Mcculloh Douglas (17 results)

Condition: Good. COVER SHOWS SOME GENERAL WEAR, SUCH AS SCRATCHES AND RUBBING. Paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects. Douglas McCulloh (illustrator).

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Douglas McCulloh (illustrator).

Paperback. Condition: Very Good. Dust Jacket Condition: Very Good. This book is in very good condition; no remainder marks. Unread copy. Dustjacket does have some shelfwear and small edge tear at the top. Inside pages are clean. ; 152 pages.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

Hardcover. Condition: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. First edition, first printing. NEW hardcover in dust jacket in publisher's shrink wrap. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. People at the beach, photographed in the style of Diane Arbus or August Sander. Photographs by Douglas McCulloh and Jacques Garnier; foreword by Ken Miller. Unpaginated [152 pages]; color plates throughout; 9.5 x 12.25 inches. Overseas sales and expedited shipping will require extra postage for this volume. …

Condition: Very Good. Hardcover in a bright dust jacket, 152 pages, color photographs. A catalog of beach photos exhibited at the Southeast Museum of Photography in November 2006 thropugh January 2007. Two photographers present a portfolio of random close-up color portraits they made to show beachgoers at various beaches in Southern California and Florida. Locations and subjects' names are omitted. Essay about the project by Tyler Stallings, curator of the Laguna Art Museum. Record # 351896.…

Condition: Very Good. Hardcover, 152 pages with 69 color plates. Like new in publishers shrink-wrap. The memorable and sometimes aggressive photographic portraits of On The Beach are the result of a six year project by two well-known photographers, Douglas McCulloh and Jacques Garnier. They placed a studio lighting setup directly in the sand, making California and Florida beaches their backdrop. The beach eliminates conceits, concealment, and clothing. People who cross onto the sand become a little naked. To this equation of vulnerability, the two photographers add unforgiving strobe lights and a ruthless high resolution camera. Record # 350184.…

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: Near fine. No jacket. Cover and inside pages are clean and unmarked. Photo prints are crisp and vivid.

Soft cover. Condition: Very Good. No Jacket. Large, oblong paperback, color and b + w plates throughout. 268 pages. Condition: some ordinary wear along edges and corners of the covers; mild reading wear.Very bright and solid. (photo).

Hardcover. Condition: Brand New. 144 pages. 10.50x8.50x1.00 inches. In Stock.

Hardcover. Condition: Brand New. 152 pages. 12.20x9.50x0.80 inches. In Stock.

Paperback. Condition: Brand New. 268 pages. 8.75x11.75x0.75 inches. In Stock.

Hardcover. Condition: New. The memorable and sometimes aggressive photographic portraits of On The Beach are the result of a six year project by two well-known photographers, Douglas McCulloh and Jacques Garnier. The photographs of On The Beach are beach images unlike any others quirky, engaging, and often starkly revealing. On The Beach rises from a powerfully straightforward idea go to beaches and capture a cross-section of beachgoers. The concept of sampling drives the project. In the words of artist Sol LeWitt, "The idea becomes the machine that makes the art." These portraits are unrehearsed and unposed. Part happening, part ritual, part spontaneous ballet, the photographs meet at the intersection of chance and magic. The photographers place a studio lighting setup directly in the sand, making California and Florida beaches their backdrop. The beach eliminates conceits, concealment, and clothing. People who cross onto the sand become a little naked. To this equation of vulnerability, the two photographers add unforgiving strobe lights and a ruthless high resolution camera. In truth, they are setting a trap. …