Lorieux F B (11 results)

OriginalKupferstich von 1782-1822 aus der Erstausgabe "Voyage Pittoresque de la Grece" von Marie-Gabriel-Florent-Auguste de Choiseul-Gouffier. -- Bild-Maße: ca. 16 x 22 cm. -- gut erhalten. || Original engraving from 1782-1822 out of Marie-Gabriel-Florent-Auguste de Choiseul-Gouffier's "Voyage Pittoresque de la Grece". - in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.…

OriginalKupferstich von 1782-1822 aus der Erstausgabe "Voyage Pittoresque de la Grece" von Marie-Gabriel-Florent-Auguste de Choiseul-Gouffier. -- Blattmaße: ca. 20 x 28 cm. -- gut erhalten. || Original copper engraving from 1782-1822 out of Marie-Gabriel-Florent-Auguste de Choiseul-Gouffier's "Voyage Pittoresque de la Grece". - in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.…

Condition: Good. Engraving. 37 x 24 cm. (sheet). A proof before the text below the title. Sheet mounted at corners to support sheet. Very Good. Sheet trimmed. Light foxing throughout.

Original 1810 engraving in black, uncolored, with the ruined Tower of St. John of Amposta Castle (Tarragona) above the Ebro and the lateen-sailed boats. An impression from Laborde's Voyage pittoresque; at the foot, the place name Amposta in the three languages of the work: Spanish, French and English. The castle, of Andalusi origin and later the head of the Castellany of Amposta of the Order of St. John, retains its defensive tower and part of the enclosing wall. Medium: Copper engraving. Artist / after: Jacques Moulinier (1753-1828). Engraver: F. B. Lorieux. Date: 1810-1811. Source: Alexandre de Laborde, Voyage pittoresque et historique de l'Espagne. Dimensions: Plate mark 8.7 x 11.8 in (22 x 30 cm). Condition: Good, with light cockling of the paper. Mounted in a mat. Español Grabado original de 1810 en negro, sin colorear, con la torre de San Juan del castillo de Amposta (Tarragona) arruinada sobre el Ebro y las barcas de vela latina. Grabado del Voyage pittoresque de Laborde; al pie, el topónimo Amposta en las tres lenguas de la obra: español, francés e inglés. El castillo, de origen andalusí y después cabeza de la castellanía de Amposta de la Orden de San Juan, conserva la torre de defensa y parte de la muralla de cierre. Técnica: Grabado calcográfico. Autor / dibujante: Jacques Moulinier (1753-1828). Grabador: F. B. Lorieux. Fecha: 1810-1811. Procedencia: Alexandre de Laborde, Voyage pittoresque et historique de l'Espagne. Medidas: huella 22 x 30 cm. Estado de conservación: buena, con leves ondulaciones del papel. Montado en passepartout. Antigüedades y coleccionables > Arte. Lorieux, F. B. (illustrator).…

Original 1810 engraving of the entrance to the monastery of Poblet (Tarragona): the two towers of the Royal Gate flanking the entrance arch and the crenellated curtain wall. An impression from Laborde's Voyage pittoresque. Poblet appears here intact, a quarter of a century before the suppression and sacking of 1835. Medium: Copper engraving, etching and burin. Artist / after: Ligier. Engravers: Jean-Jérôme Baugean (Marseille, 1764-1819; signed "Beaujan") (etching) and F. B. Lorieux (burin). Date: 1810-1811. Source: Alexandre de Laborde, Voyage pittoresque et historique de l'Espagne. Dimensions: Plate mark 9.1 x 12.6 in (23 x 32 cm). Condition: Small foxing spots in the margins; image clean. Mounted in a mat. Español Grabado original de 1810 con la entrada al monasterio de Poblet (Tarragona): las dos torres de la Puerta Real flanqueando el arco de acceso y el lienzo almenado de la muralla. Grabado del Voyage pittoresque de Laborde. Poblet aparece aquí intacto, un cuarto de siglo antes de la exclaustración y el saqueo de 1835. Técnica: Grabado calcográfico, aguafuerte y buril. Autor / dibujante: Ligier. Grabadores: Jean-Jérôme Baugean (Marsella, 1764-1819; firma «Beaujan») (aguafuerte) y F. B. Lorieux (buril). Fecha: 1810-1811. Procedencia: Alexandre de Laborde, Voyage pittoresque et historique de l'Espagne. Medidas: huella 23 x 32 cm. Estado de conservación: pequeñas manchas de óxido en los márgenes; imagen limpia. Montado en passepartout. Antigüedades y coleccionables > Arte. Lorieux, F. B. (illustrator).…

