Jesse Lerner (87 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Good. clean softcover text has several pen and pencil underlines solid binding very light cover wear. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. Second printing. Very good in publisher's wraps showing some light handling. 8vo. 255pp.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: New.

Condition: New. Brand New.

Hardback. Condition: Good. Beyond 1619 brings an Atlantic and hemispheric perspective to the year 1619 as a marker of American slavery's origins and the beginnings of the Black experience in what would become the United States by situating the roots of racial slavery in a broader, comparative context. In recent years, an extensive public dialogue regarding the long shadow of racism in the United States has pushed Americans to confront the insidious history of race-based slavery and its aftermath, with 1619?the year that the first recorded enslaved persons of African descent arrived in British North America?taking center stage as its starting point. Yet this dialogue has inadvertently narrowed our understanding of slavery, race, and their repercussions to the U.S. context. Beyond 1619 showcases the fruitful results when scholars examine and put into conversation multiple empires, regions, peoples, and cultures to get a more complete view of the rise of racial slavery in the Americas. Painting racial slavery's emergence on a hemispheric canvas, and in one compact volume, provides historical context beyond the 1619 moment for discussions of slavery, racism, antiracism, freedom, and lasting inequalities. In the process, this volume shines new light on these critical topics andillustrates the centrality of racial slavery, and contests over its rise, in nearly every corner of the early modern Atlantic World. Contributors: John N. Blanton, Jesse Cromwell, Erika Denise Edwards, Rebecca Anne Goetz, Rana Hogarth, Chloe L. Ireton, Marc H. Lerner, Paul J. Polgar, Brett Rushforth, Casey Schmitt, Jenny Shaw, James Sidbury.…

Hardback. Condition: Good. Beyond 1619 brings an Atlantic and hemispheric perspective to the year 1619 as a marker of American slavery's origins and the beginnings of the Black experience in what would become the United States by situating the roots of racial slavery in a broader, comparative context. In recent years, an extensive public dialogue regarding the long shadow of racism in the United States has pushed Americans to confront the insidious history of race-based slavery and its aftermath, with 1619?the year that the first recorded enslaved persons of African descent arrived in British North America?taking center stage as its starting point. Yet this dialogue has inadvertently narrowed our understanding of slavery, race, and their repercussions to the U.S. context. Beyond 1619 showcases the fruitful results when scholars examine and put into conversation multiple empires, regions, peoples, and cultures to get a more complete view of the rise of racial slavery in the Americas. Painting racial slavery's emergence on a hemispheric canvas, and in one compact volume, provides historical context beyond the 1619 moment for discussions of slavery, racism, antiracism, freedom, and lasting inequalities. In the process, this volume shines new light on these critical topics andillustrates the centrality of racial slavery, and contests over its rise, in nearly every corner of the early modern Atlantic World. Contributors: John N. Blanton, Jesse Cromwell, Erika Denise Edwards, Rebecca Anne Goetz, Rana Hogarth, Chloe L. Ireton, Marc H. Lerner, Paul J. Polgar, Brett Rushforth, Casey Schmitt, Jenny Shaw, James Sidbury.…

paperback. Condition: Very Good. Softcover in overall very good condition. Cover is clean and glossy, with mild signs of wear along outer edges. On page 2, the word "Thesis" is written in pen. Pages 2 through 17 have some highlighted sentences and passages. Otherwise, the pages are clean and crisp with no marks, tears, or stains. 255 pages. Printed in B&W. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs.…

paperback. Condition: Very Good. Clean, unmarked text. Crisp pictures. Paerback with light cover curl at the corners.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Fake documentaries mimic documentary genre expectations, unraveling the documentary's authority and dismantling understandings of identity, history, and nation. The interdisciplinary essays in F Is for Phony discuss a broad scope of works and explore issues raised by "fake docs" such as the fiction/documentary divide, the ethics of reality-based manipulation, and whether documentariness derives from form or reception. Defining the borderline between fact and fiction, the contributors reveal what fake documentaries imply and usually make explicit: that many documentaries lie to tell the truth, and that the truth is relative. Contributors: Steve Anderson, Catherine L. Benamou, Mitchell W. Block, Luis Buñuel, Marlon Fuentes, Craig Hight, Charlie Keil, Alisa Lebow, Eve Oishi, Robert F. Reid-Pharr, Gregorio C. Rocha, Jane Roscoe, Catherine Russell, Elisabeth Subrin. Alexandra Juhasz is professor of media studies at Pitzer College. She is author of Women of Vision: Histories in Feminist Film and Video (Minnesota, 2001). Jesse Lerner is associate professor of media studies at Pitzer College.…

hardcover. Condition: Very Good.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condition: As New. Unread book in perfect condition.

Hardcover/Pappeinband. Condition: Sehr gut. 244 p. Very good. Shrink wrapped. / Sehr guter Zustand. In Folie verschweißt. Sprache: Englisch Gewicht in Gramm: 742.

Soft cover. Condition: As New. (Wrappers and Text are clean, neat and tight. Book.

Hardcover. Condition: new. Hardcover. With text in both English and Spanish Drawing upon the reach of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of the Walt Disney Company within Latin America. Examined through artworks spanning painting, photography, graphic work, drawing, sculpture, and video, as well as folk art, handcrafts and other vernacular objects, the book considers Disney's engagement within Latin America, that extends from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright The Day of the Dead. The reach and influence of Disney is also viewed through a series of commissioned essays, with themes including "Disney, Marx and Labor" and "he Politics of Appropriations". How to Read El Pato Pascual also features a reprint of How to Read Donald Duck, the essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as being vehicles for American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Carlos Amorales and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others. 180 Illustrations Investigating the reception and reuse of the imagery of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America, extending from Donald Duck's first featured role, to the 2013 attempt to copyright the Day of the Dead. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 1st edition. 244 pages. 9.75x6.75x0.50 inches. In Stock.

Condition: As New. The Early Modern Americas. vi, 242 pp. Hardcover with pictorial boards. Unread, as new. New list price: $55.00.

Condition: New. In English.

Hardback. Condition: New. Investigating the reception and reuse of the imagery of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America. Examined through artworks including painting, photography, graphic work, drawing, sculpture and video, as well as vernacular objects and documentary material, the book considers Disney's engagement within Latin America, extending from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright the Day of the Dead. The reach and influence of Disney is also examined in a series of commissioned essays drawing on cultural studies,historical research and postcolonial theory. How to Read El Pato Pascual also features a reprint of How to Read Donald Duck (Chile, 1971), an essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics through a Marxist lens as vehicles of American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Nadin Ospina, Enrique Chagoya, and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others. …

Condition: New.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

paperback. Condition: Very Good. Covers have some minor wear.