Maria Friedlander (21 results)

First Edition. First edition. Hardcover. A collection of over 150 duotones images by Friedlander and with an afterword by Maria Friedlander. A fine copy in boards with a cloth spine and a black and white image affixed to the front cover. As new and still in the publisher's shrinkwrap.

Hardcover without dustjacket as issued; unpaginated with 192 illustrations; good condition; pages very rubbed / handled on right edge; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Very Good. Book has light rubbing and smudging to covers, light bumps to corners, faint toning to edges of pages. otherwise in very good condition, strong binding, clean and unmarked text and pictures; some light signs of aging but an overall sturdy, handsome copy.

Condition: Very good.

Condition: New condition. First edition. Collection of over 150 duotones images by Friedlander and with an afterword by Maria Friedlander; In boards with a cloth spine and a black and white image affixed to the front cover.

Hardcover. Condition: About fine. Dust Jacket Condition: About fine. Bellocq, E.J. / Friedlander,Lee / Sontag, Susan (illustrator). Hardcover with complete Dj. Large sq. 4to. 83pp. All full page doutone paltes. Clean, unmarked and square.

Exemplaire en très bon état - Couverture et intérieur très propres - Envoi rapide et très soigné en lettre suivie - Ouvrage totalement épuisé chez l'éditeur - réf n° GB - 210224.

Addis Ababa, Shama Books, 2007. 266 pp. 173 col.ills. Softcover. Good. [165464].

Hardcover. Condition: New. 1st Edition. First edition, first and only printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Burgundy-color velvet-covered boards, with plate tipped in debossed front cover, no dust jacket as issued. Photographs by Lee Friedlander. Introduction by Peter Galassi. Afterword by Maria Friedlander. 56 pp., with 48 duotone four-color plates, beautifully printed on fine matte art paper by Oceanic Graphic Productions. 12 x 11-1/4 inches. This first edition was limited to 2000 copies. Out of print. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's shrink-wrap (slit open for signature). From the Introduction by Peter Galassi: "Photography likes sculpture. It likes to see how things look from different angles, especially things that don't move. It likes light falling on surfaces and the way the two become one in the picture. . . Above all, it likes the way photography, which makes living figures still, awakens figures frozen in stone." From the publisher: "The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the splendidly ornate display of sculptures erected in their memory. Carved from inanimate lumps of stone, these memorials have become more than the monumental tributes they were originally commissioned to be. Now feathered with a gentle coat of dust, each appears to have taken on a life of its own and out of the melancholy of death comes the comforting notion of a presence that will remain. This series of photographs by the inestimable Lee Friedlander will certainly delight with its beauty; it may also surprise with its warmth, and its sense of immortality. Superbly printed in duotone on matte art paper, and bound in rich velvet, Staglieno is published in an edition of 2,000 copies. Introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York." Signed by Author. Signed.

Hardcover. Condition: As New. Hardback; published w/o jacket (decorative boards); SIGNED by artist under inscription; unmarked; no bent/torn pp.; boards excellent. Signed by Author.

Encuadernación de tapa blanda. Condition: Muy bien. Dust Jacket Condition: Muy bien. el desierto es una exposición de imágenes y películas que confronta la fotografía del siglo XIX con un conjunto de proyectos por encargo ejecutados por diez artistas. Con motivo de la exposición, la Fondation Cartier pour l'art contemporain decidió adoptar un enfoque excepcional e invitó a seis artistas a viajar al desierto de Egipto, Malí, Australia y Estados Unidos, y a otros cuatro a "viajar" por imágenes del desierto. Artistas y colaboradores de la exposición: bill viola, Walter de María, Lee Friedlander, Baltasar Burkhard, Raymond Depardón, Batir Streuli, Andrei Ujica, Lara Baladí, Guillermo Eggleston, Yervant Gianikian, Anselmo Kiefer, Titouan Lamazou, miguel luz, Ángela Ricci Lucchi, Michael Rovner, Sir Wilfred Thesiger, Pablo Virilio.

