Kendrick Mel (26 results)

Soft cover. Condition: Very Good.

Softcover exhibition catalog, 48 pages, as new condition, clean and crisp; no internal marks.

Softcover, staple-bound, 24 pages, very good condition, except small creases to spine edge; no internal marks.

Softcover, staple-bound, 20 pages, good condition, parallel 4-inch and 1-inch crease to all pages at upper right corner' paper clip impression to top edge of cover; no internal marks.

First edition Fine and bright oversize glossy wraps with crisp bright text throughout. Profusely illustrated.

Color And B/w Illustrations (illustrator). Softcover quarterly journal, 92 pages, very good condition, no internal marks, clean and crisp.

No Binding. Condition: As New. This is an exhition announcement for Mel Kendrick's show titled "jacks"; text about exhibition on back; size: 8 x 8in; edition size is unknown, it is not signed; printed on cardboard; in EXCELLENT COND.

First Edition. First edition. Softcover. 16 pages. Exhibition catalog for a group show that ran January 13 through February 24, 1982. Essay by Phyllis Tuckham. Includes three black and white illustrations by each James Biederman, Don Gummer, and Mel Kendrick and lists of awards, previous exhibitions, bibliography and a checklist. A fine copy in stapled wrappers.

Hardcover. Condition: Brand New. 114 pages. 11.25x9.25x0.75 inches. In Stock.

5 vol. : vol.1: [4] pp. (brochure) ; vol. 2: [unpaginated] (envelope); vol. 3: [1] pp. (order form) ; vol 4: [unpaginated] (return envelope) ; vol. 5: [1] pp. (preview party invitation); 5 vol. : vol.1: 20.3 x 15.2 cm. (brochure) ; vol. 2: 20.8 x 16 cm. (envelope); vol. 3: 14 x 10.6 cm. (order form) ; vol 4: 11.5 x 15.8 cm. (return envelope) ; vol. 5: 10.6 x 14 cm. (preview party invitation); printed envelope; duotone; edition size unknown; unsigned and unnumbered; offset-printed Invitation to benefit exhibition "35 Artists Return to Artists Space," held at Artists Space, New York, December 4 - 24, 1981, and a preview party held December 3, 1981. Includes brochure, printed mailing envelope, preview party invitation card, ticket order form card, and return envelope. Artists include Auste, James Biederman, Jonathan Borofsky, Gary Bower, Troy Brauntuch, Farrell Brickhouse, Gary Burnley, Scott Burton, Cynthia Carlson, Charles Clough, R.M. Fischer, Hermine Ford, Don Gummer, Jack Goldstein, Mel Kendrick, Lois Lane, Tom Lawson, Robert Longo, Allan McCollum, Ree Morton, Matt Mullican, Judy Pfaff, Richard Prince, Judy Rifka, Walter Robinson, David Salle, Thomas Lanigan Schmidt, Barbara Schwartz, Cindy Sherman, Laurie Simmons, Charles Simonds, Jenny Snider, Donald Sultan, Anthony Thompson, and John Torreano. Invitation designed by Tara Collins. Very Good / Fine. Unmailed copy. Light yellowing of main envelope with light bumping of corners. Clean and unmarked.

Paperback. Condition: Very Good +. dance ink, Fall 1993 focused on the world of dance and the arts. This issue had pieces by Dale Harris, Wendell Ricketts, Marco Jefferson, Tobi Tobias, K.C. Bailey, Mindy Aloff, William Harris and Nadia Feder including a series of woodblock prints by Mel Kendrick. 48 pages, paper with stiff cover, High production values. 11 3/4" x 9". Slight wear to the cover otherwise vvery good + condition.

80 pp.; 22.9 x 15.2 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 31 - June 30, 1984. Organized by Linda Cathcart. Text by Linda Shearer, Susan Wyatt, and Linda Cathcart. Artists include Ericka Beckman, Gretchen Bender, Dara Birnbaum, Eric Bogosian, Jonathan Borofsky, Troy Brauntuch, Michael Brewster, Gary Burnley, Scott Burton, Michael Byron, Cynthia Carlson, James Casebere, Louisa Chase, Charles Clough, Arch Connelly, Marcia Dalby, Carroll Dunham, Nancy Dwyer, William Fares, R.M. Fischer, Hermine Ford, Stephen Frailey, Bobby G., Jack Goldstein, Don Gummer, David Haxton, Biff Henrich, Jenny Holzer, Rebecca Howland, Mel Kendrick, Jon Kessler, Jeff Koons, Barbara Kruger, Thomas Lanigan-Schmidt, Thomas Lawson, John Lees, Sherrie Levine, Robert Longo, Ree Morton, Matt Mullican, Nic Nicosia, Kevin Noble, Tom Otterness, Ken Pelka, Judy Pfaff, Ellen Phelan, Adrian Piper, James Pomeroy, Richard Prince, Walter Robinson, Tim Rollins, Ellen Rumm, Christy Rupp, David Salle, Cindy Sherman, Laurie Simmons, Charles Simonds, Michael Smith, Philip Smith, Ted Stamm, Donald Sultan, John Torreano, Roger Welch, Yunque, and Michael Zwack. Very Good / Fine. Light dusting to covers. Contents clean and unmarked.

Dust Jacket Condition: dj. First Edition. First edition. Hardcover. 192 pages. Retrospective monograph on sculptor Mel Kendrick published in conjunction an exhibition at the with Addison American Art. Features a foreword and esssay by Allison N. Kemmerer and additional texts by Nancy Princepal, Terrie Sultan, Adam Weinberg, and a conversation between Kendrick and Carroll Dunham. Includes numerous illustrations. A fine copy in a fine dust jacket and still in the publisher's shrinkwrap.

