972; Proctor 1425; Sack Freiburg 306; Sallander Uppsala 2046; Schramm VIII 484; Schreiber, Manuel de l'amateur de la gravure sur bois et sur métal au XVe siècle 3671; Thienen, Incunabula in Dutch libraries 425; UBL-Ink A354; USTC 739947; Voulliéme, Die Buhdrucker Kölns 305; Voulliéme, Inkunabeln der Königlichen Bibliothek 1011; Voulliéme, Trier 697. Recent marbled paper over boards by the Geneva bookbinder Jean-Luc Honegger (b. 1953) who set up his atelier ca. 1978 (signed with his "honegger" stamp in blue ink at the foot of the back paste-down), sewn on 3 recessed supports, the marbled paper in an antique spot pattern (see Wolfe 162-163) with black spots on unusually fine-grained grey Stormont spots and with veins in red, turquoise, orange, dark blue and white, black morocco spine label with the title in gold roman capitals, reading up the spine. With a large woodcut (10.0 x 8.8 cm) on the title page: depicting a teacher (Pope Gregory the Great ca. 600 CE, declared a saint in 1295) with a dove on his shoulder (his attribute), seated behind a lectern with an open book, instructing two of his pupils, seated before him, each with a book in his hands, with above them a scroll, inscribed "Accipies tanti doctoris dogmata sancti". Set in a single column, with 36 lines to the page, in a rotunda gothic type (Quentell type 7, here 79G, though in the Typenrepertorium 80G), with a larger textura gothic for the first line of the title (Quentell type 10, 155G), though the only capital in that line is the 8 mm lombardic initial S (Quentell initials e, described as 6/7 mm, but noting that they are used with type 10). With spaces left for manuscript initials (1 6-line and many 3-line, a few - mostly on b1v and b2r - with manuscript guide letters in black ink. Most pages with a few words underscored in black ink. Pages: [31], [1 blank] pp.

