Leizelt (66 results)

Taschenbuch. Condition: Neu. Abbildungen der Gemälde und Alterthümer | Siebter Teil | Balthasar Friedrich Leizelt (u. a.) | Taschenbuch | 468 S. | Englisch | 2017 | hansebooks | EAN 9783337149666 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Condition: New. In.

Condition: New. In.

Paperback. Condition: New.

Bildausschnitt ca. 29 x 40 cm. Blattgröße ca. 35,5 x 45,5 cm. Guckkastenbild. Blick auf den großen Tiberfluß-Hafen mit "Hopital Apostolique de St. Michel - Grand Douane - Douane du Passage - Magazin a grain de l'Anone - Ancienne Voie Portuense - Restes de l'Ancien Pont Sublicius - Ancienne Douane.- Zur Gänze auf Karton aufkaschiert. In den Rändern und tlw. in der Darstellung braunfleckig.

Print. Condition: Good. ca. 1775. Hand colored copper engraving, 16" x 10 1/4". Printed on heavy laid paper. Plate marks visible. Print affixed to card stock. Light chipping along two edges. General age-toning. Reverse, on the card stock are some old glue stains and stamp marks. ****J. Chereau were prolific publishers in Paris from 1740's to 1776. Many were of the vue d'optique variety, to be used in the zograscope. This print NOT being one of those. The art work this print is made from was originally done by Joseph Vernet. ***.

Hardcover. Condition: very good. Vue du Pont rompu et du pont a quatre tetes a Rome, anno 1770 ROME-PONTE QUATTRO CAPI-ROTTO-ITALY-Leizelt-Barbault-1770 'Vue du Pont rompu et du Pont a quatre Tetes a Rome.' This optical print shows a view of the Ponte Quattro Capi, the combination of two Roman bridges known as Ponte Rotto (broken bridge) after it partially collapsed in 1598. Size of the sheet: 37x47 cm., little brownish, small tears but only on margins. Balthasar Friedrich Leizelt (also spelled Leizel, active 17501800) was a German artist and copperplate engraver working from Augsburg. Leizelt produced a series of European and American scenic views at a time when pictures of foreign countries and people were popular and designed for use in optical viewers. As is normal for these prints the series title is a mirror image because optical viewers made use of mirrors which reversed the image. The Age of Enlightenment sparked a great interest in science, so that optical toys and devices became a standard form of drawing-room entertainment in the 1700s and 1800s. Light, perspective, and multiple images were cleverly combined to create the illusion of moving pictures.

A view of London - the title is printed in reverse. Coloured. Dimensions: 28 x 39.5 cm. Verso is blank. From "Collection des Prospects". Text in French. Originally designed to be viewed through a zograscope. A view down the Thames with Westminster bridge. Good. Narrow margins. Slightly wrinkled. Water stain on the right. A zograscope is an optical device for magnifying flat images, as the shape of the lens enhanced the sense of the depth shown in the picture. The precursor to 3D images! These were very fashionable in the late 18th century. 280 x 395 mm (11 x 15½ inches).

Acquaforte, cm. 31x40 alla battuta più piccoli marg. bianchi, coloritura coeva. Didascalie in tedesco e francese. Buon es. Tit. al marg. sup. ripetuto rovesciato.

Condition: Good. J. Versteegs (illustrator). 'prospect von Utrecht von den schonen hauss nach der Maillien baan ()''Etching / engraving, hand coloured. on handlaid paper. Sheet size: 50 x 39 cm. (19,7 x 15,4 inch). Image size: 43 x 32 cm. (16,9 x 12,6 inch).This attractive print was published in Augsburg, Germany, around 1780. This is an optical print, also called 'vue optique' or 'vue d'optique', which were made to be viewed through a Zograscope, or other devices of convex lens and mirrors, all of which produced an optical illusion of depth.Made by 'Balthasar Frederic Leizelt' after 'J. Versteegs'. Frederic Leizelt, active (1750-1800), was a German artist and copperplate engraver working from Augsburg. Condition: Good, given age. Brownish. Folds left and right. Brown spots in the margin. Creases. In upper margin piece of paper been restored. Some wormholes. In right margin holes in paper backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: MALIEBAAN-UTRECHT-NETHERLANDS-BEAUTIFUL HOUSES-BOATS-CANALRBOS-T.21-Large.

12 x 16 inches. 12 x 16 inches. Bordered by green paper. Edges rubbed, small area of wrinkling, else Fine.

Decorativa veduta ottica della piazza, animata da diversi personaggi in primo piano.

