Markopoulos Gregory (35 results)

Softcover, staple-bound, 12 pages that reprint other articles, very good condition, except crease to lower right corner of last few pages; no internal marks. Foreign shipping may be extra.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book constitutes the refereed proceedings of the 5th International Joint Conference of Ambient Intelligence, AmI 2014, held in Eindhoven, The Netherlands, in November 2014. The 21 revised full papers presented together with 5 short papers and 4 workshop papers were carefully reviewed and selected from 59 submissions. The papers are organized along a set of thematic tracks: ambient assisted living; internet of things; ambient play and learning; smart buildings and cities; intelligent driving; data science; smart healthcare and healing environments; ambient persuasion; and new and emerging themes.

Paperback. Condition: Brand New. revised edition. 360 pages. 9.30x6.20x0.82 inches. In Stock.

Taschenbuch. Condition: Neu. Ambient Intelligence | European Conference, AmI 2014, Eindhoven, The Netherlands, November 11-13, 2014. Revised Selected Papers | Emile Aarts (u. a.) | Taschenbuch | Lecture Notes in Computer Science | xiii | Englisch | 2014 | Springer | EAN 9783319141114 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Brosch. Quer-8°, 126 S., tlw. farbige Abb. (tlw. auf Tafeln). Einband min. gebrauchsspurig, innen tadellos. EA. Mit 2 Texten von John G. Hanhardt und Matthew Yokobosky sowie «Poems» von Gregory J. Markopoulos; im Anhang Filmo- und Auswahlbibliografie. Erschienen zur Ausstellung.

Paperback. Condition: Very Good. First Edition. Signed by Gregory J. Markopoulos on the editorial page and hand-numbered. Front cover (with Cocteau illustration) is unevenly faded. Pages are rather orange; not sure if they started that way. Signed by Author(s).

Stapled Wraps. Condition: About VG. 1st Edition. Lightly worn copy of the third issue of this mimeographed underground film zine.

Condition: Very good. - Quarto [approximately 11 inches high by 8-3/8 inches wide], softcover. Printed self-wrappers. 48 pages plus 8 pages of black-and-white illustrations. The edges of the wraps are slightly darkened & there is a small stain to each wrap. Very good. Leading off this issue is the nearly 9-page long landmark essay by P. Adams Sitney describing "Structural film", a term he coined. Sitney identified the formal characteristics common in Structural films as fixed camera position, flicker effect, and loop printing ("the immediate repition of shots"). Among the other contents of this issue are interviews with George Landow and Bruce Baillie. There are articles on Stan Brakhage's "Mothlight with verse by Robert Creeley, on Rossellini's "The Rise to Power of Louis XIV" by Ken Kelman and on World War Two and American film by Lewis Jacobs. There is also an article by Tom Chomont on "Eros, O Basileus", a film by Markopoulos.

Soft cover. Condition: Fine. This issue devoted to Beavers & Markopoulos.fiine (HMV2).

Condition: Good. New York: Printed by Harry Grant / Distributed by Film Culture, 1964., 1964. Good. - Octavo, 9 inches high by 6 inches wide. Softcover, bound in white wraps titled in black on the front cover and the spine with a black & white illustration on the front cover. The covers are soiled and the front edge is darkened. The head of the book's spine is chipped. 95 & [1] pages. A previous owner's name is penned at the top of the front endpaper and an unsigned poem by a previous owner is penned at the top of the colophon page. Good. Limited edition of 1000 numbered copies. RARE in commerce.

Pictorial wrappers. Condition: Very Good +. First Edition. The 1963 signed/limited of the premiere issue (Monograph Series #1) of Film-Makers' Cinema. #110 OF 1,000 COPIES SIGNED BY GREGORY MARKOPOULOS. A very presentable copy to boot. Tight and VG+ in its stapled pictorial wrappers, with light soiling along the rear panel. Quarto, Foreword by Ken Kelman, dedicated to "the poet Jonas Mekas". Signed.

First Edition. First edition. Softcover. 80 pages. Number 691 of 1000 copies. Foreword by Ken Kelman. Features the notebooks of Markopoulos' notebooks from the making of his movie "Serenity." A near fine copy in stapled wrappers with some tiny chips to the top corner of the rear panel and last few pages. Signed by Markopoulos on the dedication page. Uncommon thus. Signed.

Erstausgabe, 8°, 16 S. plus 3 s/w-Abbildungen (Film-Stills auf der hinteren Deckelinnenseite), Text zweisprachig: deutsch und englisch, farbig illustr. original Broschur (Heftklammerbindung), Zustand: sehr gutes Exemplar. "Angesichts seines für unsere heutigen Filmbegriffe und Filmgewohnheiten nosch schwer zugänglichen Filmstils haben wir diese kleinw Retrospektive seiner letzten Films und dieses etwas ausführlichere und mit Fotos illustrierte Programmheft zusammengestellt. Besprochen werden The Illiac Passion, Galaxie und Gammelion. Beiliegt (im Original) ein ausführlicher Zeitungsartikel aus der Neuen Züricher Zeitung vom 29.12.1967: ''Gregory Markopoulos - Ein amerikanischer Avantgardist'' von Michel Perez. Sprache: eng, deu Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.

