Mathias Chivot (29 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Madame Vuillard is a particular focus of the work produced during the initial decade of Édouard Vuillard's (1868 - 1940) career, the 1890s, when Vuillard was a member of the Nabis and forging an artistic identity as part of the Parisian avant-garde. During this period Vuillard and his widowed mother shared a series of modest rented apartments in central Paris in which the artist sustained a works-on-paper and (from 1897) amateur photographic practice out of his 'studio-bedroom', whilst in the dining room Madame Vuillard ran the corsetry business employing a handful of seamstresses including Vuillard's sister. In these apartments Vuillard and Madame Vuillard operated mutually supportive, parallel working practices, to the extent that Vuillard put his mother and the fabric of her atelier 'in the picture' whilst she posed for his pencil and camera or developed his photographs in the kitchen. Their Parisian co-habitation, and Vuillard's portrayal of his mother across a range of pictorial media, lasted until Madame Vuillard's death as an elderly woman in 1928. This mutuality of working and living practice will constitute one of the themes of this unique loan exhibition, drawn from UK and Parisian collections and featuring paintings, lithographs and other works on paper as well as photographs. It will also explore the diverse domestic roles and responsibilities of a petit-bourgeois widow at the turn of the century in works that portray Madame Vuillard as seamstress; resting after dinner; imparting maternal advice and care to her daughter; as a woman at her toilette; and as the apartment's cook and cleaner. The exhibition will also foreground Vuillard's practice as modernist artist by focusing on the maternal fi gure in relation to the specifi c formal properties of his work. These include, in the 1890s at least, the paintings' diminutive size; their shallow, simplifi ed compositional structure worked over with dense webs or matt patches of pigment; and the omission of spaces between fi gures and things. It was the intimacy (sometimes serious or witty, often banal) of their maternal motifs, the intimate formal relation between fi gure and ground and the intimateviewing conditions these small works required of their viewers that caught the attention of Vuillard's earliest critics, who in the 1890s fi rst labeled him an 'intimiste' artist. This exhibition and accompanying illustrated catalogue will locate Madame Vuillard as muse, as motif andas everyday practical support at the core of Vuillard's developing Intimism; an artistic corpus spanning 40 years. The exhibition catalogue will feature an essay on Madame Vuillard's role in her son's practice by the exhibition's curator, Dr Francesca Berry, and an essay on Vuillard and photography by Mathias Chivot of the Archives Vuillard-Archives Roussel, Paris.…

Condition: New.

Paperback. Condition: Brand New. 83 pages. 8.00x8.25x0.25 inches. In Stock.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft cover. Condition: Fine. Small Qto., 84 pages, colour illustrated. Unused, a Fine copy.

Condition: New. In English.

Condition: New. Illustrated edition NO-PA16APR2015-KAP.

Condition: New.

Paperback. Condition: Fine. Small Qto., 84 pages, colour illustrated. Looks as new, a Fine copy.

Condition: As New. Unread book in perfect condition.

Softcover. 4°, 28,5 x 22,5 cm. Brochure originale de 223 pages, richement illustrée en couleurs et en une seule couleur. Encore sous film rétractable à l'origine, donc inutilisé et en très bon état. --- Originalbroschur mit 223 Seiten, reich farbig und einfarbig bebildert. Noch original in Folie eingeschweißt, daher unbenutzt und in sehr gutem Zustand. Les informations bibliographiques proviennent du KVK. --- Die bibliographischen Angaben wurden dem KVK entnommen. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wenn es draußen stürmt, können Sie es sich mit einem guten Buch gemütlich machen und ein warmes Getränk dazu genießen. Bei uns finden Sie die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! KuAllg.…

Condition: gebraucht. 288 S., broschiert, sehr guter Zustand. Versand mit der Deutschen Post oder DHL. Rechnung liegt bei.

Paperback. Condition: Brand New. bilingual edition. 207 pages. French language. 11.00x8.75x0.75 inches. In Stock.

Kartoniert / Broschiert. Condition: New. Marking 150 years since the artist s birth, this catalogue accompanies the first exhibition dedicated exclusively to Edouard Vuillard s portrayal of his mother, Madame Marie-Justine-Alexandrine Michaud Vuillard.&Uumlber den AutorFra.

