Jacques Berthet (48 results)

Soft cover. Condition: Near Fine+. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Hans Danuser; Gitty Darugar; Barbara Davatz; Silvie Defraoui; Hugues de Wurstemberger; Rineke Dijkstra; Herbert Distel; Nicolas Faure; Thomas Flechtner; Allen Frame; Robert Frank; Mike R. Frei; Katrin Freisager; Seiichi Furuya; Andre Gelpke; etc. (illustrator).…

Condition: New.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: NUOVO. Les presses du réel éditions cm.25x30, pp.96, ills colour & bw hardcover. French/English. Reportage photographique au cur d'une Genève barricadée et déserte en prévision du contre-sommet du G8 en 2003. L'ouvrage déploie une mise en scène sur l'abandon de l'espace urbain, d'où fleurissent d'étonnantes constructions de défense. Serge Margel. Publisher Centre De La Fotografie Geneve.…

Soft cover. Condition: Near Fine+. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 8vo. Hans Danuser; Gitty Darugar; Barbara Davatz; Silvie Defraoui; Hugues de Wurstemberger; Rineke Dijkstra; Herbert Distel; Nicolas Faure; Thomas Flechtner; Allen Frame; Robert Frank; Mike R. Frei; Katrin Freisager; Seiichi Furuya; Andre Gelpke; etc. (illustrator). Book.…

Paperback. Condition: New. Back-lit in the morning, the olive tree differs greatly in appearance from in the afternoon or at sunset, each time offering new perspectives as well as new photographic collections. Jacques Berthet has long been interested in the olive tree. The idea of studying them came to him during a photography project which took Berthet all around the Mediterranean: from the Alentejo region in Portugal to the Pleistos Valley at Delphi, passing through Kabylia, Tunisia, to the Middle East, in Israel and the West Bank. In his photography, Berthet opts for black and white to distance himself from botany and move closer towards sculpture or drawing, opting for backlighting to single out the chosen tree against the backdrop of the olive grove which remains bathed in light.The olive tree has remained a significant influence in the everyday life of cultures around the Mediterranean. In ancient poetry and writing, it is the most venerated of trees. The Greeks made it a sacred tree (particularly for its oil, used in lamps), and so have the people of Tunisia and Algeria in more recent times. In Islamic cultures, it is the cosmic tree, the centre and the pillar of the world, symbolising universal man. What sets the olive tree apart from many other species is that no two trees look alike, and its fate is closely linked with that of man.Text in English and French.…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: new. Paperback. Back-lit in the morning, the olive tree differs greatly in appearance from in the afternoon or at sunset, each time offering new perspectives as well as new photographic collections. Jacques Berthet has long been interested in the olive tree. The idea of studying them came to him during a photography project which took Berthet all around the Mediterranean: from the Alentejo region in Portugal to the Pleistos Valley at Delphi, passing through Kabylia, Tunisia, to the Middle East, in Israel and the West Bank. In his photography, Berthet opts for black and white to distance himself from botany and move closer towards sculpture or drawing, opting for backlighting to single out the chosen tree against the backdrop of the olive grove which remains bathed in light.The olive tree has remained a significant influence in the everyday life of cultures around the Mediterranean. In ancient poetry and writing, it is the most venerated of trees. The Greeks made it a sacred tree (particularly for its oil, used in lamps), and so have the people of Tunisia and Algeria in more recent times. In Islamic cultures, it is the cosmic tree, the centre and the pillar of the world, symbolising universal man. What sets the olive tree apart from many other species is that no two trees look alike, and its fate is closely linked with that of man.Text in English and French. With his black and white photographs of olive trees, Jacques Berthet distances himself from botany and moves closer towards sculpture or drawing. Text in English and French. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: new.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 151 pages. 11.25x11.25x1.00 inches. In Stock.

Condition: very good. Broché bon état . Contenu propre . 112 pages . 2004. La charte de l'environnement. PHOTOS SUR DEMANDE.

Taschenbuch. Condition: Neu. Neuware - The Swiss photographer discovers a sculptural side to the olive trees that grow throughout the MediterraneanSwiss photographer Jacques Berthet (born 1949) has long been interested in the olive tree for its botanical beauty and symbolic significance in a variety of cultures both ancient and modern. However, Berthet has remarked that he did not truly discover the real aesthetic possibilities of the olive tree until he visited Spain and decided to embark on a photography project documenting olive groves across the Mediterranean: from the Alentejo region in Portugal to the Pleistos Valley at Delphi, passing through Kabylia, Tunisia, to the Middle East, in Israel and the West Bank. The olive plants in Berthet's series appear not as horticultural specimens but as sculptures crafted by farmers in collaboration with nature. In each photograph, Berthet frames a single tree against the backdrop of the greater grove in which it is situated, creating an illustrative effect through the backlighting and black-and-white treatment.…

Hazan, 2011, cartonnage éditeur sous jaquette, environ 29x30cm, bon état.

