Morozzi Massimo (14 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condition: Good. bumped/creased still NICE! - may have remainder mark or previous owner's name Oversized.

Soft Cover. Condition: Very Good+. First Edition; First Printing. Numerous full page color plates and text illustrations. With essays by Massimo Morozzi, Maria Estrada, Adelia Borges, Alexander Von Vegesack, and Mathias Schwartz-Clauss. Text in English and German. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; English and German Edition; 12.8 X 9.7 X 0.4 inches; 128 pages.

Softcover. Condition: As New. Originalverpackt. In 1983, the Brazilian designers Fernando and Humberto Campana began to develop furniture made with everyday materials such as cardboard, rope, fabric and wood scraps, plastic tubes and aluminum wire. By the early 1990s their often controversial designs had won champions across the world, especially in the U.S., where they became the first Brazilian designers to exhibit at The Museum of Modern Art in New York. This survey of their work contains illustrated articles by international authors. Maria Helena Estrada, design critic and publisher in Sao Paulo, writes a biographical essay on the brothers; Mathias Schwartz-Clauss provides an interpretation of their work of the past 20 years; Massimo Morozzi, artistic director of Edra, offers an account of the Campanas' collaboration with his company; Adelia Borges, writer, curator and teacher in the field of design, describes current-day popular culture in Brazil; finally, Fernando and Humberto Campana contribute nine collages that play with the documentation of their exhibitions. The catalogue's third section groups all exhibits by concept, reproducing them in full color and providing technical details as well as extended captions.

Paperback. Condition: New.

Paperback. Condition: New.

Brossura. Condition: new. Milano, 2019; br., pp. 144, cm 12x18.(Saggistica). Leonardo osservato da una nuova prospettiva, non come artista, architetto, ingegnere o scienziato ma come designer. Esiste infatti un solo vero filo rosso capace di legare insieme e coerentemente tutte le multidisciplinari attività di Leonardo: la passione per il progetto. Leonardo fu un grande progettista, capace di passare dalla micro alla macro scala, 'dal cucchiaio alla città', ed è questa sua capacità progettuale, che mischia arte e scienza, armonia e ingegneria, ad affascinarci ancora. Da un'idea di Mario Viscardi, gli autori analizzano con competenza e abilità tutte le caratteristiche dei più celebri progetti leonardeschi, dal monumento equestre a Francesco Sforza alle micidiali armi militari, passando agli oggetti di uso quotidiano come le macchine per il tessile e per il cantiere. Non mancano infine riferimenti a grandi figure del design italiano e internazionale che hanno calcato le orme di Leonardo in epoca contemporanea. Libro.

Condition: NEW.

Condition: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Condition: NEW.

Hardcover. Condition: Fine. The first reconstruction of the chromatic universe prior to the introduction of syntetic dyes. From original recipes the colors used by european dyers from XIV to XVI century. Ricostruito per la prima volta l'universo cromatico precedente all'introduzione dei coloranti sintetici. Dalle ricette originali i colori usati nella tintoria europea dal XIV al XVI secolo. Grey colored blind stamped and printed portfolio (30,5 x 22,1 cm) containing two pouches: one pouch containing: a monograph - 24 pages, illustrated throughout in color + printed stiff wrappers) This section contains a brief historical study of ancient dyeing (up until the discovery of synthetic colouring materials) complete with descriptive passages of the natural pigments most commonly used. a colour isolator - being a sheet printed in white, grey and black with 3 round and three square die-cut holes a simulator 3 silk-screened acetate sheets + one sheet printed in white, grey and black with 3 round and three square die-cut holes Transparent sheets A and B are designed to permit the simulation of a chromatic family on a series of different types of objects, outlined on A and B, as they are superimposed on the Colour Cards. Sheet C similarly allows for the visualisation of colours distributed over vaster surfaces which simulate living areas. a 6-page color illustrated foldout colour chart. the second pouch with 40 color cards (each measuring 29,6 x 10,5 cm), - First edition. This the personal, numbered (no. 720) copy addressed to the architect Giovanni Michellucchi.

Paperback. Condition: New.

Paperback. Condition: New.

In-4, 31 cm, 120pp., illustr., 231 modeles reproduis, une planche depliante, 84 cm, reliure cart. de l'editeur, texte italien, anglais et supplement de 8 pages pour le texte en francais, allemand et espagnol, Nb-0264,