Technic: Copper print, colorit: original colored, condition: Upper and lower margin perfectly replaced, size (in cm): 26 x 38, Representation of the harbour of Mahon in Minorca.

Technic: Copper print, colorit: original colored, condition: Very good, size (in cm): 31,5 x 41,5 cm, Depiction of the Palazzo Chigi with Piazza Colonna in Rome, Italy.

Technic: Copper print, colorit: original colored, condition: Lower margin replaced, size (in cm): 29,5 x 38, View Optique of the brad market in Augsbourg, printed from Carolus Remshard.

Vue d'optique. This type of print was designed to be looked at through a zograscope, a type of magic lantern which made the prints seem to be 3D. The style of colouring is standard for these prints which were used to disseminate current affairs as well as for amusement. Copper engraving. Very good condition. Inverted title above. Title beneath image in German and French Original colour. Size: 41 x 31 cm. (16 x 12 inches).

Vue d'optique. This type of print was designed to be looked at through a zograscope, a type of magic lantern which made the prints seem to be 3D. The style of colouring is standard for these prints which were used to disseminate current affairs as well as for amusement. Copper engraving. Very good condition. Some repairs to verso. Inverted title above. Title beneath image in German and French Original colour. Size: 41 x 31 cm. (16 x 12 inches).

Vue d'optique. This type of print was designed to be looked at through a zograscope, a type of magic lantern which made the prints seem to be 3D. The style of colouring is standard for these prints which were used to disseminate current affairs as well as for amusement. Copper engraving. Very good condition. Inverted title above. Title beneath image in German and French Original colour. Size: 41 x 31 cm. (16 x 12 inches).

Technic: Copper print, colorit: original colored, condition: Mounted, size (in cm): 31 x 40 cm, Map shows the city of Philadelphia with beautiful ship representation.

Technic: Copper print, colorit: black/white, condition: Very good, size (in cm): 31 x 40, View of the Church St.Bride in London.

Vue d'optique of Philadelphia. Thin margins, light wear, bottom right corner has a tear, with the loss of a 4.5x2 cm segment including a few letters of the text. Hand-colored fanciful view of the riverfront, clearly done by an artist who had never actually seen the city. There are large, classical design buildings on the right, directly on the river. 3 ships are shown on the water along with men in several row boats.

Condition: ACEPTABLE. [Un] Grabado óptico representando una vista del puerto de Barcelona repleto de navíos. Las vistas ópticas estuvieron muy de moda en el siglo XVIII, son grabados, fundamentalmente en plancha de cobre, hechos para ser vistos a través de una "caja óptica" (con inversión del texto y la imágen), que constaba de un espejo inclinado y una gran lente, para poder ver las estampas. ["Gravé par Balth. Frederic Leizelt."] . ["Se vend a Augsbourg au Negoce comun de L'Academie Imperiale d'Empire avec privilege de Sa Majesté Imperiale [.]."] . Formato (cm): 30x40.

A striking vue d'optique copper engraving showing the famous Revolutionary War naval battle between the American ship, Bonhomme Richard, commanded by John Paul Jones, and the British Navy vessel, Serapis, commanded by Captain Richard Pearson. Certainly one of the bloodiest naval engagements of the Revolutionary War, the battle occurred on September 23, 1779, in the English Channel off Flamborough Head. Jones and his crew struggled valiantly against the forty-four guns of the Serapis, and although his own vessel was in ruins, Jones would still not accept the British demand for surrender, declaring, "I have not yet begun to fight." Later that day the Serapis surrendered to the American naval forces, but by that time the Bonhomme Richard was so extensively damaged that it couldn't be saved; she sank on September 25, 1779, with Jones sailing the damaged but seaworthy Serapis to Holland for a refit. Leizelt's engraving focuses on the Bonhomme Richard and the Serapis in close quarters, enveloped in smoke, with sailors thrown overboard during the heat of the battle clinging to the wreckage of a ship's mast floating on the water in the right foreground. Soon after the battle, London marine and naval artist, Richard Paton, created an oil painting of the action, which achieved success when this engraving of it by Balthasar Friedrich Leizelt was included among prints published in the series, Collection des Prospects. Cresswell suggests, however that Leizelt's image was "probably copied from Lerpiniere and Fittler's engraving, which was published by John Boydell in 1781." It should be noted that the date of the battle in the image caption is incorrect; Leizelt dates the battle "22 September" rather than 23 September in his caption of the engraving. The images in the Collection des Prospects series were intended to be projected by a zograscope, an optical device used to magnify flat pictures onto a mirror for viewing, which also enhanced the depth perception of the image for a viewer. Because the image of the Bonhomme Richard and Serapis would be ultimately viewed off of a mirror through the zograscope, Leizelt created a mirror image of the original painting. Since vue d'optique prints were painted in vivid colors before they were sold, this stunning black and white example of Combat memorable entre le Pearson et Paul Jones is the exception rather than the rule for vue d'optiques and is considered fairly rare for that reason. It also allows for an unvarnished view of the subtlety of the engraver's art. An engaging and lively view of a pivotal moment in American naval history, and uncommon in the market. AMERICAN NAVAL PRINTS 7. CRESSWELL 310. OCLC 968975131, 1390700451, 51122930, 51153015. Minor soiling to outer margins, otherwise clean and bright with rich tonality. A handsome copy. Framed.

