Kooning William (25 results)

Paper. Condition: Good. Dust Jacket Condition: Good. William De Kooning (illustrator). 143 no pp paper ex cat 3 pp Directors fwd 35 4/C ills 1 2/C 1 3 pp gate fold in 4/C lists 36 wks 8pp Bib 1 pp list of lenders.

Paperback. Condition: Very good. Paperback. Light edgewear, else very good in publisher's stapled wraps.

Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. 76 pages. Exhibition catalog for a show that ran May 3 through June 30, 1996. Features text by Andrew Forge, David Sylvester, and William Tucker. Includes photographs by Adam Bartos. A near fine copy in cloth boards with some slight bumping to the bottom right corners and in a near fine dust jacket with the same slight bumping.

[48] pp.; 26 x 23.5 cm.; sewn bound; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 19, 1989 - March 11, 1990. Curated and with text by Kerry Brougher. Artists include Francis Bacon, John Baldessari, William Baziotes, Alexander Calder, Willem de Kooning, Richard Diebenkorn, Mark di Suvero, Jean Dubuffet, Tim Ebner, Eric Fischl, Sam Francis, Alberto Giacometti, Hans Hofmann, Jenny Holzer, Neil Jenney, Wassily Kandinsky, Ellsworth Kelly, Anselm Kiefer, Franz Kline, Jannis Kounellis, Fernand Léger, Roy Lichtenstein, Morris Lewis, Henry Moore, Elizabeth Murray, Claes Oldenburg, Pablo Picasso, Jackson Pollock, Robert Rauschenberg, Gerhard Richter, Susan Rothenberg, Edward Ruscha, Joel Shapiro, Alexis Smith, David Smith, Frank Stella, Andy Warhol, Boyd Webb, Terry Winters, and Tom Wudl. Includes a collector's statement and exhibition checklist. Very Good. Dust soiling, yellowing, and light handling wear to dust-jacket. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Condition: Very Good. 1st edition. VG. 8vo, 160pp, printed wrappers. Contains Learning from the Beatles, a 21-page essay by Richard Poirier in the aftermath of the release of Sgt. Pepper's Lonely Hearts Club Band. Unmarked copy, surface wear to cover, typical toning of paper stock. Not Signed.

hardcover. Condition: near fine. William de Kooning (illustrator). First. Illustrated in color. 79 pages. Slim square 4to, blue cloth (a bit dusty, else fine). New York: L&M Arts, (2010). Near fine Published on the occasion of the exhibition.

Soft cover. Condition: Very good. No jacket. Great condition. Jacket spine is sunned but legibility is not affected. Inside is clean and unmarked.

softcover. Condition: New. no jacket. Jasper Johns; William de Kooning; Roy Lichtenstein; Jackson Pollock; Robert Rauschenberg; Andy Warhol (illustrator). Museum of Modern Art, 2014. Set of 6 slim paperback volumes in slipcase. Unread copy. New & Sealed.

Couverture souple. Condition: Très bon. Dust Jacket Condition: Assez bon. in-4, 36pp, illustrated color and bw, text in Spanish.

Condition: Good. Folio. 58 pp. Cream cloth-covered boards with black lettering. Near Fine. Color plates. Some fold-outs. Catalog created for exhibit at Mnuchin Gallery in New York from November 2, 2016 through December 22, 2016. Heavy volume, extra shipping may apply.

First edition. 11.5 x 10.5 inches. 135 pages. Profusely illustrated in color and black-and-white. Original cloth; pictorial dust jacket. Published on the occasion of the exhibition held at Gagosian Gallery in 2004. Generaly a clean copy, with some very light wear to jacket edges.

4to. Pp: [i], 231. First Edition First Printing. Publisher's colour-illustrated dust jacket with black lettering. Publisher's black boards lettered in silver at front and spine. Colour illustrations throughout. ISBN: 9780300060119 Very good plus in very good plus dust jacket. Sunning to top edges of boards. Some light toning to page edges. Dust jacket slightly chipped at head of spine.

