Muni Paul (37 results)

Softcover. Condition: Near Fine. Paul Muni (illustrator). Berkley Medallion #F1027. Cover by Paul Muni. Square, tight, and bright with light crease on spine, light edge-wear. A couple light scratches on cover. Otherwise clean inside and out and very attractive.

DVD. Condition: Used - Good.

Soft cover. Condition: VG+. A VG or better 5" X 8" four-page local theater herald. Also includes ads for "Freckles" and "Here's to Romance". Scarce. Book.

Soft cover. Condition: VG+. A VGF or better 5" X 8" four-page local theater herald. Also includes ads for several other films. Book.

MUNI, Paul. INHERIT THE WIND PLAYBILL PROGRAM. [NY: Playbill Inc., March 11, 1957]. 8vo., printed wraps. Original Playbill magazine for the National Theatre production, starring Paul Muni. Very Good (little edgewear). $10.00.

Softcover. Paul Muni (illustrator). Bantam #A1598. This movie-tie-in edition with cover art by Paul Muni is clean and square inside and out, with a 1957 stamp on inside page, minor shelf wear, light edge-wear on rear spine. VG/Fine.

No Binding. Condition: VG. Dust Jacket Condition: None. This is an original vintage print trade ad that measures approximately 10 x 13 and is in VG or better condition. Ideal for framing, this ad comes protected in a plastic sleeve and backer and is shipped first class mail in a cardboard mailer. Paper.

No Binding. Condition: VG+. 1st Edition. EM-12. A VGF or better original 8 x 10 still. Size: 8" x 10". Photographic Image.

Softcover. Paul Muni (illustrator). Bantam #A1598. This movie-tie-in edition with cover art by Paul Muni is clean and square inside and out, with remainder mark on page tops, a small chip on lower front cover. Near Fine.

paperback. Condition: Very Good. Dust Jacket Condition: No Dust jacket. Original playbill for a wartime production of "Counsellor-At-Law" at the Royale Theatre, starring Paul Muni. 16 pages. Attractive period ads throughout including Ruppert Beer; Camel and Chesterfield Cigarettes; and more. Attractive condition showing light age-wear. Was removed from a scrapbook and shows some small tears and peeling to the back cover. Text unmarked. Binding is tight, covers and spine fully intact. Slight shelf-wear and bumping to corners. Quantity Available: 1. Shipped Weight: 2-3 Pounds. Category: Theater & Performance; Inventory No: 020429.

Soft cover. Condition: Fair. Front cover features Paul Muni & Merle Oberon (illustrator). Single loose leaf binding. Some handling wear and marks including some small closed tears and creasing to the corners. Signature o previous owner on front cover.

Magazine. 80p., 10x14 inches, articles, reviews, interviews, cartoons, film stills, production stills, calendars, scripts, very good glossy oversized entertainment magazine in stapled pictorial wraps. Second installment of six: "I Wanted to Be an Actress" by Katherine Cornell as told to Ruth Woodbury Sedgwick. Also a photo display of "The March of the Merry Radicals" and that "dirty Red, Max Gordon". His production of "Sing Out the News" the follow-up to "Pins & Needles".

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First edition. Octavo. Illustrations from b/w photographs. Dust jacket designed by Paul Gamarello (unclipped; few nicks and creases). Very good. 380 pages. No other signatures or bookplates. Signed by Lawrence on front free endpaper, October, 1974. Signed by Author(s).

Vintage studio still photograph from the 1945 film. A fictionalized account of Polish pianist Frederic Chopin. As a young child, Chopin is playing a piece by Mozart when he notices Polish people being taken prisoner by Russian authorities. Years later, he works in secret for Polish patriotism, including coming late to an important concert because of a secret meeting, then stops his performance when the Russian Governor of Poland enters, declaring that he does not play for Czarist butchers. He flees to Paris, where Franz Liszt recognizes his genius and George Sand takes him in. Nominated for six Academy Awards, including Best Actor. Set in Poland and Paris. 10 x 8 inches. Very Good plus, with pinholes and some creasing at the corners.

Three vintage black-and-white double reference studio still photographs from the 1937 film. A dramatic love triangle occurs between two fellow pilots and one pilot's wife to the backdrop of WWI. 10 x 8 inches. Very Good plus, with light toning overall and light soiling to the verso. Blue and red manuscript annotations to the verso and a stamp to the verso of image E-88.

