Moore Marcel (52 results)

Marcel Jeanjean (illustrator). Title: Elementary French Composition (Nelson's Modern Studies Series, No. 5) Author: R. L. Græme Ritchie, M.A., D.Litt. and James M. Moore, M.A. Publisher: Thomas Nelson and Sons Ltd., London, Edinburgh, Paris, Melbourne, Toronto, and New York Publication Year: Reprint edition, circa 1946 (based on printing history: first published 1930; reprinted 1930, 1931, 1932, 1933, 1934 (twice), 1935, 1937, 1939, 1941, 1942, 1943, 1944, 1945, 1946 (twice)) Binding: Hardcover, green cloth boards with embossed lantern motif on front cover. No dust jacket, as issued. Pages: Approximately 172 pp., including preface, contents, vocabulary, index of passages for translation, and illustrations. This is a charming vintage educational textbook designed for elementary French composition, part of Nelson's "Modern Studies" series under the general editorship of Professor Græme Ritchie. Aimed at school students, it provides graded exercises in French writing, focusing on verb tenses (present, perfect, future, imperfect, etc.), vocabulary building, and translation passages. The preface explains its purpose: to aid beginners in composing simple French sentences, drawing from Cambridge University Press materials for "First" and "Second" French Courses. Content includes sections on verb conjugations, sample dialogues (e.g., "A Conversation" on p. 32, "The Perfect Good" on p. 33, "We Cross the Channel" on p. 56), and illustrated stories like "Our Dog" (p. 17), "The Dipper's Nest" (p. 48), and "Moonlight" (p. 49). Features delightful period illustrations. As an ex-school library copy from Luton High School, this book offers a snapshot of mid-20th-century British education, with the checkout ledger providing social history interest?tracking postwar students' use over nearly a decade. Ideal for collectors of vintage language textbooks, educational memorabilia, or local Luton/Bedfordshire history. Despite wear, it remains a functional and evocative piece from the era of rationing and reconstruction. Condition: Good overall for a vintage school textbook, with signs of heavy use commensurate with age and educational context. Exterior: Green cloth covers show moderate fading and rubbing particularly to spine and edges. Corners bumped and frayed; spine worn with minor fraying. Front cover has faint handwritten inscriptions (possibly "English" or similar, faded). Back cover has some staining and scuffs. Binding is sound but with some looseness from use. Interior: Pages are age-toned but clean and unmarked except for occasional pencil notes or underlining in exercises (e.g., future tense conjugations on p. 37). Ex-library from Luton High School (Bedfordshire, UK), with library label on front pastedown (No. 27, "Luton High School Library (Text Books)"), and a checkout record sheet listing student borrowers from 1949-1958, including names like Barbara Baron (Pre. 5C, 1949), Rosemary Dixon (IV M, 1950), V. Wrycroft (IV M, 1951), Sidney Morley (IV A, 1952), Janet Morley (IV S, 1953), Patricia Volger (IV C, 1953), Mollie Bingham (II A, 1954-55), Kathleen Huckstep (II C, 1955-56), Marjorie Rainford (II C, 1956-57), and Billie Major (IV B, 1957-58). Endpapers have tape remnants and minor foxing. No major tears or missing pages, but light creasing in places. Illustrations intact, including black-and-white drawings. The illustrations in "Elementary French Composition" were created by Marcel Jeanjean (1893-1973), a French artist, illustrator, and poster designer. He was a World War I aviator who became known for his aeronautical-themed works, including books, drawings, and posters. Jeanjean was appointed as an official painter to the French Ministry of Air in 1931. His style often featured whimsical, detailed line drawings.

Condition: New. Moore, Marcel (illustrator).

Paperback or Softback. Condition: New. Moore, Marcel (illustrator). Claude Cahun: Cancelled Confessions (or Disavowals). Book.

Softcover. Condition: Bon. Ancien livre de bibliothèque. Edition 2008. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2008. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: New. Moore, Marcel (illustrator).

Condition: As New. Moore, Marcel (illustrator). Unread book in perfect condition.

