L E Godard (24 results)

Condition: New.

Super octavo hardcover (VG+) in d/w (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.…

Condition: As New. Unread book in perfect condition.

Bourgeon TOULOUSE, Portzebie inc! - 1994 - FA.29,5x20,5 - Fascicule en un cahier agrafé au dos; couverture originale illustrée en couleurs par Crisse sous couverture Rhodoïd transparent titré en noir; 66 pages y compris la couverture; bandes dessinées en noir. (Collection Black-out - N°4 - Avril 1995). Bon état. Supermâle (R. Laporte). Vampire Terminus (Badger Studio, sur une histoire de F.X. Rodriguez). Interview: Ciro Tota. Jason meets the evil dead house # 2 (M. Zitouni). Chronique BD (T. Soulié, illustrée par T. Defaud). Indian Ghost (F.X. Rodriguez, dessin A. Sierra de La Mar). Illustration: L'île noire (C. Godard). Interview de Crisse. Perdita Queen (1ère partie) (Crisse). Caïd Blues (épisode 2) (Nouvelle par F.X. Rodriguez). Carnage à No-City (2ème partie) (F.X. Rodriguez). L'inconnu dans le jardin (F. Peneaud, illustré par P. Peneaud). A fairy Tale (2ème partie) (P. Renaud). Supermâle (R. Laporte). Illustration (G. Coin). Français Revues.…

210x180mm, 214pages, Couverture à rabats. Bel exemplaire. Envois Europe : TVA inclus dans montant final. Exceptions taxes postales locales à la charge de l'acheteur (~2 EUR). Si nécéssaire, contact via notre page d'accueil / Shipping to Europe : VAT included in total amount. Local postal fees apply to buyers in Europe (~2 EUR). Contact us via our homepage if needed.…

Condition: New.

Condition: New.

Broché 28cm. Condition: Sehr gut. Première édition. Nicht paginierte Seiten. Mit zahlreichen Schwarz-Weiß- Illustrationen. SEHR gutes Exemplar der ERSTAUSGABE. En très bon état. ( wir bieten zahlreiche FRISCH COMIC-Titel auf unserer HP an, auch in Englisch und Französisch) Aufgrund der von der Europäischen Union erlassenen Handels-Erschwernisse (die neue europäische Verpackungsverordnung mit extremen Gebühren für Händler) kann in folgende Länder KEIN VERSAND erfolgen: Bulgarien, Dänemark, Estland, Finnland, Griechenland, Irland, Kroatien, Lettland, Litauen, Luxemburg, Malta, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien, Ungarn, Zypern. Falls Sie eine Rechnungs- und Lieferadresse in DEUTSCHLAND ermöglichen, kann an diese deutsche Adresse OHNE PROBLEME geliefert werden. Sprache: Französisch Gewicht in Gramm: 505.…

Condition: As New. Unread book in perfect condition.

hardcover. Condition: fine. In-8° cartonné, 161 pages.

Soft cover. Condition: Very Good. 1st Edition. FRENCH TEXT.FIRST PRINTING/VG CLEAN SOFTWRAPS ORIGINAL.80 PAGES.

Couverture souple. Condition: bon. R150168352: 2001. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 202 pages. Nombreuses photos et illustrations en noir et blanc et en couleurs dans le texte et hors texte. . . . Classification Dewey : 610-Sciences médicales. Médecine.

Couverture souple. Condition: bon. RO30007806: 1997. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 96 pages illustrées de nombreuses photographies en couleurs, feuilles métallisées; emboitage illustré transparent, un bord abîmé. . Sous Emboitage. . Classification Dewey : 791.43-Cinéma.…

Couverture souple. Condition: Neuf. IN 8 CARRE-40 PAGES-PORTRAIT PAR POL FERJAC EN COUVERTURE-COUVERTURE REMPLIEE(13B).

Condition: Bon état. Collection ecrits . ouvrage broché , format 21 x 18 cm , 214 pages . entretiens avec dix cinéastes : m antonioni , l bunuel , r bresson , c dreyer , h hawks , a hitchcock , f lang , j renoir , r rossellini , o welles . cinéma réalisateur - largeur/hauteur : x cm - poids : g - nombre de pages : p. - langue . …

4to. 179 pp, 1 h. Con ilustraciones. Encuadernación editorial. Muy buen estado.

Couverture rigide. Condition: Très bon. Paris, Charles Bertrand, Editeur, collection "Les petits maîtres galants", 1969, 1970, 9 volumes in-8 reliés (17,2 x 9,3 cm), ornements dorés, tranche supérieure dorée.- 226, 227, 228, 231, 228, 228, 226, 226,et 249, pages à tranche supérieure dorée illustrés de compositions originales en couleurs hors-texte de : Touchagues, Gaston Barret, Pierre Leroy, Rack-Wilser, Yves Yorel, Françoise Adnet, J. A. Mercier, Michel de Choisy, Françoise Estachy, -. - Reliure solide, corps frais, édition complète en 12 volumes , en bon état.…

