Mazonowicz Douglas (29 results)

Hardcover. Condition: Fair. Illus. By The Author (illustrator). The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condition: Good. Illus. By The Author (illustrator). 2nd Printing. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Hardcover. Condition: Good. No Jacket. Illus. By The Author (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Illus. By The Author (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Illus. By The Author (illustrator). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Illus. By The Author (illustrator).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good.

Condition: Good. First edition. Light wear to boards. Content is clean and bright. DJ with some edge wear, tears and minor loss. Clipped.

Hardcover. Condition: Good. Hardcover in dust jacket, 10 1/4 by 7 1/2 inches, 211 pages, index, bibliography, illustrated. Jacket has some edgewear, a few 1/4 inch or less tears. Binding has minimal wear, hinges tight, pages clean. warmly inscribed, signed by author. Signed by Author(s).

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. History, archeology. First printing, full number line. Covers nice, light bumps on the spine ends. Author signed inscription on the half title page, interior clean and tight. dust jacket lightly rubbed, tears and crease on the front panel., edges curled. Inscribed by Author(s).

Hardcover. Condition: Very Good Plus. No Jacket. Illus. By The Author (illustrator). Signed. Published NY: Gallery of Prehistoric Paintings, 1974, second printing (1980). Small 4to., 7 1/2" x 10 1/4", viii+211pp., illustrated with photos and drawings. signed by author on half title. Slight waviness to page block, else near fine. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Included. 1st Edition. brown, gilt lettered cl. 4to. dw. vf cond. lst pr. color illus. endpapers.dec. t.pg. viii+211p. color plates. b&w photo. illus. line draw. illus. maps. sugg. further read. index. archaeology. ancient art. art history. prehistory. cave art. lascaux. les eyzies. altamira. tassili frescoes. petroglyphs. ancient religion. anasazi. bushmen. shamanism.

Mit vielen Abb., 211 S., Guter Zustand. In englischer Sprache. In English. Sprache: Englisch Gewicht in Gramm: 1100 26 cm, Leineneinband (Cloth), SU.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Mazonowicz, Douglas (illustrator). 211 pages, 4to. Price clipped. Signed by author Douglas Mazonowicz on title page in black ink. Illustrated with over 200 b&w photographs and drawings, 8 pages of full-color and 16 pages of 2-color photographs. Includes introduction, suggested reading, index. Minor shlefwear: light rubbing along DJ edges. Tightly bound with very clean and crisp pages. Volume is in Very Good condition. Signed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st. Cloth, viii, 211 pages, illustrations; 26 cm. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light edgewear, protected in a mylar cover. Publicity photo of the author laid in. *** Douglas Mazonowicz was an English-born American artist who was inspired by prehistoric cave paintings. *** CONTENTS: Painted caves of France; Green sickness; Cave paintings of Spain; Bison: passport to Spain; Setback; Life amid the rock art; Recent discoveries; Journey to Tassili; Interlude for questions; Sahara's secret art gallery; Canyon art of Utah; Strange comparisons; Conclusions. Size: 4to. Collectible.

Condition: Good. The content is clean throughout, the dust jacket has a tear/scuff at the top of the spine area otherwise okay.

Leinen, gebundene Ausgabe, SU. Condition: Sehr gut. Illus. By The Author (illustrator). 211 S., Ill., in englisch. Signiert von Douglas Mazonowicz auf Vorsatztitelblatt. SU leicht berieben, Papier etwas gebräunt, sonst sehr gut erh. ISBN: 9780690005745 Sprache: Englisch Gewicht in Gramm: 970.

Hardcover. Condition: Very Good +. Dust Jacket Condition: Good. First U.K. Edition. Signed by the author on the half-title page and signed by his wife Lotti Mazonowicz on the dedication page. Eight unused postcards illustrated with cave art laid-in. Dust jacket price clipped, one chip at head of spine, one mended tear at bottom of rear panel. Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Jacket by Douglas Mazonowicz (illustrator). 1st Edition. First edition, first impression. Some slight edge wear to top and bottom of jacket and spine, corners slightly bruised, not price clipped (30s), some archaeological notes written in pencil and biro on ffep and back endpaper, signature of Bedfordshire historian Dr James Dyer (1934-2013), and evidently from his library, internally clean tight and square, overall a vg++ copy for its age. 272pp, illustrated. A guide to the rich treasure house of Palaeolithic cave art in France and Northern Spain.

