Massimo Morozzi (14 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condition: Good. bumped/creased still NICE! - may have remainder mark or previous owner's name Oversized.

Soft Cover. Condition: Very Good+. First Edition; First Printing. Numerous full page color plates and text illustrations. With essays by Massimo Morozzi, Maria Estrada, Adelia Borges, Alexander Von Vegesack, and Mathias Schwartz-Clauss. Text in English and German. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; English and German Edition; 12.8 X 9.7 X 0.4 inches; 128 pages.

Softcover. Condition: As New. Originalverpackt. In 1983, the Brazilian designers Fernando and Humberto Campana began to develop furniture made with everyday materials such as cardboard, rope, fabric and wood scraps, plastic tubes and aluminum wire. By the early 1990s their often controversial designs had won champions across the world, especially in the U.S., where they became the first Brazilian designers to exhibit at The Museum of Modern Art in New York. This survey of their work contains illustrated articles by international authors. Maria Helena Estrada, design critic and publisher in Sao Paulo, writes a biographical essay on the brothers; Mathias Schwartz-Clauss provides an interpretation of their work of the past 20 years; Massimo Morozzi, artistic director of Edra, offers an account of the Campanas' collaboration with his company; Adelia Borges, writer, curator and teacher in the field of design, describes current-day popular culture in Brazil; finally, Fernando and Humberto Campana contribute nine collages that play with the documentation of their exhibitions. The catalogue's third section groups all exhibits by concept, reproducing them in full color and providing technical details as well as extended captions.

Paperback. Condition: New.

Paperback. Condition: New.

Condition: NEW.

Condition: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Condition: NEW.

Hardcover. Condition: Fine. The first reconstruction of the chromatic universe prior to the introduction of syntetic dyes. From original recipes the colors used by european dyers from XIV to XVI century. Ricostruito per la prima volta l'universo cromatico precedente all'introduzione dei coloranti sintetici. Dalle ricette originali i colori usati nella tintoria europea dal XIV al XVI secolo. Grey colored blind stamped and printed portfolio (30,5 x 22,1 cm) containing two pouches: one pouch containing: a monograph - 24 pages, illustrated throughout in color + printed stiff wrappers) This section contains a brief historical study of ancient dyeing (up until the discovery of synthetic colouring materials) complete with descriptive passages of the natural pigments most commonly used. a colour isolator - being a sheet printed in white, grey and black with 3 round and three square die-cut holes a simulator 3 silk-screened acetate sheets + one sheet printed in white, grey and black with 3 round and three square die-cut holes Transparent sheets A and B are designed to permit the simulation of a chromatic family on a series of different types of objects, outlined on A and B, as they are superimposed on the Colour Cards. Sheet C similarly allows for the visualisation of colours distributed over vaster surfaces which simulate living areas. a 6-page color illustrated foldout colour chart. the second pouch with 40 color cards (each measuring 29,6 x 10,5 cm), - First edition. This the personal, numbered (no. 720) copy addressed to the architect Giovanni Michellucchi.

Paperback. Condition: New.

Paperback. Condition: New.

paperback. Condition: Good. Prima edizione. In 4, cm 22 x 31, pp. 128 quasi interamente illustrato fotograficamente b/n e a colori. Cartonatura editoriale con sovraccoperta.  Ottimo esemplare.  Volume secondo dei tre pubblicati tra il 1975 e il 1977 su progetto e cura  del Centro Design Montefibre, questo lavoro rappresenta uno dei più noti esempi di applicazione al design del gruppo Archizoom ad opera di Morozzi, Branzi e Trini Castelli. Nello specifico la pubblicazione raccoglie documenti originali ricavati da documenti d'archivio, musei e collezioni, proposti ai designers come base e stimolo per il lavoro creativo del professionista. Il secondo volume raccoglie esempi di patterns ricavati nell'ambito del tessile, a righe e a quadri. La suddivisione del materiale è improntata in base ai temi decorativi "che permangono costanti attraverso diversi poeriodi storici". L'architetto Branzi, tra il 1974 e il 1979 fu direttore di un programma, che ebbe anche finanziamenti statali, nell'ambito del Centro design e servizi della Montefibre. Il progetto si chiamava, appunto, Decorattivo e aveva un logo costituito da due simpatici insetti. . Book.

In-4, 31 cm, 120pp., illustr., 231 modeles reproduis, une planche depliante, 84 cm, reliure cart. de l'editeur, texte italien, anglais et supplement de 8 pages pour le texte en francais, allemand et espagnol, Nb-0264,