Janda Gooding (53 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Minor shelf wear to binding, corners bumped. Text and images unmarked. The dust jacket shows some light handling, in a mylar cover.

Fine in Fine dust jacket; Most books shipped within 24 hours. The dust jacket is protected by a Brodart mylar cover. ; Color and b & w Illustrations ; 4to.; 144 pages; 9057040115. First Edition. Binding is Hardcover.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. A nice, bright copy. ; Color Plates; 8vo; 96 pages.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Very Good in a Very Good to Near Fine dust jacket. A few bumps to boards. Else Fine. A lovely, nicely-produced book.

Paperback. Condition: Good. Good paperback with tight binding and clean pages. Bottom corner where the back cover and spine meet has one small tear, about 1/2-inch (1.5 cm) in length. Minor wear to the rest of the edges and corners of covers and spine. Light scratch marks to the covers. Previous owner wrote name on the half title page. ; 8vo 8" - 9" tall; 96 pages.

Soft cover. Condition: Near Fine. 1st Edition. Full page colopur plates, nice condition, no inscr.

Paperback. Condition: new. Paperback. Seven leading botanical artists come together to share stories of 'place' - how we inhabit it and how it inhabits us.Seven leading botanical artists - Philippa Nikulinsky, pat Dundas, Rica Erickson (d.2009), Ellen Hickman, Penny Leech, Margaret Pieroni and Katrina Syme - are brought together for the first time in this beautifully illustrated book. Author Janda Gooding shares the stories behind each artist's illustrations and reveals a rich and diverse record of Western Australia's unique flora, fauna and fungi. Seven leading botanical artists are brought together for the first time in this beautifully illustrated book. Author Janda Gooding shares the stories behind each artist's illustrations and reveals a rich and diverse record of Western Australia's unique flora, fauna and fungi. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Good. Dust Jacket Condition: DJ. Some wear to dust jacket otherwise very good copy.

Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Some rubbed marks to page margins of text. Book ow/ clean, bright and tight in untorn dustwrapper w/ only minor shelfwear.

Softcover. Condition: VG. Color illus. wraps, French flaps, 96 pp., many color illus. Issued in conjunction with a 2004 exhibition featuring the work of Australian landscape artist Archibald Bertram Webb (1887-1944).

Hardback. 1st Edition. Small Quarto Size [approx 17.5cm x 24cm]. Near Fine condition in a Near Fine Dustjacket - DJ now protected in our purpose-made clear archival plastic sleeve. Gift inscription to front free endpaper. Exquisite Colour illustrations. 96 pages. This lavishly illustrated book presents a selection of artworks spanning 300 years from the earliest scientific depictions of plants from the western shores of New Holland to contemporary botanical artists; each image is accompanied by an informative caption. Exhibition catalogue for the 1991 Exhibition. Robust, professional packaging and tracking provided for all parcels.

Secondhand, Hardback. , . NB: This is a secondhand book in very good condition. See our FAQs for more information.Author: Janda Gooding Format: Hardback Number of Pages: 256 The landing at Gallipoli has long been described as the moment that Australiaproved itself as a nation; and in the years since the ill fated battle, the worldGallipoli has become synonymous with bravery, courage and the Australian spirit. But how is it that we know so much about this famous battle, and how is it thatso many artefacts survive today, telling their story in museums all over Australia? For the main part, it's thanks to famous Australian war correspondent andhistorian Charles Bean. C. E. W. Bean's correspondence from WWI made hima household name amongst Australians. Less known is the role he played theestablishment of Australian War Memorial. Even while working as the officialwar correspondent during the 1915 Gallipoli campaign, he began collectingrecords, artefacts and soldiers' stories, with the aim of someday establishingAustralia's first national war museum. In 1919 Bean had the opportunity to return to Gallipoli to fill in the missingpieces of what happened during the campaign. He brought together a team ofartists to accompany him on what he called the Australian Historical Mission. Their aim was to collect battlefield relics and create new artworks to convey thefull story of the power, trauma and tragedy of that terrible conflict. This book shares the story of the Australian Historical Mission for the first time,tracing the steps from its formation through to their work in Gallipoli and thejourney home again. Interwoven throughout is a thought-provoking explorationof the connections between art, landscape and history, and their lasting impacton the way Australians remember the 1915 ANZAC campaign as well as thebeginnings of the Australian War Museum and the ANZAZ legend itself.The landing at Gallipoli has long been described as the moment that Australiaproved itself as a nation; and in the years since the ill fated battle, the worldGallipoli has become synonymous with bravery, courage and the Australian spirit. But how is it that we know so much about this famous battle, and how is it thatso many artefacts survive today, telling their story in museums all over Australia? For the main part, it's thanks to famous Australian war correspondent andhistorian Charles Bean. C. E. W. Bean's correspondence from WWI made hima household name amongst Australians. Less known is the role he played theestablishment of Australian War Memorial. Even while working as the officialwar correspondent during the 1915 Gallipoli campaign, he began collectingrecords, artefacts and soldiers' stories, with the aim of someday establishingAustralia's first national war museum. In 1919 Bean had the opportunity to return to Gallipoli to fill in the missingpieces of what happened during the campaign. He brought together a team ofartists to accompany him on what he called the Australian Historical Mission. Their aim was to collect battlefield relics and create new artworks to convey thefull story of the power, trauma and tragedy of that terrible conflict. This book shares the story of the Australian Historical Mission for the first time,tracing the steps from its formation through to their work in Gallipoli and thejourney home again. Interwoven throughout is a thought-provoking explorationof the connections between art, landscape and history, and their lasting impacton the way Australians remember the 1915 ANZAC campaign as well as thebeginnings of the Australian War Museum and the ANZAZ legend itself. Secondhand, Hardback.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Book condition is near fine. Soft cover. 1st edition. Dust Jacket clean front and back. Text body clean. Spine intact. No tears in dust jacket. Over-all a great and neat copy. From April to December 1915, Australian and other allied forces fought a shocking, bloody and ultimately failed campaign at Gallipoli. In the wake of the allies' withdrawal, after nine monnth of devastation, there were many unanswered questions about what really happened. Precisely where were the Turkish position? What did the battlefield look like from their perspective? And why had the allies not been able to take the peninsula. This book tells the full story of the Australian Historical Mission for the first time and show how its ground-breaking work help to form the foundation of the Gallipoli story we know today. It explores the connection between on the way Australians remember the ANZAC campaign.