Paperback. Condition: New. Moore, Marcel (illustrator).

Paperback. Condition: new. Moore, Marcel (illustrator). Paperback. Back in print after over a decade: the playful and genre-shattering memoir of a beloved surrealist known for her gender-bending portraitureFirst published in 1930 by anti-fascist, avant-garde publisher Editions du Carrefour in Paris as Aveux non Avenus, Cancelled Confessions (or Disavowals) is Claude Cahun's wildly radical answer to an invitation to write a memoir. Shattering the very premise of the "memoir"--the singularity of identity--into sharp and prismatic fragments, Cahun assembles an ever-mutating inquiry into the instability of "self" and its many masks.Using a multitude of forms (fables, jokes, aphorisms, letters, dialogues, dreams, hymns, pronouncements, etc.), to plumb the subjects of desire, love, gender, sex, fear, faith, religion and vanity (among others), Cancelled Confessions (or Disavowals) is a tour-de-force work of resistance: it provokes the reader to enter the capacious, provocative, playful and deeply imaginative space constructed by Cahun in defiance of all categorization, to repudiate a delimited, censured world and embrace, instead, the outcasts and cast-offs, the unknowable and the unknown.Thoughtfully redesigned to emulate the original artist's book, this revised edition of the out-of-print English translation by Susan de Muth--originally published in the UK by the Tate in 2007 and in the US by MIT Press in 2008--includes novelist and critic Pierre Mac Orlan's original 1930 preface along with contemporary essays by scholar Amelia Groom and translator de Muth. Almost 100 years old, Cancelled Confessions is not only prescient, but urgent: "It is not enough to be vanquished, you also have to turn defeat to your advantage."Born in France in 1894, Claude Cahun (nee Lucy Renee Mathilde Schwob) was a writer, artist and anti-fascist activist, associated with the Surrealists, yet who was obscure for decades. Cahun's shape-shifting, gender-bending, "self" portraits--made in collaboration with Marcel Moore (nee Suzanne Malherbe, aka l'autre moi, "the other me")--feature Cahun in androgynous garb with shaved head, or elaborately costumed and adorned with makeup or masks, often with mirrors or doubling, always multiplying the "I." These are the most recognizable works in a highly subversive, multiform oeuvre that includes Aveux non Avenus (Cancelled Confessions) as well as more untranslated writings. Now embraced as a pioneer of queer and feminist expression and heralded for a daring and inventive, years-long resistance to the Nazi occupation of the Isle of Jersey, Cahun created art--and a life--that aimed to disrupt societal, political and artistic orthodoxies with courage, wit and imagination. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. Moore, Marcel (illustrator).

Hardcover. Condition: Very Good. No Jacket. VERTES, Marcel (illustrator). First Edition. 95pp, well-illustrated with etchings by Marcel Vertes, bound in blue cloth with vellum spine, gilt lettered, very good condition with no markings or annotations, The Folio Society, London, 1954.

Hardcover. Condition: Very Good. Dust Jacket Condition: Slip-case Fair. Marcel Vertes (illustrator). 1st Thus. 95pp; illus. Browning to endpapers. Blue cloth boards with gilt lettering to the white spine. Slip-case complete but with wear/rubbing along edges.

Hardback. Marcel Vertes (illustrator). First. Hardback bound blue cloth with quarter white leather with gold lettering to the spine Cool drawings accompany text No slipcase boards a little grubby but pages cleannbsppp95 Fair To Good. book.