Original 1810 engraving with original hand coloring showing the Tower of St. John of Amposta Castle (Tarragona), in ruins beside the Ebro, with lateen-sailed boats running downriver. An impression from Laborde's Voyage pittoresque; the caption gives only the place name: Amposta. The castle, a fortress of Andalusi origin and later the head of the Castellany of Amposta of the Order of St. John, retains remains of its defensive system, of the tower and of the enclosing wall. Medium: Copper engraving, hand-colored. Artist / after: Jacques Moulinier (1753-1828). Engraver: F. B. Lorieux. Date: 1810-1811. Source: Alexandre de Laborde, Voyage pittoresque et historique de l'Espagne. Dimensions: Plate mark 8.7 x 11.8 in (22 x 30 cm). Condition: Good. Mounted in a mat. Español Grabado original de 1810 coloreado a mano de época con la torre de San Juan del castillo de Amposta (Tarragona), en ruinas junto al Ebro y con las barcas de vela latina navegando río abajo. Grabado del Voyage pittoresque de Laborde; al pie, sólo el topónimo: Amposta. El castillo, fortaleza de origen andalusí y después cabeza de la castellanía de Amposta de la Orden de San Juan, conserva restos del sistema defensivo, de la torre y de la muralla de cierre. Técnica: Grabado calcográfico coloreado a mano. Autor / dibujante: Jacques Moulinier (1753-1828). Grabador: F. B. Lorieux. Fecha: 1810-1811. Procedencia: Alexandre de Laborde, Voyage pittoresque et historique de l'Espagne. Medidas: huella 22 x 30 cm. Estado de conservación: buena. Montado en passepartout. Antigüedades y coleccionables > Arte. Lorieux, F. B. (illustrator).…

Original 1810 engraving with hand coloring of the Serranos Gate in Valencia, the principal fortified gate of the medieval wall, seen from outside more than half a century before the enceinte was pulled down. From Alexandre de Laborde's Voyage pittoresque. Raised at the end of the 14th century by Pere Balaguer, it combines two polygonal towers with a central block carrying a great pointed arch beneath an openwork Gothic gallery; it served as the monumental entrance to the city and as the setting for royal receptions. Medium: Etching and engraving, hand-colored. Artist / after: Ligier (Liger). Engraver: Etched by Réville, engraved by F. B. Lorieux. Date: 1810. Source: Alexandre de Laborde, Voyage pittoresque et historique de l'Espagne (Paris, 1806-1820). Dimensions: Image 9.3 x 13.9 in (23.5 x 35.4 cm). Condition: Bright, well-preserved coloring. The paper is somewhat cockled and shows signs of use. Mounted in a mat, which covers the margins of the sheet. Español Grabado original de 1810 coloreado a mano con la Puerta de Serranos de Valencia, la principal de las puertas fortificadas de la muralla medieval, vista desde el exterior más de medio siglo antes del derribo del recinto. Procede del Voyage pittoresque de Alexandre de Laborde. Levantada a finales del siglo XIV por Pere Balaguer, combina dos torres poligonales con un cuerpo central de gran arco apuntado bajo una galería gótica calada; sirvió de entrada monumental de la ciudad y de escenario para los recibimientos reales. Técnica: Aguafuerte y buril, coloreado a mano. Autor / dibujante: Ligier (Liger). Grabador: aguafuerte de Réville, buril de F. B. Lorieux. Fecha: 1810. Procedencia: Voyage pittoresque et historique de l'Espagne, de Alexandre de Laborde (París, 1806-1820). Medidas: imagen 23,5 x 35,4 cm. Estado de conservación: Color vivo y bien conservado. El papel presenta cierta ondulación y signos de uso. Montada en passepartout, que cubre los márgenes de la hoja. Antigüedades y coleccionables > Arte. Lorieux, F. B. (illustrator).…

Original engraving by Alexandre de Laborde, hand-colored, about 1810, with the general view of Merida from the Guadiana: the Roman bridge reaching toward the town and the Moorish Alcazaba closing it to the south, the towers rising above the rooftops. From the Voyage pittoresque et historique de l'Espagne, the most ambitious publishing venture devoted to Spain: four large folio volumes with more than nine hundred prints, the fruit of Laborde's journeys through the Peninsula between 1800 and 1805. Drawing by Ligier, engraved by F. B. Lorieux, title at the foot in Spanish, French and English. Medium: Copper engraving, hand-colored. Artist / after: Ligier. Engraver: F. B. Lorieux. Date: c. 1810. Source: Alexandre de Laborde, Voyage pittoresque et historique de l'Espagne. Dimensions: Plate mark 12.2 x 15.9 in (31 x 40.5 cm), height x width, with wide margins. Condition: Good overall, the image clean; scattered foxing in the margins, chiefly at the upper left and lower right corners. Español Grabado original coloreado a mano de Alexandre de Laborde, hacia 1810, con la vista general de Mérida desde el Guadiana: el puente romano tendido hacia la ciudad y la Alcazaba árabe cerrándola por el sur, con las torres asomando sobre el caserío. Procede del Voyage pittoresque et historique de l'Espagne, la empresa editorial más ambiciosa dedicada a España: cuatro volúmenes en gran folio con más de novecientas ilustraciones, fruto de los recorridos de Laborde por la Península entre 1800 y 1805. Dibujo de Ligier, talla de F. B. Lorieux y título al pie en español, francés e inglés. Técnica: Grabado calcográfico (talla dulce), coloreado a mano. Autor / dibujante: Ligier. Grabador: F. B. Lorieux. Fecha: h. 1810. Procedencia: Alexandre de Laborde, Voyage pittoresque et historique de l'Espagne. Medidas: Huella 31 x 40,5 cm (alto x ancho), con márgenes amplios. Estado de conservación: Buen estado general, imagen limpia; manchas de óxido dispersas en los márgenes, sobre todo en el ángulo superior izquierdo y en el inferior derecho. Antigüedades y coleccionables > Arte Huella 31 x 40,5 cm (alto x ancho), con márgenes amplios. Lorieux, F. B. (illustrator).…