First Edition. in contemporary mottled calf, triple gilt filet to covers, flat spine gilt in compartments, brown morocco label lettered in gilt, marbled endpapers, gilt edges, green silk marker. 12mo (120 x 65 mm), engraved frontispiece and pp. xi, [i], 199, [1], The scarce first English edition of a classical novel To Kath' Hysminian kai Hysminen drama eis biblia thought to be by Eustathius Macrebolites, a Byzantine revivalist of the ancient Greek romance, but also attributed to Eumathe, the fourth century Egyptian grammarian. This anonymous English translation is taken from the popular French version by Pierre François Godard de Beauchamp, which was first published by Simart, Paris, 1729. Although the French version was extremely popular in France, this English translation, printed by Cazin in his distinctive small format, does not appear to have been very successful and may not have reached England, as no further editions seem to have been printed. Beauchamp's adherence to Eustathius' (or Eumathius') original is patchy, the result being more an imitation than a translation. In the original French dedication, Beauchamp suggests that any scholar, were he to read this translation, would be scandalised to find in it nothing of the original Eustathius. Were he writing for the public taste, he would have been more faithful to the original, but he writes only at Madame's command, to whom Greek ideas and expressions mean nothing. 'Souvenez-vous Madame', he writes, 'que vous ne m'avez point assujéti à la seche exactitude d'une traduction litterale: j'use de la liberté que vous m'avez donnée; je change, j'ajoûte, je retranche; j'évite des fautes; j'en fais de nouvelles: vous gagnerez d'un côté, vous perdrez de l'autre'. ESTC t112791, at BL, Bodleian, BN, Berlin; UCLA, Huntington, Haverford and Penn. Garside, Raven & Schöwerling 1788:52; see Jones p. 42; Quérard III: 45.…

Condition: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas album. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déj.…

Hardcover. Condition: Good. [1780-1781]. Sixteen volumes, pocket 18mo (133 x 74mm). Printed on fine laid paper. Uniformly bound in contemporary mottled French calf, ruled in gilt with olive morocco lettering labels, marbled endpapers, gilt edges. This beautiful miniature set was executed at the solitary expense of the Count d'Artois (1757-1830), later Charles X of France, and numbered in full 64 volumes; the aim of which collected various sets of French works in verse and prose. Influential Enlightenment writers were thus compiled here, many of them French female authors, and limited to an overall printing of 100 copies by the famed printer Didot of Paris. Consisting: 1) DE LA FAYETTE, Madame (1634-1693). "Zayde." 1780. 3 vols., 156, 135, and 166pp. A classic novel with stories on the political, social, and cultural communities of early modern Spain. 2) DAUCORT, Claude Godard d'Aucour (1768-1826). "Le Berceau de la France." 1780. 2 vols., 175 and 152pp. Rare, first published in 1744 as a history of French civilization. 3) RICCOBONI, Marie-Jeanne (1714-1792). "l'Histoire d'Aloïse de Livarot." 1780. 77pp. 4)RICCOBONI, Marie-Jeanne (1714-1792). "Les Amours de Roger et de Gertrude." 1780. 79pp. 5) [DUCLOS, Charles Pinot (1704-1772)]. "Ismene and Ismenias. Roman Grec." 1780. 115pp. 6) TRESSAN, Comte de (1705-1783). "Le Prince Gerard, Comte de Nevers et la Belle Euriant, sa mie." 1780. 171pp. 7) TRESSAN, Comte de (1705-1783). "Histoire du petit Jehan de Saint." 1780. 182pp. 8)TRESSAN, Comte de (1705-1783). "Histoire de Tristan de Léonois." 1781. 212pp.9) [DUCLOS, Charles Pinot (1704-1772)]]. "Confessions du comte de ***." 1781. 2 vols., 129 and 128pp. First published in 1742, a popular "portrait gallery" of the illustrious French. 10) TENCIN, Claudine Guérin de (1682-1749). "Le Siege de Calais." 1781. 2 vols., 122 and 126pp. First published anonymously in 1739. 11)ARNAUD, François-Thomas-Marie de Baculard d' (1718-1805). "Sargines." 1781. 130pp. Good. Only light edgewear and some bumped corners, slightest spots, otherwise crisp and clean interior. The Count d'Artois, friend to Marie Antoinette and lover of the arts, sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the Count's heraldry, as in these, while others were produced on vellum (See Ebert 4938). These works are extremely neatly printed on laid paper and stand as a precursor to Didot's prolific typographic and printing career. Complete copies of the Count d'Artois's collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413. The Count d'Artois, friend to Marie Antoinette and lover of the arts, sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the Count's heraldry, as in these, while others were produced on vellum (See Ebert 4938). These works are extremely neatly printed on laid paper and stand as a precursor to Didot's prolific typographic and printing career. Complete copies of the Count d'Artois's collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413.…

Condition: New. Print on Demand pp. 162.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 162. A perfect gift for your loved ones. Reprinted from 1872 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 162.…

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 176. A perfect gift for your loved ones. Reprinted from 1879 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 176.…

Paris et Lyon, Périsse Frères, 1835-1833 ; 3 titres reliés en un volume in-8, 407 pp. + 1 f.n.ch. + XI + 275 + 147 pp., demi-veau glacé brun de l'époque, dos lisse orné à faux-nerfs (petites traces de frottements aux mors et aux coiffes). Réunion de trois titres peu courants, en éditions originales, d'économie rurale ou politique. Le premier ouvrage se présente sous la forme de 18 lettres adressées à un ami de l'auteur. Le second titre, par Louis-Noël Flury, est enrichi d'un envoi autographe signé de ce dernier au baron Gonzalve de Nervo. Le troisième titre est l'?uvre de Pierre-Antoine Godard-Desmarest, directeur de la Verrerie de Baccarat (qui deviendra les Cristalleries de Baccarat), qui prit un essor européen puis mondial sous sa direction. Rousseurs éparses, importantes sur certains feuillets ; ex-libris du baron de Nervo. 1835. …