503 pp.; 29.8 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Martin-Gropius-Bau, Berlin, May 8 - July 25, 1993. Traveled to the Royal Academy of Arts and the Saatchi Gallery, London, September 16 - December 12, 1993. Edited and with essays by Christos M. Joachimides, Norman Rosenthal, with co-ordinating editing by David Anfam. Additional essays by Brooks Adams, Richard Armstrong, John Beardsley, Neal Benezra, Achille Bonito Oliva, Arthur C. Danto, Abraham A. Davidson, Wolfgang Max Faust, Mary Emma Harris, Thomas Kellein, Donald Kuspit, Mary Lublin, Karal Ann Marling, Barbara Moore, Francis V. O'Connor, Stephen Polcari, Carter Ratcliff, Irving Sandler, Wieland Schmied, Peter Selz, Gail Stavitsky, and Douglas Tallack. Artists include Carl Andre, Richard Artschwager, Jean-Michel Basquiat, Jonathan Borofsky, James Lee Byars, Alexander Calder, John Chamberlain, Joseph Cornell, John Covert, Stuart Davis, Willem de Kooning, Charles Demuth, Arthur Dove, Marcel Duchamp, Dan Flavin, Sam Francis, Robert Gober, Arshile Gorky, Dan Graham, Philip Guston, David Hammons, Keith Haring, Marsden Hartley, Eva Hesse, Gary Hill, Jenny Holzer, Edward Hopper, Jasper Johns, Donald Judd, Mike Kelley, Ellsworth Kelly, Franz Kline, Jeff Koons, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Brice Marden, Agnes Martin, Robert Morris, Gerald Murphy, Bruce Nauman, Barnett Newman, Georgia O'Keeffe, Claes Oldenburg, Jackson Pollock, Martin Puryear, Robert Rauschenberg, Man Ray, Ad Reinhardt, James Rosenquist, Mark Rothko, Edward Ruscha, Robert Ryman, Julian Schnabel, Richard Serra, Charles Sheeler, Cindy Sherman, David Smith, Frank Stella, Clyfford Still, James Turrell, Cy Twombly, Bill Viola, Andy Warhol, and Lawrence Weiner. Includes exhibition checklist, a list of artists in the exhibition, biographies of the artists, selected bibliography, author biographies, and an index of names. Text in English. Good. 5.5 cm. dog-ear to bottom right corner of recto and 9.5 cm. crease to top right corner of recto with bumping of corners. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Condition: New. Moore, Marcel (illustrator).

paperback. Condition: New. Moore, Marcel (illustrator). Special order direct from the distributor.

Condition: Very Good. Marcel Vertes (illustrator). Condition Notes: Slip case faded, more heavily to the margins. A touch faded at the spine of the binding. The contents lightly toned with age; Hardback in Slip Case. Quarter-Bound White on Blue boards with gilt titles to the spine; Measures 10" x 7¾" (1.1 kg); pp 95; Includes: Black & white plates; Frontispiece; Title page vignette; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #197848 || Hardback in Slip Case (No Dust Wrapper.).

Condition: As New. Moore, Marcel (illustrator). Unread book in perfect condition.

Hardcover. Condition: Near Fine. Marcel Vertès (illustrator). 1st printing thus. Sky-blue cloth with cream-coloured (vellum?) spine with gold lettering, in slipcase. 194 x 252 x 15mm. 95pp. Numerous full-page illustrations. Slipcase heavily worn and split at top and bottom; apart from previous owner details and monogram to front endpapers, book appears as new both inside and out. NB: An extra shipping charge may be requested for heavier or more valuable items. All our 'Seller Images' show the actual item you will receive.

Paperback. Condition: Brand New. Moore, Marcel (illustrator). 272 pages. 8.75x6.75x8.60 inches. In Stock.

Paperback. Condition: Brand New. Moore, Marcel (illustrator). 272 pages. 8.75x6.75x8.60 inches. In Stock.

Paperback / softback. Condition: New. Moore, Marcel (illustrator). New copy - Usually dispatched within 4 working days.

Vellum Backed Cloth. Condition: Fair. No Jacket. Marcel Vertes (Etchings) (illustrator). Folio Society. Vellum Backed Cloth. Fair/No Jacket. Folio Society. 8vo - over 7¾" - 9¾" tall. 95 pages. Endpapers aged; covers dusty, rubbed and marked; bottom edges marked.

Paperback. Condition: Brand New. Moore, Marcel (illustrator). 272 pages. 8.75x6.75x8.60 inches. In Stock.

