Matthias Range (85 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Paperback. Condition: New. Coronations are the grandest of all state occasions. This is the first comprehensive in-depth study of the music that was performed at British coronations from 1603 to the present, encompassing the sixteen coronations that have taken place in Westminster Abbey and the last two Scottish coronations. Range describes how music played a crucial role at the coronations and how the practical requirements of the ceremonial proceedings affected its structure and performance. The programme of music at each coronation is reconstructed, accompanied by a wealth of transcriptions of newly discovered primary source material, revealing findings that lead to fresh conclusions about performance practices. The coronation ceremonies are placed in their historical context, including the political background and the concept of invented traditions. The study is an invaluable resource not only for musicologists and historians, but also for performers, providing a fascinating insight into the greatest of all Royal events.…

Soft cover. Condition: Very Good. 162 pages. Illustrated. "Pianos and Harpsichords for Their Majesties" Michael Latcham / "The 1685 Coronation Anthem "I was Glad"" Matthias Range / "On the Trail of Purcell's Spinet" Peter Mole / "On a Roman Polychoral Performance in August 1665" Florian Bassani Grampp / "Marbriano de Orto (c.1455-1529): Personal Thoughts and Some Surprises" Nigel Davison / "Latin American Baroque: Performance as a Post-Colonial Act?" Geoff Baker.…

Condition: New. 2023. Paperback. . . . . .

Paperback. Condition: New.

Condition: New.

Condition: New. In English.

Condition: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: Brand New. 341 pages. 9.61x6.69x0.71 inches. In Stock.

Condition: New.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Coronations are the grandest of all state occasions. This is the first comprehensive in-depth study of the music that was performed at British coronations from 1603 to the present, encompassing the sixteen coronations that have taken place in Westminster Abbey and the last two Scottish coronations. Range describes how music played a crucial role at the coronations and how the practical requirements of the ceremonial proceedings affected its structure and performance. The programme of music at each coronation is reconstructed, accompanied by a wealth of transcriptions of newly discovered primary source material, revealing findings that lead to fresh conclusions about performance practices. The coronation ceremonies are placed in their historical context, including the political background and the concept of invented traditions. The study is an invaluable resource not only for musicologists and historians, but also for performers, providing a fascinating insight into the greatest of all Royal events.…

Hardcover. Condition: Like New. First Edition. A firm and square hardback with sharp corners and strong joints, just showing a few very minor cosmetic rubs and bumps. Hence a non-text page has a small 'damaged' stamp. Despite such this book is actually in nearly new condition and appears unread. Thus the contents are crisp, fresh and tight; no pen-marks. Now offered for sale at a very sensible price. …

Condition: As New.

Condition: New. &Uumlber den AutorMatthias Range is Associate Lecturer in History at Oxford Brookes University. His areas of research are interdisciplinary and he has published numerous articles on seventeenth- and eighteenth-century music at Royal eve.

Condition: Gebraucht - Sehr gut. original Heft, 12 Seiten, 4 Fotos, 5 Abbildungen. Zustand: sehr gut. Dirigent: Pascal Rophe. Solist: Gerard Causse, Viola. Programm: CLAUDE DEBUSSY: Prelude a L'apres.midi d'un faune für Orchester. La mer. Drei sinfonische Skizzen für Orchester. BETSY JOLAS: Frauenleben, 9 Lieder für Viola und Orchester. Deutsche Erstaufführung. BELA BARTOK: Konzert für Viola und Orchester op. Psth. ------- Program booklet for the 4th Symphony Concert Orchestra of the Comic Opera, February 14, 2002 - Original booklet, 12 pages, 4 photos, 5 illustrations. Condition: very good. - Conductor: Pascal Rophe. Soloist: Gerard Causse, viola. Program: CLAUDE DEBUSSY: Prelude to L'après-midi d'un faune for orchestra. La mer. Three symphonic sketches for orchestra. BETSY JOLAS: Women's Lives, 9 songs for viola and orchestra. German premiere. BELA BARTOK: Concerto for Viola and Orchestra, Op. 1990. deu. …