Kartoniert / Broschiert. Condition: New. Im Maerz 1916 beauftragten die Winterthurer Brueder Hans und Werner Reinhart den franzoesischen Maler Ker-Xavier Roussel (1867-1944) mit Wandbildern fuer das Treppenhaus im neuen Kunstmuseum Winterthur. Damit begann die langwierige Entstehungsgeschichte dieser .…

Paperback. Condition: New. Madame Vuillard is a particular focus of the work produced during the initial decade of Édouard Vuillard's (1868 - 1940) career, the 1890s, when Vuillard was a member of the Nabis and forging an artistic identity as part of the Parisian avant-garde. During this period Vuillard and his widowed mother shared a series of modest rented apartments in central Paris in which the artist sustained a works-on-paper and (from 1897) amateur photographic practice out of his 'studio-bedroom', whilst in the dining room Madame Vuillard ran the corsetry business employing a handful of seamstresses including Vuillard's sister. In these apartments Vuillard and Madame Vuillard operated mutually supportive, parallel working practices, to the extent that Vuillard put his mother and the fabric of her atelier 'in the picture' whilst she posed for his pencil and camera or developed his photographs in the kitchen. Their Parisian co-habitation, and Vuillard's portrayal of his mother across a range of pictorial media, lasted until Madame Vuillard's death as an elderly woman in 1928. This mutuality of working and living practice will constitute one of the themes of this unique loan exhibition, drawn from UK and Parisian collections and featuring paintings, lithographs and other works on paper as well as photographs. It will also explore the diverse domestic roles and responsibilities of a petit-bourgeois widow at the turn of the century in works that portray Madame Vuillard as seamstress; resting after dinner; imparting maternal advice and care to her daughter; as a woman at her toilette; and as the apartment's cook and cleaner. The exhibition will also foreground Vuillard's practice as modernist artist by focusing on the maternal fi gure in relation to the specifi c formal properties of his work. These include, in the 1890s at least, the paintings' diminutive size; their shallow, simplifi ed compositional structure worked over with dense webs or matt patches of pigment; and the omission of spaces between fi gures and things. It was the intimacy (sometimes serious or witty, often banal) of their maternal motifs, the intimate formal relation between fi gure and ground and the intimateviewing conditions these small works required of their viewers that caught the attention of Vuillard's earliest critics, who in the 1890s fi rst labeled him an 'intimiste' artist. This exhibition and accompanying illustrated catalogue will locate Madame Vuillard as muse, as motif andas everyday practical support at the core of Vuillard's developing Intimism; an artistic corpus spanning 40 years. The exhibition catalogue will feature an essay on Madame Vuillard's role in her son's practice by the exhibition's curator, Dr Francesca Berry, and an essay on Vuillard and photography by Mathias Chivot of the Archives Vuillard-Archives Roussel, Paris.…

PB+, 280 x 220 mm, 208 p, ENG / FR. ,160 illustrations colour / b/w, NEW / NOUVEAU, . ISBN 9788836636365. À partir de quatre-vingt ouvres (peintures et dessins), l'exposition présentée au musée de l'Abbaye / donations Guy Bardone - René Genis de Saint-Claude, puis au musée d'art Roger-Quilliot de Clermont-Ferrand, constitue la première étude sur le thème du paysage chez Édouard Vuillard et Ker-Xavier Roussel. Dans les années 1890, les deux artistes cherchent d'abord à renouveler la peinture de paysage en lui appliquant l'expérimentation radicale de l'esthétique nabie. Ils renouent cependant avec le post-impressionnisme dix ans plus tard et auront comme but, dans les années 1920 et 1930, de revenir à la tradition du classicisme franc ais, dans un « retour à l'ordre » qui mêle l'héritage des XVIIe et XVIIIe siècles et les grands décors de Puvis de Chavannes. Trois essais éclairent la relation singulière entre les deux artistes, les spécificités de leur usage du pastel ainsi que le contexte artistique des années 1890 et des premières décennies du XXe siècle. Puis un catalogue réunit l'ensemble des ouvres présentées dans les deux étapes, en suivant le parcours de l'exposition, avec de nombreuses notices commentées. 1170 g.…