76 pp.; 30 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Matthew Marks Gallery, May 3 - June 30, 1996. The essay featured in the catalogue, "On the Sculpture," by William Tucker, was oroginally published in Art Journal 48 (Fall 1989): 244. Includes exhibition history and bibliography. Printed in color and black-and-white. New. In publisher's issued shrink wrap.

Hardcover. Condition: Fine. BOX R1 Decent quality book. Wrapped in plastic. Barely opened. not much to say.

hardcover. Condition: Very Good. Hardcover--dust cover shows slight wear--discoloration inside cover--otherwise, excellent condition.

Hardcover. Condition: Very Good. 293pp. Second printing. DJ: Very Good w/ 2 tiny dents on surface & some minute rubbing. The Book: Very Good+++.

First Edition. Softcover. First Edition. Produced in conjunction with an exhibition at the Des Moines Art Center that ran from March 6 to April 22, 1973. Very Good plus in wrappers, with brief scuffing overall and light toning on the front wrapper and spine.

gr.-8°, 25 Bll. mit 24 ganzseitigen Abbildungen, Orig.-Pappband mit Orig.-Umschlag. Erste Ausgabe.- Umschlag etwas angestaubt und gebräunt. Gutes Exemplar.

Stapled Wrappers in Jacket. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. np (28pp), 8 color and 8 b&w illustrations. This is the lovely catalogue published in conjunction with a 1965 Paul Kantor Gallery exhibition of sixteen then-recent figurative works on paper by the famed Abstract Expressionist pioneer Willem De Kooning. It reproduces each of the pieces shown along with a brief essay by noted playwright William Inge. An internally bright, most handsome example of this uncommon item showing some light soiling and sunning to the spine and rear panel of its green dust jacket. Artist Monograph.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Photography: The Coming to Age of Color Max Kozloff On the Invention of Photographic Meaning Allan Sekula De Kooning: Criticism and Art History Lawrence Alloway Richard Pousette-Dart: Toward an Invisible Center Lucy R. Lippard Al Held: Two Views Joseph Masheck and Robert Pincus-Witten.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

64 pp.; 28.8 x 22.9 cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; First issue of six issues published of "It Is: A Magazine for Abstract Art." Director and collator: Sebastian Gallo. Contents include: "Recent Attacks on Abstract Art," by Hubert Crehan; "The Canvas Plane, or Onwards and Upwards," by Michael Goldberg; "Drawing the Figure," by Nicholas Marsicano; "Ambiance and Abstract Sculpture," by E.A. Navaretta; "44 Titles for Artists Under 45," by Ad Reinhardt; "The Literary Style in Art Writings Today," by Ruthven Todd; "A Manifesto-in-Progress," by P.G. Pavia and "Polemics," by P.G. Pavia. Artists include Landis Lewitin, Michael Lakakis, Reubin Nakian, Philip Guston, William de Kooning, Ad Reinholt, Ernie Briggs, Enrico Donati, John Ferren, Robert Goodnough, Raoul Hague, David Hare, Carl Holty, Angelo Ippolito, Franz Kline, Elaine de Kooning, Al Kotin, Ibram Lassaw, Mercedes Matter, Constantino Nivola, Ray Parker, Milton Resnick, James Rosati, Ludwig Sander, David Slivka, George Spaventa, Estaban Vincente, Alfred Duhrssen, Ray Parker, Jack Tworkov and Wilfred Zogbaum. Includes a statement and cahier section from various artists. Front cover: Landis Lewitin. Back cover: Michael Lekakis and Reuben Nakian. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Fair / Good. Repaired and moisture damaged copy. 12.2 cm. area of yellow soiling to top edge and right side edge of recto. Removed cloth binding tape along spine edge and recto and verso at spine. Two 2 cm. tears to top edge of spine. Intact cloth binding tape to interior along inside front cover and title page and last page and inside back cover. 6 cm. of water staining to top corner of pages. 9 cm. business card from previous owners adhered to inside of back cover. Contents otherwise clean and unmarked. Sold "as-is.".

