Mannering Eva (65 results)

Unknown. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Fine. Dust Jacket Condition: Fine. White stiff card covers, unpaged, 28 leaves, 9.5 in. tall. A collection of 24 full page bird prints without descriptive text. Essay is in French. Dust jacket has a John Gould print on front panel. Fine in a fine dust jacket.

Hardcover. Condition: Very Good. No Jacket. P J REDOUTE (illustrator). 1st Edition. Illustrated paper covered boards,245 x 180 mm approx. 12 pp being a 4 page introduction by Eva Mannering and 3 page original preface by Redoute + 22 colour plates. First Edition 1964. Please see our images of the actual book offered for sale for further details and condition. Very Good/ no dust jacket (Book- mild general shelf wear to extremities, no previous owner name or insc. Binding sound with no other notable defects).

Trade Paperback. Condition: Very Good. No Jacket. First Edition. 8vo - over 7¾" - 9¾" Very good paperback in jacket (minor wear to edges). The color reproductions are very well done. From the library of noted American poet Denise Levertov with her ink stamp.Color Plates.

hardcover. Condition: Good.

First edition, 12 pp. and 24 colour plates, bound in decorated cardboard. Some wear on boards, interior fine. 24. 18 cm.

XVI mit Abb. u. 24 Tafeln mit farb. Abb. Sehr gutes Exemplar. Pergamin umschl. etw. abgerändert. Sprache: Deutsch Fol., Orig.-Leinen mit ill. Orig.-Schutzumschlag u. Pergamin-Umschlag.

Paperback. Condition: Very good. Dust Jacket Condition: very good. First edition thus. Selected and Introduced by Mannering. Folio. Stiff card covers, with dark gray lettering on white front cover. Illustrated dust-jacket has edge wear and a short tear at bottom crease of front flap. No names or marks. Due to size, international shipping at cost.

Soft cover. Condition: Good. 1st. lacking dust jacket, soiling to covers. Contains 24 color plates, printed one-side only, each 16 x 11 inches. [40pp] 1.64lb 16.0x11.7x0.3in.

SOFTCOVER, elephant folio, white light card wrappers, black lettering to spine & front wrapper, decorated prelims, xvi + coloured plates- not counted presumed all present, VG+ (light creasing to spine, light tanning & scuffing to wrapper edges, sl soiling to wrappers, moderate tanning to page edges & eps, contents nice and clean) in d/w, VG (in brittle/chipped delicate & tanned glassine cover- easily removed if desired, light to moderate creasing & chipping to edges, light staining to bottom edges, occasional foxing & tanning).

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. xvi including a decorative title page and 29 colour plates. Book is in excellent condition and the contents are very clean. Dust jacket is a little soiled and has edge wear and some small tears.

Soft cover. Condition: Very Good. 1st Edition. 1959, First Edition. Softback. Large Folio. 12" x 16" approx. xvi, followed by the 29 full-page colour plates. Original card covers, in the printed dust jacket, some spotting and foxing. Minor edge wear and creasing. Tear to lower corner of jacket spine. Clean and bright within. A 'Very Good' copy.

Quarto; hardcover, decorated papered boards with upper board titles; 12pp., with 23pp. of colour plates. Mild wear; mild wear to the board edges; some spotting to the text block edges; mild offset to the endpapers; previous owner's name in ink to the half-title page. Dustwrapper is mildly rubbed; edgeworn with a few small tears and associated creasing; spotted on the verso; now backed by archival-quality white paper and professionally protected by superior non-adhesive polypropylene film. Very good. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight.

Hardcover. Folio, 40,5 x 29,5 cm. Originaler hellblauer Leinenband mit goldgeprägten Einbandtitel und lilafarbenem Rückenschild. Der Einband ist etwas randbestoßen und stellenweise schwach fleckig. XV Seiten Text, gefolgt von 15 farbigen Tafeln. Eine kleine Schadstelle im Vorderdeckel zieht sich als 1 cm langer feiner Einriss über alle Textseiten, bis über etwa die Hälfte der Tafeln. Vortitelblatt mit dreizeiliger privater Widmung in schwarzem Stift, die Textseiten sind an wenigen Stellen schwach randfleckig. Insgesamt noch gut erhaltenes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K00770B.

Condition: fine. 1966, hardcover met stofomslag. De stofomslag heeft twee scheurtjes aan de onderzijde en er is een korte boodschap voorin geschreven.

False (illustrator). In folio grande, pp. XIV, 23 grandi tavole a colori che riproducono le rose di Pierre-Joseph Redouté pubblicate tra il 1817 e il 1824, brossura editoriale figurata a colori e sovraccop. in velina.

Paperback. Condition: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Dust cover in fair condition given age. Tear to edges due to use. Spine in good condition. Cover in good condition.Pages, text and illustrations in good condition.Binding in good condition. Contains 24 color plates, printed on one-side only.

Paperback. Condition: Good. First Edition. the covers are shelf rubbed. foxing and markings on the covers and contents. all plates remain intact, vibrant and presentable. fairly good copy. [SK]. Our orders are shipped using tracked courier delivery services.

