Latham Simon (12 results)

SingleIssueMagazine. Condition: Fine. No. 21. Book reviews and articles. Book.

Leather Bound. Condition: Used: Very Good. Full-Leather in very good condition. Tear to head of spine, yellow highlighting on a few pages. Previous owner's name on text block, front pastedown and edition page. 1957 reprint of the original 1633 edition. Limited numbered copy 167 of 250. Original letters from publisher on reprint methods. One of the most important works on falconry.

Condition: Good. 4to. 21x 29.7cm. Sheets loose as issued in original silver printed chemise and box. 28pp. text; poster and 50 signed broadsides, folded from 59.5 x 42cm. to 8 pages. Fine condition. .The deluxe portfolio, 2000-01, comprising 50 offset lithographs, on smooth wove paper, with title-page and text, each signed by the respective artist, the sheets folded (as issued), within the original silver Solander box with debossed cover and spine.Richard Hamilton, Gavin Turk, Tim Stoner, Philip Treacy, Caruso St John, John Hilliard, Liam Gillick, Georgie Hopton & Josephine Soughton, Jake & Dinos Chapman, Mark Hosking, Grayson Perry, Simon Patterson, Runa Islam, Anish Kapoor, Bella Freud, Tacita Dean, Antony Gormley, Carey Young, Marine Hugonnier, Will Self, Fiona Rae, Tracey Emin, Christopher Le Brun, Liam Gillick, Douglas Gordon, Carsten Holler, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija, Nigel Shafran, Anya Gallaccio, James White & Tim Sheward, Mark Lewis, Richard Deacon & Martin Kreyssig, Wolfgang Tillmans, Joao Penalva, Matthew Higgs, Oliver Payne & Nick Relph, John Latham, Gilbert & George, Enrico David, Mona Hatoum, Andrew Lewis, Cerith Wyn Evans, Howard Hodgkin, Tom Gidley, Sam Taylor-Wood, Harland Miller, Peter Doig, Hussein Chalayan, Patti Smith, Darren Almond, Michael Craig-Martin, Jeremy Deller, Bridget Riley."fig-1" was a project initiated by Mark Francis and White Cube founder Jay Jopling, who held 50 one-week exhibitions at a disused venue in Soho, London.The project called together 49 British artists of different generations, from veterans such as Richard Hamilton, Howard Hodgkin, Anish Kapoor, and Bridget Riley, to established YBAs including Jake & Dinos Chapman, Tracey Emin, and Gavin Turk, and up and coming, soon to be illustrious names, such as Peter Doig, Grayson Perry and Harland Miller - each one of them exhibiting for one week, with Richard Hamilton showing twice in the first and last week.Divided into 50 sections, the book chronicles each project in the words of the participants through interviews, essays and visual documentaries. .Arrangment of the prints: 01. Richard Hamilton02. Gavin Turk03. Tim Stoner04. Philip Treacy05. Caruso St. John06. John Hilliard07. Liam Gillick08. Georgie Hopton + Josephine Soughan09. Jake + Dinos Chapman10. Mark Hisking11. Grayson Perry12. Simon Patterson13. Runa Islam14. Anish Kapoor15. Bella Freud16. Tacita Dean17. Antony Gormley18. Carey Young19. Marine Hugonnier20. Will Self21. Fiona Rae22. Tracey Emin23. Christopher Le Brun24. Liam Gillick, Douglas Gordon, Carsten Höller, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija25. Nigel Shafran26. Anya Gallaccio27. James White + Tim Sheward28. Mark Lewis29. Richard Deacon + Martin Kreyssig30. Wolfgang Tillmans31. João Penalva32. Matthew Higgs, Oliver Payne + Nick Relph33. John Latham34. Gilbert + George35. Enrico David36. Mona Hatoum37. Andrew Lewis38. Cerith Wyn Evans39. Howard Hodgkin40. Tom Gidley41. Sam Taylor-Wood42. Harland Miller43. Peter Doig44. Hussein Chalayan45. Patti Smith46. Darren Almond47. Michael Craig-Martin48. Jeremy Deller49. Bridget Riley50. Richard Hamilton.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 358. A perfect gift for your loved ones. Reprinted from 1957 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 358.

