Max Risselada (48 results)

paperback. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Condition: good. A book that has been read but is in overall good condition. Very minimal wear damage to the cover including scuff marks, but no major holes or tears. The dust jacket if applicable may not be included. Binding may have minimal wear. The majority of pages are undamaged with minimal creasing or tearing. May have minimal pencil underlining and or highlighting of text and possible small amounts of writing. No missing pages. May have some light marks on the page edges or a remainder mark. May have pale yellow yellowed pages. Fast Shipping, safe and secure mailers. Stock photo used.…

Condition: very good. Delft : Faculty of Architecture, Technical University, Delft, 2002. 1 folded sheet ([46] p.). Issued in slipcase. 29 cm. Condition : very good copy. ISBN 9789056622602. Keywords : ARCHITECTURE.

Soft Cover. Condition: Near Fine. First American Edition. softcover., small received stamp to front free endpaper with date. no other markings of any sort. no other flaws or wear. clean. no bumps, tears. strong sewn binding.; english text.; 150pp., b/w illustrations throughout. five essays. texts by loos and corbusier. examines 16 houses. Size: 4to - over 9¾" - 12" tall.…

Condition: Very Good. Paperback in very good condition. Pages clean, no notes or highlights. Very light minor scratches and scuffing to back cover. Signed and dated on half title page by previous owner. Overall, minor shelf wear. Used - Very Good.

Paper covers. Condition: Fine. No Jacket. 1st edition. Scarcely used. Weight: 1.0 Language: English.

Softcover with dustjacket, 208 pages, in English; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Very Good. Square folio, 24 pages, illustrated throughout. Illustrated wrappers by Robert Slutzky. Wrappers slightly soiled, but still a very good copy. - First edition. Catalogue published on the occasion of an exhibition at ?The Institute for architecture and urban studies? from June 3-18 1971. This exhibition was prepared by Otto Das, Gerrit Oorthuys and Max Rissalda of the Faculty of Architecture at the Technological University of Delft. It was initially assembled with the assistance of Trudy van Eyck, Horst Looft and Bertus van Velsen and exhibited at the Technische Hogeschool afd Bouwkunde Delft from November 1969 to January 1970. Since then it has been exhibited at: The Technische Hochschule, Berlin; The Carpenter Art center, Harvard University and at the School of Architecture and Urban planning, Princeton University. Listed are all the 241 pieces that were exhibited and in the Appendix Extracts from ASNOVA No.1, 1926 + Extracts from Sovremnnaja Arkhitektura: 1927 & 1930. The fold-out rear wrapper prints on the inside a Chronology of Politics/Art and Architecture from 1917 ? 1932. …

Condition: Good. 4to. Soft Cover. 80pp. Very Good. Black and White and Color Plates. Text in English and Dutch.

Rilegato. Condition: ottimo. libro in ottime condizioni, nessun segno all'interno, unico difetto piccola botta all'angolo inferiore del piatto posteriore (vedi penultima foto).

Hardcover. Condition: As New.

2004, cloth with dustjacket, 238 pp., as new.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:9789064506659.…

Condition: Good. Good+; Softcover; Light-to-moderate shelfwear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; Good binding; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); 1.9 lbs; Black covers with architectural illustrations, and title in white lettering; 2013, nai010 publishers; 200 pages; "Adolf Loos & Le Corbusier: Raumplan Versus Plan Libre," by Adolf Loos, et al.…

4°, hardcover, dustjacket. 238 pp Very fine copy. Sprache: Englisch Gewicht in Gramm: 0.

Soft Cover. Condition: Very Good. First Edition. softcover, staple-bound, as issued., fingernail-size chip at foot of spine. mostly minor wear to exterior. no markings. exhibition at the institute for architecture and urban studies. 24pp., b/w illustrations. Size: Square 4to. Exhibition Catalogue.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1600grams, ISBN:9789064505287.…

Hardcover. Condition: Fine. Vergilbt / ausgeblichen. Adapting modernist ideals to postwar reconstruction in Britain, Alison and Peter Smithson emerged as influential and controversial architects in the latter half of the twentieth century. As younger members of CIAM and founding members of Team 10, they were central to the debate on modern architecture's future. Their Hunstanton Secondary Modern School (1949-1954) exemplified their approach, stripping down Mies van der Rohe's language to a rough simplicity and marking their emergence as leading figures of New Brutalism, a term they coined. Involved with the Independent Group alongside notable artists, they participated in the landmark 1956 exhibition This Is Tomorrow, connecting with the Pop art movement in Britain. This beautifully produced volume compiles significant essays on their work, featuring contributions from Reyner Banham, Peter Cook, Kenneth Frampton, Philip Johnson, and more recent texts by Peter Eisenmann, Christine Boyer, Beatriz Colomina, and Louisa Hutton. As the first publication in Poligrafa's Critical Anthology series, it offers essential critical context for understanding New Brutalism's reception in England. The Smithsons, who met at Durham University and married in 1949, introduced a new construction style emphasizing concrete and angular geometries, with later works reflecting a socialist dimension through the exposure of interior functions. …

Hardcover. Condition: Very Good. Book is in very good condition. 238pp with colour photographs and b/w illustrations.

