Leadenhall Press (68 results)

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In English.

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Condition: New. In English.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In English.

Condition: Very Good. 14 pages, 5 plates. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 14 x 22 cms. Category: Book Collector; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Condition: New. In English.

37 [6, ads] pp. Embellished Beautifully Hand-Coloured Engravings. 12mo, publisher's printed wrappers. Reprint. A few tiny chips and light dust-soiling to wrappers. The Leadenhall Press Series of Forgotten Picture Books for Children.

small square 8vo. publisher's paper-covered boards, paper cover and spine label. 174, (2), 4 pages. Edited by Alice Corkran. First edition. Minor edgewear. Shaken. Minor soiling. Engraved frontispiece by William Luker. Advertisements at rear. Contains musical scores. publisher's paper-covered boards, paper cover and spine label. Leadenhall Press (illustrator).…

hardcover, dust jacket. 7 x 10 inches. hardcover, dust jacket. 176 pages. With an Appreciation of Andrew White Tuer. A SIGNED COPY BY THE AUTHOR OF THIS LOVELY BOOK "As Young explores in this short but well grounded study, the firm, which was founded in 1862 by Abraham Field and Andrew White Tuer, moved from stationery and lithographic trade work into decorative, fine art and small press printing in the 1870s under the energetic direction, in particular, of Tuer." - David Finklestein, TLS "Here is a handsome and important new work that fills a gap in our shelves. The book includes a beautifully produced inserted signature showing fifty-eight of the covers in color." - Alastair Johnston, Printing History "A useful account of a press whose publications have largely lapsed from current view, Young's essay bringing life to what proves to be a surprisingly long checklist. The present volume has had the considerable advantage ofhaving been designed by the author, a typographer himself." - David Chambers, The Book Collector This book is the first comprehensive (and long-overdue) bibliographic study of the London partnership of Field & Tuer and their publishing imprint, Leadenhall Press (later the Leadenhall Press, Ltd.). Matthew Young makes a convincing argument for Andrew W. Tuer (1838-1900) as one of the most imaginative and influential printers and publishers of the mid-to-late Victorian period. Known today primarily for old-style facsimile reprints and a few outstanding works such as Tuer's own History of the Horn-Book, the Leadenhall Press in fact published hundreds of titles in almost every subject area, from sixpenny pamphlets to vellum-bound limited editions dedicated by command to the Queen, as well as two important and long-running periodicals: The Paper & Printing Trades Journal and The Printers International Specimen Exchange. The remarkable range of the catalogue is evident in a small sample from 1885: Jerome K. Jerome's first book, On the Stage--and Off; Joseph Crawhall's hand-colored Izaak Walton: His Wallet Booke; The Owls of Olynn Belfry, illustrated by Randolph Caldecott; Sir Montague Shearman's Foot-Ball: Its History for Five Centuries; feminist Emily Jane Pfeiffer's Flying Leaves from East and West; and Songs of the North, illustrated by (among others) Edward Burne-Jones, Charles Keene, Albert Moore, Frederick Sandys, and J.M. Whistler. The book includes a revealing portrait of Andrew Tuer as a man of energy, curiosity, and wit: a successful businessman, inventor, advocate for fine printing, publisher, designer, collector, author, and correspondent. The annotated checklist describes nearly 450 publications issued by Field & Tuer and the Leadenhall Press from 1863 to 1913. Listing details include: month and year of publication, publisher's job number, listed price, brief description of format and cover design, important aspects of content and publication, and location of scarce and noteworthy copies. Appendices cover Andrew Tuer's writings, ephemera, series titles, and institutional collections of special interest. A color section and illustrations in the text complete the story of an important link in the development of printing between the Chiswick Press of Charles Whittingham II and the celebrated publishers of the 1890s. Matthew Young is a graphic designer and book collector. He was the recipient of a 2008 Everett Helm Visiting Fellowship award to examine the collection at the Lilly Library (Indiana University), and he has presented papers on the Leadenhall Press at conferences in England, Canada, and the United States. A previous article, "The Mystery of Walt Ruding: A Solution," was published in the Antiquarian Book Monthly in 2001. Leadenhall Press (illustrator). …