Erste Auflage / First edition. 23 x 17 cm. 16 unpaginierte S. OKarton. Sehr gutes Exemplar. Text in Englisch / Text English. Enthält 5 Werkabbildungen, davon 2 in Farbe.

Condition: Good. 4to. 21 pp. Very Good+. Soft Cover. Illustrated stiff paper wraps. Staple binding. Color plates throughout. Extremely Scarce.

First Edition. First Edition. Published in conjunction with an exhibition held at Madison Square Park between September 17 and December 31, 2009. From the collection of noted curator Brenda Richardson, with a flyer for the exhibition, as well as an autograph note signed from artist Mel Kendrick to Richardson laid in. One of the most distinguished art curators and historians of the twentieth century, Brenda Richardson began her career at the University Art Museum in Berkeley (1964-1975), and went on to become the chief curator at the Baltimore Museum Art between 1975 and 1998. An unapologetic champion of contemporary art, she curated well over 70 major exhibitions for the BMA, the high spots being notable stagings for Frank Stella, Brice Marden, Barnett Newman, and Bruce Nauman. She also curated the 1985 exhibition of the Cone Collection, the BMA's prized centerpiece, which contains over 3000 works, including 600 pieces by Matisse, as well as work by Picasso, Cezanne, Gauguin, and others. She has authored and contributed to dozens of books on contemporary art, and John Waters, one of the most significant thinkers in the world of contemporary art, considers Richardson to be his mentor. Near Fine in card wrappers with no dust jacket as issued. Slight waviness to bottom of back wrapper.

[1] pp.; 15.8 x 10.1 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided postcard published in conduction with exhibition and film presentations held on December 7 - 9, 1976. Included works by Alice Aycock, Peter Berg, William Childress, C. Kreeger Davidson, Kochi Doktori, Jacob El Hanani, Mel Kendrick, Sean Scully, Robin Winters, Jacki Ochs, Diego Cortez, Betsy Sussler, Colen Fitzgibbon, Paula Longendyke, and Bill Brand. Very Good. Mailed copy, clean and unmarked.

First Edition. First edition thus. Hardcover. Number 230 from an edition of 300 copies that were designed and produced under the direction of Andrew Hoyem and printed on German mouldmade paper. Originally published in 1920 this is a new edition of Williams' writings from an entire year. Features a new introduction by Lawrence Kart. Includes 21 printed by Mel Kendrick. A near fine copy with wood veneer covered boards with a leather spine with a couple of small spots to the bottom edge of the pages. No dust jacket as issued. Signed by Kendrick on the colophon page. A very attractive edition. Signed.

hardcover. Condition: fine. Mel Kendrick (illustrator). Limited. Introduction by Lawrence Kart. Illustrated with 21 monochrome prints by Mel Kendrick. Slim 4to, publisher's black leather-backed cloth boards with wood veneer overlay, cut in the manner of Kendrick's prints; title in red on the spine. San Francisco: Arion Press, 1998. Fine. Limited edition -- number 1654 of 300 copies signed by the artist.

Hardcover. Condition: Very Good. 21 Prints by Mel Kendrick, 10.25 x 10.25", leather backed wood veneer boards, 62pp, a very nice, clean, fresh copy. LIMITED TO 300 NUMBERED COPIES (this is copy #114), SIGNED BY THE ARTIST, MEL KENDRICK.

4to. Illustrated with 21 monochrome prints by Mel Kendrick. Original publisher's leather backed black cloth boards with wood veneer overlay cut in the manner of Kendrick's prints; title in red to spine. The Arion Press edition of William Carlos Williams's 'Kora in Hell.' From the edition limited to 300 copies, each signed by the artist in pencil.

Hardcover. Condition: New. Kendrick, Mel (illustrator). 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help. Signed.

Hardcover. Condition: New. Kendrick,Mel (illustrator). 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Coupling" which was limited an edition of 20 copies (plus 5 artist's proofs and 5 publisher's proofs) and is accompanied by a copy of the book. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. "Coupling", the long woodblock print as originally conceived by Kendrick in the scroll format, measures 99 1/2 by 27 1/2 inches, and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City, using black ink on Kozo natural, a Japanese paper. The print is in a tube covered in oak veneer inked in black, with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. Condition: New. Kendrick,Mel (illustrator). 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Helmet" which was limited an edition of 20 copies (plus 5 artist's proofs and 5 publisher's proofs) and is accompanied by a copy of the book. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. "Helmet", the long woodblock print as originally conceived by Kendrick in the scroll format, measures 92 1/4 by 19 1/2 inches, and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City, using black ink on Kozo natural, a Japanese paper. The print is in a tube covered in oak veneer inked in black, with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. Condition: New. Kendrick,Mel (illustrator). 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Sperm" which was limited an edition of 20 copies (plus 5 artist's proofs and 5 publisher's proofs) and is accompanied by a copy of the book. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. "Sperm", the long woodblock print as originally conceived by Kendrick in the scroll format, measures 91 1/2 by 20 inches, and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City, using black ink on Kozo natural, a Japanese paper. The print is in a tube covered in oak veneer inked in black, with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Soft cover. Condition: Very Good. 1st Edition. New York: Florida State University, 1982. Softcover. 119 pages. English. Very good. Edge wear. Text by Albert Stewart. Scarce early Jean-Michel Basquiat group show exhibition catalog. In 1980, he had no exhibitions. In 1981, he had one group show and two solo exhibitions. In 1982, he had eleven group exhibitions and eight solo exhibitions. In 1983, he was in the Whitney Biennial, etc. Also features Richard Prince, Cindy Sherman, Robert Longo, Laurie Simmons, David Deutsch, Eric Fischl, Barbara Kasten, Mel Kendrick, Ed McGowin, Joel-Peter Witkin, etc.