In-4, [192 x 137 mm] de (22) ff. [Signatures : [a-b]6 c10] Maroquin rouge, dos à nerfs muet orné de petits fleurons dorés encadrés de doubles filets dorés, encadrement d'un triple filet doré sur les plats, filet doré sur les coupes, roulette dorée intérieure, tranches dorées. (Reliure ancienne.). INCUNABLE EN VERS FRANÇAIS, INCONNU DES BIBLIOGRAPHES. L'impression est datable d'après le préambule qui précise que ces prédications ont été "nouvellement faites à Lyon le quinziesme jour de février Mil quatrecens quatre vingtz et unze" (c'est-à-dire le 15 février 1492, compte tenu de la réforme du calendrier). Cette date correspond à celle de la reconnaissance de la nullité du mariage d'Anne de Bretagne avec Maximilien d'Autriche, et entérine donc la légitimité de son mariage, le 6 décembre 1491 à Langeais, avec le roi de France, Charles VIII. L'analyse du matériel typographique permet d'attribuer cette édition à l'imprimeur du Champion des Dames et de la Complainte de l'âme damnée, c'est-à-dire à Jean Du Pré selon l'identification de la British Library. Jean Du Pré, imprimeur parisien, exerça effectivement son art à Lyon entre 1491 et 1495 et imprima à cette époque plusieurs livrets populaires, tous anonymes et sans nom d'imprimeur, notamment Le Champion des Dames, La Belle Dame sans Mercy, la Complainte de l'âme damnée, L'Hospital d'Amour etc. Le texte, après un court préambule en prose, se présente sous la forme d'un dialogue entre un père et son fils, en vers décasyllabes. L'auteur, est resté anonyme mais donne quelques indications (cf. f. c8 r°) : on y apprend qu'il est étranger, et n'a fréquenté en France d'autre province que le Lyonnais. L'essentiel des pièces d'actualité imprimées sous le règne de Charles VIIII ne nous sont connues que par trois recueils conservés à la bibliothèque de Nantes, à la Bibliothèque Nationale de France et à la bibliothèque Sainte-Geneviève à Paris. Jean-Pierre Seguin en a dressé un inventaire en 1957 (L'Information à la fin du XVe siècle en France : pièces d'actualité imprimées sous le règne de Charles VIII, Arts et Traditions populaires, 5e année, n°1, pp. 46-74). Cet inventaire recense 62 pièces imprimées entre 1488 et 1495. Notre texte n'y figure pas et aucune version n'est enregistrée dans les répertoires bibliographiques d'incunables. Il semble que ce soit le seul exemplaire parvenu jusqu'à nous. Par ailleurs, ce texte inconnu revêt un intérêt particulier : il fut imprimé peu de temps après le mariage de Charles VIII avec Anne de Bretagne, événement qui fut d'une conséquence majeure par la suite pour la rattachement de la Bretagne au royaume de France, entérinée définitivement en 1532 sous François Ier. L'auteur, très élogieux envers Charles VIII, étale au fil des vers les qualités du jeune roi, son amour pour son peuple, sa clémence, son courage et ses succès militaires, notamment en qui concerne la conquête de la Bretagne : "Ainsi je vis par raisons evidentes / qu'assès a fait pour le commencement / Si n'estoit ja que la cité de Nantes / Dont il a eu Bretaigne aisément" (cf. b6 v°). A la fin du volume, il insite sur l'alliance de la Bretagne avec la France et conclut ainsi : "Or sont françoys et bretons aliez / Et tellement quoy qu'il doive avenir / qu'au grant jamais n'en seront desliez / Dieu par sa grace y veuille maintenir / le triumphant et hault roy valeureux / qu'en tous ses faitz bien luy puisse venir / Et soit tousjours en la grace des deux". D'une certaine manière, cette pièce en vers semble répondre à quelques années d'intervalle au "Testament de monseigneur des Barres, capitaine des Bretons" (Lyon, Jean du Pré, 1488) sur la guerre des Bretons contre les Français (cf. Seguin n°1 et 2). Ce fascicule est revêtu deux fois de l'ex-libris manuscrit "Chalendar", une vieille famille de la noblesse du Vivarais. In-4, [192 x 137 mm] de (22) ff. [Signatures : [a-b]6 c10] Maroquin rouge, dos à nerfs muet orné de petits fleurons dorés encadrés de doubles filets dorés, encadrement d'un triple filet doré sur les plats, filet doré sur les coupes, roulette dorée intérieure, tranches dorées. (Reliure ancienne.) - - - - - - - - - - - - - - - - - - - - INCUNABLE IN FRENCH VERSE, UNKNOWN TO BIBLIOGRAPHERS. The printing can be dated according to the preamble, which states that these predictions were newly made in Lyon on 15 February 1491 (i.e. 15 February 1492, taking into account the calendar reform). Analysis of the typographical material allows us to attribute this edition to Jean Du Pré, who printed several popular booklets in Lyon between 1491 and 1495, all anonymous and without a printer's name. Jean-Pierre Seguin drew up an inventory of 62 pieces of the actuality booklets printed between 1488 and 1495. Our text does not appear in this inventory and no version is recorded in the bibliographies of incunabula. This is the only known copy -.

Encuadernación de tapa dura. Condition: Muy bien. Folio (28,7 x 20 cm.) 6 h. inc. port. grabada en madera, CCVII fol., al vuelto del último el colofón, 1 h. bl., 6 h. sin num. Numerosos grabados en madera dentro del texto. Plena piel del XVII, doble hilo dorado en planos, lomo con nervios, hierros dorados, y tejuelo. Primera edición ilustrada de las obras de Horacio, editada por Jacob Lochner. La ilustración, con ciento sesenta y ocho tacos xilográficos a lo largo del texto, muestra personajes y escenas de la Roma clásica; son especialmente curiosos los bloques que también fueron empleados en la edición de 1497 de la Stultifera navis de Brant. Impresión a tres columnas, con el texto al centro y la glosa con los comentarios de Nicolaus Perottus a ambos lados. Incluye las Sátiras, los Épodos, las Odas y las Epístolas. Anotación manuscrita del XVII al pie de portada: "Exlibris de Galli, Catalogo mscriptis" Pequeño injerto al pie del margen interno de la última hoja de preliminares, sin afectar texto. Cerco de humedad en el margen inferior de las últimas hojas, desde el fol. CXCVIII hasta el final. LL8 (blanca) presente. Ejemplar algo corto de margen superior. Fairfax Murray, German, 205; Goff H-461; Hain 8898; Polain, 1989; Proctor, 485.