Soft cover. Condition: Very Good. First Edition. 4to. Stab-stapled. 68pp. + 2pp. illustrations. Cover by Jean Cocteau, its layout by Richard D. Tuttle. A superb double issue devoted to the experimental filmmaker Markopoulos, signed and numbered by him (no. 252 of an unspecified total), including contributions by Stan Brakhage, Gerard Malanga, Charles Boultenhouse, Gregory Battcock, Parker Tyler, Donald Weinstein, George Landow, Jan Wahl, Mary Batten, Harry Feldman, Elwood Decker, Curtis Harrington, Kaaren Klingel, Sitney, and Markopoulos himself. At the time he was trying to secure the print of his film 'Serenity' from errant producers, and 'Twice a Man' was soon to be released. The usual toning to the stock and, in part, to the front cover, which is a little rubbed with a couple of minor nicks, but Very Good all things considered. Signed by Author(s).

Softcover. Condition: Near Fine. First edition. Quarto. 80pp. Foreword by Ken Kelman. Stapled photographic wrappers. Moderate soiling on wrappers, very good. Copy number 102 of 1000 copies. Inscribed by Markopoulos on the dedication page: "For Wes, Best wishes, Gregory 6/18/65.".

First Edition. Second issue (of three, all dual-numbered) of one of the earliest American journals devoted to experimental and avant garde film and filmmakers, begun when editor Sitney was just 16 years old. The young editor would produce issues focusing on the work of Stan Brakhage and running interviews with the likes of Jean Cocteau, Willard Maas, and Owen Land. This issue dedicated to entirely to the films of Gregory Markopoulos. Includes a cover design by Richard Tuttle predating his first solo exhibition by almost a year. A rare zine. OCLC finds just over a dozen holdings across all issues. Side-stapled 4to mimeo wraps. About very good. Covers and pages toned. Some mild wear. Else clean and sound. Cover illustration by Jean Cocteau. Cover design by Richard Tuttle. 68pp. SIGNED and numbered (#117, of 500?) by Markopoulos to limitation/copyright page. Additionally INSCRIBED by him in 1964 to first page.

Brossura. Condition: quasi ottimo. prima edizione. Brossura, 131 pagine, testo in lingua inglese, misura 17x10 cm. Copia usata ma complessivamente ben conservata.

Geh. 8°, o. P.: 26 Bl., 7 ganzseitige u. meist farbige Abb. Umschlag etw. unsauber u. min. gebrauchsspurig, innen tadellos. EA. Mit einem Text von Yann Beauvais und deren 4 des Regisseurs (als Wiederabdrucke), dazu «Filmografie partielle, 1940 - 1971» und Bibliografie. Texte frz. und engl.

Softcover. Condition: Gut bis sehr gut. Limitierte Ausgabe. B : 4to. (Quartformat), 70 unpaginierte Seiten, durchgehend illustriert - In 1973, the American artist Paul Thek (1933 1988) realized, along with his friends, the Artist s Coop, the environment Ark, Pyramid, Easter A Visiting Group Show at the Museum of Art Lucerne. The exhibition was the fourth in a series of what are today seen as the most significant atmospheric large-scale projects of the 1970s using individualized religious symbols. These installations, now lost, are also among the central works of the legendary artist. The goal of Paul Thek, in Process is to memorialize Thek s spatial work of that time and to locate it within a larger historical context. As exhibition, documentation and inscenation the series of exhibitions also investigate the status of ephemeral materials in exhibitions, the boundaries of the artwork, institutional history, reception, and today s practice of re-inscenation integrating ideas of an archaeological research and a transparent, revealing art mediation. As a result, the project follows Paul Thek s travels across Europe and is and will be shown in different forms at the Lehmbruck Museum in Duisburg, at the Museum of Art Lucerne and at the Moderna Museet Stockholm. - In comparison with the stages of the exhibition in Duisburg and Stockholm, in Lucerne Thek s idea of collaborative working practice plays a particularly important part. In 1973 the artist officially abandoned individual authorship for the first time and made the collective working method the subject of the exhibition itself. Consequently, in Paul Thek, in Process (Lucerne), some of the artists who worked in the Artist s Coop will be introduced, such as Franz Deckwitz, Edwin Klein, Cindy Lubar, Peter Hujar, Ann Wilson and Robert Wilson.

[1] pp.; 35.4 x 21.5 cm.; duotone; edition size unknown; unsigned and unnumbered; mimeograph Singe sided program for films presented at Film-Makers' Cinematheque on December 14th, 1964. Films presented included "Dog Star Man - Part II" by Stan Brakhage, "Plastic Haircut" by Robert Nelson, "Divinations" by Storm De Hirsch, "Peaches and Cream" by Charles Levine with music by Louis Masagni, "The Devil is Dead" by Carl Linder, and "Swain" by Gregory Markopolous. Very Good. Folded in two as issued with light bumping of tail edge of page and a 4 mm. tear. 6 mm. dog-ear to lower right corner. "Dick Kern" and "Lion Webber" written in pencil on recto, otherwise clean and unmarked.

