Jackson Robert Bob (19 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Lyle Slaton (illustrator). Light edge wear, clean copy.

Paperback. Condition: Very Good. SIGNED AND GIFT INSCRIPTION BY AUTHOR. Mylar protective cover. Unmarked and unblemished throughout text. Veteran Southern Baptist father and son ministry recounting. Inscribed by Author(s).

Magazine. 132p., including covers, illustrated with drawings and photos, very good digest-size magazine in pictorial wraps.

Newspaper. 28p., folded tabloid underground newspaper, illustrated with b&w photos, local ads, sex ads, articles, news, columns, evenly toned, address label on front wrap, else very good on newsprint. Cover stories on Seale and a death threat editor Max Scherr received while in hospital for a heart attack (Jane was editor pro-tem for this issue) over an article about a confrontation between David Hilliard & Stew Albert. Part 3 of Ogar's piece "Inside the Stroke Trade" on the burgeoning porn industry. Ogar review of The Magic Theatre production of "Botticelli" & "Witness" by Terence McNally. And a center-spread article by Selkirk on Soledad Prison.

Newspaper. 28p., folded tabloid underground newspaper, illustrated with b&w photos, local ads, sex ads, articles, news, columns, very good on newsprint. Cover stories on Seale and a death threat editor Max Scherr received while in hospital for a heart attack (Jane was editor pro-tem for this issue) over an article about a confrontation between David Hilliard & Stew Albert. Part 3 of Ogar's piece "Inside the Stroke Trade" on the burgeoning porn industry. Ogar review of The Magic Theatre production of "Botticelli" & "Witness" by Terence McNally. And a center-spread article by Selkirk on Soledad Prison.

Magazine. [40p] including covers, 8.5x11 inches, photos, ads, listings, reviews, features, lightly worn and toned else good pastebound newsprint entertainment magazine. The Eighth of March Anti-Vice Squad Committee marches for the abolition of the Vice Squad. Defund the Police? Where have I heard that later? Also a half-page, three column review of "Journey to the Center of Uranus" by The Cockettes!

Soft cover. Condition: Very Good. 1st edition. VG. 4to, 118pp, printed wrappers. The entirety of this thick issue is devoted to work by and about Charles Bernstein. Library stamp and associated writing to front cover (no internal markings), a bit of general wear. Not Signed.

SingleIssueMagazine. Condition: Very Good. Vol. 2, No. 10. Edited by John McCloud. Cover art is uncredited. Includes "Hit and Run" (novel) by Richard Deming; "The Hero" (novelette) by Floyd Mahannah; "The Red Tears" (novelette) by Jonathan Craig; "A Bachelor in the Making" by Charles Jackson; "Pretty Boy" by Hal Ellson; "Diary of a Devout Man" by Max Franklin; "Two Little Hands" by Fletcher Flora; "A Life for a Life" by Robert Turner; "The Housemother Cometh" by Hayden Howard; "To a Wax Doll" by Arnold Marmor; "Twilight" by Hal Harwood; "For a Friend" by Bob McKnight; "Judgment" by G. H. Williams; "Manslaughter" by Henry Ewald; "No half Cure" by Robert E. Murray; "Opportunity" by Russell E. Bruce. Features: "What's Your Verdict?" by Sam Ross; "Crime Cavalcade" by Vincent H. gaddis; "Portrait of a Killer" by Dan Sontup; "Mugged and Printed". Illustrated by Houlihan, James Sentz, Dick Shelton, Dick Francis, Sussman, and others. Crasing; tanning; minor pulls to front. Book.

114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

Soft cover. Condition: Fine. 1st edition. Near Fine. 8vo, 36pp (self-cover). Nice copy of the eighth issue of this seminal seventies magazine of experimental writing. Minor wear. Not Signed.

Soft cover. Condition: Very Good. 1st edition. VG+. 8vo, 28pp (self-cover). The sixth issue of this seminal seventies magazine of experimental writing. Includes a section of responses to work by Gertrude Stein. Unmarked copy, light toning and edge spotting. Not Signed.