Encuadernación de tapa dura. Condition: Muy bien. Folio (29,2 x 19,8 cm.) clxviii fol. (i.e. clxix) , 1 h. sin num. de registro. Capitulares miniadas en rojo, azul, verde y amarillo, alguna marginalia puntual. Título en primera hoja enmarcado por orla miniada con motivos vegetales. Pequeño dibujo del siglo XIX iluminado al final del texto, en recto de clxviii. El texto de Cicerón al centro, con los comentarios alrededor: De Officiis comentados por Petri Marsi, De Amicitia por Omnibonus Leonicenus, De Senectute por Martinus Phileticus. Encuadernación del siglo XX en pergamino rígido, sobre tabla, con título gofrado y decoración en relieve. Procedencia: 1. Jacobus Maximilianus, conde de Collalto y San Salvatore, y conde del Sacro Imperio Romano Germánico, ex libris grabado en 1771 por T. Viero en primera hoja de respeto. 2. Nelly Vaccatezza de Vaccarezza, ex libris grabado por Claudio Bonacini, también en primera hoja de respeto. HC, 5275; Goff, C-607; BMC, V, 495; Pell, 3758; GW 6962.

. 20 cm. [8], CLVII fol. (sign. a8, a-t8-v4). Texto con apostillas marginales. Marca de impresor en portada, capitulares. Enc. en pergamino, cierres. * Rara primera edición de In tertium sententiarum de Jaques Almain (1480-1515). Alumno del teólogo John Major, fue un destacado profesor de teología en la Universidad de París, de la que fue rector en 1507. Cultivó una gran variedad de géneros en el ámbito del saber académico, aunque sus primeras obras estaban dedicadas a la lógica y la física de Aristóteles. Además de la teología, Almain escribió también sobre política, en concreto acerca del poder papal a partir de la discusión de las opiniones de Guillermo de Ockham. Máximo exponente del conciliarismo, el autor hace una clara distinción entre el poder absoluto y el poder ordenado de Dios. De moral aristotélica, su pensamiento político sugería la necesidad de orden pero dejaba margen para frenar las ambiciones de cualquier gobernante cuya conducta pusiera en peligro la supervivencia de la comunidad. Almain dejó en sus Opuscula (obra póstuma editada en París en 1518) una clara crítica al tratado de Cajetan sobre el papado, pues sostenía que la Iglesia y el Estado son de naturaleza paralela, ambos capaces de actuar contra un líder errante, ya fuera el Papa o el rey. La edición que presentamos fue a cargo de Nicolas Maillard. Biblioteca Nacional de Francia FRBNF 30012484. Books published in France before 1601 in Latin and Languages other than French (ed. Andrew Pettegree y Malcolm Walsby), 52691. B. Moreau, Inventaire chronologique des éditions parisiennes du XVIe siècle, II, 1247.

Taschenbuch. Condition: Neu. Jahrbuch für Buch- und Bibliotheksgeschichte 1 2016 | Uwe Jochum (u. a.) | Taschenbuch | Jahrbuch für Buch- und Bibliotheksgeschichte, 1 | 192 S. | Deutsch | 2016 | Universitätsverlag Winter GmbH | EAN 9783825367008 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Deutsch | Produktart: Bücher | Mit der Entstehung von Schrift vor rund 5000 Jahren kam es auch zur Herausbildung von Institutionen, die sich der Pflege und Bewahrung des Schriftguts widmeten. Faßt man die materiellen Gestalten der Schriftmedien unter dem Namen »Buch« und die Ausprägungen ihrer Tradierungsinstitutionen unter dem Namen »Bibliothek« zusammen, kommt eine seit 5000 Jahren währende Symbiose von Buch und Bibliothek in den Blick, deren Relevanz für die Kulturgeschichte gar nicht überschätzt werden kann. Das ¿Jahrbuch für Buch- und Bibliotheksgeschichte¿ möchte dieser Symbiose in ihren historischen Spielräumen nachgehen, eine Brücke zwischen (bibliothekarischer) Praxis und (kulturwissenschaftlicher) Medientheorie und -geschichte schlagen und einen Dialog zwischen allen an buch- und bibliothekshistorischen Fragen Interessierten ermöglichen. Die Herausgeber setzen darauf, daß sich wieder ein Bewußtsein dafür entwickeln kann, wie sehr jedes geborgene historische Faktum nicht nur unseren Blick auf die Geschichte selbst verändert, sondern wie gut auch die bibliothekarische Praxis in ihren mannigfachen Alltagsbezügen beraten wäre, ihre Wurzeln und die Relevanz von fünf Jahrtausenden Tradition nicht zu vergessen.