James Hilton's typescript draft screenplay for the 1939 film, an adaptation of his own 1937 novel, the only such adaptation he ever completed. With the author's profuse manuscript ink annotations (as well as many pages executed entirely in manuscript ink) throughout. Included is a privately commissioned essay by Hilton scholar Kurt Kausler detailing both the history of Hilton's work on the film, an analysis, and a breakdown of the manuscript. Almost certainly Hilton's first corrected manuscript screenplay for the film. After Jack Warner raised concerns about the script being too long, screenwriter Milton Krims was employed to clean up and shorten it-though in the end Hilton received sole credit as screenwriter. A man hires an Austrian governess and both are suspected of murder when his wife is discovered to be dead. 123 leaves, a gathering demonstrating the author's method, his attention to detail, and his extreme frugality with the use of paper, the last most likely due to wartime shortages. The script consists of (a) ribbon copy typescript leaves, on both onionskin and paper stock, with manuscript emendations on virtually every page (in many cases both recto and verso, with some leaves executed on the versos of unrelated previous work by Hilton), (b) leaves consisting entirely of text executed in manuscript ink, (c) hand-cut partial leaves, and (d) a handful of later Xerographically duplicated facsimiles of Hilton's original annotated typescript leaves. Included is a very detailed analysis of the manuscript, as well as the events surrounding its creation, along with a detailed breakdown of the manuscript elements. Hilton's manuscript leaves Very Good to Fine, quite supple and well preserved. Housed in a modern white three-ring binder. Leaves individually held in modern mylar page protectors.

ZUSTAND 1-2, 6 Programme ungefaltet. Dazu: 1.: Richard Schickel. Marlon Brando, Tango des Lebens. Eine Biographie. Heyne, München, 1992. 2.: Lothar Schirmer, Marlon Brando.Porträts & Filmstills 1946-1995. Schirmer/Mosel München 1995. Mit einem Essay von Truman Capote. 3.: Paul Duncan: Brando. Taschen, 2006. 4.: Tony Thomas: Marlon Brando und seine Filme. Goldmann Magnum, München, 1973.

Kein Einband. Condition: Gut. der Österreich-ungarische Schauspieler Paul Muni (1895-1967) kam schon als Kind in die USA .Seine Eltern waren Lemberger Juden, so das er schon als Kind in jiddisch Theater spielte. Muni erhielt 5 Oscar-Nominierungen und 1937 als erster Österreicher den Oscar als Bester Darsteller für"Louis Pasteur". signed by actor Size: 20x25cm. Vom Schauspieler signiert. Buch.

Vintage reference photograph showing Claude Rains, Gale Sondergaard, Montagu Love, and director William Dieterle on the set of the 1939 film. Mimeo snipe on verso. Based upon the 1939 biography of Emperor Maximilan of Mexico and his wife Charlotte, "Phantom Crown" by Bertita Loenarz and the 1925 play "Juarez and Maximilian" by Franz Werfel. Democratic-leaning Mexico President Benito Juarez (Paul Muni) threatens France's rule and battles with Napolean III's (Claude Rains) newly installed Emperor Maximilian (Brian Aherne). Nominated for two Academy Awards for Best Supporting Actor and Best Cinematography. 10 x 8.25 inches. Light edgewear, else Near Fine.

First Edition, First Printing. Signed and inscribed by the author, Jerome Lawrence to his literary agent Roslyn Targ, and her husband, William Targ, this bookĠs publisher as editor-in-chief at G.P Putman. Inscribed: ÒFor Ros and Bill, who gave birth to this book. My gratitude and affection always, Jerome Lawrence, October 21, 1974Ó. Biography of the legendary stage and screen actor. Fine in a very good dust jacket. Illustrated.

Condition: Very Good +. Dust Jacket Condition: Very Good. Inscribed by actor Paul Muni to Robert Lee, one of the play's co-authors on the half title: "To Bob - I can't equal you in stringing 'words' togfether but I can in my admiration and affection. May good health and happiness be with you always. Paul Muni October 1955". On the fron pastedown, Muni has amended his original ownership of "Property of Paul Muni" so it reads "Was (Property of Paul Muni) stolen byu Co-author of Jerry one.ah. Robert E. Lee" Dustjacket toned, more at spine, with some light chipping corners and spine tips.

