Jean Everard (39 results)

Condition: Very Good. paperback 100% of proceeds go to charity! May have signs of use, wear and minor cosmetic defects.

Smits, Everard Jean Francois. Herder's humaniteitsphilosophie. Assen: Van Gorcum, 1939, 128 p. port. 24 cm., PAPERBACK, good stiff paper wraps, light wear, previous owner's name. Thesis (doctoral) - Groningen. In dutch.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Interesting French argument supporting the Third Reich's style of work and open air sports and exercise and of course Hitler. French text, 45pp., ills., vgc, card covers 0.0.

Couverture rigide. Condition: Très bon. Dust Jacket Condition: Bon. Edition originale. Ill. n/b - 529 p. - Jaquette illustré à rabats. Jean Everard de Harzir (illustrator).

Broché. Condition: Satisfaisant. Plaquette agrafée, couverture imprimée sur fond vert ; éditée en 1940 ou 1941; 48pp ; Petit ouvrage dénonçant les pratiques des anglais pendant la guerre par rapport à la France (La meute anglaise contre pétain, attentat contre la flotte française, des bombes anglaises sur les villes françaises.).…

broché. in-8 46 pages illustré de photos, mouillure marge haute, ombres couverture, menus défauts d'usage. Ajustement des frais d'envoi en fonction du poids.

broché. Condition: bel état. in-8 48 pages. Ajustement des frais d'envoi en fonction du poids.

Condition: Good. Ingenaaid, 128pp. Noten, stellingen los bij ingestoken. 16x24x1cm. Lichte gebruikssporen omslag, een paar vlekjes en naam op schutblad en vlekjes op titelpagina, in goede staat.

Plaquette. In-8 (13,6 x 21,3 cm), plaquette dos agrafé, 35 pages, sans date ; dos frotté et fendu en tête et en queue, taches et froissements au quatrième plat, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

Couverture souple. Condition: bon. RO40157904: Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. Plaquette de 47 pages. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945.

Couverture souple. Condition: Satisfaisant. In-8 agrafé 21,4 cm sur 13,4. 45 pages. État correct d'occasion. in-8°.

Couverture souple. Condition: Assez bon. Edition originale. Jean Everard Standard de vie de l'ouvrier allemand. Nouvelles Etudes Françaises, 1935 Format : 21/13. Pages : 45. Edition originale. Les conditions de vie de l'ouvrier allemand sous le 3e Reich. Illustré de photos en noir et blanc. Défraîchi - Couverture fragile. …

Couverture souple. Condition: bon. R240137224: NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 46 pages agrafées - quelques illustrations en noir et blanc hors texte. . . . Classification Dewey : 943-Allemagne, Autriche, Hongrie.

Leather. Condition: Very Good. 1847 Gabriel de Gonet, Editeur. Paris, two volume quarter leather over patterned boards. Decorated end papers, front paste downs show book plates. Numerous color illustrations throughout. Foxing present. Text is in French. Quarter sized scar to spine of volume 2. oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. …

2 vols. in 1. Large 8vo. (276 x 198 mm). pp. (ii), 262; (ii). (i), (i), 263 - 364; iv, 62, (i); iv, 65 - 132. Half-titles with printer's credit verso, elaborate engraved pictorial titles with additional colouring by hand and printed titles to each vol., printed text and 50 engraved plates all with additional colour by hand; the two parts of the supplement 'Botanique et Horticulture des Dames' with introduction by Karr and text by 'le Comte Foelix' with the two additional uncoloured engraved plates are also present. Full contemporary scarlet morocco by Corfmat with his signature to spine, boards with gilt rules to enclose large central stamp with ornate decorative motif composed of flowers, urns, trellises and so on surmounted by a bird eating from an urn, banded spine tooled in gilt and with gilt title in five compartments, turn-ins with elaborate decor, edges ruled in gilt, cream silk moiré doublures and matching endpapers, a.e.g. The first issue of the first edition of Grandville's 'Les Fleurs Animées' in a splendid contemporary binding by Corfmat. 'After 'Un Autre Monde' the fifty-two coloured engravings of 'Les Fleurs Animées' are the chief example of Grandville's efforts to penetrate to the meaning of objects like an 'intellectual miner' . Though the images in the book are of Grandville's time, his manner of proceeding is that of an artist of the modern movement, exploring the same subject through a sequence of slight but significant variations . A little world is created, governed by its own laws . full of significance for Grandville and hence . the reader . '. (Gordon Ray). The first issue of 'Les Fleurs Animées' is indicated by continuous pagination throughout the two volumes and is characterised too by the vivid colouring by hand of the illustrations. The present copy is bound by Corfmat (his signature is stamped to the spine), a contemporary of Grandville's active between 1825 and 1860 who produced a number of bindings for the Queen of France, Marie-Amélie, wife of Louis-Philippe, and others of the House of Orléans. A pencil note to the initial blank suggests that on the basis of Corfmat's work for Queen Marie-Amélie this copy may be that of the Queen herself although there is no other evidence for the assertion. [SR / BF 93 / 94 / 95; Ray 198; Rebeyrat 287; Carteret 286; see Sophie Malavieille's 'Reliures et Cartonnages d'Editeur en France au XIXe Siècle'].…