Hardcover. Condition: As New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed by Friedlander on the title page. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. Foreword by Maria Friedlander. Afterword by R.B. Kitaj. 120 pp. with 94 duotone plates, beautifully printed by Meridian Printing, Rhode Island from separations made by Thomas Palmer. 9-3/4 x 9-3/4 inches. This first edition was limited to 1080 hardbound copies. Out of print. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). "A great photograph is like a great translation, which gives you a little something of a more gorgeous original. It's a short-lived illusion glancing my day. That's why we place photos of loved ones around the house. They escape the tomb, don't they? We read and reread them into a spectral life." --R.B. Kitaj. "I can sympathize with Kitaj that at times he would wish to look better in a certain photo, to be rendered differently. But there we are, both Kitaj and myself, I for more than forty years and Kitaj for over thirty, accepting ourselves as subjects for a photographer we trust." --Maria Friedlander From the publisher: "An intimate friendship of more than three decades is chronicled here, along with the aesthetic evolution of two major American artists. R.B. Kitaj's unusual, handsome, troubled, charismatic face has been a rich subject for Lee Friedlander's camera since the two artists became friends in 1970, when both were teaching at the University of California, Los Angeles. Kitaj begins and ends with photographs shot in Los Angeles, and the artist's passage from raw and vigorous young man to grizzly, white-haired prophet is charted through more than 90 images. A frank and moving series of images from 1994, focused on Kitaj during the days following his wife Sandra's sudden and unexpected death, achieve a disarming intimacy that could only have been the result of a deep and trusting friendship. Kitaj includes a reminiscence by Kitaj himself as well as an introduction by Friedlander's wife, Maria." Signed by Author. Signed.

Hardcover. Condition: New. 1st Edition. First edition, first printing. Signed in black ink on the title page by Friedlander. Hardcover. Black matte paper-covered boards with tipped-in black-and-white plate and title stamped in gray on cover, with rust cloth-covered spine; no dust jacket as issued. Photographs by Lee Friedlander. Afterword by Maria Friedlander. Includes a list of plates and an illustrated overview of JGS activities in the arts. Unpaginated (96 pp.), with 157 duotone plates and additional illustrations. 12 x 9-1/2 inches. New (from Friedlander's personal archive). From Nazraeli Press: "Witness Number 6 provides a portrait -- in 157 photographs by Lee Friedlander, and accompanying essay by Maria Friedlander -- of the sculptor Raoul Hague. The Friedlanders knew Hague for over two and a half decades, and their deep fondness for, and mutual trust with, the Armenian-born sculptor comes through in every image and word of this gorgeous addition to JGS's Witness series." From the text by Maria Friedlander: "Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and worked. To enter Hague's cabin was entering his universe. It was not simply a dwelling and a studio but a carefully organized way of life, a reflection of an esthetic ideal. All he did, whether work or pleasure, was driven by this ideal, which he created for himself and carried out without compromise. Hague was the quintessential storybook artist." Signed by Author.

Hardcover. Condition: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in ink on the half-title page by Friedlander. Hardcover. Full red cloth-covered boards, with offset reproduction mounted on the front cover; title stamped in blue and white on cover and spine; no dust jacket as issued. Photographs by Friedlander. Introduction [all texts in English] by Ignacio Baeza. Essay by Carlos Gollonet. Additional text "How He Sees" by Nicholas Nixon. An interview with Maria Friedlander by Jeffrey Fraenkel. Also includes a chronology compiled by Giancarlo T. Roma. Design and typography by Katy Homans. Binding by Superior Bindery. 384 pp., with numerous duotone plates, printed by Brizzolis, from separations made by Museoteca. 12 x 10 inches. Published on the occasion of the exhibition "Lee Friedlander" at Fundación MAPFRE, Madrid, October 1, 2020 to January 10, 2021 (traveled to C/O Berlin and Centro de Cultura Antiguo Instituto, Gijón). New (from Friedlander's personal archive). From the publisher: "One of the masters of contemporary photography, Lee Friedlander has dedicated his career to the documentation of everyday life in the United States. His images are characterized by a composition that utilizes the urban geometry of storefronts and street signs and later car windows and telephone poles as a framing technique. This catalog, published in conjunction with a retrospective organized by the Fundación MAPFRE in Madrid, surveys the wide scope of Friedlander's career from the 1960s to today. High-quality reproductions of all of the exhibited works are supplemented by text written by curator Carlos Gollonet and photographer Nicholas Nixon. The volume serves as a comprehensive guide to Friedlander's body of work, with personal insight provided through an interview between Maria Friedlander and gallery director Jeffrey Fraenkel, as well as a chronology of the artist's life by his grandson Giancarlo T. Roma. Lee Friedlander was born in Aberdeen, Washington, in 1934, and studied photography at the Art Center College of Design in Pasadena, California. In 1956 he moved to New York City, which quickly became both the setting and subject of the majority of his work. Friedlander was represented alongside Diane Arbus and Garry Winogrand in the 1967 New Documents exhibition at the Museum of Modern Art, now understood as a landmark event in American documentary photography. Friedlander still lives and works in New York, and is represented by the Fraenkel Gallery." Signed by Author. Signed.