69 pp.; 27.5 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; October/November 1978 issue of the periodical "Journal." Edited by Debra S. Burchett and Bridget Reak-Johnson. Contents include: "Re the Production of Work in the Age of Mechanical Art," by Jim Pomeroy; "A Proposal," by Kristine Stiles; "Fetish to Physics," by Melinda Wortz; "History / Art," by Christopher Knight; "Paragraphs," by Sanda Agalidi; "Notes for "Progress, Not Adventure," " by Al Ruppersberg; "Isolated Imagery: Joe Goode," by Michele De Angeles; "A Conversation with Vija Celmins," by Susan Larsen; "Chandlerism," by Alexis Smith; "Untitled," by Elyn Zimmerman; "The Hydrogen Jukebox: Terror, Narcissism and Art," by Peter Schjeldahl; "Music," by Pauline Oliveros, Bob White; "Painting," by Richard Armstrong, Howard Singerman; "Photography," by Irene Borger, Robert MacDonald, James Hugunin; "Ephemera," by Ulisses Carrion; "Scoops," by Debra S. Burchett; "Sculpture," by Debra S. Burchett, Linda Rosengarten; "Video," by Frederick Dolan, John Sturgeon and "Performance," by Michael Auping, Bridget Reak-Johnson. Cover: Richard Jackson. Good / Very Good. 4 mm. yellow staining to recto. 12.1 cm area of yellow staining to verso. 8 mm. tear to top edge of spine. Additional light edge wear. Contents clean and unmarked.

[1] pp.; 78.2 x 17.7 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Sixth Annual New York Festival of the Avant Garde which took the form of a parade down Central Park West in New York City on September 14, 1968, from 7pm to 10pm. Organized by Charlotte Moorman. Artists include Ay-o, Jacque Bekaert, Robert Breer, Robert Burridge, Luis Camnitzer, Philip Corner, Douglas Davis, Ken Dewey, John Giorno, Don Heckman, Al Hansen, Dick Hogle, Takehiko Iimura, Joe Jones, Allan Kaprow, Robin Kenyatta, Kenneth Knowlton, Gilles Larrain, Les Levine, Jackson Mac Low, Max V. Mathews, Tom Molholm, Preston McClanahan, Jim McWilliams, Max Neuhaus, Peter Neumann, Michael Noll, Ralph Ortiz, John Pierce, Dick Preston, Ely Ramen, Steve Rettew, Jean Claude Risset, Carolee Schneemann, Willoughby Sharp, Bob Schuller, Ed Summerlin, Jean Toche, John Van Saun, Joyce Wieland, Kenneth Werner, Emmett Williams and Jud Yalkut. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. Light bumping of corners. Two small thumb tack holes to poster: one near the center of the upper edge and one near center of the bottom edge.

[3] pp.; 73 x 18.3 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman and Carolee Schneemann. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. 2.4 cm. dog-ear to bottom right corner of recto with bumping, light bumping of bottom left corner, and 1.2 cm. dog-ear to upper right corner with 7.7 cm. area of bumping. Multiple light fingerprint marks on verso.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Fair. Folded in eight. Extensive handling wear with overall creasing and crinkling of the page. 6 mm. dog-ear to upper right corner and 12.7 cm. dog-ear to upper left corner. 2 cm. rip at bottom edge of sheet along fold.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Good. Folded in eight with light edge-wear, a 6 mm. ink mark on recto and 2 cm. area of light yellow soiling.

[1] pp.; 58.2 x 27.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman, and Carolee Schneemann. Designed by George Maciunas. Good. Folded in sixteen with wear along fold lines and light soiling on verso along fold lines. 1.6 cm. dog-ear to bottom right corner and bumping of bottom left corner and edge. Light bumping of upper left corner of recto and 6 cm. area of light soiling to verso.

Condition: Very good. (ed.) Pierre Joris and William Prescott, Sixpack 1-9 (complete set in seven volumes), 1972-1975. Issue no. 1, 1972. 58pp. A4 mimeo, side-stapled in card covers. Includes texts by Charles Bukowski, Paul Celan (translated by Pierre Joris), Allen Ginsberg, Jeff Nuttall et al. Condition: covers somewhat worn, internally fine. Issue no. 2, 1972. 54pp. A4 offset, side-stapled in card covers. Texts by William S. Burroughs, Paul Blackburn, Bill Butler, Allen Fisher, Jack Kerouac, Eric Mottram, Jeff Nuttall et al. Collages by Claude Pelieu. Condition: covers slightly soiled, staples rusty, internally near fine. Issue no. 3/4, 1973. 98pp A4 offset, perfect-bound in wraps. Texts by Peter Finch, Allen Fisher, John Giorno, Bill Griffiths, Robert Kelly, Eric Mottram, Jeff Nuttall et al. Condition: wraps rubbed and some glue-staining to edges of first and last pages. Issue no. 5, 1973. Edited by Bill Sherman. 54pp. offset, centre-stapled. Texts by Asa Benveniste, Eric Mottram, John Weiners et al. Issue no. 6, 1973/74. 134pp. offset, perfect-bound in wraps. Texts by Ted Berrigan, William S. Burroughs, Bob Cobbing, Allen Fisher, Allen Ginsberg, John Giorno, Robert Kelly, Jackson Mac Low, Eric Mottram, Alice Notley, Tom Pickard, Jerome Rothenberg et al. Condition: page 16 loose, otherwise very good. Issue no. 7/8, 1974. 260pp. offset, perfect-bound in wraps. Special issue on Paul Blackburn, featuring his poems and translations as well as other contributions from David Antin, Allen Fisher, Allen Ginsberg, Lee Harwood, Robert Kelly, Jackson Mac Low, Eric Mottram, Jerome Rothenberg, Carolee Schneemann, Armand Schwerner, Anne Waldman, Jonathan Williams et al. Condition: pages 105-128 loose, otherwise very good. Issue no. 9, 1975. 192pp. offset, perfect-bound in wraps. Texts by David Antin, Antonin Artaud, Edward Dorn, Allen Fisher, Robert Kelly, Jackson Mac Low, Charles Olsen, Armand Schwerner, Jonathan Williams et al. Condition: Very good. Condition: some aging and foxing to the paper of the covers. Overall: Very good.