[1] pp.; 35.4 x 21.5 cm.; duotone; edition size unknown; unsigned and unnumbered; mimeograph Singe sided program for films presented at Film-Makers' Cinematheque from January 25 - March 1, [1964]. Films presented included "Handwritten," by Charles Boultenhouse, "Du Sang de la Volupte et de la Morte," a trilogy by Grogroy Markopoulos, a complete retrospective of the films of Stan Brakhage, "The Neon Rose," by Barry Gerson, the films of Maria Montez, the premiere of Jack Smith's "Normal Love," and the premiere of Andy Warhol's "Empire" among others. Very Good / Fine. Folded in two as issued with 1.1 cm. tear along fold line, otherwise Fine.

No Binding. Condition: Near Fine. 1st Edition. Loose sheets of card, film notes done by hand are printed with plates in colour. Fine. These are in a box with a small tear at the fore-edge. Otherwise only minor marks. Included, loosely inserted, is an essay by Markopoulos on Beavers work,"Art Is Not Knowledge", in a limited ed. of 100 copies. It is presented by its author to Lady Casson, on 4th Jan 1975. The covers of 'Art is Not Knowledge' are clean and white, fine. These items would seem to have been produced at different times but may well have been presented to friends together with the original publication of the Film Notes and Plates for Still Light, as I have seen the essay with another copy. Acquired from Maude Lloyd, an admired leading dancer with Ballet Rambert in the 1930s. With her husband, Nigel Gosling a renowned art critic, she later wrote, influential dance books and reviews under the joint pseudonym, 'Alexander Bland'. When Rudolph Nureyev defected in 1961, Margot Fonteyn asked them to befriend him which they gladly did offering him freedom of their house. Gosling edited his autobiography. Nureyev wrote an admiring memoir of him in Observer of the Dance anthologising Goslings reviews, "He and Maude were like my family.". Signed by Author(s).

No Binding. Condition: Fine. No Jacket. 1st Edition. Loose sheets in a printed box. Being card film notes done by hand and photographed here. They are printed with photo-plates in colour. Near fine. The loose sheef of pages with the half-title is signed there by Robert Beaver and dated 14th June 1971. The box has a small closed tear at the fore-edge and at the foot of the spine. Some minor marks. Otherwise box very good indeed. They detail the making of the 25 minute film Still Light which was shot in 35mm. Included, loosely inserted is an essay by Markopoulos "Art Is Not Knowledge" in a limited ed. of 100 copies. It is presented by him to Maude and Nigel Gosling on 28th Dec, 1974. Also enclosed is a postcard to Nigel Gosling from Robert Beaver, dated 14th June 1971 from Firenze saying the book is on its way and he hopes Gosling will be pleased with his own appearance in it. (There are numerous references to 'Nigel' in the notes for the film and one of the plates has a head shot which is very like a rear view of Nigel Gosling, titled as some others are, "The Critical Spectator". Also, a large leaf two page letter, from Gregory Markopoulos in Firenze where both he and Robert Beaver are woking. It is dated 17th June 1971 and signed, "Gregory". It is on two spare leaves from the book - one showing a photo of Robert Beaver and the other the possible shot of Nigel Gosling. The text has been typed around these images. Markopoulos refers to Margot Fonteyn and Nureyev. He discusses film, writers, and their books, good and awful. Also another letter in its airmail envelope, from Robert Beaver, 1pp typed and signed, "Robert", dated 12th July 1971 from Zurich. He discusses a new film project and ICA funding etc. Though produced at different times these items - the boxed Film Notes and Plates and the essay by Markopoulos - were probably issued together, as I have seen both in another boxed set. Loosely inserted is a 'filmpodium' program of film events, for 1971, hosted by Cinéma Radium. of Zurich Three films of Beaver are included for showing during October. Also others by renowned independent film makers. The additional items all indicate that Gosling was intimately connected with both the making, funding and promotion of the film. Finally a Press Release, dated 12th March 1974, by the Royal College of Art, for a showing of two films by Gerald Newman, called, 'Sea-Beach' and 'Air'. Acquired from Maude Lloyd, an admired leading dancer with Ballet Rambert in the 1930s. With her husband, Nigel Gosling a renowned art critic, she later wrote, influential dance books and reviews under the joint pseudonym, 'Alexander Bland'. When Rudolph Nureyev defected in 1961, Margot Fonteyn asked them to befriend him which they gladly did offering him freedom of their house. Gosling edited his autobiography. Nureyev wrote an admiring memoir of him in Observer of the Dance anthologising Goslings reviews, "He and Maude were like my family.". Signed by Author(s).

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book constitutes the refereed proceedings of the 5th International Joint Conference of Ambient Intelligence, AmI 2014, held in Eindhoven, The Netherlands, in November 2014. The 21 revised full papers presented together with 5 short papers and 4 workshop papers were carefully reviewed and selected from 59 submissions. The papers are organized along a set of thematic tracks: ambient assisted living; internet of things; ambient play and learning; smart buildings and cities; intelligent driving; data science; smart healthcare and healing environments; ambient persuasion; and new and emerging themes. 360 pp. Englisch.