Lisa Brice (14 results)

Condition: New.

dvd. Condition: Used - Good.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: New. In.

Paperback. Condition: New.

dj. First Edition. Hardcover. First Edition. Published in conjunction with an exhibition held at Matthew Marks Gallery from May 8 through June 27, 2004. Fine in a Fine dust jacket.

Hardcover. Condition: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Rilegato. Condition: nuovo. prima edizione. Between 1981 and 1987 Marden made a series of 32 paintings on fragments of marble that he gathered on the Greek island Hydra, the location of several ancient marble quarries. These works are presented here for the first time, with an essay discussing their importance in the transition from the earlier monochromatic paintings to the more organic, calligraphic work that followed. Text by Lisa Liebmann. Published by Steidl/Matthew Marks Gallery. First Edition 2006. Pages: 88. Hardcover. Dimensions: 8.58 x 0.47 x 8.98 CONDITION: New, sealed.…

Condition: New. This volume provides a rare glimpse into the most intimate works of the internationally acclaimed artist Brice Marden. Twenty years ago, Marden produced a series of small and virtually unknown paintings on the Greek island of Hydra, which the artist first visited in 1971. Inspired by the island's ancient marble quarries, Marden created these private paintings in oil on marble fragments as tokens for friends and family. Between 1981 and 1987, the artist made a total of 32 paintings on marble, gathered together here for the first time in a single volume. The period coincided with changes in his publicly exhibited paintings. In 1987, the date of his last painting on marble, Marden presented the first public exhibition of his calligraphic paintings, as opposed to his earlier monochrome work. An essay by Lisa Liebmann here helps to contextualize that shift: According to the artist, the diagonal in the marble fragments helped serve as a stepping stone from rectilinear to more organic form.…

Broché. Condition: D'occasion - Très bon état. Couverture un peu frottée en bordure, légèrement jaunie, livre en très bon état général.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. Reviews by Richard Armstrong, Lisa Liebmann, Thomas Lawson, Donald Kuspit, Ronny H. Cohen, John Howell, Jeanne Silverthorne, Barbara Kruger, Charles Hagen, Kate Linker, Judith Russi Kirshner, Suzaan Boettger, Hal Fischer, Howard Singerman, Annelie Pohlen, Martha Fleming, Paul Groot, Lars Nittve, Stuart Morgan, Ida Panicelli, and Luciana Rogozinsky. Cover: Brice Marden.…

Paperback. Condition: Very Good. Dust Jacket Condition: Very Good. Paperback with very good dust-jacket. Clean and solid. Ships from a smoke-free home.

Third Revised Draft script for the 1978 film. Based on a story by producer Steve Krantz. Jennifer (Pelikan) is a young woman just entering a new private school, where the other students torment her to the breaking point. Her only course of action is revenge, which she enacts by communicating telepathically with snakes. A beautiful example of exploitation at its best, borrowing from both from its obvious antecedent, "Carrie" (1976), and another mind-over-animal film, "Willard" (1971), where rats became tools of justice. Green titled wrappers. Title page present, dated October 26, 1977, noted as THIRD REVISION, with credits for screenwriter Johnson and story writer Krantz. 118 leaves, with last page of text numbered 102. Xerographically reproduced. Pages Near Fine, wrapper Very Good plus, bound with three gold brads. Muir 1970s.…

A screenprint after an original oil painting on paper of Frida Kahlo painted in 2019. Edition of 60. Screenprint in 15 colours on Somerset Velvet Warm White 400 gsm hot pressed paper. Initialled lower right by Brice, numbered lower left. Sheet size: 42 x 30 cm. Framed size: 498 x 378 mm. Presented in a black stained frame with conservation acrylic glazing. Excellent condition.…