Hardcover. Condition: New. 1st Edition. SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). 2006-2013. First edition, first printing. Witness #1 is signed by Stephen Shore; Witness #7 is signed by Todd Hido. Eight volumes, sharing the following format: Hardcover. Black paper-covered boards with tipped-in plate on cover; no dust jacket as issued. Approximately 88 pp., with numerous four-color and black-and-white plates. 12 x 9-1/2 inches. All volumes New in publisher's shrinkwrap (volumes #1 and #7 slit open for signature). Witness #1: Signed by Stephen Shore. Photographs, text, editing and design by Stephen Shore. Additional photographs by Shannon Ebner, Jamie O'Shea and Laura Gail Tyler, selected by Shore from among his recent students at Bard College. Essay "11 Interesting Photography Books About Which Very Little is Known," by Martin Parr. Conversation with Shore by Jeff Rosenheim. Witness #2: Photographs, text and editing by Daido Moriyama. Additional photographs by Emi Anrakuji and Ken Kitano. Witness #3: Photographs, text and editing by Martin Parr. Additional photographs and text by Rob Hornstra, Mark Neville and Bart Sorgedrager. Additional photographs by Keizo Kitajama, Kohei Yoshiyuki and Osamu Kanemura. Essay by Susie Parr. Interview with Martin Parr by Gerry Badger. Witness #4: Photographs, text and editing by Eduardo del Valle and Mirta Gómez. Additional photographs and text by Tony Mendoza and Abelardo Morell. Additional text by Guillermo Cabrera Infante. Witness #5: Photographs, text and editing by Joseph Mills. Additional photographs by Mary DelPopolo and Norman Carr. Text by Paul Roth. Witness #6: Photographs by Lee Friedlander. Afterword by Maria Friedlander. Witness #7: Signed by Todd Hido. Photographs and text by Todd Hido. Additional photographs by Leon Borensztein. Witness #8: Photographs and text by Ed Kashi. Additional text by Julie Winokur. Signed by Author.

4°. 322 S. m. Abb. Ppbd. m. Schutzumschlag.

paperback. Condition: Sehr gut. Seiten; Sprache: Deutsch Gewicht in Gramm: 500.

Hardcover. Condition: New. No Jacket. 1st Edition. A MINT copy signed by Lee Friedlander 'To.with pleasure" No DJ as issued. Signed by Author(s).

Hardcover. Gr.-8° (22,8 : 17,8 cm). Original-Ganzleinenband mit weißgeprägtem Deckeltitel, etwas berieben. Vorderes Aussengelenk fast vollständig gerissen, hinteres schwach. Der Buchblock aber schön fest. (2), IV, 192 Seiten. Überwiegend sauber, der Buchschnitt etwas gebräunt, im Innenbereich mit wenigen Braunflecken. Auf dem Titel mit eigenhändigem Namenszug des Herausgebers Rudolf Pannwitz, verso mit eigenhändigem Namenszug des Nationalökonomen und Soziologen Alexander Rüstow. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! M12285.

Soft Cover. Condition: Good. Aguide to the paintings of the remote churches of Ethiopia. With illustrations by Bob Friedlander. Shama Books. S.l. 2007. De 24x17 cm. Com 267 págs. Brochado. Ilustrado a cores. Obra impressa sobre papel couché. Language: Inglês / English Location/localizacao: I-119-G-42.

73,97,39,61,37 S. mit Einbandzeichnungen Hln. der Zeit mit Rückentitelei (Sacher-Masoch) Erste Ausgaben. Gutes Exemplar.