Couverture souple. Condition: bon. R100073872: 1994. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 127 pages. . . . Classification Dewey : 372.65-Livre scolaire : langues.

Condition: Used: Good. Livre qui serait en très bel état si un choc de 3 cm n'avait pas enfoncé le bord de la couverture arrière et de la jaquette.

Broschiert. Condition: Sehr gut. 109 S. mit zahlr. Abb. Einband gering berieben. - Text franz., dt. u. engl. - SIMONE KAPPELER -- JACQUES BERTHET -- HANS DANUSER -- BERNARD VOITA -- THOMAS FLECHTNER -- ANNELIES STRBA -- MICAELA GARZONI. - The Booby-Trapped Complacency: Seven Swiss Photographers - Collier Sohorr - Investigations of No Man's Land - Aspects of Contemporary Swiss Photography - Peter Pfrunder - Im Auge des Betrachters - David Streiff/Carin Kuoni - Selbstgenügsamkeit in der Falle: Sieben Schweizer Photographen - Collier Schorr - Erkundungen im Niemandsland - Aspekte zeitgenössischer Schweizer Photographie - Peter Pfrunder - Regards - David Streiff/Carin Kuoni - La complaisance piegee par sept photographes suisses - Collier Schorr - Explorations en terre inconnue - Aspects de Ia photographie suisse contemporaine - Peter Pfrunder. ISBN 3907044053 Sprache: Deutsch Gewicht in Gramm: 1550. …

Paperback. Condition: new. Paperback. Back-lit in the morning, the olive tree differs greatly in appearance from in the afternoon or at sunset, each time offering new perspectives as well as new photographic collections. Jacques Berthet has long been interested in the olive tree. The idea of studying them came to him during a photography project which took Berthet all around the Mediterranean: from the Alentejo region in Portugal to the Pleistos Valley at Delphi, passing through Kabylia, Tunisia, to the Middle East, in Israel and the West Bank. In his photography, Berthet opts for black and white to distance himself from botany and move closer towards sculpture or drawing, opting for backlighting to single out the chosen tree against the backdrop of the olive grove which remains bathed in light.The olive tree has remained a significant influence in the everyday life of cultures around the Mediterranean. In ancient poetry and writing, it is the most venerated of trees. The Greeks made it a sacred tree (particularly for its oil, used in lamps), and so have the people of Tunisia and Algeria in more recent times. In Islamic cultures, it is the cosmic tree, the centre and the pillar of the world, symbolising universal man. What sets the olive tree apart from many other species is that no two trees look alike, and its fate is closely linked with that of man.Text in English and French. With his black and white photographs of olive trees, Jacques Berthet distances himself from botany and moves closer towards sculpture or drawing. Text in English and French. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Couverture rigide. Condition: Neuf.

Paperback. Condition: New. Back-lit in the morning, the olive tree differs greatly in appearance from in the afternoon or at sunset, each time offering new perspectives as well as new photographic collections. Jacques Berthet has long been interested in the olive tree. The idea of studying them came to him during a photography project which took Berthet all around the Mediterranean: from the Alentejo region in Portugal to the Pleistos Valley at Delphi, passing through Kabylia, Tunisia, to the Middle East, in Israel and the West Bank. In his photography, Berthet opts for black and white to distance himself from botany and move closer towards sculpture or drawing, opting for backlighting to single out the chosen tree against the backdrop of the olive grove which remains bathed in light.The olive tree has remained a significant influence in the everyday life of cultures around the Mediterranean. In ancient poetry and writing, it is the most venerated of trees. The Greeks made it a sacred tree (particularly for its oil, used in lamps), and so have the people of Tunisia and Algeria in more recent times. In Islamic cultures, it is the cosmic tree, the centre and the pillar of the world, symbolising universal man. What sets the olive tree apart from many other species is that no two trees look alike, and its fate is closely linked with that of man.Text in English and French.…

Couverture souple. Condition: Bon. Couverture souple à rabats, état d'usage - Intérieur frais - Illustrations photos NB - Catalogue de l'exposition Vestiges à la Fondation Louis Moret Martigny (27 juin au 22 août 1993).

Grandes Largeurs, 1984, 150 p., broché, une pliure sur le premier plat, bon état pour le reste et intérieur bien propre.

Condition: Assez bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Exemplaire légèrement défraîchi. [4161].

Exemplaire légèrement défraîchi. [4160].

"Silvana collection , 2021. 1 volume relié(s) format In-4 comme neuf Édition en Anglais.

2011, album cartonné avec sa jaquette, non paginé avec des photographies en noir et blanc - très bon état.

Condition: very_good.