Large 8vo. (266 x 200 mm). pp. (ii), (i), (i), 295, (i). Half-title in red with pseudo-privilège verso (also in red), leaf with frontispiece verso, printed title in red and printed text illustrated with 36 hors-texte wood-engraved plates all with additional colouring by hand and 146 wood-engravings in the text, final two leaves with 'Table', 'Explication' and 'Errata' verso. Original publisher's midnight blue percaline with elaborate polychromatic decoration, front board with large central pictorial vignette reproducing the frontispiece with additional colour in red, white, green and blue (signed Liebherre), beneath an additional title vignette heightened in blue, gilt pictorial vignette to rear board, titles and elaborate gilt decoration heightened with colour to spine, additional decoration in blind, yellow glazed endpapers, a.e.g. An excellent copy of Grandville's finest book and magnum opus, an extraordinary imaginative tour de force in the original publisher's polychromatic binding. 'Un nouveau monde est né; que Grandville soit loué.' (Max Ernst). Grandville's most remarkable book, an expansive flight of inspirational fantasy, and a remarkable precursor. It is clear that the influence of this work extends onward in the nineteenth and well into the twentieth centuries and beyond. A remarkable work of sui generis imaginative verve, Grandville produced the illustration which was then 'illustrated' with a commissioned text. The tale of three demi-gods, 'Dr. Puff', 'Dr. Krackq', and 'Dr. Hahblle', their created worlds and travels. The work, a descendant of the works of Swift and Goya, inspired, in passing, Lewis Carroll ('La Battaille des Cartes'), Max Ernst, the Surrealists in general as well as later caricaturists such as Steadman and Scarfe. 'In this remarkable book, of the boldest possible originality, Grandville dared to reveal his dream to the public.' (Ray). The full title - which gives a good indication of the enormously broad scope of the work - reads as follows: 'Un Autre Monde: Transformations, visions, incarnations, ascensions, locomotions, explorations, pérégrinations, excursions, stations, cosmogonies, fantasmagories, rêveries, folâtreries, facéties, lubies, métamorphoses, zoomorphoses, lithomorphoses, métempsycoses, apothéoses et autre choses.' [Ray 196; SR / BF 76 / 77; Carteret III, 285; Rebeyrat 287].…

2 vols. 8vo. (268 x 182 mm). pp. (ii), 260, (i); (ii), (i), (i), 102; (i), (iv), (iv), 105 - 234, (i). Half-titles with printer's credit verso, elaborate engraved pictorial titles with additional colouring by hand and printed titles to each vol., printed text and 50 engraved plates all with additional colour by hand; the two parts of the supplement 'Botanique et Horticulture des Dames' with introduction by Karr and text by 'le Comte Foelix' with the two additional uncoloured engraved plates are also present. Original publisher's midnight blue percaline with elaborate polychromatic decoration and decoration in blind, front boards with elaborate gilt decorative borders to surround large central vignettes with design 'Le Lin' (page 237) after Grandville, rear board with stylised vignette with anthropomorphic flower with snail and caterpillar, smooth spine with elaborate gilt tooling, yellow glazed endpapers, a.e.g. Grandville's 'Les Fleurs Animées', a very good copy in the second publisher's cartonnage. The second issue with separate pagination for each volume. 'After 'Un Autre Monde' the fifty-two coloured engravings of 'Les Fleurs Animées' are the chief example of Grandville's efforts to penetrate to the meaning of objects like an 'intellectual miner' . Though the images in the book are of Grandville's time, his manner of proceeding is that of an artist of the modern movement, exploring the same subject through a sequence of slight but significant variations . A little world is created, governed by its own laws . full of significance for Grandville and hence . the reader . '. (Gordon Ray). 'Les cartonnages et surtout les reliures de l'editeur . sont à rechercher.' (Carteret). [SR / BF 93 / 94 / 95; Ray 198; Rebeyrat 287; Carteret 286].…