No Binding. Condition: Near Fine. 1st Edition. 1988. Flyer, double-sided. 8 1/2 × 14". Near fine. Two rubber stamps, one "TRACE ROBERT WATTS" and the other "DO NOT CONFUSE THIS WITH THE IMPRINT OF A RUBBER STAMP" which is a Bill Gaglione piece. Participants include: Eric Andersen, David Behrman, George Brecht, Robert Delford Brown, Greg Calvert & Juliet Mondot, Buster Cleveland, Peter Cohen, Philip Corner, Bob Daily, Letty Eisenhauer, Robert Filliou, Peter Frank, Ken Friedman, William Gaglione, John Geldersma, Daniel Goode, Coco Gordon, Al Hansen, William Hellerman, Geoff Hendricks, Dick Higgins, Alice Hutchins, Joe Jones, Allan Kaprow, Milan Knizak, Alison Knowles, Pamela Kraft, Jackson Mac Low & Anne Tardos, George Maciunas, Larry Miller, Barbara Moore, Peter Moore, Francois Morelli, Charles Morrow, Haig Oundjian, Rafael Montanez Ortiz, Ben Patterson, Chas. Phillips, Ely Raman, Peter Van Riper, Takako Saito, Paul Ryan, Diane Siprelle, Laurie Steelnik, Allan Tannenbaum, Yasunao Tone, Ben Vautier, Yoshi Wada, John Wilkes, Emmett Williams, and Helen Wong. " FluxLux was a set of written instructions by Watts for his Last Event, a ceremony that he directed Larry Miller and Sara Seagull to execute with Fluxus friends. They, together with Ben Patterson, Joe Jones, Alison Knowles, Dick Higgins, Philip Corner, Yoshi Wada, Rafael Ortiz, myself, and others realized the event. George Brecht, Eric Andersen, Milan Kní ák and Ben Vautier sent scores or texts. A phone call from Al Hansen in Cologne was amplified over the PA system. Francesco Conz came from Italy and Michael Berger from Germany. Many of Bob s former students and my graduate students were all actively engaged in the organization and performance of the various activities and events. It began with Bob s iconic piece 2 Inches on the porch roof, and then helium filled balloons stamped with TRACE BOB WATTS were pushed out of the window of the room where Bob died to float up into the blue sky and join Bob s spirit. It was a fantastically beautiful day. The day was filled with food, music, performance, conversation and fellowship among a great gathering of friends. There was an auction to raise funds for a Robert Watts Scholarship for the Rutgers MFA graduate program that Bob had helped to start. Phil Corner was auctioneer. Joe Jones, Larry Miller and Ben Patterson collaborated to adapt a remote controlled battery-powered boat with a paddle wheel dispenser to spread some of Bob s ashes into the pond. It took some coaxing from them for it to achieve its mission. There was a 21-gun salute with a variety of funny guns and some real ones fired by members of the local gun club. Ben Patterson as Flux Admiral fired the final shot, a rocket from the canon of his USS Robert Watts that he had built and which capsized when launched. As events at the pond drew to a close, a small plane, at Eric Andersen s request, circled overhead with a banner saying "MOON." The pilot waved. We waved back. The day ended with a score sent by Allan Kaprow, What s Watts Watts, where we added up the wattage of all the lights in Bob s house, turning them on as we counted, with Larry Miller announcing the totals, and leaving the house ablaze as we departed into the fading evening light." - Geoff Hendricks, From Job Interview to FluxLux, a 32 year friendship with Bob Watts.