Condition: New. ALL UK PARCELS SENT TRACKED! ALL OVERSEAS PARCELS SENT AIRMAIL, TRACKED! (S/hand, Hardcover, 1957). (1615) 1957 The Bate and Slice Facsimile. 8vo (140 x 215mm). Ppxxvii,147,xx,148. Not illustrated. Text printed in brown. Brown leather, spine & upper board titled in gilt. Edition limited to only 250 copies, signed & numbered by the publisher, S. Kent Carnie. Front inner hinge reinforced with with paper tape o/w a very good copy. Signed by Kent Carnie. #210 of 250. Laid in is a single sheet in which Col. Carnie explains the method used to create this facsimile. A good photolithographic reprint of this rare and respected work. Latham's Faulconry, or The Faulcon's Lure and Cure: In two books. The first concerning the ordering and training of all hawks in general; especially the Haggard Faulcon Gentle. The second, teaching approved medicines for the cure of all Diseases in them. Gathered by long practice and experience, and published for the delight of noble mindes, and instruction of young faulconers in things pertaining to this princely art. By Simon Latham, Gent. [WITH] Latham's New and Second Book of Faulconry: Concerning the ordering and training up of all such hawks as well omitted or left unmentioned in his printed book of the Haggard-Faulcon and Ger-Faulcon, namely the Goshawk and Tassell, with the Sparhawk, the Lanner and Lanneret, as they are divided in their generation: the Hobby and Marlyn in their kindes: Teaching approved medicines for all such infirmities and diseases as are incident to them. .

Condition: New. ALL UK PARCELS SENT TRACKED! ALL OVERSEAS PARCELS SENT AIRMAIL, TRACKED! (S/hand, Hardcover, 1957). (1615) 1957 The Bate and Slice Facsimile. 8vo (140 x 215mm). Ppxxvii,147,xx,148. Not illustrated. Text printed in brown. Brown leather, spine & upper board titled in gilt. Edition limited to only 250 copies, signed & numbered by the publisher, S. Kent Carnie. Slight tanning but a very good copy. Signed by Kent Carnie. #218 of 250. Small feather taped to front end-paper "From a Mollen hood". A good photolithographic reprint of this rare and respected work. Latham's Faulconry, or The Faulcon's Lure and Cure: In two books. The first concerning the ordering and training of all hawks in general; especially the Haggard Faulcon Gentle. The second, teaching approved medicines for the cure of all Diseases in them. Gathered by long practice and experience, and published for the delight of noble mindes, and instruction of young faulconers in things pertaining to this princely art. By Simon Latham, Gent. [WITH] Latham's New and Second Book of Faulconry: Concerning the ordering and training up of all such hawks as well omitted or left unmentioned in his printed book of the Haggard-Faulcon and Ger-Faulcon, namely the Goshawk and Tassell, with the Sparhawk, the Lanner and Lanneret, as they are divided in their generation: the Hobby and Marlyn in their kindes: Teaching approved medicines for all such infirmities and diseases as are incident to them. .

Small 8vo. 2 parts in one volume. (34), 176; (24), 144, (8) pp. With woodcut frontispiece of "The Haggard Faulcon" instead of the additional engraved title-page found in some copies. Second title with woodcut vignette of a gentleman riding his horse with his hawk on his arm. Second part with woodcuts in text, woodcut head-pieces and decorative initials. 19th century calf, prettily gilt. Marbled endpapers. Pocket-sized reissue of Latham's books on falconry, the former of which had first appeared in 1614. "Latham dedicated this, his first book of Falconry, to Sir Thomas Monson (or Munson, as he phonetically spells the name), Baronet, Master of his Maiestie's Armory, and Master of the Hawkes to his Highnesse" (Harting, p. 15). The second part is Latham's "New and Second Book of Faulconry", first published in 1618 and "usually bound up with the first" (Harting, p. 16). "Ordering and training of all hawks in general and especially the haggard falcon gentle. Approved medicines for the cure of all their difficulties. A very rare and valuable work" (USAF Academy Library, Special Bibliography Series No. 38: Falconry, p. 14). The frontispiece depicts tools of the falconer's trade. - Some spotting and staining throughout; lacking final blank. Lower corner of fol. A2 in the first part torn with slight loss of text (professionally remargined). From the personal collection of the gentleman and Knightsbridge manuscript dealer Myles Colbeck Radford (1897-1963) with his armorial bookplate to front pastedown. - Harting 20 (note). Souhart 285 (note). Wing L568 & L569. OCLC 228729034. Cf. Schwerdt I, 302.

Paperback. Condition: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia et al / No.20, 17, C: Merlin Carpenter, Bedfellows, Francisco Camacho Herrera, Radio Anti, Willats, Eliana Otta et al / No.21, C: Helen Walker & Harun Morrison, Pete Clarke, Lucie Kolb, Gary Bratchford & Robin Parkinson, Rebecca Davies & Eva Sajovic, Elina Otta, Stephen Willats, Javier Calderon, Chalton Gallery. Collated and correct. Near fine.