2 vols. 8vo. (274 x 188 mm). pp. (ii), 262; (ii). (i), (i), 263 - 364; iv, 62, (i); iv, 65 - 132. Half-titles with printer's credit verso, elaborate engraved pictorial titles with additional colouring by hand and printed titles to each vol., printed text and 50 engraved plates all with additional colour by hand; the two parts of the supplement 'Botanique et Horticulture des Dames' with introduction by Karr and text by 'le Comte Foelix' with the two additional uncoloured engraved plates are also present. Original publisher's navy blue percaline with elaborate gilt decorative floral and foliate tool to front board by Peau after by Grandville, smaller vignette within foliate frame and tooling in blind to rear board, smooth spine with gilt titles and elaborate tooling to match, cream glazed endpapers, a.e.g. Grandville's 'Les Fleurs Animées', an excellent copy in the first publisher's cartonnage. The first issue with continuous pagination for the two volumes. 'After 'Un Autre Monde' the fifty-two coloured engravings of 'Les Fleurs Animées' are the chief example of Grandville's efforts to penetrate to the meaning of objects like an 'intellectual miner' . Though the images in the book are of Grandville's time, his manner of proceeding is that of an artist of the modern movement, exploring the same subject through a sequence of slight but significant variations . A little world is created, governed by its own laws . full of significance for Grandville and hence . the reader . '. (Gordon Ray). 'Les cartonnages et surtout les reliures de l'editeur . sont à rechercher.' (Carteret). [SR / BF 93 / 94 / 95; Ray 198; Rebeyrat 287; Carteret 286].…

Poster. (448 x 277 mm). Single sheet of unwatermarked cream wove paper with printed text and hand-coloured illustration recto only, traces of folds, printer's credit at lower right. The original publicity poster with a hand-coloured vignette for Grandville's 'Les Fleurs Animées'. A very good example of this very scarce poster announcing the forthcoming publication of Grandville's remarkable anthropomorphic series 'Les Fleurs Animées'. As with many of Grandville's illustrated books, 'Les Fleurs Animées' was published as a serial with each 'livraison' available for 50 centimes 'coloriée'. The vignette for the poster (within a frame 130 x 110 mm) corresponds to Grandville's 'Tulipe', the hand-coloured illustration for 'La Sultane Tulipia' in volume I of the book; for the poster, the earlier version, the vignette, also coloured by hand, is smaller and reversed to the book version, but with subtle differences to the later version. The poster illustration is credited in the image to Grandville and to 'PORRET. BLANADET.' (who did also the pictorial title for volume 1) while the book version is credited to Grandville and to Charles Geoffroy. The poster, printed in Paris by Imprimerie Lacour et Cie. in rue St-Hyacinthe-St-Michel, who also printed the livraisons, provides all detail: 'UN BEAU VOLUME / grand in-8º. / PUBLIÉ PAR / LIVRAISONS COLORIÉES / à 30 centimes. / L'OUVRAGE COMPLET / formera 60 à 70 livraisons / IL PARAIT / UNE OU DEUX LIVRAISONS PAR SEMAINE.' The poster itself is announced in the Bibliographie de la France ou Journal Général de l'Imprimerie et de la Librairie &c.' for 1846 as: 'Les Fleurs animées, par J. J. Grandville, affiche: dessin destiné à être affiché dans l'intérieur des établissements de librairie pour annoncer la publication d'un ouvrage ayant le même titre.' Antoine-Auguste Renouard's collection of 'affiches de libraire' featured a poster for 'Les Fleurs Animées' but we have been unable to ascertain whether it was this poster. Another poster for 'Les Fleurs Animées' was certainly issued, likely at a later date as it announces '100 livraisons' each priced '25 centimes'.…

