Leadenhall Press (60 results)

Hardcover. Condition: Very Good. Isola, Or The Disinherited: A Revolt For Woman And All The Disinherited This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: New. In.

Condition: New. In.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In.

Condition: New. In.

37 [6, ads] pp. Embellished Beautifully Hand-Coloured Engravings. 12mo, publisher's printed wrappers. Reprint. A few tiny chips and light dust-soiling to wrappers. The Leadenhall Press Series of Forgotten Picture Books for Children.

Leadenhall Press (illustrator). small square 8vo. publisher's paper-covered boards, paper cover and spine label. 174, (2), 4 pages. Edited by Alice Corkran. First edition. Minor edgewear. Shaken. Minor soiling. Engraved frontispiece by William Luker. Advertisements at rear. Contains musical scores. publisher's paper-covered boards, paper cover and spine label.

hardcover, dust jacket. Leadenhall Press (illustrator). 7 x 10 inches. hardcover, dust jacket. 176 pages. With an Appreciation of Andrew White Tuer. A SIGNED COPY BY THE AUTHOR OF THIS LOVELY BOOK "As Young explores in this short but well grounded study, the firm, which was founded in 1862 by Abraham Field and Andrew White Tuer, moved from stationery and lithographic trade work into decorative, fine art and small press printing in the 1870s under the energetic direction, in particular, of Tuer." - David Finklestein, TLS "Here is a handsome and important new work that fills a gap in our shelves. The book includes a beautifully produced inserted signature showing fifty-eight of the covers in color." - Alastair Johnston, Printing History "A useful account of a press whose publications have largely lapsed from current view, Young's essay bringing life to what proves to be a surprisingly long checklist. The present volume has had the considerable advantage ofhaving been designed by the author, a typographer himself." - David Chambers, The Book Collector This book is the first comprehensive (and long-overdue) bibliographic study of the London partnership of Field & Tuer and their publishing imprint, Leadenhall Press (later the Leadenhall Press, Ltd.). Matthew Young makes a convincing argument for Andrew W. Tuer (1838-1900) as one of the most imaginative and influential printers and publishers of the mid-to-late Victorian period. Known today primarily for old-style facsimile reprints and a few outstanding works such as Tuer's own History of the Horn-Book, the Leadenhall Press in fact published hundreds of titles in almost every subject area, from sixpenny pamphlets to vellum-bound limited editions dedicated by command to the Queen, as well as two important and long-running periodicals: The Paper & Printing Trades Journal and The Printers International Specimen Exchange. The remarkable range of the catalogue is evident in a small sample from 1885: Jerome K. Jerome's first book, On the Stage--and Off; Joseph Crawhall's hand-colored Izaak Walton: His Wallet Booke; The Owls of Olynn Belfry, illustrated by Randolph Caldecott; Sir Montague Shearman's Foot-Ball: Its History for Five Centuries; feminist Emily Jane Pfeiffer's Flying Leaves from East and West; and Songs of the North, illustrated by (among others) Edward Burne-Jones, Charles Keene, Albert Moore, Frederick Sandys, and J.M. Whistler. The book includes a revealing portrait of Andrew Tuer as a man of energy, curiosity, and wit: a successful businessman, inventor, advocate for fine printing, publisher, designer, collector, author, and correspondent. The annotated checklist describes nearly 450 publications issued by Field & Tuer and the Leadenhall Press from 1863 to 1913. Listing details include: month and year of publication, publisher's job number, listed price, brief description of format and cover design, important aspects of content and publication, and location of scarce and noteworthy copies. Appendices cover Andrew Tuer's writings, ephemera, series titles, and institutional collections of special interest. A color section and illustrations in the text complete the story of an important link in the development of printing between the Chiswick Press of Charles Whittingham II and the celebrated publishers of the 1890s. Matthew Young is a graphic designer and book collector. He was the recipient of a 2008 Everett Helm Visiting Fellowship award to examine the collection at the Lilly Library (Indiana University), and he has presented papers on the Leadenhall Press at conferences in England, Canada, and the United States. A previous article, "The Mystery of Walt Ruding: A Solution," was published in the Antiquarian Book Monthly in 2001.