Technic: Copper print, colorit: original colored, condition: Left, right and lower margin replaced, missing parts restored, size (in cm): 26 x 39 cm, Peep box view shows New York on the island of Manhattan on the Hudson River with many figurative staffage. From the Prospects collection.

Condition: ACEPTABLE. [Un] Grabado óptico representando una vista del puerto de la isla de Menorca con una parte del Fuerte de San Felipe. Las vistas ópticas estuvieron muy de moda en el siglo XVIII, son grabados, fundamentalmente en plancha de cobre, hechos para ser vistos a través de una "caja óptica" (con inversión del texto y la imágen), que constaba de un espejo inclinado y una gran lente, para poder ver las estampas. ["Gravé par Balth. Frederic Leizelt ; Fontaine Pinx."] . ["Se vend a Augsbourg au Negoce comun de L'Academie Imperiale d'Empire avec privilege de Sa Majesté Imperiale [.]."] . Papel algo arrugado y algunas manchas de óxido en zona superior. Formato (cm): 40x30.

12-1/2 x 17 inches. 12-1/2 x 17 inches. Each bordered in green paper. Edges lightly rubbed, else Very Good.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Abbildungen der Gemälde und Alterthümer - Siebter Teil is an unchanged, high-quality reprint of the original edition of 1793.Hans Elektronisches Buch is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hans Elektronisches Buch newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future. 468 pp. Englisch.

[etwas fleckig, links unten ein Einriß, der obere und untere Rand ist knapp beschnitten, sodaß die ursprüngliche Beschriftung fehlt). Ein Guckkastenbild ist ein optischen Druck, auch "vue optique" oder "vue d'optique" genannt, der für die Betrachtung durch ein Zograscope, oder entsprechende andere Apparate, hergestellt wurde, mit denen die optische Illusion räumlicher Tiefe erzeugt wird. ----------------------------------------------------------------------------------------- ------------------------------------------------------------ ------------------------------------------------------------ ----------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland.

Kupferstich altkoloriert von Balthasar Frederic Leizelt nach J. A. Gmeinder, Ansicht 28 x 40 cm, in Goldleiste unter Glas gerahmt 47 x 58 cm, Blatt etwas gebräunt, schönes dekoratives Blatt, [Schefold, Württemberg; 6265 mit Abb. 229].- Blatt Nr. 2 aus der vierteiligen Folge von Ravensburger Guckkastenblättern.- Gegenüber des Rathauses und des Waaghauses steht das um 1400 erbaute und 1513 vergrößerte Lederhaus; es diente einst den Schuhmachern, Sattlern und Gerbern als Marktgebäude.- * * * BTC on-chain & lightning accepted * * * due to EPR-Restrictions NO SHIPPING to Bulgaria, Danmark, Greece, Luxembourg, Poland, Portugal, Romania, Sweden, Slovakia and Spain * * *.

Kupferstich altkoloriert von Balthasar Frederic Leizelt nach J. A. Gmeinder, Ansicht 28 x 41 cm, in Goldleiste unter Glas gerahmt 47 x 58 cm, Blatt etwas gebräunt, schönes dekoratives Blatt, Rahmen an der oberen Kante mit kleiner Bestossung, [Schefold, Württemberg; 6261].- Blatt Nr. 3 aus der vierteiligen Folge von Ravensburger Guckkastenblättern.- Die Liebfrauenkirche, erbaut zwischen 1279 und 1360, ist die zweitälteste Pfarrkirche in Ravensburg am nördlichen Eingang zur Altstadt. Sie war im Mittelalter dem Kloster Weingarten inkorporiert.- * * * BTC on-chain & lightning accepted * * * due to EPR-Restrictions NO SHIPPING to Bulgaria, Danmark, Greece, Luxembourg, Poland, Portugal, Romania, Sweden, Slovakia and Spain * * *.