Large 8vo. (272 x 212 mm). pp. (ii), (i), (i), 295, (i). Half-title in red with pseudo-privilège verso (also in red), leaf with frontispiece verso, printed title in red and printed text illustrated with 36 hors-texte wood-engraved plates all with additional colouring by hand and 146 wood-engravings in the text, final two leaves with 'Table', 'Explication' and 'Errata' verso. Original publisher's green morocco-backed green percaline, the front board with large central pictorial vignette reproducing the frontispiece beneath the pictorial title vignette, rear board with gilt vignette from 'Petites Misères de la Vie Humaine', banded green morocco spine with elaborate gilt tooling and titles in five compartments, marbled endpapers, green silk placemarker, t.e.g. [PROVENANCE: With the contemporary printed bookplate in red and black of 'L[ouis]. C[harles]. A[dolphe]. Chicora' (1806 - 1883) with the text 'Conseiller au conseil des mines' to front pastedown]. Grandville's finest book and magnum opus, an extraordinary imaginative tour de force in a highly unusual variant of the publisher's binding. 'Un nouveau monde est né; que Grandville soit loué.' (Max Ernst). Grandville's most remarkable book, an expansive flight of inspirational fantasy, and a remarkable precursor. It is clear that the influence of this work extends onward in the nineteenth and well into the twentieth centuries and beyond. A remarkable work of sui generis imaginative verve, Grandville produced the illustration which was then 'illustrated' with a commissioned text. The tale of three demi-gods, 'Dr. Puff', 'Dr. Krackq', and 'Dr. Hahblle', their created worlds and travels. The work, a descendant of the works of Swift and Goya, inspired, in passing, Lewis Carroll ('La Battaille des Cartes'), Max Ernst, the Surrealists in general as well as later caricaturists such as Steadman and Scarfe. The binding for the present copy, not cited by Carteret is likely unique. As for the very few other known copies in variant bindings, the front board reproduces the frontispiece showing 'la Charge et la Fantaisie passant de l'ancien monde à l'autre' (signed by Liebherre) beneath another tool with the title on a cloth or scarf held by a female figure in water flanked by a mermaid on a cushion and a swimming woman partially eclipsing a sun. The rear board, most usually blank or displaying the same stamp, here features another, taken from the 'Petites Misères de la Vie Humaine'. 'In this remarkable book, of the boldest possible originality, Grandville dared to reveal his dream to the public.' (Ray). The full title - which gives a good indication of the enormously broad scope of the work - reads as follows: 'Un Autre Monde: Transformations, visions, incarnations, ascensions, locomotions, explorations, pérégrinations, excursions, stations, cosmogonies, fantasmagories, rêveries, folâtreries, facéties, lubies, métamorphoses, zoomorphoses, lithomorphoses, métempsycoses, apothéoses et autre choses.' [Ray 196; SR / BF 76 / 77; Carteret III, 285; Rebeyrat 287].…