Trade Paperback. Condition: Very Good. Book is in excellent condition with very light shelf wear to covers, crease at spine. Binding is solid and square, covers have sharp corners, text/interior is clean and free of marking of any kind save previous owner's name at front and at page ends. 291 pages with photos, prints, floorplans, elevations, interiors, exteriors, photos, architectural drawings, architectural details, furniture, etc. Reprint of influential 1937 manifesto originally published by Faber and Faber, featuring essays and 300 black-and-white illustrations documenting constructivist and abstract art movement, edited by architect J.L. Martin, sculptor Naum Gabo, and painter Ben Nicholson with layout by Barbara Hepworth, including contributions from Mondrian, Kandinsky, Klee, Moore, Le Corbusier, Gropius, Mumford, and others covering painting, sculpture, architecture, and design theory. Keywords: Constructivism, Abstract Art, 1937 Manifesto, Reprint Edition, Essay Collection, Modern Movement, Painting, Sculpture, Architecture, Black And White Plates, New Introduction, Layout Hepworth.

Paperback. Condition: New. Moore, Marcel (illustrator).

Paperback. Condition: new. Moore, Marcel (illustrator). Paperback. Back in print after over a decade: the playful and genre-shattering memoir of a beloved surrealist known for her gender-bending portraitureFirst published in 1930 by anti-fascist, avant-garde publisher Editions du Carrefour in Paris as Aveux non Avenus, Cancelled Confessions (or Disavowals) is Claude Cahun's wildly radical answer to an invitation to write a memoir. Shattering the very premise of the "memoir"--the singularity of identity--into sharp and prismatic fragments, Cahun assembles an ever-mutating inquiry into the instability of "self" and its many masks.Using a multitude of forms (fables, jokes, aphorisms, letters, dialogues, dreams, hymns, pronouncements, etc.), to plumb the subjects of desire, love, gender, sex, fear, faith, religion and vanity (among others), Cancelled Confessions (or Disavowals) is a tour-de-force work of resistance: it provokes the reader to enter the capacious, provocative, playful and deeply imaginative space constructed by Cahun in defiance of all categorization, to repudiate a delimited, censured world and embrace, instead, the outcasts and cast-offs, the unknowable and the unknown.Thoughtfully redesigned to emulate the original artist's book, this revised edition of the out-of-print English translation by Susan de Muth--originally published in the UK by the Tate in 2007 and in the US by MIT Press in 2008--includes novelist and critic Pierre Mac Orlan's original 1930 preface along with contemporary essays by scholar Amelia Groom and translator de Muth. Almost 100 years old, Cancelled Confessions is not only prescient, but urgent: "It is not enough to be vanquished, you also have to turn defeat to your advantage."Born in France in 1894, Claude Cahun (nee Lucy Renee Mathilde Schwob) was a writer, artist and anti-fascist activist, associated with the Surrealists, yet who was obscure for decades. Cahun's shape-shifting, gender-bending, "self" portraits--made in collaboration with Marcel Moore (nee Suzanne Malherbe, aka l'autre moi, "the other me")--feature Cahun in androgynous garb with shaved head, or elaborately costumed and adorned with makeup or masks, often with mirrors or doubling, always multiplying the "I." These are the most recognizable works in a highly subversive, multiform oeuvre that includes Aveux non Avenus (Cancelled Confessions) as well as more untranslated writings. Now embraced as a pioneer of queer and feminist expression and heralded for a daring and inventive, years-long resistance to the Nazi occupation of the Isle of Jersey, Cahun created art--and a life--that aimed to disrupt societal, political and artistic orthodoxies with courage, wit and imagination. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