Hardcover. Condition: Good. Dust Jacket Condition: Good to Very Good. First Edition. Jacket has light to moderate general wear and tears. Some foxing to top edge of page-block and minor undulation to upper margin only of page. Otherwise internally clean. Binding tight. 144pp Size: 270mm x 285mm. Book.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. THE FULL STORY OF THE AUSTRALIAN HISTORICAL MISSION TO GALLIPOLI OF 1919. THEIR AIM WAS TO COLLECT BATTLEFIELD RELICSAND TO CREATE NEW WORKS OF ARTAND PHOTOGRAPHS TO CONVEY THE FULL STORY OF THE POWER,TRAUMA AND TRAGEDY OF THAT TERRIBLE CONFLICT. A SPLENDID VOLUME.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 96pp. 25cm. Illustrations throughout, most colour, with captions and comment. Hard cover in dust jacket. Very good copy. (To accompany an exhibition).

Soft cover. Condition: Good. Dust Jacket Condition: No Jacket as Isued. Exhibition Publication. Covers have light general wear plus some sunning to spine. Spine not creased. A small area of eraser rubbing to top corner of half-title page, otherwise internally very clean. 124pp Size: 220mm x 285mm. Book.

Soft cover. Condition: Very Good. First Paper Edition. Minimal wear to covers. Spine not creased. Internally clean. 144pp Size: 260mm x 280mm. Book.

96pp. 4to. Original boards in dustwrapper. Colour plates. A near fine copy. First edition.

HARDCOVER. 1991. First edition. A fine, unmarked copy in a fine d/w.

96pp, colour illustrations, original wrappers with French flaps. A fine copy. First edition. Western Australian artist.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Exhibition Publication. Light wear to jacket. No tears. Minor lean to spine. Internally clean. Binding tight. 96pp Size: 205mm x 260mm. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good Dust Jacket. First Edition. Clean with no highlighting or marks inside. The book is in very good condition. 124 pages with the index. signerd by the author at the titlle page.We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.

Paperback. 1987. First edition. A fine, unmarked copy. Scans available if required.

Softcover. Condition: Fine. AS NEW COPY 120 p. : ill. (chiefly col.) ; 30 cm. #150322 First Edition."Exhibition organised by Art Gallery of Western Australia"Exhibition dates: 19 August-20 October, 1989Wesfarmers -- Art collections -- Exhibitions. | Wesfarmers Collection of Australian Art -- Exhibitions. | Art, Australian -- Exhibitions. | Painting, Australian -- Exhibitions. | Art -- Private collections -- Western Australia -- Perth -- Exhibitions. Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA. (Please note: Over standard weight or size. Orders via ABE Books or Biblio or from Overseas may incur additional postage charges. We will contact you prior to processing order to request your approval or contact us to confirm postage cost.).

Oblong 4to. Or.bds. Dustjacket. 144pp. Profusely illustrated in colour and black & white. Fine. 1st ed. O'Connor was born in New Zealand, brought up in Perth, and established her reputation in Paris. Although she made infrequent visits to Australia, her influence here was considerable, particularly in the 1920's, when she wrote a regular column about Parisian fashion and Society for a WA magazine.

Softcover. Condition: Very Good +. pp. 124 illusts Exhibition Catalogue #0219/260423/070124 Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA.

Paperback. Condition: new. Paperback. Seven leading botanical artists come together to share stories of 'place' - how we inhabit it and how it inhabits us.Seven leading botanical artists - Philippa Nikulinsky, pat Dundas, Rica Erickson (d.2009), Ellen Hickman, Penny Leech, Margaret Pieroni and Katrina Syme - are brought together for the first time in this beautifully illustrated book. Author Janda Gooding shares the stories behind each artist's illustrations and reveals a rich and diverse record of Western Australia's unique flora, fauna and fungi. Seven leading botanical artists are brought together for the first time in this beautifully illustrated book. Author Janda Gooding shares the stories behind each artist's illustrations and reveals a rich and diverse record of Western Australia's unique flora, fauna and fungi. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Large 8vo, 124pp. Original pictorial wrapper, corners slightly upturned. Numerous full colour and b/w reproductions of artworks featured in exhibition (15 January to 26 March 1987) which catalogue was produced to accomany. A near-fine copy. First edition.

Oblong 4to, 116pp, colour illustrations. A very good copy in stiff card wrappers.