Large 8vo. (268 x 178 mm). pp. (iv), xxviii, 283. Half-title with printer's credit verso, printed title with monochrome vignette by Grandville, 13 leaves with biographical notice, leaf with 'Oeuvres de Grandville' and 70 engraved plates by Grandville each with additional colouring by hand, final two leaves with 'Table'. Original publisher's midnight blue percaline with elaborate polychromatic decoration, front board with title 'MÉTAMORPHOSES' and credit 'Par J. J. Grandville', large gilt stamp reproducing plate XXXVI 'Ma femme est sortie, ma petite chatte . ' with additional colour, rear board with plate XXIV 'Oh! le monstre d'homme . ', spine with elaborate gilt decoration and titles, elaborate tooling in blind to boards and spine, yellow glazed endpapers, a.e.g. The posthumous first edition in book form with accompanying text of Grandville's 'Les Métamorphoses du Jour' in the original publisher's binding. Sixty-seven of these plates - three are added from other series by Grandville - originally appeared in album form in 1829 and this version, published 17 years after Grandville's death, is both the first edition in octavo and the first to be accompanied with text. The plates were engraved on wood by Desperet (for the first, oblong folio edition, the plates were lithographs with additional colouring by hand) and then 'illustrated' with a satirical text inspired by Grandville's plate by one of a number of authors. The pantheon of 'illustrators' were: Albéric Second, Louis Lurine, Clément Caraguel, Taxile Delord, H. de Beaulieu, Louis Huart, Charles Monselet and Julien Lemer; Charles Blanc's biographical notice is accompanied by a bibliography of Grandville's illustrated books. ''Les Métamorphoses du Jour' ont été l'idée mère de toutes les créations humano-bestiales, dont on a tant abusé depuis, et resteront incontestablement comme le chef-d'oeuvre de Grandville . Nous a offrons au public une oeuvre qui entre pour la première fois dans le domaine de la librairie, une oeuvre inconnue de la génération nouvelle . '. (From the original prospectus for hte work). [Carteret III, 284 / 285; Rebeyrat 288; SR / BF 104].…

2 vols. Large 8vo. (270 x 194 mm). pp. (iv), 386, (i), (vi); 390, (vi). Each vol. with half-title, title and frontispiece and a total of 199 hors-texte monochrome plates as well as numerous monochrome vignettes, all engraved by Brevière after Grandville. Original publisher's maroon morocco, boards ruled in blind with matching gilt vignettes to front and rear boards and spines, titles gilt to spines, cream moiré endpapers, two original part wrappers retained, a.e.g. The first edition of Grandville's anthropomorphic masterpiece in the deluxe publisher's binding. This exceptional copy, bound in full maroon morocco, features all of the plates in the first issue (as per Carteret) and the first issue of the binding incorporating the special tools after Grandville's designs but without the additional decorative tools to the corners of the central panels of the front boards. The legend 'Badigeonographie générale des murailles de la France et de l'étranger' to the frontispiece, later removed by the censor, is present and four of the original yellow paper part wrappers (the two volumes were issued in 100 parts) are retained. Grandville's inspirational illustrations were engraved on wood by Brévière, coted by Ray as 'the one craftsman whose renderings of his work Grandville refused to criticize'. The twenty-nine tales by various authors of the Scènes de la Vie Privée et Publique des Animaux are accompanied by J. J. Grandville's wonderful anthropomorphic illustrations. The tales themselves are by the foremost authors of the day, with four by Honoré de Balzac (Peines de Coeur d'une Chatte Anglaise, Guide-Ane à l'Usage des Animaux qui Veulent Parvenir aux Honneurs, Voyage d'un Lion d'Afrique à Paris and Les Amours de Deux Bêtes), as well as tales by George Sand (Voyage d'un Moineau à Paris), Paul Bernard (Les Animaux Médecins), Charles Nodier, Jules Janin, Paul de Musset and so on. The majority of the stories and text is by P.-J. Stahl, who wrote the Preface to the first volume. In contrast to all of the other plates, the final plate in volume two depicts human figures - the authors themselves - as animals in the Jardin-des-Plantes in Paris, regarded by spectating animals, while being sketched by Grandville himself. 'Through Grandville's animals, Hetzel and his colleagues [the authors] offered a witty and telling commentary on contemporary politics and personalities. Bouchot described the result as the best satire on French manners during the middle of the century . Returning to the 'têtes-de-bêtes' of 'Les métamorphoses du jour', Grandville provided 323 illustrations, about two-thirds of which are full-page plates . '. (Ray). 'Il a été exécuté pour les SCÈNES DES ANIMAUX des reliures et cartonnages artistiques qui sont parmi les plus beaux dans ce genre.' (Carteret). [Ray 194; SR / BF 63 / 64 / 65; Carteret III, 552 - 559; Rebeyrat 289 / 190].…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1870 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 23 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 23.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1871 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 19 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 19.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1846 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 67 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 67.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1867 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 151 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 151.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1873 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 91 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 91.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1865 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 103 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 103.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1864 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 79 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 79.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1836 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 107 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 107.…