No Binding. Condition: Fair. Portrait of Jean-Marie Mellon Roger, dit Valhubert. Born 22 October 1764 in Avranches, France. Died 3 December 1805 in Slavkov u Brna (Austerlitz), Czech Republic. Etching and Engraving by F.B. Lorieux (fl. 1786-1810), after Louis Lafitte (1770?1828), c. 1820. Reasonable condition. Paper with overall, but minor spotting. Verso: blank. Note: portrayed dieing at the Battle of Austerlitz, 3 December 1805. Note: with French text below the print. The dimensions reflect the image only. Dimensions: 88 x 133 mm. Jean-Marie Mellon Roger, dit Valhubert was Military leader, Served in the French Revolutionary Wars, Served in the Napoleonic Wars, Brigadier general, His name is engraved on the Arc de Triomphe in Paris, and Commander of the Legion d'honneur. c. 1820. Print.…

No Binding. Condition: Fair. Portrait of Louis Florentin Berteche. Born 14 October 1764 in Sedan, France. Died 29 December 1841 in Iges, France. Etching and Engraving by F.B. Lorieux (fl. 1786-1810), after Jacques Francois Joseph Swebach-Desfontaines (1769-1823), c. 1810. Reasonable condition. Paper slightly browned, with some staining, mainly affecting the margins. Verso: blank. Note: with French text below the print. The dimensions reflect the image only. Dimensions: 90 x 131 mm. Louis Florentin Berteche was Mayor, Military leader, Colonel, Knight of the Legion d'honneur, Colonel of the French Army during the French Revolutionary Wars, and Mayor of Iges. c. 1810. Print.…

THE BEACH AT SCHEVENINGEN "La Plage de Schevelingen", copper engraving made in 1803 by F.B. Lorieux after a drawing by Jacques François Swebach-Desfontaines, itself based on the painting Carriage on the Beach at Scheveningen of 1660 by Adriaen van de Velde (16361672). The print was published in Paris as part of the monumental print series Le Musée français, issued by Robillard-Péronville and Pierre Laurent. Coloured by a later hand. Size (image) approx. 23.5 × 33 cm; (frame) 47 × 53.5 cm. An impressive carriage drawn by six white horses makes its way across the broad beach at Scheveningen. A postilion mounted on one of the leading horses guides the team, while the coachman raises his whip. To the left, a servant runs after two dogs playing in the sand. The luxurious carriage provides a striking contrast with the everyday life of the fishermen and villagers around it: people stroll along the beach, children play, and in the foreground a shrimp fisherman returns from his catch carrying a large scoop net. Farther away, fishing boats lie near the shore. On the right, the wooden Kalhuis and the church tower of Scheveningen mark the transition from beach to village. Since the eighteenth century, the carriage has been associated with the young Prince William III of Orange (16501702), who was ten years old when the painting was made and would later become Stadholder of the Dutch Republic and King of England, Scotland and Ireland. The identification is not certain, however. The Louvre, where the original painting is now held, cautiously describes it as the carriage of a nobleman, possibly that of the Prince of Orange. In any event, the prominent depiction of a six-horse carriage clearly emphasises the high status of its occupants. As in several of Van de Velde's beach scenes, the horizon is remarkably low. Most of the composition is occupied by a luminous, animated expanse of clouds, while human activity unfolds in a narrow strip below. In the seventeenth century, the beach at Scheveningen was not only the workplace of fishermen but also a popular destination for affluent visitors from The Hague. Van de Velde brings these two worlds together here: fishing and everyday village life on the one hand, and the fashionable seaside recreation of the elite on the other. The original painting also has an interesting provenance. In 1784, it was purchased at the sale of the collection of the Comte de Vaudreuil for King Louis XVI, and thus entered the French royal collection even before the French Revolution. When the Muséum opened at the Louvre in 1793, the painting was already on display there, at the time under a title that explicitly associated the carriage with the Stadholder. When Le Musée français began reproducing the most important works in the national collection in print from 1803 onwards, Van de Velde's Scheveningen beach scene was included as well. The painting remains in the Louvre to this day. Price: Euro 450,- (incl. frame).…