Rilegato. Condition: quasi ottimo. prima edizione. "Adapting the modernist ideals of prewar architecture to the needs of postwar reconstruction in Britain, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congres Internationaux d'Architecture Moderne) and as founding members of Team 10, they were at the heart of the debate on the future course of modern architecture; the uncompromising clarity of their Hunstanton Secondary Modern School (1949-1954), which stripped down the language of Mies van der Rohe to a rough simplicity, heralded the Smithsons' role as the leading exponents of the New Brutalism (a term they coined). As members of the Independent Group alongside Richard Hamilton, Eduardo Paolozzi, Reyner Banham and others, they participated in the 1956 landmark show "This Is Tomorrow," affiliating themselves with the burgeoning Pop art movement in Britain. This beautifully produced and fully illustrated volume collects the most important essays published on the couple's work, from older texts by Reyner Banham, Peter Cook, Kenneth Frampton and Philip Johnson to the most recent texts by Peter Eisenmann, Christine Boyer, Beatriz Colomina and Louisa Hutton. The first publication in Poligrafa's new "Critical Anthology" series, it provides an essential critical context for the reception of New Brutalism in England. Alison (1928-1993) and Peter (1923-2003) Smithson met at Durham University in England and were married in 1949. Their Hunstanton School, now a Grade II listed building, announced a new style of construction that foregrounded concrete and repetitive, angular geometries; later works declared a socialist dimension to their philosophy, particularly in the exposure of interior functions." Text: Banham Reyner, Risselada Max. cm 17x24; pp. 368; COL and BW; hardcover. Light dust on the cover, inside perfect, never read.…

Condition: Good. Good; Softcover; Light wear to the front cover with moderate-to-heavy shelfwear to the back cover; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; Good binding; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); Black covers with architectural illustrations, and title in white lettering; 2013, nai010 publishers; 200 pages; "Adolf Loos & Le Corbusier: Raumplan versus Plan Libre," by Adolf Loos, et al.…

Paperback. Condition: Very Good. Very Good .Ships From Multiple Locations. book.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Hardcover. Condition: As New. Dust Jacket Condition: Good. 1st Edition. Dustwrapper worn at edges and faded on spine.

Hard Cover. Condition: Fine. Dust Jacket Condition: Very Good. This is a fine hardcover copy with a very good dust wrapper, a bit rubbed at the edges and corners. Spine sunned. Completely clean. This monograph presents the first comprehensive history of Team 10's participation at CIAM during the 1950's as well as other Team 10 meetings and discourse. Team 10 includes: Jaap Bakema, Aldo van Eyck, Alison and Peter Smithson, Giancarlo De Carlo, Georges Candilis, and Shadrach Woods. Chronological documentation of Team 10 meetings. A dozen essays by architectural historians. Voices of Team 10 in statements and interviews. Biographical sketches. Bibliography. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

Hardcover. Condition: fine/near fine. First edition. Oblong quarto. 24.5 x 32cm. 370pp including index. A fine copy in dust jacket. Very light edge rubbing to bottom edge of dust jacket. Published on ocassion of the exhibition of the same name first held at the Netherlands Architecture Institute, Rotterdam, from September 24th 2005 - January 8th 2006 before traveling to Milan, Paris, and other cities. …

Hardcover. Condition: gut. 2011. Alison & Peter Smithson: A Critical Anthology In deutscher Sprache. pages.

Condition: Very Good.

Hardcover. Condition: New.

Hardcover. Condition: New. Adapting the modernist ideals of prewar architecture to the needs of postwar reconstruction in Britain, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congrà s Internationaux d'Architecture Moderne) and as founding members of Team 10, they were at the heart of the debate on the future course of modern architecture; the uncompromising clarity of their Hunstanton Secondary Modern School (1949-1954), which stripped down the language of Mies van der Rohe to a rough simplicity, heralded the Smithsons' role as the leading exponents of the New Brutalism (a term they coined). As members of the Independent Group alongside Richard Hamilton, Eduardo Paolozzi, Reyner Banham and others, they participated in the 1956 landmark show This Is Tomorrow, affiliating themselves with the burgeoning Pop art movement in Britain. This beautifully produced and fully illustrated volume collects the most important essays published on the couple's work, from older texts by Reyner Banham, Peter Cook, Kenneth Frampton and Philip Johnson to the most recent texts by Peter Eisenmann, Christine Boyer, Beatriz Colomina and Louisa Hutton. The first publication in Poligrafa's new Critical Anthology series, it provides an essential critical context for the reception of New Brutalism in England. Alison (1928-1993) and Peter (1923-2003) Smithson met at Durham University in England and were married in 1949. Their Hunstanton School, now a Grade II listed building, announced a new style of construction that foregrounded concrete and repetitive, angular geometries; later works declared a socialist dimension to their philosophy, particularly in the exposure of interior functions.…