Language: English
Published by Dell Magazines, 2007
Seller: Scene of the Crime, ABAC, IOBA, St. Catharines, ON, Canada
Magazine / Periodical First Edition
Soft cover. Condition: Fine. 1st Edition. First Edition, First Printing of this Double Issue of 18 short stories. Featured are The Carville Ghost by Bill Pronzini, Pickpocket by Marcia Muller, The Erstwhile Groom by Laura Benedict, Remote Control by Mick Herron, A Rat's Tale by Donna Andrews, The Profane Angel by Loren Estleman, Limpopo by Sheila Kohler, The World in Primary Colors by Scott William Carter, Parson Pennywick and The Whirligig by Amy Myers, A Cozy for the Jack-o'-lanterns by James Powell, Moon Madness by Tom Tolnay, Ideas in my Head by Janice Law, The Thelft of the Ostracized Ostrich by Edward D. Hoch, Blues in the Kabul Night by Clark Howard, Scream Queen by Ed Gorman, A Chance to Get Even by Lawrence Block, Camera Guy by Mark Barsotti, and No Bones About it by Marc R Soto. In Fine Condition.
Published by Heron Books 1968, 1968
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New Zealand
Association Member: IOBA
Octavo, hardcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.
Published by Heron Books, Edito-Service S.A., London, Geneva, 1968
Seller: Ryde Bookshop Ltd, Isle of Wight, United Kingdom
Hardcover. Condition: Very Good. original illustrations by Mick Muller, Jutta Ash (illustrator). Firmly bound, gilt decorated navy blue artificial leather boards. No jacket.
Broschur, Gr.8°. Condition: Neu. 240 S. Buch ist neu, aus priv. Vorbesitz, ungelesen. -----Inhalt:. After its arrival in London in 1933, the Warburg Institute organised a number of large-scale photographic exhibitions. These displays introduced the innovative image-led methodology developed in Hamburg prior to the Institutes emigration. In doing so, the exhibitions promoted the integration of the foreign scholars who had left Central Europe fleeing the holocaust. But they also served another purpose: in times of increasing political and human crises, the assembled images argued for a common European culture based on humanistic values for the education of the general public. A number of studies are dedicated to the influence of Aby Warburg and his wider circle on the Anglophone humanities in general. However, the lasting impact of the exhibitions, developed in the Institutes early years in London, on British Art History and the British public has so far been neglected. Image Journeys makes hitherto unpublished archival materials accessible that speak to the historiographic and political significance of this unique and pioneering exhibition practice. ISBN: 9783863281717 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 714.
Seller: Licus Media, Utting a. Ammersee, Germany
kart. Condition: Neu. VII, 229 Seiten : Illustrationen ; 24 cm, 714 g After its arrival in London in 1933, the Warburg Institute organised a number of large-scale photographic exhibitions. These displays introduced the innovative image-led methodology developed in Hamburg prior to the Institutes emigration. In doing so, the exhibitions promoted the integration of the foreignâ scholars who had left Central Europe fleeing the holocaust. But they also served another purpose: in times of increasing political and human crises, the assembled images argued for a common European culture based on humanistic values for the education of the general public. A number of studies are dedicated to the influence of Aby Warburg and his wider circle on the Anglophone humanities in general. However, the lasting impact of the exhibitions, developed in the Institutes early years in London, on British Art History and the British public has so far been neglected. Image Journeys makes hitherto unpublished archival materials accessible that speak to the historiographic and political significance of this unique and pioneering exhibition practice. 9783863281717 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 714.
Published by Passau., Dietmar Klinger, 2019
VII, 229 S., 1 Bl. Mit zahlr. Farbabb. Gr.-8°, Orig.-Broschur. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Bd. 49. - Nach der Übersiedlung der KBW veranstaltete das Archiv in London eine Reihe großer Fotoausstellungen. Die im Band enthaltenen Beiträge befassen sich mit dem Einfluss Warburgs und seines Kreises auf die englischsprachigen Geisteswissenschaften und auch auf die breite britische Öffentlichkeit. Gezeigt wird zuvor unveröffentlichtes Archivmaterial, dessen historische und politische Bedeutung für die einzigartige und avantgardistische Ausstellungspraxis in den Beiträgen besprochen wird. - Sehr gut erhaltenes Exemplar. 600 gr.
Seller: Uncle Peter's Books, Clunes, NSW, Australia
Soft cover. Condition: Good. Updated 1994-2001 by the Nanango Visitor Information Centre. Compiled by Mick Muller from records held by R.J.L Morris (retired Shire Clerk), M. W. Ewart (Historian), N. Collins (Historian) and Extracts from Wilderness to Wealth. Soft covers are bearing some light wear and tear. Cover edges are thumbed and lightly creased. Some creasing, light scratches and thumbing at the corners, spine and edges. Page edges are very lightly discoloured. Simple spiral binding neat and tidy, yet pulled a little. Else book is in good condition. *We always describe the faults of our books meticulously but they usually present better than they sound.