Hardcover. First Edition; First Printing. Very Good+ in a Very Good+ price clipped dust jacket. Foxing on top text block edge.

Condition: Bueno. 85 1961,rústica,apaisado,grapa,nombre anterior propietario.SINOPSIS:Un catálogo de reproducciones en serigrafía por Douglas Mazonowicz.14 h. + hoja con listas de precios. 46 ilustraciones b/n. 8º menor apaisado. Libro.

Condition: New. Illus. By The Author (illustrator). Satisfaction Guaranteed or your money back.

1st edition hardback with dust jacket Nice copy large octavo 211pp., colour & b/w plates, text ills., index, Illustrated by the author. Nice copy in slightly chipped dust jacket.

Condition: Very Good. Douglas Mazonowicz 1970 9x6.5 oblong. unpaginated. light rubbing to wraps. scarce copy.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Good. 1st Edition. Near fine with no wear but has a previous owners last name on blank end paper corner. The jacket looks used with some flaws around edges. Laid-in are 4 items from the gallery on Rohnert; announcing a "Tour Itinerary Prehistoric Cave Paintings of Spain and France April 8 to 29, 1974 - 6 pages with all of the stops and etc to be made along with the sign-up form for deposit and ticket etc. Also three other pieces - 2 small brochures and a letter abut the limited ed./ prints offered etc. Very Scarce book and items.

1973 1st edition, signed by author on half title (as far as is known, this is not a printed signature); numerous B&W illustrations (some by the author); tightly bound in brown cloth with black lettering to spine and illustration to front; bottom back corner lightly bumped. Dust jacket protected by removable clear sleeve; light wear to corners. A little very faint foxing to top page fore-edge; otherwise, a clean, tidy copy. Also, loosely inserted, is a letter from Jack Mazonowicz regarding this book. Used - Very Good. VG SIGNED hardback in VG dust jacket Used - Very Good. VG SIGNED hardback in VG dust jacket.

First edition. One of 300 numbered copies. Folio (19 x 23 inches). Introduction sheet by Carl Sagan and 10 serigraphs of cave art with each print having a leaf of explanatory text. Housed in the original brown box with cover lettering. Pinholes to corners professionally and invisibly repaired. A very good copy. Oddly, only 2 copies recorded by OCLC.The finest and most beautiful reproductions of European cave paintings ever published. Every major continent has cave paintings by prehistoric man and they have long fascinated the modern world. There has been a plethora of books and theories about these cave painting starting from the work of Abbé Henri Breuil and extending to today. Perhaps one of the most finely executed works on the subject is the title offered here. This suite of prints was created in conjunction with an exhibition at Hammer Galleries in NYC in the fall of 1982. Mazonowicz, who lived in Spain, spent time visiting Altamira and Valltorta and Gasulla, and also traveled to the caves of France and the Sahara. He created 20 life sized reproductions of cave paintings, ten of which are included in this portfolio. Titles include: Bowmen and Deer, Two Figures in Finery, Engraved Frieze, Hunter and Ibex, Head of a Horse, Giraffe, Prancing Horse, Crouching Bison, Group of Antelopes, and Helmeted Warrior.Douglas Howcroft Mazonowicz, a graphic artist, helped preserve some of the world's most famous prehistoric cave paintings by recreating them on silk. Born in Swindon, in Wiltshire, England, Mr. Mazonowicz spent 15 years in France, Spain, North Africa and North America seeking prehistoric art. Mazonowicz wrote several books about prehistoric art including: Prehistoric Rock Paintings of Tassili n? Ajjer (1969); In Search of Cave Art (1973); Voices from the Stone Age (1974), and The Hand of Man (1981). "Mazonowicz photographed the works he reproduced, using a slide projection of the work on drawing paper. Over the slide projection he drew black outline details of the painting. He then began to transfer the image using a silkscreen technique. A new screen was prepared for each color application. Mazonowicz used modern oil based colors instead of the mineral-based colors of the stone age artists. His goal was to faithfully preserve the rock paintings since they are subject to modern day pollution and vandals" (Rogallery).