240 : 190 mm Signed scene from the movie The Woman I Love".

Vintage reference photograph from the 1937 film, showing actors Miriam Hopkins and Louis Hayward on the set, with a camera crew capturing the scene in the foreground. Printed mimeo snipe and RKO stamp on the verso. Based on Joseph Kessel's 1923 novel, set during World War I, about a pilot who falls in love with his superior officer's wife. Anatole Litvak's Hollywood directorial debut, and a remake of his own 1935 French film "The Crew." 8 x 10 inches. Near Fine.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1881 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 89 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 89 Language: French.

Vintage double weight borderless portrait photograph of actor Paul Muni, circa 1934. Stamp of photographer Elmer Fryer and printed mimeo snipe on to the verso. Austro-Hungarian stage and film actor Paul Muni was considered to have been one of Warner Brothers' most prestigious players of the 1930s, granted the rare privilege of choosing his own roles, including his most famous performance as the titular character in the 1932 film "Scarface." Muni was nominated for five Academy Awards throughout his career, winning one in 1936 for "The Story of Louis Pasteur," and received a Tony Award for his role in the 1955 production of "Inherit the Wind." 8 x 10 inches. Lightly toned, else Near Fine.

Vintage studio still photograph of actor Paul Muni, circa 1930s. Provenance stamp on the verso. Austro-Hungarian-born stage and film actor Paul Muni was considered to have been one of Warner Brothers' most prestigious players of the 1930s, granted the rare privilege of choosing his own roles, including his most famous performance as the titular character in the 1932 film "Scarface." Muni was nominated for five Academy Awards throughout his career, winning one in 1936 for "The Story of Louis Pasteur," and received a Tony Award for his role in the 1955 production of "Inherit the Wind." 10 x 8 inches. Lightly toned, else Near Fine.

Gelatin silver print. 1 vols. 8 x 10 inches. Inscribed "To Grace Goldberg with my best wishes - Paul Muni." Fine early portrait of the youthful Muni. Corners slightly creased, else very good Gelatin silver print. 1 vols. 8 x 10 inches.

Two vintage reference photographs from the 1932 film, showing actors Paul Muni, George Raft, Karen Morley, Purnell Pratt, and others. Based on the 1930 book by Armitage Trail, which was in turn based on the true exploits of notorious Prohibition-era mob boss and bootlegger Al Capone. Along with "Public Enemy" (released only a few months prior), generally considered to be the quintessential American gangster film, one that Capone himself came to embrace and even screen in his home. Set in Chicago. Both photos 10 x 8 inches. Near Fine and Very Good plus respectively. First photo (Muni and Morley dancing) has two short closed tears at the top edge, repaired with conservator's tape on the verso. National Film Registry. Rosenbaum 1000. Godard, Histoire(s) du cinema. Scorsese, A Personal Journey Through American Movies. Penzler 101. Grant US.

Slightly darker print (from the same negative) than that published in PORTRAITS: the Photographs of Carl Van Vechten, (1978), edited by Saul Mauriber. Bust portrait of the actor. 1 vols. 35 x 27.7 cm. (approximately 14 x 11 inches). Embossed stamp lower left corner, verso docketed on verso, giving the name of the sitter, the date of the session, and a reference to negative and print ("VII b 21") Bust portrait of the actor. 1 vols. 35 x 27.7 cm. (approximately 14 x 11 inches) Slightly darker print (from the same negative) than that published in PORTRAITS: the Photographs of Carl Van Vechten, (1978), edited by Saul Mauriber.

Published in PORTRAITS: the Photographs of Carl Van Vechten, (1978), edited by Saul Mauriber. Bust portrait of the actor. 1 vols. 35 x 27.7 cm. (approximately 14 x 11 inches). Embossed stamp lower left corner, verso docketed on verso, giving the name of the sitter, the date of the session, and a reference to negative and print ("VII D") Bust portrait of the actor. 1 vols. 35 x 27.7 cm. (approximately 14 x 11 inches) Published in PORTRAITS: the Photographs of Carl Van Vechten, (1978), edited by Saul Mauriber.