524 pp.; 24.5 x 20 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Museen der Stadt, Köln, Germany, May 20 - August 16, 1981. Texts by Laszlo Glozer, Hugo Borger, Karl Ruhrberg, and Kasper Koenig. Artists include Laszlo Glozer, Hugo Borger, Karl Ruhrberg, Kasper Koenig, Georges Roualt, Marc Chagall, Oskar Kokoschka, Man Ray, Salvador Dali, Yves Tanguy, Constantin Brancusi, Otto Freundlich, Henry Moore, Max Beckmann, Oskar Schlemmer, Paul Klee, Julius Bissier, Fritz Winter, Kurt Schwitters, Wassily Kandinsky, Georges Vantongerloo, Jean Arp, Alberto Magnelli, Sophie Taeuber-Arp, Max Bill, Richard Paul Lohse, Camille Graeser, Julio Gonzalez, Henri Laurens, Pablo Picasso, Piet Mondrian, Joan Miró, Alexander Calder, Fernand Léger, Stuart Davis, László Moholy-Nagy, Max Ernst, Marcel Duchamp, André Masson, Roberto Echaurren Matta, Wilfredo Lam, Mark Tobey, Robert Motherwell, Arshile Gorky, Joseph Cornell, Giorgio de Chirico, Giorgio Morandi, Ivan Le Lorraine Albright, Eugene Berman, Paul Delvaux, Horace Pippin, Abraham Rattner, Stanley Spencer, Dorothea Tanning, Hans Bellmer, Balthus, Jean Hélion, Georges Braque, Jean Fautrier, Jean Dubuffet, Antonin Artaud, Henri Michaux, Alberto Giacometti, Wols (Wolfgang Schulze), Francis Picabia, René Magritte, Karel Appel, Constant (Constant Nieuwenhuys), Henry Heerup, Carl-Henning Pedersen, Willi Baumeister, Werner Heldt, Ernst Wilhelm Nay, Hans Hartung, Lucio Fontana, Jackson Pollock, David Smith, Clyfford Still, Barnett Newman, Henri Matisse, Bram Van Velde, Jean Bazaine, Serge Poliakoff, Maria Helena Veira da Silva, Nicolas De Staël, Pierre Soulages, Jean-Paul Riopelle, Sam Francis, Georges Mathieu, César Domela, Fritz Glarner, Josef Albers, Auguste Herbin, Ellsworth Kelly, Norbert Kricke, Reg Butler, Lynn Chadwick, Pietro Consagra, Etienne Martin, Herbert Ferber, Bernhard Heiliger, Barbara Hepworth, Berto Lardera, Luciano Minguzzi, Mirko (Mirko Basaldella), Eduardo Paolozzi, Theodore Roszak, Nicolas Schoeffer, Hans Uhlmann, Alberto Burri, Giuseppe Capogrossi, Emilio Vedova, K.R.H. Sonderborg, Karl Otto Götz, Bernard Schultze, Emil Schumacher, Francis Bacon, Germaine Richier, Asger Jorn, Hans Hofmann, Franz Kline, Willem de Kooning, Arnulf Rainer, Antonio Saura, Antoni Tapies, Eduardo Chillida, Mark Rothko, Cy Twombly, Edward Hopper, Jasper Johns, Robert Rauschenberg, Richard Hamilton, Bernard Réquichot, Raymond Hains, Jacques Mahé de la Villéglé, François Dufrene, Yves Klein, Arman (Armand Fernandez), Christo, Jean Tinguely, Niki de Saint-Phalle, Daniel Spoerri, Mimmo Rotella, Piero Manzoni, Jan J. Schoonhoven, Heinz Mack, Otto Piene, Günther Uecker, Jesus-Raphael Soto, Gotthard Graubner, Yaakov Agam (Jacob Gipstein), Pol Bury, Frank Joseph Malina, Paul Talman, Diter Rot [Dieter Roth], Diter Rot [Dieter Roth], John Cage, George Brecht, Wolf Vostell, Robert Filliou, Nam June Paik, Allan Kaprow, Jim Dine, George Segal, Claes Oldenburg, Ad Reinhardt, Frank Stella, Kenneth Noland, Morris Louis, Roy Lichtenstein, John Chamberlain, James Rosenquist, Mark di Suvero, Andy Warhol, Robert Morris, Donald Judd, Dan Flavin, Robert Ryman, Agnes Martin, Larry Poons, Sol LeWitt, Carl Andre, Paul Thek, Horace Clifford Westermann, Richard Artschwager, Edward Kienholz, Öyvind Fahlström, William N. Copley, Georg Baselitz, Frank Auerbach, David Hockney, Larry Bell, John McCracken, Edward Ruscha, Bruce Nauman, John Baldessari, Hermann Nitsch, Günter Brus, Otto Muehl, Joseph Beuys, Sigmar Polke, Gerhard Richter, A.R. Penck [Ralf Winkler], Jörg Immendorff, Blinky Palermo, Ulrich Rückriem, Richard Tuttle, Salon de la Jeune Peinture, Walter de Maria, Richard Long, Michael Heizer, Jan Dibbets, Robert Smithson, Michelangelo