hardcover, dust jacket. 7 x 10 inches. hardcover, dust jacket. 176 pages. With an Appreciation of Andrew White Tuer. "An admirable conspectus. Young's checklist has certainly broken new ground." - Brian McMullin, Script & Print "As Young explores in this short but well grounded study, the firm. moved from stationery and lithographic trade work into decorative, fine art and small press printing." - David Finklestein, TLS "A handsome and important new work that fills a gap in our shelves. The book includes a beautifully produced inserted signature showing fifty-eight of the covers in color." - Alastair Johnston, Printing History "A useful account of a press whose publications have largely lapsed from current view, Young's essay bringing life to what proves to be a surprisingly long checklist." - David Chambers, The Book Collector This book is the first comprehensive (and long-overdue) bibliographic study of the London partnership of Field & Tuer and their publishing imprint, Leadenhall Press (later the Leadenhall Press, Ltd.). Matthew Young makes a convincing argument for Andrew W. Tuer (1838-1900) as one of the most imaginative and influential printers and publishers of the mid-to-late Victorian period. Known today primarily for old-style facsimile reprints and a few outstanding works such as Tuer's own History of the Horn-Book, the Leadenhall Press in fact published hundreds of titles in almost every subject area, from sixpenny pamphlets to vellum-bound limited editions dedicated by command to the Queen, as well as two important and long-running periodicals: The Paper & Printing Trades Journal and The Printers International Specimen Exchange. The remarkable range of the catalogue is evident in a small sample from 1885: Jerome K. Jerome's first book, On the Stage--and Off; Joseph Crawhall's hand-colored Izaak Walton: His Wallet Booke; The Owls of Olynn Belfry, illustrated by Randolph Caldecott; Sir Montague Shearman's Foot-Ball: Its History for Five Centuries; feminist Emily Jane Pfeiffer's Flying Leaves from East and West; and Songs of the North, illustrated by (among others) Edward Burne-Jones, Charles Keene, Albert Moore, Frederick Sandys, and J.M. Whistler. The book includes a revealing portrait of Andrew Tuer as a man of energy, curiosity, and wit: a successful businessman, inventor, advocate for fine printing, publisher, designer, collector, author, and correspondent. The annotated checklist describes nearly 450 publications issued by Field & Tuer and the Leadenhall Press from 1863 to 1913. Listing details include: month and year of publication, publisher's job number, listed price, brief description of format and cover design, important aspects of content and publication, and location of scarce and noteworthy copies. Appendices cover Andrew Tuer's writings, ephemera, series titles, and institutional collections of special interest. A color section and illustrations in the text complete the story of an important link in the development of printing between the Chiswick Press of Charles Whittingham II and the celebrated publishers of the 1890s. Matthew Young is a graphic designer and book collector. He was the recipient of a 2008 Everett Helm Visiting Fellowship award to examine the collection at the Lilly Library (Indiana University), and he has presented papers on the Leadenhall Press at conferences in England, Canada, and the United States. Leadenhall Press (illustrator). …

Condition: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Kartoniert / Broschiert. Condition: New.

Gebunden. Condition: New.

Condition: New.

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

limp card covers, silk cord. 8vo. limp card covers, silk cord. 16 pages, 10 portrait plates with tissue guards. Paintings by John Hopper, R.A., Engraved by Charles Wilkins Annotated by Andrew W Tuer Printed by The Leadenhall Press. First edition. Minor edgewear. The original silk ties have broken internally along the 2nd and 3rd holes. Internally a fine copy. Leadenhall Press (illustrator).…

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

See his entry in the Oxford DNB. On one side of a 12 x 7.5 cm post card. On brittle, discoloured card, with chipping to corners and some repair with archival tape. Self-printed with stamp, addressed, with postmark, to 'Percy Fitzgerald, Esq. / 37 St. George's Road / SW.' On other side, with letterhead in fancy type, regarding Fitzgerald's book 'London City Suburbs', which he has just published, reads: 'See todays & last Saturdays Daily Telegraph new no. (June) of Art Journal for notices "L. C. Suburbs". Stamped at bottom right: 'The Leadenhall Press, Ltd:' See Image.…

Condition: Good. 9.75" x 7.25" Single Leaf Withdrawn from Book, Letterpress on Laid Paper, Good with tear at head spine, illustrated.

Condition: Good. 8vo. Soft Covers, 16 pp. including 8 leaves of plates. Good with small marginal tears, faint staining to covers, else Very Good.

Condition: New. Print on Demand.