Condition: New. ALL UK PARCELS SENT TRACKED! ALL OVERSEAS PARCELS SENT AIRMAIL, TRACKED! (S/hand, Hardcover, 1957). (1615) 1957 The Bate and Slice Facsimile. 8vo (140 x 215mm). Ppxxvii,147,xx,148. Not illustrated. Text printed in brown. Brown leather, spine & upper board titled in gilt. Edition limited to only 250 copies, signed & numbered by the publisher, S. Kent Carnie. Very good copy. Signed by Kent Carnie. #19 of 250. A good photolithographic reprint of this rare and respected work. Latham's Faulconry, or The Faulcon's Lure and Cure: In two books. The first concerning the ordering and training of all hawks in general; especially the Haggard Faulcon Gentle. The second, teaching approved medicines for the cure of all Diseases in them. Gathered by long practice and experience, and published for the delight of noble mindes, and instruction of young faulconers in things pertaining to this princely art. By Simon Latham, Gent. [WITH] Latham's New and Second Book of Faulconry: Concerning the ordering and training up of all such hawks as well omitted or left unmentioned in his printed book of the Haggard-Faulcon and Ger-Faulcon, namely the Goshawk and Tassell, with the Sparhawk, the Lanner and Lanneret, as they are divided in their generation: the Hobby and Marlyn in their kindes: Teaching approved medicines for all such infirmities and diseases as are incident to them. .

2 parts in 1 volume. The third (first handy pocket-sized) edition of two books on falconry by Simon Latham (d. 1649?), first published in 1614 and 1618 respectively. The first edition of part 1 was dedicated to Sir Thomas Monson, Master Falconer to James I, and the present edition retains that dedication, though Monson died in 1641 (and James in 1625). The second part is Latham's New and second book of faulconry, first published in 1618 but "usually bound up with the first" (Harting, p. 16) and noted even on the 1614 and 1615 title-pages of the first part. "Ordering and training of all hawks in general and especially the haggard falcon gentle. Approved medicines for the cure of all their difficulties. A very rare and valuable work" (USAF). The frontispiece depicts tools of the falconer's trade. The 1615 "edition" of book 1 is a reissue of the first (1614) edition, but second editions of both books appeared in 1633 and the present third editions in 1658. All editions before 1658 are in 4to format. The present small 8vo was more convenient for an ornithologist to use in the field.From the personal collection of the gentleman and Knightsbridge manuscript dealer Myles Colbeck Radford (1897-1963) with his armorial bookplate to front paste-down. Some spots and stains throughout; lacking the final blank. Lower corner of A2 in part 1 torn with slight loss of text (professionally remargined).l ESTC R202683; Harting 20 (note); WorldCat 228729034; USAF Academy Library, Special bibliography series no. 38: Falconry, p. 14; Wing L568 & L569; cf. Schwerdt I, 302. 19th century gold-tooled calf, marbled endpapers. With woodcut frontispiece of "The Haggard Faulcon", second title with woodcut vignette of a gentleman riding his horse with his hawk on his arm. Second part with woodcuts in text, woodcut headpieces and decorative initials. Pages: [34], 176; [24], 144, [8] pp. Including: New and second book of faulconry.

First Edition. [bound with:]. Latham's new and second Booke of Faulconry London, Printed by Thomas Harper, for John Harison, 1633. Two vols bound in one, small 4to, pp.[24], 147, [1]; and [22], 148, [4] (wanting the preliminary blank); woodcut of a falcon surrounded by the equipment of the sport on the title-page of the first book, numerous small woodcuts of hawks and equipment in the text of the second; title-page of first book dusty, a few signature marks shaved, a few spots and stains, marginal worm-track to the second book, withal a very good, crisp copy in early nineteenth-century polished calf; armorial bookplate of the bibliophile Charles Barclay.First collected edition (third edition of volume I, originally published in 1614 and reissued in 1615, second edition of volume II, originally published in 1618).The author acquired his skills in the 'princely art' of falconry during the reign of Elizabeth I from Henry Sadler of Everley, 'my first and loving Master' and the Queen's Grand Falconer. In the first book he provides a brief glossary of terms and deals with the training, care, and ailments of the Haggard Faulcon and Gerfaulcon. The second book deals with the Goshawk and other varieties. The standard treatise of its period, Latham's Falconry 'ranks among the principal books on hawking in the English language' (Schwerdt I, 302). STC 15267.7 and 15268.7. Language: English.

First edition, first printing. Edition of 50 signed by the artists. Fig-1 was 50 projects in 50 weeks initiated by Mark Francis and Jay Jopling, set in a small warehouse building in Soho, each project lasting one week. Each poster is signed by the relevant artist or artists. The projects embraced a broad range of contemporary creative productions including fine art, with 13 Turner Prize nominees, as well as literature, film and video, fashion, design, and architecture. Quarto, 32 page stapled booklet, A1 folded poster with photo-portraits of all the artists, 50 A2 folded posters. With the original silver card clamshell box. Box lightly rubbed to edges, else fine.