Pistoletto, Pino Pascali, Pier Paolo Calzolari, Mario Merz, Luciano Fabro, Jannis Kounellis, Giulio Paolini, Giuseppe Penone, Giovanni Anselmo, James Lee Byars, Franz Erhard Walther, Gilbert & George, Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner, On Kawara, Panamarenko, Jean Le Gac, Christian Boltanski, Daniel Buren, Malcolm Morley, Hanne Darboven, Richard Serra, Reiner Ruthenbeck, Eva Hesse, Vito Acconci, Dan Graham and Marcel Broodthaers. Includes exhibition checklist and index of illustrations. Text in German. Good. Yellowing and dusting of covers, rubbing of cover edges, and bumping of bottom edge of recto. Dust soiling to text block edge, contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Paperback. Condition: new. Moore, Marcel (illustrator). Paperback. Back in print after over a decade: the playful and genre-shattering memoir of a beloved surrealist known for her gender-bending portraitureFirst published in 1930 by anti-fascist, avant-garde publisher Editions du Carrefour in Paris as Aveux non Avenus, Cancelled Confessions (or Disavowals) is Claude Cahun's wildly radical answer to an invitation to write a memoir. Shattering the very premise of the "memoir"--the singularity of identity--into sharp and prismatic fragments, Cahun assembles an ever-mutating inquiry into the instability of "self" and its many masks.Using a multitude of forms (fables, jokes, aphorisms, letters, dialogues, dreams, hymns, pronouncements, etc.), to plumb the subjects of desire, love, gender, sex, fear, faith, religion and vanity (among others), Cancelled Confessions (or Disavowals) is a tour-de-force work of resistance: it provokes the reader to enter the capacious, provocative, playful and deeply imaginative space constructed by Cahun in defiance of all categorization, to repudiate a delimited, censured world and embrace, instead, the outcasts and cast-offs, the unknowable and the unknown.Thoughtfully redesigned to emulate the original artist's book, this revised edition of the out-of-print English translation by Susan de Muth--originally published in the UK by the Tate in 2007 and in the US by MIT Press in 2008--includes novelist and critic Pierre Mac Orlan's original 1930 preface along with contemporary essays by scholar Amelia Groom and translator de Muth. Almost 100 years old, Cancelled Confessions is not only prescient, but urgent: "It is not enough to be vanquished, you also have to turn defeat to your advantage."Born in France in 1894, Claude Cahun (nee Lucy Renee Mathilde Schwob) was a writer, artist and anti-fascist activist, associated with the Surrealists, yet who was obscure for decades. Cahun's shape-shifting, gender-bending, "self" portraits--made in collaboration with Marcel Moore (nee Suzanne Malherbe, aka l'autre moi, "the other me")--feature Cahun in androgynous garb with shaved head, or elaborately costumed and adorned with makeup or masks, often with mirrors or doubling, always multiplying the "I." These are the most recognizable works in a highly subversive, multiform oeuvre that includes Aveux non Avenus (Cancelled Confessions) as well as more untranslated writings. Now embraced as a pioneer of queer and feminist expression and heralded for a daring and inventive, years-long resistance to the Nazi occupation of the Isle of Jersey, Cahun created art--and a life--that aimed to disrupt societal, political and artistic orthodoxies with courage, wit and imagination. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condition: Neu. Moore, Marcel (illustrator). Neuware - Back in print after over a decade: the playful and genre-shattering memoir of a beloved surrealist known for her gender-bending portraiture.