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Deutsch | Produktart: Bücher | Mit der Entstehung von Schrift vor rund 5000 Jahren kam es auch zur Herausbildung von Institutionen, die sich der Pflege und Bewahrung des Schriftguts widmeten. Faßt man die materiellen Gestalten der Schriftmedien unter dem Namen »Buch« und die Ausprägungen ihrer Tradierungsinstitutionen unter dem Namen »Bibliothek« zusammen, kommt eine seit 5000 Jahren währende Symbiose von Buch und Bibliothek in den Blick, deren Relevanz für die Kulturgeschichte gar nicht überschätzt werden kann. Das ¿Jahrbuch für Buch- und Bibliotheksgeschichte¿ möchte dieser Symbiose in ihren historischen Spielräumen nachgehen, eine Brücke zwischen (bibliothekarischer) Praxis und (kulturwissenschaftlicher) Medientheorie und -geschichte schlagen und einen Dialog zwischen allen an buch- und bibliothekshistorischen Fragen Interessierten ermöglichen. Die Herausgeber setzen darauf, daß sich wieder ein Bewußtsein dafür entwickeln kann, wie sehr jedes geborgene historische Faktum nicht nur unseren Blick auf die Geschichte selbst verändert, sondern wie gut auch die bibliothekarische Praxis in ihren mannigfachen Alltagsbezügen beraten wäre, ihre Wurzeln und die Relevanz von fünf Jahrtausenden Tradition nicht zu vergessen.

Paris, Payot, 1925. In-quarto (245 X 194 mm) demi-basane aubergine à coins, dos à nerfs, titre doré, couverture conservée (Reliure de l'époque) ; (56) ff. dont 2 blancs. Couverture conservée, brunie, avec rousseurs au second plat. Quelques rousseurs dans le corps d'ouvrage, plus marquées en lisière d'un feuillet. Ex-libris collé en contreplat. RÉIMPRESSION en fac-similé sur papier vergé d'alfa de l'édition incunable du PLUS VIEIL ALMANACH FRANÇAIS, publié en 1480 à Troyes par Nicolas LE ROUGE. Il a été transcrit en 1925 par Bertrand GUÉGAN. Nombreuses reproductions de GRAVURES SUR BOIS dans le texte. Les 12 mois de l'année sont illustrés de scènes de la vie et des travaux des paysans à la campagne, avec en médaillon leurs auspices astrologiques. Le calendrier est accompagné d'aphorismes et de descriptions poétiques en quatrains, latins et français : moralités, bestiaires, scènes infernales, dits des morts, recettes de cuisine et remèdes de sages et bonnes femmes. (Grand-Carteret, n°2, pour l'édition de 1600 - Caillet, 4699). De la BIBLIOTHÈQUE DE «J.J.M.S. de MARLIAVE » avec son ex-libris héraldique en couleurs. AGRÉABLE EXEMPLAIRE relié à l'époque. PLEASANT COPY. PICTURES AND MORE DETAILS ON REQUEST.

**X-Ray Incunabula, 25 January 1896 ** The article, "Professor Rontgen's Wonderful Discovery" appears as a short paragraph in the Scientific American of 25 January 1896 (vol 84 no. 4 pp 49-64 with the Rontgen on pg 50) issue. The short article is one of the earliest appearances in the USA of Rontgen's remarkable/epochal discovery of the x-ray. Rontgen's original article appeared 28 December 1895 in Wurzberg and it was remarkable for the time that news of the discovery made it into print so very quickly in the USA. It seems that the first announcement no matter how truncated appeared in print in the New York "Sun" newspaper on 7 January 1896. The first scientific appraisal and explanation of the discovery came slightly late in an article by Edwin B. Frost in the journal "Science". This quote is from 25 January 1896 (when few details were yet available): "Professor Rontgen's Wonderful Discovery." "There have been received from Europe by cable very insufficient accounts of a discovery attributed to Professor Rontgen, of Wurzburg University. By the use of a radiant state of matter tube, a Crookes tube, it is stated that he has succeeded in obtaining photographic effects through opaque objects. It has long been known that ether waves of long period would pass through matter opaque to short waves, and that such a screen as is afforded by a plate of blackened rock salt will sift out short waves, while long waves pass through it. In some unexplained way Professor Rontgen, it is claimed, has succeeded in affecting the sensitive plate with waves which had passed through an opaque body. Metals cutting off all rays alike would produce a shadow, so that a metallic object in a box or embedded in the human system could be made to give some kind of an image. The operations are said to have been conducted without a lens, entirely by shadow.".

