Meyer Theodor Alexander (39 results)

Condition: New.

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Condition: Neu. Neuware - â??Das Stilgesetz der Poesieâ? (The Style Law of Poetry) by Theodor Alexander Meyer, originally published in 1901, delves into the intricacies of poetic style and form. This critical work examines the fundamental principles governing effective poetic expression, offering insights into the construction of verse and the artistic choices that define a poet's unique voice. Meyer's analysis provides a valuable resource for students and scholars of literature, particularly those interested in German poetics and the broader European literary tradition. His exploration of style and its impact on meaning makes this a timeless contribution to literary criticism, shedding light on the art of crafting compelling and resonant poetry. This edition preserves the original work's intellectual value, making it accessible to a new generation of readers eager to understand the enduring power of poetic language.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Print on Demand. This book delves into the fundamental nature of poetry, specifically analyzing the ways in which poets communicate the sensory world. The author argues that poetry's effectiveness in depicting sensory experience stems not from a reliance on explicit sense-based imagery, but instead on the language's capacity to evoke sensory perceptions indirectly, through associations and mental processes. The book goes on to explore the philosophical implications of this argument, examining how our understanding of beauty and aesthetics is shaped by our perception of the world through language. The author challenges traditional notions of the relationship between sense perception and art, offering a fresh perspective on the role of language in artistic expression. Ultimately, this book provides a profound understanding of the unique ability of poetry to convey the sensory world, enriching our appreciation of this art form and its significance in human experience. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Buch. Condition: Neu. Neuware - â??Das Stilgesetz der Poesieâ? (The Style Law of Poetry) by Theodor Alexander Meyer, originally published in 1901, delves into the intricacies of poetic style and form. This critical work examines the fundamental principles governing effective poetic expression, offering insights into the construction of verse and the artistic choices that define a poet's unique voice. Meyer's analysis provides a valuable resource for students and scholars of literature, particularly those interested in German poetics and the broader European literary tradition. His exploration of style and its impact on meaning makes this a timeless contribution to literary criticism, shedding light on the art of crafting compelling and resonant poetry. This edition preserves the original work's intellectual value, making it accessible to a new generation of readers eager to understand the enduring power of poetic language.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

Paperback. Condition: New.

Condition: New.

Condition: New.

Halbleinen. gr. 8° 2 Bll. + 290 Seiten. Halbleinenband mit Leinenecken. mit 1 Frontispiz. Halbleinenband fast neuwertig, Seiten in tadellosem Zustand, sehr gutes Exemplar in gebundener Ausstattung 880 Gramm.

Paperback. Condition: New. Print on Demand. This book examines the idea that the medium through which a work of art is produced significantly influences its form and function, providing a framework for understanding these effects in different mediums like sculpture, painting, and poetry. The author argues that instead of being a neutral conduit of creative expression, the medium should be recognized as an active participant in the artistic process. By recognizing the importance of the medium, artists can understand and utilize its unique characteristics to enhance their art and create evocative experiences for viewers and readers. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

orig.cloth Minor rubbing. Some light cover soil. VG. 23x13cm, xi,231 pp., A facsimile reprint of the 1901 edition. Contents: Der Vorgang des Nachvorstellens und sein Verhältnis zur Auschauung; Die Sprache in der Poesie kein Vehikel für Sinnenbilder; Der ü beranschauliche Charakter der Schilderung des Seelenlebens in der Poesie; Die Veranschaulichung des Seelenlebens und seineer Beziehungen in der bildenden Kunst und die Lehre vom fruchtbaren Augenblick; Die Mimik; Das Sinnliche ohne Auschauungswert in der Poesie und das Prinzip indirekter Verlebendigung; Die Empfindung als Vermittlerin des Gehalts; Das Sinnliche mit Auschauungscharakter in der Poesie; Die Gegenwärtigkeit des Sinnlichen in der Poesie und das poetische Bild; Das Stoffgebiet der Poesie und die Grundsätze des Dichters für die Schilderung der Sinnenwelt. Minor rubbing. Some light cover soil. VG.…

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Softcover. Condition: Sehr gut. Erste Ausgabe. 4 Blatt, 290 S., 1 Blatt. Unaufgeschnittene Orig.-Broschur, d. h. die Seiten müßten zum Lesen noch einzeln voneinander getrennt werden. Mit kleinem Besitzvermerk, sonst gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren.

Condition: New. PRINT ON DEMAND.

Condition: New.

Condition: New. Print on Demand.