Hardcover. Condition: Very Good. 1st Edition. Full of colour plates from Pierre Joseph Redoute.

Condition: New.

Condition: New.

1st edition. Good copy in the original French wrappers; edges somewhat nicked and dust-dulled as with age. Remains quite well-preserved overall. Physical description; 14 p. : ill. (18 col. plates) ; 41 cm. Contents; Johann Jacob Walther.--Georg Dionysius Ehret.--Pierre-Joseph Redouté.--James Andrews.--C. C. Sowerby.--Mrs. Withers.--Paul Jones.--Carlos von Riefel.--Margaret Stones. Subjects; Walther, Johann Jacob (1650-1717). Ehret, Georg Dionysius (1708-1770). Redouté, Pierre Joseph (1759-1840). Andrews, James (c.1801-1876). Sowerby, Charlotte Caroline (c1830-1880). Withers, Augusta Joanna Elizabeth Innes (c.1791-1876). Jones, Paul (1921- ). Riefel, Carlos (1903- ). Stones, Margaret (1920- ). Flowers. Botanical illustration. 3 Kg.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New. When Viking Age house interiors are reconstructed, the focus is usually on the fireplace and the placement of tables, benches and beds. These features help us understand how people lived. However, we often forget that textiles, such as blankets, sheets, tablecloths and wall hangings, were also important in everyday life. Textiles were used for comfort, cleaning and decoration, and they helped tell stories as well as signal a person's or family's social status. Most Viking Age textiles that have survived are found in graves. These include not only clothing but also bedding, pillows and fabrics used to wrap objects. A burial can be seen as a kind of room for the dead, filled with items that reflect how people lived and what they valued. Because of this, grave finds are important when discussing the interior textiles used in Viking Age houses. Wall hangings are mentioned as status symbols in the Icelandic sagas, and examples from the late Viking Age and early medieval period have been found and preserved in churches, giving us insight into their use and value. Old Norse texts also mention soft furnishings such as tablecloths and handcloths, and the use of interior textiles can be seen on the Bayeux embroidery. Other types of iconography, such as on rune stones and picture stones, help us understand how interior textiles may have been used. By combining information from textiles, written sources and iconography, and by applying different approaches, the chapters in this book offer various perspectives on how interior textiles were used in the Viking Age, why they were needed and how valuable they were.

Condition: As New. Unread book in perfect condition.

Condition: Very Good. 4to., pp.xxii,306, glazed hardcover, b/w illustrations and photos, colour plates; slight shelfwear to boards, a very good, clean copy.

Condition: New.

Hardback. Condition: New. When Viking Age house interiors are reconstructed, the focus is usually on the fireplace and the placement of tables, benches and beds. These features help us understand how people lived. However, we often forget that textiles, such as blankets, sheets, tablecloths and wall hangings, were also important in everyday life. Textiles were used for comfort, cleaning and decoration, and they helped tell stories as well as signal a person's or family's social status. Most Viking Age textiles that have survived are found in graves. These include not only clothing but also bedding, pillows and fabrics used to wrap objects. A burial can be seen as a kind of room for the dead, filled with items that reflect how people lived and what they valued. Because of this, grave finds are important when discussing the interior textiles used in Viking Age houses. Wall hangings are mentioned as status symbols in the Icelandic sagas, and examples from the late Viking Age and early medieval period have been found and preserved in churches, giving us insight into their use and value. Old Norse texts also mention soft furnishings such as tablecloths and handcloths, and the use of interior textiles can be seen on the Bayeux embroidery. Other types of iconography, such as on rune stones and picture stones, help us understand how interior textiles may have been used. By combining information from textiles, written sources and iconography, and by applying different approaches, the chapters in this book offer various perspectives on how interior textiles were used in the Viking Age, why they were needed and how valuable they were.

Hardback. Condition: New. When Viking Age house interiors are reconstructed, the focus is usually on the fireplace and the placement of tables, benches and beds. These features help us understand how people lived. However, we often forget that textiles, such as blankets, sheets, tablecloths and wall hangings, were also important in everyday life. Textiles were used for comfort, cleaning and decoration, and they helped tell stories as well as signal a person's or family's social status. Most Viking Age textiles that have survived are found in graves. These include not only clothing but also bedding, pillows and fabrics used to wrap objects. A burial can be seen as a kind of room for the dead, filled with items that reflect how people lived and what they valued. Because of this, grave finds are important when discussing the interior textiles used in Viking Age houses. Wall hangings are mentioned as status symbols in the Icelandic sagas, and examples from the late Viking Age and early medieval period have been found and preserved in churches, giving us insight into their use and value. Old Norse texts also mention soft furnishings such as tablecloths and handcloths, and the use of interior textiles can be seen on the Bayeux embroidery. Other types of iconography, such as on rune stones and picture stones, help us understand how interior textiles may have been used. By combining information from textiles, written sources and iconography, and by applying different approaches, the chapters in this book offer various perspectives on how interior textiles were used in the Viking Age, why they were needed and how valuable they were.