(2), 575, (3) p., 17,5 cm. Rel.plein veau d'époque (trace de cote au dos, ticket du libraire J.T. Brousseau (XIXe) au contre-plat, ex-dono ancien et cachet discret sur garde, petite trace de colle à la garde arr.).

With Fine Early Manuscript Notes.* Folio Leaf 28 x 20.5 cms printed in Gothic types. Recto & verso printed with double columns of 52 lines, with headlines in the text, and with running page headline. In fine condition. Printed leaf with many neat marginal notes in ink in a very fine early manuscript hand. Husner was a goldsmith who became a leading Strasbourg printer active during the period 1479 - 1505. He 'struck a new note in providing roman capitals for a text in round gothic'. See Clair : European Printing; and see Chrismann : Lay Culture. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.

Folio Leaf 29.5 x 20.5 cms printed in Gothic types. Recto & verso printed with double columns of 53 lines, with headlines in the text, and with running page headline. In fine condition. Husner was a goldsmith who became a leading Strasbourg printer active during the period 1479 - 1505. He 'struck a new note in providing roman capitals for a text in round gothic'. See Clair : European Printing; and see Chrismann : Lay Culture. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.

Condition: Very Good. [Lyons [Lyon]]: [Jean Du Pre], [1491]. Disbound. Incunable leaf [DIIII]; apparent variant (earlier?) state with pagination from LoC copy missing on ours. Folio (32x23.4cm). Majority-of-page genealogical woodcut on recto with brief column of text along left; rubricated initials in red and blue with 46 lines of text plus headlines in one column and 25x8cm woodcut on verso. Trimmed at fore-edge with loss of outer border but no loss of text; a bit of bleed to recto from verso rubrication; faint paperclip impression at top edge. Recto illustrates the lineage of the Kings of France from Louis VIII to Louis IX and then to his queen, Margaret of Provence, with notable figures listed to left and various saints to the right. Verso concerns the German throne dispute (1198-1215) after the death of Holy Roman Emperor Henry VI kicked off a conflict between the House of Hohenstaufen and the House of Welf over succession, which led to the double election of Philip, the Duke of Swabia, and Otto of Brunswick. After Philip's murder in an unrelated feud, Otto became the unrivalled Otto IV and earned the brief support of Pope Innocent III, who would excommunicate him a year later. Otto fought to hold power until a defeat at Bouvines in 1214 cost him the last of his supporters and forced retreat, allowing Frederick II to secure the throne. Alongside the illustration of Phillip & Otto's long chain down to Frederick is the chain of papal succession from Honorius III to Gregory IX to Celestine IV to Innocent IV to Alexander IV, itself with a gap after the seventeen-day papacy of the uncrowned Celestine IV led to an 18 month vacancy before the conclave finally elected Innocent IV. Middle French adaptation of Usuard's Rudimentum novitiorum, with an added history of the kings of France. Goff R347; Bod-Inc R-144; Oates 3207.

22,5 : 15,5 cm. One leaf with one woodcut. Leaf 223 shows the Terenz editor Calliopius in front of a polygonal building. The woodcut was also attributed to the master of the Lübeck bible.' - Hain/Copinger 15424; Goff T-91; GW M45397.

No Binding. Condition: Good. Filature de M[essieu]rs. Zimmermann Frères & Bäumlin, à Issenheim. [Mühlhausen, Godefroy Engelmann] 1823. Plate xxiv. Incunable of lithography. The cotton mill owned by Zimmermann Frères & Bäumlin at Issenheim; lavish vegetation and a meadow with two cows and a cowherd in the foreground.