hardcover. Condition: As New. Like new condition.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Diploma Thesis from the year 2004 in the subject Economics - Finance, grade: 1,3, RWTH Aachen University (International technical and economical Cooperation), language: English, abstract: The literature discussing microfinance topics like sustainability, outreach and improvement of methods as well as the role of the governments in terms of interference, supervision and regulation is getting more differentiated and substantiated. Despite this increasing interest, one aspect of microfinance has been largely neglected both scientifically and in its application: Islamic Microfinance.In this paper I will discuss, if the principles of the Shari'ah (the Islamic law) are not somewhat compatible with the needs and obstacles of microfinance, where stewardship is to be shared and trust crucial. Further, I will discuss in detail if the prohibition of Riba is a serious, insolvable obstacle and if it is really more expensive for microfinance institutes to provide Muslims with financial services. By comparing traditional instruments of microfinance with new, transferred instruments borrowed from Islamic banking, I will try to explain - on the bases of the Islamic culture - why people are surprised about the neglect of Islamic Microfinance.The hypotheses are as follows- The implementation of Islamic financial products causes too high risks for microfinance institutes. The restriction of involving 'risk' in financial contracts for both parties by the Islam is binding. Therefore, market risks and moral hazards, make a save and steady return for the MFI not possible.- The higher efforts of Islamic Microfinance are too much for the already weak organisation structures of MFIs. MFIs have to avoid or at least decrease market risks and moral hazards. Thus, higher efforts need to be invested by the MFIs due to the increased dependency on the success of the pre-financed projects.- The complexity of Islamic financial products compared to convenient credit contracts leads to difficulties in both their explanation as well as their promotion in less educated areas.…

hardcover. Condition: New. 1st.

Paperback. Condition: New. Coronations are the grandest of all state occasions. This is the first comprehensive in-depth study of the music that was performed at British coronations from 1603 to the present, encompassing the sixteen coronations that have taken place in Westminster Abbey and the last two Scottish coronations. Range describes how music played a crucial role at the coronations and how the practical requirements of the ceremonial proceedings affected its structure and performance. The programme of music at each coronation is reconstructed, accompanied by a wealth of transcriptions of newly discovered primary source material, revealing findings that lead to fresh conclusions about performance practices. The coronation ceremonies are placed in their historical context, including the political background and the concept of invented traditions. The study is an invaluable resource not only for musicologists and historians, but also for performers, providing a fascinating insight into the greatest of all Royal events.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Range, Matthias. Music and ceremonial at British coronations : from James I to Elizabeth II. First edition. Cambridge: Cambridge University Press, 2012. Hardback, Fine, in unclipped dustjacket in transparent protective sleeve. Original Foyles price label to reverse. Binding strong. xvi, 325pp., contents clean and bright. This is the first comprehensive in-depth study of the music that was performed at British coronations from 1603 to the present, encompassing the sixteen coronations that have taken place in Westminster Abbey and the last two Scottish coronations. Range describes how music played a crucial role at the coronations and how the practical requirements of the ceremonial proceedings affected its structure and performance. The programme of music at each coronation is reconstructed, accompanied by a wealth of transcriptions of newly discovered primary source material, revealing findings that lead to fresh conclusions about performance practices. The coronation ceremonies are placed in their historical context, including the political background and the concept of invented traditions. The study is an invaluable resource not only for musicologists and historians, but also for performers, providing a fascinating insight into the greatest of all Royal events. RightWayUp Books aims to provide accurate and detailed descriptions. All images are of the actual book for sale - no stock images are ever used. Thank you for looking at this listing. …

Condition: New.

Hardcover. Condition: Brand New. 336 pages. 8.66x0.70x11.26 inches. In Stock.

Hardcover. Condition: Brand New. 367 pages. 11.00x8.50x1.25 inches. In Stock.

Condition: New. Range presents an in-depth study of the music within the ceremonial at British coronations from 1603 to the present. Num Pages: 342 pages, 7 b/w illus. 4 tables 4 music examples. BIC Classification: AVGC; AVGD; HRCR. Category: (P) Professional & Vocational. Dimension: 252 x 181 x 23. Weight in Grams: 784. . 2012. Illustrated. hardcover. . . . . …

Condition: New.

Condition: New. In English.