hardcover, dust jacket. Leadenhall Press (illustrator). 7 x 10 inches. hardcover, dust jacket. 176 pages. With an Appreciation of Andrew White Tuer. "An admirable conspectus. Young's checklist has certainly broken new ground." - Brian McMullin, Script & Print "As Young explores in this short but well grounded study, the firm. moved from stationery and lithographic trade work into decorative, fine art and small press printing." - David Finklestein, TLS "A handsome and important new work that fills a gap in our shelves. The book includes a beautifully produced inserted signature showing fifty-eight of the covers in color." - Alastair Johnston, Printing History "A useful account of a press whose publications have largely lapsed from current view, Young's essay bringing life to what proves to be a surprisingly long checklist." - David Chambers, The Book Collector This book is the first comprehensive (and long-overdue) bibliographic study of the London partnership of Field & Tuer and their publishing imprint, Leadenhall Press (later the Leadenhall Press, Ltd.). Matthew Young makes a convincing argument for Andrew W. Tuer (1838-1900) as one of the most imaginative and influential printers and publishers of the mid-to-late Victorian period. Known today primarily for old-style facsimile reprints and a few outstanding works such as Tuer's own History of the Horn-Book, the Leadenhall Press in fact published hundreds of titles in almost every subject area, from sixpenny pamphlets to vellum-bound limited editions dedicated by command to the Queen, as well as two important and long-running periodicals: The Paper & Printing Trades Journal and The Printers International Specimen Exchange. The remarkable range of the catalogue is evident in a small sample from 1885: Jerome K. Jerome's first book, On the Stage--and Off; Joseph Crawhall's hand-colored Izaak Walton: His Wallet Booke; The Owls of Olynn Belfry, illustrated by Randolph Caldecott; Sir Montague Shearman's Foot-Ball: Its History for Five Centuries; feminist Emily Jane Pfeiffer's Flying Leaves from East and West; and Songs of the North, illustrated by (among others) Edward Burne-Jones, Charles Keene, Albert Moore, Frederick Sandys, and J.M. Whistler. The book includes a revealing portrait of Andrew Tuer as a man of energy, curiosity, and wit: a successful businessman, inventor, advocate for fine printing, publisher, designer, collector, author, and correspondent. The annotated checklist describes nearly 450 publications issued by Field & Tuer and the Leadenhall Press from 1863 to 1913. Listing details include: month and year of publication, publisher's job number, listed price, brief description of format and cover design, important aspects of content and publication, and location of scarce and noteworthy copies. Appendices cover Andrew Tuer's writings, ephemera, series titles, and institutional collections of special interest. A color section and illustrations in the text complete the story of an important link in the development of printing between the Chiswick Press of Charles Whittingham II and the celebrated publishers of the 1890s. Matthew Young is a graphic designer and book collector. He was the recipient of a 2008 Everett Helm Visiting Fellowship award to examine the collection at the Lilly Library (Indiana University), and he has presented papers on the Leadenhall Press at conferences in England, Canada, and the United States.

Kartoniert / Broschiert. Condition: New.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Gebunden. Condition: New.

Gebunden. Condition: New.

Illustrations of woodcuts. 16mo. Reprinting of the first edition of this "forgotten" children's book, the original copperplate engravings not reproduced but woodcuts after the engravings used (as a matter of cost effectiveness). Part of the "Illustrated Shilling Series of Forgotten Children's Books". Tuer "Forgotten Children's Books"p. 137. Tuer "Forgotten Children's Books"p. 137 Original illustrated paper over boards, printed paper label on upper cover. Some darkening, leaves browned Illustrations of woodcuts. 16mo.

Illustrated. 16mo. Illustrated. 16mo. Reprint of the first edition of this "forgotten" children's book. Part of the "Illustrated Shilling Series of Forgotten Children's Books". Tuer "Forgotten Children's Books" p. 141. Tuer "Forgotten Children's Books" p. 141 Original illustrated paper over boards printed paper labels. Some soiling, text browned.

Small 8vo. 80 pages. Numerous woodcuts. In original grey printed wraps, with cloth spine. Internally good, with some light spotting and discoloration. Binding worn and grubby; front fep splitting. Ownership inscription. Interesting and informative introduction discusses 'the advance made in less than seventy years in popular art and literature'. Publisher's note (p.xxviii), 'The letter-press of the present volume exactly reproduces that of the original Christmas Box. It has not been possible to give all the old illustrations: several have been kindly lent by the Religious Tract Society; and others of the same class have been added by the publishers from similar publications of the time.'.

limp card covers, silk cord. Leadenhall Press (illustrator). 8vo. limp card covers, silk cord. 16 pages, 10 portrait plates with tissue guards. Paintings by John Hopper, R.A., Engraved by Charles Wilkins Annotated by Andrew W Tuer Printed by The Leadenhall Press. First edition. Minor edgewear. The original silk ties have broken internally along the 2nd and 3rd holes. Internally a fine copy.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Field & Tuer, The Leadenhall Press, (illustrator). xii, 31, [1] p. Nine hand coloured plates, facsimile of the original printed wrapper on blue paper, line drawings in the text. No 300 of 500 copies. Signed by the Publisher. Half Japanese vellum binding with blue paper boards. Lettered in gilt on front board. Spine and boards a little dusty. Endpaper lightly toned, otherwise the contents are clean, crisp and bright. A very good copy.

See his entry in the Oxford DNB. On one side of a 12 x 7.5 cm post card. On brittle, discoloured card, with chipping to corners and some repair with archival tape. Self-printed with stamp, addressed, with postmark, to 'Percy Fitzgerald, Esq. / 37 St. George's Road / SW.' On other side, with letterhead in fancy type, regarding Fitzgerald's book 'London City Suburbs', which he has just published, reads: 'See todays & last Saturdays Daily Telegraph new no. (June) of Art Journal for notices "L. C. Suburbs". Stamped at bottom right: 'The Leadenhall Press, Ltd:' See Image.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: Good. 9.75" x 7.25" Single Leaf Withdrawn from Book, Letterpress on Laid Paper, Good with tear at head spine, illustrated.

Condition: Good. 8vo. Soft Covers, 16 pp. including 8 leaves of plates. Good with small marginal tears, faint staining to covers, else Very Good.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Soft cover. Condition: Very Good. Octavo. x, 16 pp. Eight plates. Tan printed wrappers. A little foxing. Very good. A facsimile of the scarce 1807 edition, produced by the Leadenhall Press in 1883. The elephant throws a grand party, boasting that the animals (mammals) could throw a much better fete than insects or birds. A great night of dancing, singing, eating, and telling stories ensues, with the Buffalo, Bison, Elk, Antelope, and Pard in attendance.