Mitra Tabrizian (18 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: Good. Original black boards, gilt lettered spine, illustrated with numerous photographs in b/w, oblong (circa 30x25cm).

Condition: Good. Original black boards, gilt lettered spine, illustrated with numerous photographs in b/w, oblong (circa 30x25cm).

Condition: New. Original pictorial boards, oblong, circa 25x29cm.; Still shrink wrapped.

Hardcover without dustjacket as issued, 144 pages; in English; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hard Cover. Condition: Very Good. 1st Edition. Hardback, colour pictorial boards. 25cm x 29cm. 125pp. Numerous colour photographic plates. 1st edition 2004. Boards a little grubby, top corners slightly bumped. A pleasing copy. (r40).

SOFTCOVER. Condition: NEW. 1st Edition. Large square 4to in colour printed stiff card covers, 47pp on stiff art paper, finely printed full page colour photos etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Condition: New. 1st Edition. Large square 4to in colour printed stiff card covers, 47pp on stiff art paper, finely printed full page colour photos etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condition: Fine. last 2 pages are missing a small corner, 1030 gr, 25 x 29 cm.

hardcover. Condition: Sehr gut. 144 p. Minor creasing to some leaves. ISBN: 9783775731959 Sprache: Englisch Gewicht in Gramm: 1171.

Softcover. Condition: Very Good. First Edition. Size: 8vo 7 3/4 - 9 3/4". 38 pp. Internally clean. Binding firm. Edges foxed and browned. Covers slightly marked. Published to accompany the exhibition, Idle Times by Mari Mahr / Correct Distance by Mitra Tabrizian. Profusely illustrated. Quantity Available: 1. Shipped Weight: Under 250 grams. Category: Photography; Modern; Art & Design. Pictures of this item not already displayed here available upon request. Inventory No: 54349.

SOFTCOVER. Condition: Fine. 1st Edition. Quarto size (4to) in photo illustrated wrappers, 62pp, illustrations in text, etc . [CONDITION: A well preserved very clean and tight FINE copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Soft cover. Condition: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustrator). 1st Edition. Quarto. Pp. 24. Wrappers. ~ FIRST EDITION. Text in both English and Dutch. 006-7.

unpaginiert. Umschlag berieben und bestossen. Preisaukleberrest auf hinterem Umschlagdeckel, sonst gut. K22-01 ISBN 0948797169 Wichtiger Hinweis: Aufgrund der EPR-Regelung zur Zeit KEIN Versand in EU-Länder. Due to EPR, there is currently no delivery to EU-countries. Sprache: Englisch Gewicht in Gramm: 1100 23*29 cm (quer). OPappband, OSchu.

Condition: Bueno. 1st ed. 22x33. 256pp. Publisher's boards. Cartoné editorial. Publisher's boards. Cartoné editorial.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardcover; square 4to; unpaged slim volume. Black paper hardcovers with gilt on spine. Bumped corners, rubbed edges. Grey endpapers, bright and glossy interior. Many b&w photographs throughout. In a black jacket with white titles. Some light shelfwear witrh rubbed edges. Small tear in rear. VG/VG. Book.

Condition: Wie neu. Hatje Cantz, Ostfildern. 2012. First edition, first printing. Mint, new, unread; still originally shrink-wrapped in publisher`s plastic foil. Hardcover (as issued). 255 x 219 mm. 144 pages. 72 illustrations. Graphic design by Andreas Platzgummer. Texts by Homi K. Bhabha, Hamid Naficy, David Green. Text in english. "The staged absence of human community and a democratic public sphere." "Film and photo artist Mitra Tabrizian, born in Teheran, addresses the relationship between the individual and society, positioning the protagonists in such a way that the political conditions underlying various cultures, regions, and situations are reflected in the composition of the images. Whether the picture is of a banker in the heart of London`s Financial District or of women in dark veils in the midst of the desert-like vastness of Iran, the people in them always seem strangely exposed, strewn across space for no apparent reason. People standing in line are isolated from their surroundings, while others are depicted in groups that do not seem to have any internal cohesion. The artist deliberately forfeits the harmony of the golden ratio: although people are classically centered between the foreground and background, the center of the image deteriorates into an inhospitable zone. The publication assembles Tabrizian`s most recent works." (from the publisher)***************Hatje Cantz, Osterfildern. 2012. Erstausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover (wie erschienen). 255 x 219 mm. 144 Seiten. 72 photos. Gestaltung: Andreas Platzgummer. Texte von Homi K. Bhabha, Hamid Naficy, David Green. Text in englischer Sprache. "Die fotografische Inszenierung der Abwesenheit von humaner Gemeinschaft und demokratischer Öffentlichkeit." "Die Film- und Fotokünstlerin Mitra Tabrizians, geboren in Teheran, thematisiert das Verhältnis von Individuum und Gesellschaft, indem sie die Protagonisten in ihren Werken so positioniert, dass sich politische Rahmenbedingungen der verschiedensten Kulturen, Regionen und Situationen in den Bildkompositionen spiegeln. Ob Banker im Herzen des Londoner Finanzdistrikts oder dunkel verhüllte Frauen inmitten der wüstengleichen Weiten im Iran, immer wirken die dargestellten Menschen seltsam unbehaust, ohne Sinn und Ziel im Raum verteilt. Isoliert von ihrer Umwelt scheinen sie auf etwas zu warten, oder sie stehen in Gruppen ohne inneren Zusammenhang. Gezielt missachtet die Künstlerin die Harmonie des Goldenen Schnitts und zentriert Personen zwar klassisch in der Bildmitte zwischen Vorder- und Hintergrund, lässt diesen Raum aber zugleich zur unwirtlichen Zone verkommen. Die Publikation versammelt neueste Arbeiten der Künstlerin." (Verlagstext) Sprache: Deutsch Gewicht in Gramm: 1600.