80 pp.; 28.9 x 23.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number three (of six issues published) of "It Is : A Magazine for Abstract Art," published between 1958 and 1965. Edited by P.G. Pavia. Contents include: "A Little Room for Feeling," by Hubert Crehan; "Face Front," by Sidney Geist; "Abstraction in Poetry," by Allen Ginsberg; "Editor of a Hearsay Panel," by Elaine de Kooning; "Thoughts on the Dance," by Merle Marsicano; "Drawing," by Mercedes Matter; "Spontaneity," by George McNeil; "Manifesto-In-Progress III," by P.G. Pavia; "Book Review," by John Stephan "Book Review," by May Natalie Tabak. Artists statements by Paul Brach, Kenneth Campbell, Enrico Donati, John Grillo, Hans Hoffman, Landis Lewitin, Robert Motherwell, Theodoros Stamos, and George Sugarman. Cahier leafs by Fritz Bultman, Alfred Duhrssen, Ibram Lassaw, Kyle Morris, Georgine Oeri. Artists reproductions by Stefan Achilles, Peter Agostini, Alice Baber, Paul Brach, Fritz Bultman, Kenneth Campbell, Herbert Crehan, Nasso Daphnis, Enrico Donati, Helen Frankenthaler, John Ferren, Sam Francis, Jane Freilichter, Sidney Geist, Michael Goldberg, Adolph Gottlieb, John Grillo, Philip Guston, Grace Hartigan, Hans Hoffmann, Paul Jenkins, Matsumi Kanemitsu, Fredrick Kiesler, William de Kooning, Landis Lewitin, William Littlefield, Michael Loew, Corrado Marca-Relli, Nicholas Marsicano, Mercedes Matter, George McNeil, Robert Motherwell, Kyle Morris, Felix Pasilis, Ad Reinhardt, Milton Resnick, Ludwig Sander, Abram Schlamowitz, David Smith, Raymond Spillinger, Theodoros Stamos, Joseph Stephanelli, John Stephan, and George Sugarman. Cover: Robert Motherwell. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Good. Rubbing of cover edges. Artist's [likely, Walter De Maria] studio copy with silver paint stains on verso with handprint and silver paint along text block edge, bleeding over slightly onto pages. 1.5 cm. yellow soiling to page 11. Contents otherwise clean and unmarked.

First edition of this exhibition flyer for the 1959 Tibor de Nagy exhibition of works by Larry Rivers and Grace Hartigan inspired by O'Hara's poetry. Octavo, original wrappers as issued, illustrated with twelve black and white lithographs. Association copy, inscribed by Larry Rivers on the verso of the front cover to fellow member of the informal New York School of artists Willem de Kooning, "For Bill de Kooning much admiration Larry Rivers." Musician, artist and filmmaker Larry Rivers took up painting in 1945 and lived in the the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol's Factory. A part of the New York School of the 1950s (of which Frank O'Harra was the crux due to his position at the MOMA), Rivers' paintings drew inspiration from the contemporary avant-garde movement, in particular abstract expressionism. De Kooning too was a part of the New York School, his well-known The Woman Series notable for its powerful expression of the frustrations and desires of the post-World War II era. In near fine condition. An intimate association copy, linking these great artists of the 20th century. The New York School was an informal group of American artists, musicians and poets active in New York City throughout the 50s and 60s. At the heart of the group was poet Frank O'Harra, due to his post as a curator at the Museum of Modern Art where he created connections between poets and painters including Larry Rivers, John Ashberry, and Fairfield Porter. The group participated in many joint collaborations including several publications, exhibitions, and works of art. While the poets of the group often wrote in an immediate and spontaneous manner reminiscent of stream of consciousness writing, the painters represented the New York abstract expressionists. The Abstract Expressionism movement in American painting was the first specifically American movement to achieve international influence and put New York City at the center of the western art world, a role formerly filled by Paris.

Washington, National Gallery of Art, 1973. 30,5 x 23 cm. [slightly damaged] Portfolio, containing 24 color reproductions. and 10 pag. text. [Art Art / American ].