Lieberman Max (74 results)

Wraps. Condition: EXCELLENT. First Edition.

Wraps. Condition: Near Fine. First Edition. A beautiful copy with ever-so-slight signs of age, as usual.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Dunbar, Max (illustrator).

Softcover, 64 pages, very good condition, light edgewear to covers; no internal marks. Foreign shipping may be extra.

Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

First edition. 63 pp w/catalogue of the exhibition & bibliography. Small corner crease and faint beverage ring to front cover, else near fine in printed wrappers.

Wraps. Condition: EXCELLENT. First Edition. Book.

Wraps. Condition: Near Fine. First Edition. A beautiful copy with ever-so-slight signs of age, as usual. Book.

Trade Paperback. Condition: New. No Jacket. Dunbar, Max (illustrator). New Graphic Novel.

Condition: Fair. Acceptable condition. (max ernst, exhibitions, surrealism ) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. …

Paperback. Condition: Very Good. DYNAMITE 2013. FIRST EDITION AND PRINT. UNREAD COPY, BINDING TIGHT. SHELF WEAR/ SCUFFS ON COVERS. Dunbar, Max (illustrator).

Trade Paperback. Condition: Very Good. First Edition. Museum catalog for exhibit. Trade paperback, 63 pages, minor foxing, mostly to edges of title page. Otherwise, clean and tight, near fine. Book.

Softcover, 54 pages, in German, very good condition except clear tape around bottom of spine; no internal marks.

Paperback. Condition: Very Good. Reprint. Tipped in color frontis. Binding tight and straight, Inner pages crisp and clean.

First Edition. First edition. Softcover. 63 pages. Exhibition catalog for a show at The Museum of Modern Art. Includes a tipped in color frontispiece and numerous black and white illustrations, checklist, and a selected bibliography. A near fine copy in wrappers.

Soft cover. Condition: Very Good. 2nd Edition. 28 pages. Paperback. Texts in English. Scuffing and soiling to the covers, with the original price label still remaining on rear cover. But the binding is tight, the spine uncreased, the interior clean and unmarked. Bound in stiff printed paper covers and published on the occasion of the exhibition that began in Edinburgh in 1975 and ended in London in 1976. Book.…

Soft cover. Condition: Very Good. 160pp paperback, rear cover scuffed else very good.

Paperback. Condition: Very Good+. Book is in Very Good condition. "An Informal Life of M. E. (as told by himself to a young friend) " is the Introductory section giving chronological events of the artist. Profusely illustrated with color and black & white paintings (tipped-in color frontispiece). ; Square 8vo 8" to 9" tall; 63 pages. …

Soft cover. Condition: Fine. Soft cover, 63pp, 8vo. Exhibition catalogue. Fine condition.

Paperback. Condition: Near Fine. 1st. 63 pages, illustrations; 22 cm. Exhibition held at the Museum of Modern Art, March 1 to May 7, 1961; Art Institute of Chicago, June 16 to July 23, 1961. Near fine. Firm binding, clean inside copy. Age toning. *** Landmark retrospective of the German dadaist-surrealist, who worked in the U.S. during World War II and into the fifties (in the southwest), before retiring to Paris. Vintage MoMA catalogue. Size: 8vo. Collectible.…

Original illustrated wrappers. Condition: Very Good. No Dust Jacket. First Edition; Second Impression. Some gentle scrapes to covers. Neat inscription with date in ink of previous owner - likely John Kenyon, the prominent British Castle historian.; Original illustrated wrappers. Contains maps as appendices. Max Liebermanâs *The March of Wales, 1067â"1300* examines the turbulent history of the Anglo-Welsh frontier following the Norman Conquest. It explores the powerful Marcher lords, their castles and territories, and their relationships with the Welsh princes and English crown. The book traces warfare, conquest, lordship and cultural exchange across medieval Wales.; Octavo; 146 pages.…

Couverture souple. Condition: Très bon. Un volume in 8, broché , 66 pages (pagination de 199 à 265 ).

Trade Paperback. Condition: Very good. Octavo (standard size). Slight wear to edges and corners of covers. Highlightingin yellow on a few pages in one chapter only. xv, 292 p. w/ footnotes, select bibliography, index.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. minor shelf wear only.

Condition: New.

Paperback. Condition: New. This book examines the making of the March of Wales and the crucial role its lords played in the politics of medieval Britain between the Norman conquest of England of 1066 and the English conquest of Wales in 1283. Max Lieberman argues that the Welsh borders of Shropshire, which were first, from c.1165, referred to as Marchia Wallie, provide a paradigm for the creation of the March. He reassesses the role of William the Conqueror's tenurial settlement in the making of the March and sheds new light on the ways in which seigneurial administrations worked in a cross-cultural context. Finally, he explains why, from c.1300, the March of Wales included the conquest territories in south Wales as well as the highly autonomous border lordships. This book makes a significant and original contribution to frontier studies, investigating both the creation and the changing perception of a medieval borderland.…

Condition: New.

Softcover. Condition: Very Good. Quarto. Illustrated exhibition catalog. Printed wrappers. Light toning, else near fine. From the library of the artists Ben Shahn and Bernarda Bryson Shahn, with an estate label designed by their son, Jonathan Shahn.

AK. The Museum of Modern Art, New York, March 1 - May 7, 1961 / The Art Institute of Chicago, June 16 - July 23, 1961. New York: Doubleday, 1961. Brown OPbd. 63 pages illustrated in black and white, with a color frontispiece tipped-in. - 21,5 x 21,5. * Copy previously owned by the "art aktuell"-editor and art journalist Willi Bongard (Köln / Cologne) with his signature and date ("65") on the flyleaf. - Fine copy .…