Condition: Neu. Gemälde, Pastelle, Zeichnungen/Peintures et dessins, 1905-1944. Französisch/deutsch. Katalog zur Ausstellung im Kunstmuseum Winterthur, 19. November 2016 bis 2. April 2017. Hrsg. von Mathias Chivot und Dieter Schwarz. Übersetzung aus dem Französischen Suzanne Schmidt, Übersetzung aus dem Deutschen Sophia Moss. Der Band präsentiert rund 100 Werke des großen Unzeitgemäßen der französischen Moderne. Die von 1916 bis 1926 entstandenen Malereien Roussels prägen bis heute den Empfangsbereich des Kunstmuseum Winterthur. Präsentiert werden einerseits eine Reihe von Entwürfen und Ölstudien zu den Winterthurer Bildern, die der Ausstellung ihren Rahmen geben, andererseits Zeichnungen und Pastelle, die Roussels lebenslange Faszination durch arkadische Themen veranschaulichen. 287 Seiten mit 41 überwiegend farbigen Textabb. und 98 Farbtafeln, Großformat, broschiert (Kunstmuseum Winterthur/Nimbus - Kunst und Bücher 2016). Früher EUR 29,80. Gewicht: 1283 g - Softcover/Taschenbuch.…

Condition: gut. 2017. Intimite s en plein air : E douard Vuillard & Ker-Xavier Roussel - paysages (1890-1944) = Private moments in the open air. In deutscher Sprache. pages.

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Hardcover. Condition: VG. Red cloth-bound slipcase with color illustration, volumes have color illustrated dj with red cloth-bound boards. 3 Volumes. Vol 1, 537 pp. Vol 2, 538-1173 pp. Vol 3, 1174-1742 pp. All volumes have many bw and color illustrations throughout. Contents: Volume I - Foreword ; Introduction ; Catalogue ; I-The Genesis of a Respectable Young Man: the Reality Principle (1868-90) ; II-Acting the 'Zouave': Nabi daring Innovations (1888-92) ; III-In the Glow of the Footlights (1890-1900) ; IV-Interiors with 'Obbligato' Family (1889-98) ; V-Between Irony and Sybolism: Towards the Decorative (1891-99) ; VI-The Misia Years (1895-1900) Volume II - VII-Belle Epoque: a Simplified Vision (1898-1908) ; VIII-Monsieur Vuillard's Travels (1898-1914) ; IX-A Best-Selling Artist (1908-14) Volume III - X-War! (1914-20) ; XI-The Hedonist and the Psychologist (1918-28) ; XII-Pater Seraphicus (1928-40) ; Appendix ; Chronology by Mathias Chivot ; Bibliography ; Exhibitions ; Titles ; Index of Collectors, Galleries and Museums ; Index of Names cited in the Catalogue ; Photographic Credits. …

Paperback. Condition: New. 1890â"1944; 11.0 X 8.7 X 0.8 inches; 208 pages.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 288 Seiten, 120 Illustrationen Fadenbindung, Breitklappenbroschur. - Im März 1916 beauftragten die Winterthurer Brüder Hans und Werner Reinhart den französischen Maler Ker-Xavier Roussel (18671944) mit Wandbildern für das Treppenhaus im neuen Kunstmuseum Winterthur. Damit begann die langwierige Entstehungsgeschichte dieser großformatigen Gemälde, die bis heute den Treppenauf-gang des Museums schmücken. Zwar lieferte der Künstler sogleich Entwürfe, die auch gutgeheißen wurden, doch dann folgten weitere Fassungen und immer neue Überarbeitungen der Bilder. Nach einer länger dauern-den Pause konnte Roussel die Arbeit erst 1926 vollenden.…

Condition: Très bon. 501 pages : nombreuses illustrations en noir et en couleurs, couverture illustrée en couleurs ; 24,0 x 32,0 x 5,0 cm || Texte français || Sans aucune inscription.

Couverture rigide. Condition: Très bon. Ouvrage en trois volumes reliés ,sous emboitage.

Condition: De collection - Comme neuf.

Condition: NEW.